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Theater, 8 p.m . sharp. H ighly ighly H sharp. . p.m 8 Theater, Tuesday n ig h t a t the I.V. I.V. the t a t h ig n Tuesday te rm is s io n . Be th e re next next re e th Recommended. Be . n io s is rm te V C R /re frig e ra to r connection by by connection r to ra the e frig covers /re A.S. R C and V theaters, the ovdi g in vid ro p beats card reg. a ith w bucks o tw e’ n ecs f pie — price r fo excuse no ’s re e h T c o m m e rc ia l age c o u c h e rs . . rs e h c u o c age l ia rc e m m o c quick enough fo r us 30-second 30-second us r fo enough quick som ething new to look at, and and at, look to new ething som nut t s ways s y a lw a ’s e r e th , s te u in m half stra ig h t of W hoopi o r Sly. Sly. r o hoopi W a no of and t r h ig hou Plus, stra an ugh half thro variety. ring ’s re e suffe th s film Ranging from 3 1 /2 to 28 28 to /2 1 3 from Ranging visions — w ith over a dozen dozen a over surreal ith w — comedy, visions a, docudram though. You get the artsy, the the artsy, the get You though. sy, maton, , n tio a im n a , y ts r a - o d u e s p It’s not all th a t serious, serious, t a th all not It’s re food free

— jesse engdahl jesse — t h i ­ in the at 2A Thursday, November 10,1988 Daily Nexus

Angeles Times book award, Read This Review documents his numerous, extended Piano virtuoso Minoru Nojima has visits to the Martinique Hotel, a enraptured audiences worldwide since homeless shelter in N ew York City. He ’he stuftned the international Van will discuss the overwhelming day-to- Cliburn Competition judges in 1969. day struggle of some of the poorest Here's what the Los Angeles Times people in our country. Take this had to say: chance to see how the other half really lives.

Glorious. Geoius. Greatness. Stephen H awking g » ** Baby U niverses: Children of Black H oles

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Widely-regarded as the world's most brilliant theoretical physicist, Stephen Hawking wrote the best-selling book S* ííft£ yev«^Ü'® \“ ^»WWuheS^ ” 1n«'»'»uon’ Noi*‘vafT^u»w *« dvanu8«' «n» for popular astronomy enthusiasts A Brief History of Time: From the Big Bang to Black Holes. s**- -< i< íS S ï ? * ^ £ î £ 2 S ~ ■ ^ In this revolutionary book, Hawking •ïï» «»»S tw -'fÄ »*"- 'Z~---~^r7r makes Einstein's Theory of Relativity and quantum mechanics accessible to non-scientific types. Hawking believes that a combination of the two, the incipient Grand Unification Theory, holds the key to how the universe Now Buy Y our came into being.

Tickets Hawking's lecture next Tuesday, Tickets are still available for this November 15 at 8 PM in Campbell golden opportunity to reach new Jonathan Kozol Hall constitutes a precious opportunity heights in musical inspiration with A t the Mercy of to experience the true brilliance of Minoru Nojima in concert Friday A merica: The N eeds of England's most prized scientist. night at 8 PM in Campbell Hall. Spare Hawking himself has battled a neuro­ yourself waiting in line for tickets at H omeless W omen and muscular disease for 26 years and the door and make a dash for the Arts Children speaks aided by a computer-generated, & Lectures Ticket Office soon (UCSB synthesized voice. students: $ll/$9/$7). Award-winning author Jonathan Kozol says, "Since 1980, homelessness Head to the A&L Ticket Office at warp Nojima's glorious program at UCSB has changed its character. What was speed! Tickets are going fast; any will include Mozart's moving Sonata once a theater of the grotesque has remaining tickets will be sold at the No. 8 in A minor, K. 310; Ravel's grown into the common misery of door (UCSB students: $3). inspired "Miroirs"; the impassioned millions." Schubert Sonata in B-flat Major, d. 960; and "Rain Tree Sketch," a brief He will give a free lecture tomorrow Charge Tickets night at 8 PM in Lotte Lehmann poetic work by Japan's famed By Phone composer Toru Takemitsu. Concert Hall on the plight of homeless women and children as part of "Poverty in the United States," an You can charge tickets by phone for ongoing year-long lecture series here any A&L performing arts event, and at UCSB. for many other special events presented by Arts & Lectures, by calling Kozol's most recent book Rachel and the A&L Ticket Office at 961-3535. The Her Children: Homeless Families in minimum order for credit card charges America, nominated for a 1988 Los is $10; we accept Visa or MasterCard.

NOVEMBER UCSB

Monday Tuesday Wednesday Thursday Friday Saturday Sunday

1 0 l i 1 2 1 3 Minoru Nojima 8PM /Campbell Hall W hite Heat Second Wind 8PM /Cam pbell Hail 8PM /Campbell Hall Jonathan Kozol 8PM /Lotte Lehmann Concert Hall

1 4 1 5 1 6 1 7 1 8 1 9 2 0 Shirley Hunc Stephen Hawking 4PM /Cirvetz 1004 Life Is a Dream 8PM /Campbell Hall 8PM /Campbell Hall Kiss Me Deadly ARTS & LECTURES 8PM /Campbell Hall Charge tickets by phone: 961-3535. OUTSIDE IT’S AMERICA U2 s ‘ ‘Rattle and Hum the Movie some new songs for a movie they want to make to capture themselves “ in this stage." What is this stage? They laugh instead of explaining— this should be about the music (“That’s what you promised” they challenge they're hand picked director) and the music can speak for itself. As the colorless show continues in an discovery of Americana, we see the music can. From a church session with a Harlem chior on "I Still Haven’t Found What I’m Looking For" that has the Edge on a effectless guitar and one amp, Bono on one PA, and the chior singing it's heats out, to a jamming duet with B.B. King on “When Love Came To Town" that gets a Texas really rocking, this is great filmmaking and great music. We get to listen to the other guys in the band besides Bono la diva. When they visit Graceland we hear the silent member, drummer Larry Mullin, and he’s funny. Adam Clayton is the less talented, existental beer-drinking everyman who just happens to play with to one of the most intense, solid guitarists alive. When the film switches Hearing “All Along the Watchtower" Francisco, when they needed a break important to say they don’t think it's to color for the finale at Sur. Devil on the new U2 album was kind of lame, from the monatany of touring. What holier than thou from the world’s best. Stadium in Arizona, Dave (The Edge) after all of Bono’s denials of "the band takes a tour break by playing an Look, if your over these guys, finding Evans puts on a vicious display of world’s greatest rock ’n roll band” extra free show? And what band has them too popular and pretentious, virtuosity. “ Bullet to Blue Sky" is so labels. Here they go with the quin­ the guts to stand up to the Sixties rip-off “ Rattle and Hum" won’t convert you— bold you’ll trip, with the music and tessential song of the conscientious accusations by blasting out a Dylan you'll find an excruciating drive for the Bono’s wailing set against an awsome decade, the time that rock 'n roll can't anthem? deifying of Bono. And if you think they light display. forget or recapture (and keeps pushing U2 is sort of stuck with all the press are the world’s greatest, you’ll just be Oh yeah, Bono’s wailing. The film­ this "unwilling" band next to). Hendrix and popularity, and they make the best styling onstage with your heroes maker obviously loves the man, but already did the ultimate cover, it’s still of it. Still, if the movie doesn’t paint reveling in their prime, blasting out does Bono love himself? Those who being played on every AOR station, so them as perfect, it doesn’t show much incredible power and passion (for a think he does, say “yeahhh." Those what gives Mr. Egoless? If Bono would weakness. When Bono paints some concert movie, this one earns the who claim he doesn’t, say “oh, that’s only say "we are the greatest band since lame message on a sculpture during cliches). just the nature of a concert movie, the Stones" and then laugh, people the free show, there’s no mention of the But if you just like U2, mostly cause didn’t you see Song Remains the Samel” probably wouldn’t accuse him of fact that he later issued an apology for you like Rock-n-Roll, than you should Bono probably doesn’t love himself as posturing. But U2 doesn’t laugh much. defacing another artist’s work. If they check this out. The first two thirds of much as Robert Plant used to, and his That's probably why it's getting hard to had included such energetic misfires it the film are mostly hand held shots by comments before “ Sunday Bloody keep taking them seriously. would have made them look a little filmmaker Phil Joanou (USC film-whiz Sunday" are powerful, and genuine. But in the movie Rattle and Hum we younger, fallible, more rock ’n roll. But Grad who made the spectacularly shot These's too much of him, but not too get to see them laugh. And we see that “ Rattle and Hum” does rock, and spells "Three o' Clock High” — rent it), black much to keep this from being a great “A A T W" was a spontaneous shot at a out that they're not in it for the money. and white monochrome of the band flick.. spontaneous free concert given in San Just because they’ve got something traveling home to Dublin to record — jesse engdahl LOONEY TUNES Tournee of Animation The list International Tournee of Animation begins its run classic cartoon mix of violence and humor. this Sunday at the Arlington theatre ready to razzle- Fans of computer animation will be disappointed to dazzle virgins and fanatics alike with its collection of find Technological Threat the only computer-generated Santa Barbara premieres. The biggest news to those entry in this year’s tournee, acually a mix of hand- of you who tend to catch anything and everything drawn and machine-generated images. The plot: When animated that isn’t Saturday morning TV is that you machines start replacing the workers at an office a won’t have to sit through Bambi Meets Godzilla again. battle ensues between the computer-drawn and the These are the post-Roger Rabbit success days for hand-drawn characters. animation, which means what was the underground art cinema of the early ’80s is today big bucks. The highlight is The Man Who Planted Trees. When you The producers of this year’s tournee have put notice that it’s a half hour long you may get a little on together a solid collection of some of the world’s best the defensive. “What are they thinking, that’s as long animation. Going beyond the usual mish:mash of as a Cheers rerun (with commercials)!” Fear not. unconnected shorts, they actually seem to be trying to Although most entries average the length of a Bugs build a mood with their mix of the trippy, the Bunny cartoon, this longer feature is worth the time. existential and the sentimental. Maybe they're just The style of The Man Who Planted Trees, best compared getting better at packaging these things. Whatever the to French Impressionism, couples with a story that case, the 21st tournee includes some real highlights, reinforces some positive potentials in human nature. including the 1987 academy award winning short The It’s also the only 35 mm print showing in the world. Man Who Planted Trees. There are some other visual treats playing, in­ Fans of Roger Rabbit will be interested in seeing cluding a sequel of sorts to Anijam called Candyjamand The only reason Sam Shepard is such a stud is Richard Williams Portfolio, a collection of commercials the return of the ever-popuiar Agusta with Agusta Jessica Lange. She is so incredibly gorgeous, it’s not directed by Rabbit’s animation director. The funniest Kneading. Whether you're a tripper, a fan or just fair that she’s also intelligent, sensitive and talented. of the series is a beer commercial about a cat willing to curious, the 21st tournee is one of the better collec­ She illuminates Everybody’s All American so com give up his nine lives for a cold one. It's like watching tions of animation to drift into Santa Barbara. pletely with her southern-belle, beauty-queen the opening sequence of Roger Rabbit all over again, a — adam liebowitz character that great performances by Dennis Quaid // is worse than Cheadle Hall. and Timothy Hutton (both engrossingly sweet and solid)are well overshadowed. Quaid, Louisiana State's 1959 All-American running/defensive back, runs a the way to an undefeated national championship, his Magnolia Queen Lange right at his side ("I’m majorin in Gavin and me"). The Gallopin’ Ghost always knew that the hero wasn’t real, but never learned to do anything but score touchdowns. With director Taylor (Officer and a Gentleman) Hackford pouring out the melodrama, it's quite neat that this sweet love story never gets sticky. The period and place are milked dry but to our amazement we never quit believing in the two-dimensional characters. We’re reminded of the ways we always remember others and, how we manage to keep doing the same thing over and over again Therein lies the lesson of the story, and it’s simple success. — jesse engdahl U * W 8 8 GIVE ’EM ENOUGH OIL lazy to shake their groove broke into a spirited another industrial feast!” thangs to some of the hits version of "Read About This liberal call to arms off Diesel and Dust, the Oil's It” . If the rhetoric didn’t was put forth by Midnight current album, along with sink in maybe the lyrics Oil lead singer/political past goodies from The did. activist/former Australi­ Power and the Passion. There is no question an surf punk/contortion Oodles of the crowd that the Oil’s know how to artist Peter Garrett last were below the age to put on a great show. Saturday night to a sold vote for Bush and Lago, When was the last you out crowd at the Santa their obvious choices, on saw a dingo, a kangaroo Barbara County Bowl. Tuesday. Not really and a diesel truck with a It’s not clear whether knowing what they were trumpet player on back as the crowd was more up against, the band did the stage set up? More interested in dancing or take the time in between importantly they can put how to procure their first songs to try to educate out a solid set of dancable BMW. But this band was th e young " im ­ and thinkable songs. definitely there to play pressionable” minds Besides who wants to some charged tunes and spread before them. A question the political and get these kids off their long speech by Garrett on musical ideals of a 6 ft 6 apathetic butts (THIS the drawbacks of a in .bald man? WASNT MTV, IT WAS market economy went LIVE MUSIC). For­ over most of the crowd’s — adam liebowitz and tunately, they weren’t too heads; undaunted, they scott gordon

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Steve Ralbovsky must be the kind of guy who buys records just to make mixed tapes. Several years ago he put together a compilation album called Lost in the Stars which had Sting, Richard Butler, Marianne Faithful and others doing the music of Kurt “three penny opera” Weil. Now Ralbovsky is exploring the treasures of Walt Disney. Called Stay Awake, his newest is billed as “various interpretations of music from vintage Disney films.” The producers have taken classic Disney songs like Heigh Ho and Whistle While You Work and given them to a variety of artists to perform and interpret. The All-Star cast includes Tom Waits, Los Lobos, The Replacements, NRBQ, Buster Poindexter, Natalie Merchant (Ten Thousand Maniacs), Michael Stipe (R.E.M.), Sinead O’Connor and a whole gang of others. This record is a great idea, but its realization is a little sketchy. If you want to pull some songs off a record to throw on a super-cool mixed tape then Stay Awake is your cup of tea. The Replacements do an incredible version of “Cruella De Ville,” Tom Waits takes the happy-go-lucky “ Heigh Ho” and makes it down-right scary, and the Los Lobos version of "I Want to be Like You” from Jungle Book is magic. This record is like a chocolate chip cookie; the whole thing is tasty and every so often you hit a really great part. While being a good novelty, Stay Awake doesn’t hold together that well as an album. Ranging stylistically from jazz to rock to a capella vocal, the record is always interesting but virtually impossible to play all the way through. Some of the songs seem poorly chosen and some performances (like Ringo Starr's “When You Wish Upon A Star” )are just bad. But hey — if you like hearing a gang o’ great artists ITS JUST MOT A niRTY IF YOU DONI HAVE A M U taking a stab at something new, off-beat, a little crazy, and a lot Disney, give this piece o’ wax a gander.

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1 1 • 1 0 * 8 8 5A BILLY THE KID Oakland Ballet was here... variety of style'7 None formance, the effects famous George Balan­ barre where they other than the Oakland were just icing on the chine. stretched and did plies. As Ballet, which performed cake. After dancing under The last piece, the music became louder in UCSB's Campbell Hall the stars with the ghost ot "Bolero," used Ravel's and more intense, the this past Saturday and his sweetheart, Billy is piece to show off the dancers' moves became Sunday. shot by his best friend, performers’ acrobatic more dramatic, while the The first piece, Pat Garrett. The piece and contemporary onlookers stopped “Gallops and Kisses,” ends with the whole town modern dance skills. Set practicing and gazed was a tribute to the great moving across the stage; in a rehearsal hall, a intently. “ Bolero" ended nineteenth century some using lassos to soloist or a group of nicely with the dancers Danish dancer and bring in imaginary cattle, dancers would perform falling dramatically to the choreographer, August and others riding off into center-stage while the ground...... Bournoville, whose the sunset on their others watch from the — michelle poock technique Guidi studied imaginary horses. at the Royal Danish The dimly lit ballroom Ballet. The light, intricate of "Hand of Fate” gave a “THE BEST NEW MOVIE IN YEARS!” footwork of the dancers beautiful ambiance, exuded the image of strongly enhanced by the “THE SUMMER’S FUNNIEST HUN!” children playing in the handsome, tuxedo-clad “A GREAT Well, almost everyone. “TWO air. Couples coyly kissed Ron Thiele, and the tall, FILM!” THUMBS after courting with fancy elegant Joy Gim. The ImI U«f»< tow âMfba Alt UP!” footwork. The piece well-done modern waltz­ “PURE GOLD!” ended with a playful tone “COMPLETELY like pas de deux was “TERRIFIC!” ORIGINAL!” as the strong soloist, choreographed by the Itart, IIM lIW i Michael Myers, blew one “A WINNER!” last kiss to the audience. — Smm Mail* I Uni«. D.fr*M N.wf "Billy the Kid," The “THE PERFECT ODD American “Western” The COUPLE!” ballet, came complete G.LS.U. - M ( •(« . WWU IV with cowboys, dance hall present “A NONSTOP girls, dispatch officers BELLYFUL OF LAUGHS!” and housewives. AMOBEA In a dance-hall fight, A group of dancers In a crowded rehearsal Billy’s sweetheart is FRIDAY MIDNIGHT appear to hover above hall, Ravel’s “ Bolero" accidentally killed, the floor. An American sails through the room, altering Billy into a man a Dance Party ROBERT CHARLES cowboy mounts his while leotard-clad ready to kill. The at the Old Gym I)E NIRO A C W H GROWN imaginary horse and dancers show off their utilization of shadow and Friday, Nov. 11 rides off into the sunset. newest moves to their lighting effects gave 9 pm $4 admission Alone in a dimly lit peers. Michael Myers’ Billy a or $6 if you want ballroom, a handsome Which company has the larger-than-life quality. unlimited Cerveza couple dance a pas de deux. range to perform such a Yet with Myers’ per­ Don't miss the world famous Thursday, Nov. 10 • I.V. Theatre Amoeba Go-Go Dancers If you do, you'll 7,9,11 pm • $2.50 regret ft. NEATO ART EXHIBIT Spons. by A. S. Sponsored by: Accounting Association

College of Creative Studies "A Beautiful Movie” NBC “ My greatest aspiration is to inspire others to create."

The work of Cyril Daniel Gordon surpasses the tangible and you are left with the utmost experience of art. Color. Texture. Depth. And mobility. International Critica Each painting edge is a boundary to another place. Transcendence is less a Prize'1988 Cannes Film Festival motive than outcome. ~ % i A Film by MARCEL OPHULS It would be less difficult to describe Cyril Daniel Gordon’s work in realistic art terms. There are colors, line and form to deal with. And explain. But this is the art of idea. And where it projects the viewer is far beyond where explanation could HOTEL lead you. Translation is unimportant. Cyril Daniel Gordon's work moves for itself. “We are AL/ONE,” he writes in the exhibition notes. TERMINUS “ I fear what is on these walls because I fear myself. The Life and Times of “ I stand here naked before you, cold, bare, and vulnerable. But, alone I’m not, KLAUS BARBIE for in my nakedness we are all one and the same.” SORCERESS Drawing a sizable crowd to his Tuesday night opening at the College of Creative NOV. 11-17 at 7 €r 8:50 NOV. 12 Er 13 at 1:15 ONLY • 963-7868 Studies, Cyril Daniel Gordon opened the possibilités of what he calls “AHT." VICTORIA ST. THEATER • 33 W. VICTORIA • 965-1886 The aspiration to inspire others has given Cyril Daniel Gordon the term “AHT"8 an idea to "reject the word ‘ART,’ which has become so abused these days as to be associated with everything from toilet seats to pink hair.” Here, there is melancholy. There is futility. And there is purity. Do not miss the possibility of one moment of transcendence. "AHT" by Cyril Daniel Gordon is on exhibit at the College of Creative Studies. — laurie I. mccul lough 11* 10*88 BACK FROM THE USSR UCSB DRAMA From the first moments by simple hand gestures times to the stage. of last Saturday night’s from Svetlanov, played The program’s last concert at the Arlington, together beautifully like work, Symphony No. 2 in C the U.S.S.R. State Symphony half-a-dozen Itzhak minor Op. 29, by Alexander Orchestra , under Yevgeny Perlmans. Amid huge Scriabin, premiered in Svetlanov, demonstrated swells of gorgeous sound 1902. A contemporary of why it is regarded as one from the strings, the Rachmaninoff's, but far of the world’s finest powerful brass section more experimental in his ensembles. Clean provided incredible music, Scriabin was phrasing, clear in­ fanfares. influenced by mysticism tonation, shimmering Yet this was not a and the concept of strings and stirring brass completely showy per­ relating music to colors. illustrated the sheer force formance. In its subdued Unfortunately, this is of this orchestra. sections, the orchestra not one of his better The first work was accompanied the pianist works, being too long and Sergei Rachmaninoff’s without overpowering unnecessarily repetitious. Piano Concerto No. 2 in C her. His direction clear However, parts of this minor, Op. 18, with soloist and restrained, five-movement work are Lubov Timofeeva. Svetlanov’s background colorful, and the or­ Under the direction of Stanley Glen, the UCSB Department of Completed in 1901 after as a composer no doubt chestra made much of Dramatic art presents Child Byron. Rommulus Linley's play about Rachmaninoff had come led him to successfully them. The flute soloist the scandalous life of Romantic Poet Lord Byron opens at 8pm, out of a long depression, touch up the scoring of had fun with his November 10-12 at the University Studio Theatre, then plays it catapulted him to fame. the last movement with a imitations of bird calls, another engagement November 15 through 19. A portrait of Timofeeva played tuba. The enthusiastic and the final movement Byron’s life revealed throught the eyes of his dying daughter, lyrically, capturing the audience gave both allowed the brass to show director Glen advises that the play “ is very theatrical, not a boring pieces’ romantic, conductor and soloist a their stuff one last time in biography." Byron’s daughter resurrects his spirt in order to somewhat melancholy standing ovation and a triumphant conclusion. better understand the father she never knew. Theatrically, the spirit. The orchestra, led recalled them several — ben lipkowitz relationship based on love and resentment creates a mounting tension. Glen explains "such tension has wonderful production potential and in this case is visually glorious,” and suggests that Childe Byron might be appreciated as much for it’s costumes, setting, lighting, and musical aspects as for it’s fascinating content. Tickets are available at the A and L box office or call 961-3535. — simone griff ith How to run your own snow Warren Miller goes far to ski next Wednesday night at Campbell Hall. THINGS TGDOO uni iiimiii ______t r. - , v - . ______

The American Express® Card can play a starring role O.K. By popular demand, the spew is back. And virtu a lly anywhere you shop, from 111 Isa to Thailand. there are many neat things to dc (neat is the hot word Whether you're buying a TV or a T-shirt. So during college this week, you neat dude, you neat chick, we love you, and after, it's the perfect way to pay for just about we do). First off, go see the next to last neat gangster everything you'll want. Film Noir flick, White Heat, tonight at 8pm in Campbell. How to get the Card now. Killer James Cagney snarls “you dirty raahhtt," giving College is the first sign o f success. And because we believe us plenty of psychotic action and suicidal impulse. If in your potential, we've made it easier to get the American you liked 48 HRS., French Connection, or Body Heat, you'll be Express Card right now. Whether you're a freshman, senior or grad student, look into our new automatic approval loving this ... Warren Miller's neat new ski-flick, Escape offers. For details, pick up an application on campus. Or to Ski, promises to give thrills and chills (brrr) to fans call 1-800-THE-CAR1) and ask for a student application. and fanatics, twice showing twice nightly, nex Wed. Hie American Express Card. November 16 at 7 and 9pm in Campbell, and Thur­ Don't l^ave School Without It5" sday at 7 and 9pm at the Arlington. Miller's the king (what about Bud? so don’t miss out ... ROCK ME AMADEUS! Did you see that neat Arts and Lectures ad "Glorious, Genius, Greatness?" Well, this piano player is the hottest thing sinced sliced bread, so if you wan't to hear some rad renditions of some mad Mozart go see pianist Minoru Nojima tomorrow night in Campbell (just carve your name on a seat)... and there’s another one of those neat free concerts on Saturday in Anisq’oyo Park, with Sylvia Juncosa, Claw Hammer, Coyote Ugly, Red— //and others, it’s a fundraiser for our worthy (and neat) radio Station KCSB, so go, go, dance and prance in the grass, drink beer in public and love your neighbors down ... — jesse engdahl

TRA/EL RELATED »• hen I took that little ¡terbi! tmi o fmy lull and said "you dirty rat! SERVICES 11 • 1 0 * 8 8 HOTEL TERMINUS: But when memory and history dies along with people, I think that we are confronting a rather distressing situation and I don’t feel particularly upbeat about it. There’s all the shoulder-shrugging and callousness and indifference to what has happened to other people, whether it’s in the present or the past. And I think comedy or irony, with the juxtaposition with interviews when people say outrageous things — for instance, saying what a great family father this man is — and then it is contrasted at some point in the film with what he is reputed to have done, is effective. That’s a basic irony right there. It’s not a particularly cheerful one, is it?

"There’s all the shoulder-shrugging and callousness and indifference to what has happened to other people, whether it’s in the present or the past. ”

ARTS: You say it’s a sad day when memory and history die. Is that what you’re doing through your documentaries; keeping memory and history alive? Or is it more of a case of instructing people? Ophuls: I’m confronted in my life with various events, most of which have to do with my making a living, and I’ve become someone who is associated with a certain kind of work. But as far as Barbie was concerned, it wasn’t my idea to bring him to justice in France. When he was brought back to France I agreed with the idea that he should have been brought to justice, and he was. But the business of instructing people, I don’t think that the trial was meant as an attempt to educate Would a respected documentary filmmaker appear memory and oral tradition in your current film and the masses. in an interview clad only in pajamas and a bathrobe? your previous documentaries. The film is about that man in our period of history, Of course he would. Especially if he is Marcel Ophuls Ophuls: Night and Fog of course is a very great film, I and those events, why is he brought back to trial, why and he’s filming his third documentary on the Nazi think, which uses the traditional form of documen­ do people react the way they do, why does the trial crimes of World War 11. taries, which is the off-screen narration and the use of take place, what happens, and who is he. Because it Ophuls' new film, The Hotel Terminus: The Life and archival material. When I started in this line of seems to interest a great many people. Times of Klaus Barbie, documents the period, crimes, business it was a fundamental decision that I made at Now does this all have to do with a sense of mission, refuge and subsequent bringing to justice of one of the some point ... that I would not use off-screen of teaching, or does it have to do with my coming to the most terrorizing Nazi figures, Klaus Barbie, “The narration. I started in television and I guess I end of the trilogy, or with my having a Jewish Butcher of Lyon.” Ophuls presents the subject matter developed at that time a technique which emphasized background, or having spent a childhood in Germany in a manner that makes this four-and-one-half-hour interviewing, editing and juxtaposing interviews. And I and France? I don’t know. It would be my hope that film not only horrific and informative, but also en­ became successful at that for a while and I still think people would not have my background and that they tertaining. Before Ophuls' lecture and screening of his that it is a different form of filmmaking and an in­ would still be interested in these events. And keep new film, I had a chance to talk to him about his latest teresting one, because it’s a form of storytelling, really, being interested in these events long after the people project. where interviewees become characters in a story. In concerned have died. I think we all should be in­ ‘-'ARTS: You made two previous documentaries on other words, they don’t just have the function of being terested in what had happened before we were born, the Nazi occupations and crimes during World War II narrators, they also define themselves in the process. because we are the heirs to whatever happened (The Sorrow and the Pity and The Memory of Justice); what before we were born. And we can’t cut ourselves off inspired you to focus on Barbie? from that. And I think that’s what is happening right Marcel Ophuls: Most people in France at the time “But when memory and history dies along now, and it’s being orchestrated and it seems to be when Barbie was brought back were reading about it what’s accepted. in the newspapers and seeing it on the television ... it with people, I think that we are confronting a I’ve never felt on the defensive before, especially was hitting the headlines and it was a famous case. rather distressing situation. ” not in this country about working in that particular line And I was like most people in that I read about it. I got of work. And all of a sudden it’s as if I were making a phone call from an American editor of an American movies about veterans with old medals and as if I were weekly called The Nation, and he asked if I would ARTS: In The Hotel Terminus: The Life and Times of Klaus an old matron with old medals myself and keep eventually be interested in attending the trial and Barbie, you are not the outsider as the director, because repeating the same old ... I don’t think that I have reporting on it as a special correspondant in Lyon. And you are the one conducting the interviews and taking been. — dawn mermer I said yes, I would be interested. We expected the trial part in the discussions. to happen within a year. Ophuls: I’ve always been both the director, the So it all started from there. The man had called me supervisor of editing and the main interviewer. I lead obviously because of what you said, because I had the interviews in the direction in which I want to lead made a film which was about the German occupation them, because this is where choices are made in the in France which was called The Sorrow and the Pity. And people you interview, the choice of questions that you this subject matter was something that was associated put, or in the way you respond to what somebody is with me. This (assignment) interested me because I telling you. Also in taking that material and editing it in had never been to a trial. I was interested in it in the a way to tell a story. In any form of audio-visual or same ways that other people would be. And all the rest literary communications based on making choices, of it just developed from that, because the trial didn’t who else is to make them but the author? come and I needed money to do research ... to travel to ARTS: This film is the third in your trilogy of South America, to North America, to Germany. And all documentaries on this subject. Have your opinions of this had to come together in a way that I could also changed on this subject over the years through in­ provide for my family. It was a slow process and the vestigating the topic further? It seems as if your trial kept being postponed. current film takes on a more ironical and sarcastic tone ARTS: Apart from other Nazi World War II to this subject? documentaries, especially like Night and Fog, you rely Ophuls: That’s true. But it’s not because I feel more more on the spoken word, on interviews, rather than cheerful about the subject, it’s the opposite, because I on visuals. You seem to emphasize the whole notion of have a feeling that history is dying. Everybody dies.

This symbol represents the unity of humankind — moving, meeting, passing, This package is...amusing and consistently en­ returning again to those central intersections where people and cultures share deep tertaining."- Jim Higgins, Milwaukee Sentinel RELATIONSHIPS human values — interlaced through our common humanity and continually con­ PUBLIC LECTURE SERIES fronted with our need to understand one another. "The 21st Tournee stands out as one of the best to date. No one interested in animation should miss this exceptional program!"- Charles Solomon, LA Times flL Featuring _ T h e n r L IS T E N T O W IN BRINGING E T E THF MAN WHO Thursdays 4:30-5:30 pm P L AN T tit) TRUES T IC K E T S T O The 1987 |M Student Health Sevice Conference Room. UCSB Academy Award DAYS OPENING DAY! Winner for S U N 11/13 November 10,1988 W o r ld Best Animated Short ONLY! 3:00 P M

I f i c VYUIIU 5 * U NEW! own o earth A ll INTIMACY: D T Best Animation! PREMIERES! Overcoming Barriers The 21st International Tournee Phylis Wakefield November 10,1988 — 7:30 pm in the MULTI CULTURAL CENTER Assistant Coordinaior, Alcohol/Drug Awareness Program. ANIMATI Ol Student Health Service (Bldg. 434) POETS, WRITERS, TRAVELERS, 1988 Expanded Entertainment All lectures are Free and Often to the Public PROFESSORS, STUDENTS... OPENING SUNDAY. NOVEMBER 13TH Sponsored by Health Education. Student Health Service in ( tmiunctinn wok Anyone Welcome to Read or Listen to Poetry of Your Interest ARLINGTON CENTER 966-9382 Presented by the Multi-Cultural Center in cooperation with A.S. Program Board. Sociolgr WA For information call 961-84! t • 1317 State St. Santa Barbara 8 A Thursday, November 10,1988 Daily Nexus Film Student. Festive!

Tuesday, Nov. 15 8-11 pm

This national event features student-made films from NYU, USC, UCSB, Colombia University, U. of Iowa and many other prestigious colleges around the country. These films have been judged previously by four panelists and will be presented to the general public on Nov. 15. Categories include drama and documentaries. Come and see these early films of the movie-makers of tomorrow. Cost is merely $2 for students and $2 general admission. For m ore inform ation call A.S. Program Board at 961-3536.

Buy Your Tickets Now For Don't M iss the Homecoming Tailgate Festival An Evening of Poetry, Saturday, Nov. 12 Prose and Music featuring the sounds of with Jim Carroll, Michael McClure B®awi' e ea& i | ] Atlantic recording artist “Beatnik Beach” will play in & Ray Manzerak Storke Field as part of the Homecoming celebration this November 22 at 8 pm in Campbell Hall weekend. You’ve heard their hit single on KTYD. Don’t Tickets are on sale now miss this chance to see one of the hottest new acts in the $6 students $8 general country for F R E E !! A lso on Nov. 12 Jazz Greats Billy Mitchell &

John Bolivar .*> ini// fcfii will perform at 8 pm in Lotte Lehmann Concert Hall Buy your tickets at the A.S. Ticket Office now

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"Warren Miller is a combination Jean-Claude Killy, Robert Bedford, Ingmar Bergman and Woody Allen." -L A . Times Hot skiing and outrageous comedy from Canada to Europe,from Mammoth to Morocco WED NOV 16* UCSB CAMPBELL HALL Sponsored by AS. ftogram Board THURS NOV 17 »ARLINGTON - A - 7 4 9 pm • Discount tickets at all ski shops S06 andUCSBUC.il D lg V KTYD

HAPPY HOUR in the PUB Bringing the Entire Buy your tickets now for featuring TOM BALL Crazy 8's * W orld & KENNY SULTAN Down to Earth Tuesday, Nov. 15 5-7 pm The are coming to U C SB Poetry Nov. 20 EXTRAVAGANZA This page provided Reading and paid for by the Tickets on sale Tonight at 7:30 in the Multi-Cultural Center Committee Meeting Associated Student at the A.S. Ticket Office Wednesday, Nov. 16,3-4 pm Program Board Everyone is Welcome! ASPB o ffic e rm 3167 UCen 3rd flo o r