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Movie Mirror Book
WHO’S WHO ON THE SCREEN Edited by C h a r l e s D o n a l d F o x AND M i l t o n L. S i l v e r Published by ROSS PUBLISHING CO., I n c . NEW YORK CITY t y v 3. 67 5 5 . ? i S.06 COPYRIGHT 1920 by ROSS PUBLISHING CO., Inc New York A ll rights reserved | o fit & Vi HA -■ y.t* 2iOi5^ aiblsa TO e host of motion picture “fans” the world ovi a prince among whom is Oswald Swinney Low sley, M. D. this volume is dedicated with high appreciation of their support of the world’s most popular amusement INTRODUCTION N compiling and editing this volume the editors did so feeling that their work would answer a popular demand. I Interest in biographies of stars of the screen has al ways been at high pitch, so, in offering these concise his tories the thought aimed at by the editors was not literary achievement, but only a desire to present to the Motion Picture Enthusiast a short but interesting resume of the careers of the screen’s most popular players, rather than a detailed story. It is the editors’ earnest hope that this volume, which is a forerunner of a series of motion picture publications, meets with the approval of the Motion Picture “ Fan” to whom it is dedicated. THE EDITORS “ The Maples” Greenwich, Conn., April, 1920. whole world is scene of PARAMOUNT ! PICTURES W ho's Who on the Screcti THE WHOLE WORLD IS SCENE OF PARAMOUNT PICTURES With motion picture productions becoming more masterful each year, with such superb productions as “The Copperhead, “Male and Female, Ireasure Island” and “ On With the Dance” being offered for screen presentation, the public is awakening to a desire to know more of where these and many other of the I ara- mount Pictures are made. -
Ouida Bergère
Ouida Bergère Also Known As: Eulalia Bergère, Ida Bergère, Mrs. George Fitzmaurice, Mrs. Basil Rathbone Lived: December 14, 1885 - November 29, 1974 Worked as: adapter, film actress, scenario editor, screenwriter Worked In: United States by Laura Jacquelyn Simmons Ouida Bergère was perhaps best known in the film industry as Mrs. Basil Rathbone and party hostess extraordinaire. However, before her marriage, to Rathbone, Bergère was a prominent and top paid scenario writer. Bergère was born in Spain, but moved to the US at the age of six. Her father was French-Spanish and her mother, British (Lowrey 1920, 22). There is some conflicting information regarding her birth name; most sources claim she was born Ida Bergère, others Eulalia Bergère. Regardless, upon entering the film industry, she changed her name to Ouida. Bergère began her film career by serving as scenario editor and actress for Pathé Freres, eventually writing her own scripts and branching out to other companies, including Vitagraph and Famous Players-Lasky, according to the New York Dramatic Mirror in 1915 (24). Much of Bergère’s screenwriting career coincides with the career of her second husband, George Fitzmaurice, to whom she was married before Rathbone. She met Fitzmaurice after she started her screenwriting career, and after their marriage, he directed almost all of the films she wrote. As is the case with the many Hollywood marriages, Bergère’s relationship to Fitzmaurice must be considered when discussing her career, and, typically, because her career was so closely linked to that of Fitzmaurice, there is confusion about their credits. She very well might have had her hand in directing some of the films that have been credited to him, as was the case with other couples such as actress Alice Terry and director Rex Ingram. -
Creaturely Encounters: Animals in the Libyan Literary Imaginary
Olszok, Charis (2016) Creaturely encounters: animals in the Libyan literary imaginary. PhD Thesis. SOAS, University of London. http://eprints.soas.ac.uk/id/eprint/23805 Copyright © and Moral Rights for this PhD Thesis are retained by the author and/or other copyright owners. A copy can be downloaded for personal non‐commercial research or study, without prior permission or charge. This PhD Thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder/s. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holders. When referring to this PhD Thesis, full bibliographic details including the author, title, awarding institution and date of the PhD Thesis must be given e.g. AUTHOR (year of submission) "Full PhD Thesis title", name of the School or Department, PhD PhD Thesis, pagination. Creaturely Encounters Animals in the Libyan Literary Imaginary Charis Olszok Thesis submitted for the degree of PhD 2016 SOAS, University of London 1 Declaration for SOAS PhD thesis I have read and understood regulation 17.9 of the Regulations for students of the SOAS, University of London concerning plagiarism. I undertake that all the material presented for examination is my own work and has not been written for me, in whole or in part, by any other person. I also undertake that any quotation or paraphrase from the published or unpublished work of another person has been duly acknowledged in the work which I present for examination. Signed: ____________________________ Date: _________________ 2 Abstract Animals occupy a strikingly prominent place in modern Libyan fiction. -
Congressional Recdrd-Senate 419 Senate
1931 CONGRESSIONAL RECDRD--SENATE 419 121. By Mr. SMITH of West Virginia: Resolution of the appeals arid defining its jurisdiction, and providing fol' othel' New River Coal Operators Association, of Mount Hope, purposes "; and W. Va., urging that Congress remove crude petroleum and S. No. 155. "An act concerning the judiciary; making pro fuel oil from free entry into the ports of the United States; vision regarding the court of appeals created by act entitled to the Committee on Ways and Means. I An act defining the jurisdiction-of the Supreme Court of the Philippine Islands, creating a court of appeals and defining its jurisdiction, and for other purposes'; providing SENATE appropriation for said court of appeals; applying the provi MONDAY, DECEMBER 14, 1931 sions of certain sections of the Revised Administrative Code to said court of appeals, and for other purposes." The Chaplain, Rev. Z~Barney T. Phillips, D. D., offered the Briefly, the purpose of the two acts was to relieve conges- following prayer: . tion in the work of the Supreme Court of the Philippine Eternal God, who art our refuge and strength, a very Islands by the creation of an intennediate court of ap pre&ent help in time of trouble, without whom life is naught·, peals between the courts of first instance and the Supreme help us this day to a more intimate knowledge of our better Court of the Philippine Islands. self, a swifter recognition of all that is best in our human ActS. No. 261 purports to diminish the present jurisdie heritage, that encompassed by Thy love and illuminated by tion of the Supreme Court of the Philippine Islands through Thy light we may rise above life's mediocre levels to those transfer of certain of that jurisdiction to the proposed court heights where intuition, transfigured by the dawning of Thy of appeals. -
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https://theses.gla.ac.uk/ Theses Digitisation: https://www.gla.ac.uk/myglasgow/research/enlighten/theses/digitisation/ This is a digitised version of the original print thesis. Copyright and moral rights for this work are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge This work cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Enlighten: Theses https://theses.gla.ac.uk/ [email protected] ERICH FROMM - A TWENTIETH CENTURY PROPHET? Mary Rattray Thesis for the Degree of M.Th., Department of Biblical Studies, The University of Glasgow, April 1995. c Mary Rattray. ProQuest Number: 10390503 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 10390503 Published by ProQuest LLO (2017). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLO. ProQuest LLO. -
Photoplay142chic
b U? 1 .i i \r\l\ /I m of Modern Art Scanned from the collection of The Museum of Modern Art Library Coordinated by the Media History Digital Library www.mediahistoryproject.org Funded by a donation from David Sorochty Digitized by the Internet Archive in 2013 http://archive.org/details/photoplay142chic zMary Thur-inan Photoplay Magazine—Advkrtisino Section 3 1 I Th,The worlds best guide book ! totO the enjoyment of music Entertaining Instructive Convenient Are you familiar with the story of the opera of Rigoletto? Of Faust? Of Pagliacci? Do you know the national airs of Denmark and China? Do you know which Kipling ballads have been set to music? Did you know that Chopin was pronounced a genius at eight years of age? Information on all these subjects is to be found within the 510 pages of the Victor Record catalog. It presents in alphabetical order, cross indexed, the thou- sands of Victor Records which comprise the greatest library of music in all the world. But besides that it abounds with interesting musical knowledge which "HIS MASTER'S VOICE" bco- o s p*t orr. adds greatly to your enjoyment of all music. It is a This trademark ami the tradeniarked word every music-lover will and there is "Victrola" identify all our products. Look under book want, a copy the lid! Look on the label' for you at your Victor dealer's. Or write to us and we VICTOR TALKING MACHINE CO. Camden, N. J. will gladly mail a copy to you. Victor Talking Machine Company, Camden,N.j. -
A Narrative and Stylistic Analysis of Terrence Malick's Films
University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Doctoral Dissertations Graduate School 8-2012 All Things Shining: A Narrative and Stylistic Analysis of Terrence Malick's Films C. Clinton Stivers [email protected] Follow this and additional works at: https://trace.tennessee.edu/utk_graddiss Part of the Film and Media Studies Commons Recommended Citation Stivers, C. Clinton, "All Things Shining: A Narrative and Stylistic Analysis of Terrence Malick's Films. " PhD diss., University of Tennessee, 2012. https://trace.tennessee.edu/utk_graddiss/1473 This Dissertation is brought to you for free and open access by the Graduate School at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. To the Graduate Council: I am submitting herewith a dissertation written by C. Clinton Stivers entitled "All Things Shining: A Narrative and Stylistic Analysis of Terrence Malick's Films." I have examined the final electronic copy of this dissertation for form and content and recommend that it be accepted in partial fulfillment of the equirr ements for the degree of Doctor of Philosophy, with a major in English. Charles J. Maland, Major Professor We have read this dissertation and recommend its acceptance: Christine Holmlund, Mary Papke, Allen Dunn Accepted for the Council: Carolyn R. Hodges Vice Provost and Dean of the Graduate School (Original signatures are on file with official studentecor r ds.) All Things Shining: A Narrative and Stylistic Analysis of Terrence Malick’s Films A Dissertation Presented for The Doctor of Philosophy Degree The University of Tennessee, Knoxville C. -
Bowdoin Orient V.51, No.1-10 (1921)
Bowdoin College Bowdoin Digital Commons The Bowdoin Orient 1920-1929 The Bowdoin Orient 1-1-1921 Bowdoin Orient v.51, no.1-10 (1921) The Bowdoin Orient Follow this and additional works at: https://digitalcommons.bowdoin.edu/bowdoinorient-1920s Recommended Citation The Bowdoin Orient, "Bowdoin Orient v.51, no.1-10 (1921)" (1921). The Bowdoin Orient 1920-1929. 3. https://digitalcommons.bowdoin.edu/bowdoinorient-1920s/3 This Book is brought to you for free and open access by the The Bowdoin Orient at Bowdoin Digital Commons. It has been accepted for inclusion in The Bowdoin Orient 1920-1929 by an authorized administrator of Bowdoin Digital Commons. For more information, please contact [email protected]. 90352 . )p ion TIT ANNIVERSARY NUMBER BOWDOIN ORIENT Established 1871 BRUNSWICK, MAINE VOL. LI. WEDNESDAY, APRIL 6, 1921. Number 1 The 50th Anniversary of PRINCETON AND PENNSYLVANIA The Bowdoin Orient BOTH WIN BY NARROW MARGINS For a college journal to be fifty years old is a distinction, and the Jinx Follows Team On First Trip—Both Games Lost College is very glad to extend its best wishes to the "Orient" upon its an- By One Score—Columbia Game Cancelled. niversary. As one looks the early In spite of excellent playing Bow- over issues Launching of The Bowdoin of the "Orient" he is struck by the doin lost the two first games of the fact that in many details the College baseball season. On Wednesday the The 110-ton auxiliary schooner, has changed veiy much; but that in team played at Princeton and lost in "The Bowdoin," which is being built all essential qualities it remains very the ninth inning, the final score be- at East Boothbay for Donald B. -
Otoplay
ment^ AffluxThe Ph ; 1 otoplay ^r A"f least one picture of the w<?ek presented a moral and a civic the ion, devoid of sex problem free from the taint of averagelesand movie of modern times. 1 t was not* played up as a big feature, of it carried a meaning of and yet to the children Washington j^BP|Aj^ii^^i^ife&&* k ^^"'^ByL. greater significance than anythin g photodramatic or theatrical which y»^Bp lias been shown here in years. It was the picture of Washington's play- grounds, ttye work of a local film -producing company, inspirea oy ien local business men and firms. Thei e was romance in the picture, but not ) hfl that of the threadbare love story w ith its close-up kiss. It was the thrill- [ tar ing romance of child life and its nirccssities, a romance that receives too little attention from the powers that plan and do things in this work- aday world. Its theme carries mariv matters that deserve more thought is accorded them. 1iroad, well regulated play- gthan usually spacious, in the citizen ^r j&^SUKKKKS^^^^KL^B6^^w>'yM^'. grounds mean health and disciplina ry education that count that is to be. as much in their wa; as the education of the schools, and with all our love of boasting there i s much to be desired, much to be done *. *1," 1 <-> I nitPfl ^tafps to make both what they should be IU1 11IC Ldynai ut H.VJV I . oi America. * * * * was. in the long ago. -
Motion Picture Production Photography 101
STILL STILLAmerican Silent Motion Picture Photography DAVID S. Shiel ds The University of Chicago Press : : Chicago and London DAVID S. Shiel ds is the McClintock Professor of Southern Letters at the University of South Carolina and chairman of the Carolina Gold Rice Foundation. His books include Civil Tongues and Polite Letters in British America and Oracles of Empire: Poetry, Politics, and Commerce in British America, 1690–1750, the latter also published by the University of Chicago Press. The University of Chicago Press, Chicago 60637 The University of Chicago Press, Ltd., London © 2013 by The University of Chicago All rights reserved. Published 2013. Printed in Canada 22 21 20 19 18 17 16 15 14 13 1 2 3 4 5 ISBN-13: 978-0-226-01326-8 (cloth) ISBN-13: 978-0-226-01343-5 (e-book) Title page illustration: “The Garden of Sleep and Death” (detail). From John Van den Broek’s The Blue Bird (1918). Library of Congress Cataloging-in-Publication Data Shields, David S. Still : American silent motion picture photography / David S. Shields. pages. cm. Includes bibliographical references and index. ISBN 978-0-226-01326-8 (hardcover: alk. paper) — ISBN 978-0-226-01343-5 (e-book) 1. Stills (Motion pictures)—United States. 2. Motion picture actors and actresses—United States. 3. Photographers—United States. 4. Cinematography—United States. I. Title. PN1995.9.S696S55 2013 791.430973—dc23 2012026790 ∞ This paper meets the requirements of ANSI/NISO Z39.48—1992 (Permanence of Paper). for Marcus Shields CONTENTS Acknowledgments ix Overture 1 I INVENTIng Glamour, COMPOSIng WORLDS 1 Photography and the Birth of Professional Beauty 31 2 Glamour Comes to California 53 3 Worlds Distilled: Motion Picture Production Photography 101 II The VISUal ARTISTS 4 Manly Faces: Jack Freulich, Bert Longworth, Ray Jones, and the Universal Studio Aesthetic 163 5 The Dying Photographer and the New Woman 187 6 Opium Dreams: Ferdinand P. -