2015 Program Draft Boston, MA Westin Copley Place May 21- 24
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Our 2019 Mentorship Booklet
Table of Contents 4 About the Program 6 Application Details 8 2019 Staf 14 2019 Mentors 48 Testimonials 52 Student News 58 2019 Partners 60 Student Alumni 65 About the Journal 2 2019 Adroit Summer Mentorship Program | 3 About the Program Now in its seventh year, The Adroit Journal’s Summer Mentorship Program is an entirely free and online program that pairs experienced writers with high school and secondary students (including graduating seniors) interested in exploring about the creative writing processes of drafting, redrafting and editing. This year, the program will cater to the genres of poetry, fction, and nonfction. The aim of the mentorship program is not formalized instruction, but rather an individualized, fexible, and often informal correspondence. Poetry students will share weekly work with mentors and peers, while fction and nonfction students will share biweekly work with mentors and peers. The 2019 Adroit Journal Summer Mentorship Program will begin on June 23rd, and will conclude on August 3rd. Applications for the 2019 Adroit Journal Summer Mentorship Program will be open via our Submittable server from March 15, 2019 until April 15, 2019 at 11:59pm Pacifc Standard Time (PST). ABOUT THE We are very proud of our alumni. Students have subsequently been recognized through the National YoungArts Foundation & United States Presidential Scholar in the Arts designation, the National Scholastic Art & Writing Awards, and the Foyle Young Poet of the Year Awards, among a plethora of other recognition avenues. Over 65% of mentorship graduates have matriculated at Ivy League universities, Stanford, UChicago, Cambridge, or Oxford. Click here to view the mentorship Program alumni college list. -
Camden Annual Report 2003-2004
2003-2004 t Rutgers–Camden Annual Repor Rutgers, The State University of New Jersey At a Glance Facts about the Camden campus of Rutgers, The State University of New Jersey July 1, 2003, to June 30, 2004 Enrollment Centers, Institutes, and Initiatives Total 5,660 Center for the Arts College of Arts and Sciences 2,706 Center for Children and Childhood Studies Graduate School 412 Center for State Constitutional Studies School of Business Center for Strategic Urban Community Leadership Undergraduate 562 Family Business Forum M.B.A. 330 Forum for Policy Research and Public Service School of Law 774 Hybrid Materials Research Initiative Social Work/Graduate Nursing 175 Information Processing in Complex Biological University College 701 Systems Project Institute for Law and Philosophy Mid-Atlantic Regional Center for the Humanities Commencement Multinational Finance Society New Jersey Small Business Development Center College of Arts and Sciences/ University College/Graduate School Rutgers–Camden Business Incubator Graduates 820 Rutgers/LEAP Centers of Excellence Speaker: George Mamo, COO/ Senator Walter Rand Institute for Public Affairs executive vice president, William G. Rohrer Center for Management International Fellowship of and Entrepreneurship Christians and Jews School of Business Graduates 281 Speaker: Robert Boughner, CEO, Rutgers–Camden Borgata Hotel Casino & Spa www.camden.rutgers.edu School of Law Research Graduates 230 www.camden.rutgers.edu/research.htm Speaker: The Honorable Joseph Biden, Community Outreach U.S. Senate www.camden.rutgers.edu/community.htm During fiscal year 2004, Even as our global reputation for vibrant research and teaching Rutgers–Camden, energized has grown, so also has our commitment to New Jersey and our host by a period of creative city. -
“The Grassy Battleground”: Race, Religion, and Activism in Camden's
“The Grassy Battleground”: Race, Religion, and Activism in Camden’s “Wide” Civil Rights Movement By Laurie Lahey B.A. in American Studies, May 2004, Rowan University B.A. in English, May 2004, Rowan University B.A. in History, May 2004, Rowan University M.A. in English, May 2005, Temple University A Dissertation submitted to The Faculty of The Columbian College of Arts and Sciences of The George Washington University in partial fulfillment of the requirements for the degree of Doctor of Philosophy May 19, 2013 Dissertation directed by Joseph Kip Kosek Associate Professor of American Studies The Columbian College of Arts and Sciences of The George Washington University certifies that Laurie Lahey has passed the Final Examination for the degree of Doctor of Philosophy as of March 26, 2013. This is the final and approved form of the dissertation. “The Grassy Battleground”: Race, Religion, and Activism in Camden’s “Wide” Civil Rights Movement Laurie Lahey Dissertation Research Committee: Joseph Kip Kosek, Associate Professor of American Studies, Dissertation Director Thomas Guglielmo, Associate Professor of American Studies, Committee Member Melani McAlister, Associate Professor of American Studies and International Affairs, Committee Member ii © Copyright 2013 by Laurie Lahey All rights reserved iii Acknowledgements This project represents more than a chronicle of interracial activism during Camden’s civil rights movement; for me it also represents a decade-long journey both intellectual and personal. Dissertation-writing is not only a scholarly undertaking, but an act of perseverance. In the past ten years I have received more support and encouragement than I can do justice here. -
Final March 2015 Ripples
March 2, FROM THE PRESIDENT, DAVID LANOUE 2015 Dear Members, Volume 30 Issue 1 Last year’s Fourth Quarterly Meeting, organized by Mid-Atlantic Regional Coordinator Robert Ertman, was held in Washington D.C. last December. The keynote address by Roberta Beary tackled the problem of gender bias in the . haiku community: instances of sexism in conference agendas, editorial • decisions, and contest judging. A key point of her stimulating presentation was that gender bias may be conscious, or, perhaps more insidiously, unconscious. The take-away message was for all of us to remain vigilant. If we believe that an editor, contest judge, or HSA officer is treating anyone unfairly based on gender; that person needs to be challenged. I agree wholeheartedly. At our Business Meeting in D.C., I invited HSA members to brainstorm ways to improve our Society. Julie Bloss Kelsey suggested that we should do more to get our message out via social media. Young people, she pointed out, are more likely to hear of HSA from social media than from our website. Julie specifically suggested that we start an HSA Twitter account, and over the Christmas holidays, with her help, we did this. Our Twitter feed, @hsa_haiku, is intended to promote English-Language Haiku, telling the world about HSA contests, meetings, members’ anthology, Frogpond, educational materials, and the like. Our only rule is that Twitter posts from HSA should not promote any individual’s works or publications. In January, I sent the Twitter password to all Regional Coordinators, so that they could post information—and several of them have begun to do so. -
On Western Haiku Cor Van Den Heuvel on Saturday, March 2, 2002 03:17 Pm
On Western Haiku Cor van den Heuvel on Saturday, March 2, 2002 03:17 pm Haiku. What is it about these small poems that make people all over the world want to read and write them? Nick Virgilio, one of America's first major haiku poets, once said in an interview that he wrote haiku "to get in touch with the real." And the Haiku Society of America has called haiku a "poem in which Nature is linked to human nature." We all want to know what is real and to feel at one with the natural world. Haiku helps us to experience the everyday things around us vividly and directly, so we see them as they really are, as bright and fresh as they were when we first saw them as children. Haiku is basically about living with intense awareness, having an openness to the existence around us. A kind of openness that involves seeing, hearing, smelling, tasting, and touching. Not so long ago, in 1991, when the first Haiku North America conference was being held at Las Positas College outside of San Francisco, another major figure of American haiku, J. W. Hackett, and his wife Pat, invited four of the attending poets to their garden home on a hill in the Santa Cruz mountains. Christopher Herold, one of those poets, wrote a haiku, included in this anthology, about that experience: returning quail call to us from the moment of which he speaks The poets had all moved out to the garden, continuing their talk about nature, Zen, and haiku.