Poststructuralism As Theory and Practice in the English Classroom
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Terry Eagleton, "Introduction : What Is Literature?" If There Is Such a Thing
Terry Eagleton, "Introduction : What is Literature?" If there is such a thing as literary theory, then it would seem obvious that there is something called literature which it is the theory of. We can begin, then, by raising the question: what is literature? There have been various attempts to define literature. You can define it, for example, as 'imaginative' writing in the sense of fiction -writing which is not literally true. But even the briefest reflection on what people commonly include under the heading of literature suggests that this will not do. Seventeenth- century English literature includes Shakespeare, Webster , Marvell and Milton; but it also stretches to the essays of Francis Bacon, the sermons of John Donne, Bunyan's spiritual autobiography and whatever it was that Sir Thomas Browne wrote. It might even at a pinch be taken to encompass Hobbes's Leviathan or Clarendon's History of the Rebellion. French seventeenth- century literature contains, along with Comeille and Racine, La Rochefoucauld's maxims, Bossuet's funeral speeches, Boileau's treatise on poetry, Madame de Sevigne's letters to her daughter and the philosophy of Descartes and Pascal. Nineteenth-century English literature usually includes Lamb (though not Bentham), Macaulay (but not Marx), Mill (but not Darwin or Herbert Spencer). A distinction between 'fact' and 'fiction'; then, seems unlikely to get us very far, not least because the distinction itself is often a questionable one. It has been argued, for instance, that our own opposition between 'historical' and 'artistic' truth does not apply at all to the early Icelandic sagas. l In the English late sixteenth and early seventeenth centuries, the word 'novel' seems to have been used about both true and fictional events, and even news reports were hardly to be considered factual. -
Philosophy, Theory, and Literature
STANFORD UNIVERSITY PRESS PHILOSOPHY, THEORY, AND LITERATURE 20% DISCOUNT NEW & FORTHCOMING ON ALL TITLES 2019 TABLE OF CONTENTS Redwood Press .............................2 Square One: First-Order Questions in the Humanities ................... 2-3 Currencies: New Thinking for Financial Times ...............3-4 Post*45 ..........................................5-7 Philosophy and Social Theory ..........................7-10 Meridian: Crossing Aesthetics ............10-12 Cultural Memory in the Present ......................... 12-14 Literature and Literary Studies .................... 14-18 This Atom Bomb in Me Ordinary Unhappiness Shakesplish The Long Public Life of a History in Financial Times Asian and Asian Lindsey A. Freeman The Therapeutic Fiction of How We Read Short Private Poem Amin Samman American Literature .................19 David Foster Wallace Shakespeare’s Language Reading and Remembering This Atom Bomb in Me traces what Critical theorists of economy tend Thomas Wyatt Digital Publishing Initiative ....19 it felt like to grow up suffused with Jon Baskin Paula Blank to understand the history of market American nuclear culture in and In recent years, the American fiction Shakespeare may have written in Peter Murphy society as a succession of distinct around the atomic city of Oak Ridge, writer David Foster Wallace has Elizabethan English, but when Thomas Wyatt didn’t publish “They stages. This vision of history rests on ORDERING Tennessee. As a secret city during been treated as a symbol, an icon, we read him, we can’t help but Flee from Me.” It was written in a a chronological conception of time Use code S19PHIL to receive a the Manhattan Project, Oak Ridge and even a film character. Ordinary understand his words, metaphors, notebook, maybe abroad, maybe whereby each present slips into the 20% discount on all books listed enriched the uranium that powered Unhappiness returns us to the reason and syntax in relation to our own. -
122520182414.Pdf
Archive of SID University of Tabriz-Iran Journal of Philosophical Investigations ISSN (print): 2251-7960/ (online): 2423-4419 Vol. 12/ No. 24/ fall 2018 Postmodernism, Philosophy and Literature* Hossein Sabouri** Associate Professor, University of Tabriz, Iran Abstract No special definite definition does exist for postmodernism however it has had an inordinate effect on art, architecture, music, film, literature, philosophy, sociology, communications, fashion, and technology. The main body of this work can be seen as an admiration and reverence for the values and ideals associated with postmodern philosophy as well as postmodern literature. , I have argued that postmodern has mainly influenced philosophy and literature and they are recognized and praised for their multiplicity. Postmodernism might seem exclusive in its work, its emphasis on multiplicity and the decentered subject makes very uncomfortable reading for traditional theorists or philosophers. It rejects western values and beliefs as only small part of the human experience and it rejects such ideas, beliefs, culture and norms of the western. Integrity is fragmented apart into unharmonious narratives which lead to a shattering of identity and an overall breakdown of any idea of the self. Relativism and Self- reflexivity have replaced self-confidence due to the postmodern belief that all representation distorts reality. I have also referred that in a sense; postmodernism is a part of modernism we find the instantaneous coexistence of these two methods of expression and thinking, especially in visual arts and literature. Key words: Postmodernism, modernism, Philosophy, Literature, self, relativism, * Received date: 2018/07/15 Accepted date: 2018/09/26 ** E-mail: [email protected] www.SID.ir Archive of SID272/ Philosophical Investigations, Vol. -
Hermeneutics: a Literary Interpretive Art
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 9-2019 Hermeneutics: A Literary Interpretive Art David A. Reitman The Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/3403 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] HERMENEUTICS: A LITERARY INTERPRETATIVE ART by DAVID A. REITMAN A master’s thesis submitted to the Graduate Faculty in Liberal Studies in partial fulfillment of the requirements for the degree of Master of Arts, The City University of New York 2019 © 2019 DAVID A. REITMAN All Rights Reserved ii Hermeneutics: A Literary Interpretative Art by David A. Reitman This manuscript has been read and accepted for the Graduate Faculty in Liberal Studies in satisfaction of the thesis requirement for the degree of Master of Arts. Date George Fragopoulos Thesis Advisor Date Elizabeth Macaulay-Lewis Executive Officer THE CITY UNIVERSITY OF NEW YORK iii ABSTRACT Hermeneutics: A Literary Interpretative Art by David A. Reitman Advisor: George Fragopoulos This thesis examines the historical traditions of hermeneutics and its potential to enhance the process of literary interpretation and understanding. The discussion draws from the historical emplotment of hermeneutics as literary theory and method presented in the Norton Anthology of Theory and Criticism with further elaboration from several other texts. The central aim of the thesis is to illuminate the challenges inherent in the literary interpretive arts by investigating select philosophical and linguistic approaches to the study and practice of literary theory and criticism embodied within the canonical works of the Anthology. -
Literary Theory Defintions
Literary Theory* Many, many dissertations have been written about what exactly literary theory is, but to put it briefly, literary theory describes different approaches to studying literature. Essentially, literary theories are lenses that a reader can apply in order to view a text in a new light. Imagine that you have a collection of glasses made up of different colors. One pair lets you see everything in blue, another in red, etc. Literary theory is like that. You can read a story with different lenses on and see it as a cautionary tale (moral/didactic), as a comment on the role of women (feminist), as the struggle between classes (Marxist), etc. This sheet will help you identify different approaches to literature so that you can apply them in your own leisure time. Some folks are pretty strict and like to stick with one theory, but most readers mix many of these approaches without even realizing they are doing so. That’s okay; it’s like wearing a couple pairs of glasses at the same time (or bifocals). Following is a short list of common theories and some quick definitions. Included are a number of focus questions that you can use when you’re reading a text with this lens. For those of you who are visual learners, here’s a graphic. Text-based Author-based New Criticism Biographical Archetypal and Psychological Meaning Society/Context-based Reader-based Feminist Reader Response Marxist Historical/Hermeneutical Moral/Didactic Freudian/Psychoanalytic Text-based New Criticism This approaches focuses primarily on the text itself and tends to avoid outside influences such as historical and biographical information. -
A Brief Overview of Literary Criticism Literary Critical Theory Is a Tool That
A Brief Overview of Literary Criticism Woman Reading Book in a Landscape, Camille Corot Literary Critical Theory is a tool that helps you find meaning in stories, poems and plays. There are many different ways to interpret a novel or short story. When we read literature, we do so to learn more about: ● The human condition ● The experience of loss and death ● The structure of power in society and how it is implemented (including the issues that surround race and gender). ● The psychology of characters and individuals in general ● The sociology and history of cultures that produce specific pieces of literature Literary Theory helps us discover the things listed above in the books and stories we read. So how do you use theory to read a book? Before exploring, in brief, different theories, it is important to develop a reading strategy that will help you form ideas. You should keep a reading notebook and write down ideas and information as you read. Here is a checklist of things to notice: ● Title. How does it pertain to the story? Does it symbolize events or people in the story? ● Narration: Who is telling the story? How does the narrator approach the topic? ● Subject: What is the basic situation? What is happening to the characters and how are they reacting to events? ● Mood: What is the mood of the story, i.e. the emotional background? How is it expressed in the language and setting? ● Characters: What do the characters learn in the course of the story? What are their failings and how do they overcome them, or not? What is the main character’s desire? Is that desire ever fulfilled? How does the main character change? ● Character Interaction: How do the characters interact in the story? How do they communicate with each other? How do they handle conflict? ● Plot: What are the main events in the plot that lead the character to new insights, or to his or her failure? When you read a book, you can highlight the passages that strike you as significant. -
"A Community of Shared Future for Mankind" from the Perspective of the Manifesto of the Communist Party
Advances in Economics, Business and Management Research (AEBMR), volume 62 International Academic Conference on Frontiers in Social Sciences and Management Innovation (IAFSM 2018) Viewing the World Significance of the Thought of "A Community of Shared Future for Mankind" from the Perspective of the Manifesto of the Communist Party HU Haining,JIANG Ting,SHI Lei College of Marxism,Xi 'an university of science and technology,P.R.China [email protected] Abstract: From the view of safeguarding the common interests of mankind, coordinating the inherent contradictions of the development of human society and paying attention to the living circumstances of modern individuals, "a community of shared future for mankind" and "community of freeman" have common theoretical points . From the perspective of theoretical origin, the thought of "a community of shared future for mankind" covers three aspects: the basic principles of Marxism, the excellent Chinese traditional culture and China's foreign policy and practice. At the same time, this thought provides China's solution, China's value and China's thinking for solving the problem of world modernity. This thought is important parts of Xi Jinping thought on socialism with Chinese characteristics in new era, and have profound world significance in contemporary times. Key words: a community of shared future for mankind, community of freeman,world significance 1. Instruction In recent years, the thought of "a community of shared future for mankind" has attracted the attention of the western scholars. On the whole, due to the strong realism tradition and the revival of realistic politics in recent years, Some western scholars can fully understand the thought of human destiny community, and have carried out more three-dimensional and rich research from specific strategy, path, objective environment, ideological source and so on. -
From Post-Structuralism to Systems Theory
CORE Metadata, citation and similar papers at core.ac.uk Provided by Purdue E-Pubs CLCWeb: Comparative Literature and Culture ISSN 1481-4374 Purdue University Press ©Purdue University Volume 2 (2000) Issue 2 Article 1 On Literariness: From Post-Structuralism to Systems Theory Marko Juvan University of Ljubljana Follow this and additional works at: https://docs.lib.purdue.edu/clcweb Part of the Comparative Literature Commons, and the Critical and Cultural Studies Commons Dedicated to the dissemination of scholarly and professional information, Purdue University Press selects, develops, and distributes quality resources in several key subject areas for which its parent university is famous, including business, technology, health, veterinary medicine, and other selected disciplines in the humanities and sciences. CLCWeb: Comparative Literature and Culture, the peer-reviewed, full-text, and open-access learned journal in the humanities and social sciences, publishes new scholarship following tenets of the discipline of comparative literature and the field of cultural studies designated as "comparative cultural studies." Publications in the journal are indexed in the Annual Bibliography of English Language and Literature (Chadwyck-Healey), the Arts and Humanities Citation Index (Thomson Reuters ISI), the Humanities Index (Wilson), Humanities International Complete (EBSCO), the International Bibliography of the Modern Language Association of America, and Scopus (Elsevier). The journal is affiliated with the Purdue University Press monograph series of Books in Comparative Cultural Studies. Contact: <[email protected]> Recommended Citation Juvan, Marko. "On Literariness: From Post-Structuralism to Systems Theory." CLCWeb: Comparative Literature and Culture 2.2 (2000): <https://doi.org/10.7771/1481-4374.1068> This text has been double-blind peer reviewed by 2+1 experts in the field. -
Adorno, the Essay and the Gesture of Aesthetic Experience Estetika, 50(2): 149-168
http://www.diva-portal.org This is the published version of a paper published in Estetika. Citation for the original published paper (version of record): Johansson, A S. (2013) The Necessity of Over-interpretation: Adorno, the Essay and the Gesture of Aesthetic Experience Estetika, 50(2): 149-168 Access to the published version may require subscription. N.B. When citing this work, cite the original published paper. Permanent link to this version: http://urn.kb.se/resolve?urn=urn:nbn:se:miun:diva-30068 Zlom2_2013_Sestava 1 1.10.13 13:28 Stránka 149 Anders Johansson THE NECESSITY OF OVER-INTERPRETATION: ADORNO, THE ESSAY AND THE GESTURE OF AESTHETIC EXPERIENCE ANDERS JOHANSSON This article is a discussion of Theodor W. Adorno’s comment, in the beginning of ‘The Essay as Form’, that interpretations of essays are over-interpretations. I argue that this statement is programmatic, and should be understood in the light of Adorno’s essayistic ideal of configuration, his notion of truth, and his idea of the enigmatic character of art. In order to reveal how this over-interpreting appears in practice, I turn to Adorno’s essay on Kafka. According to Adorno, the reader of Kafka is caught in an aporia: Kafka’s work cannot be interpreted, yet every single sentence calls for interpretation. This paradox is related to the gestures and images in Kafka’s work: like Walter Benjamin, Adorno means that they contain sedimented, forgotten experiences. Instead of interpreting these images, Adorno visualizes the experiences indirectly by presenting images of his own. His own essay becomes gestural. -
Gender Ideology: an Analysis of Its Disputed Meanings 1
http://dx.doi.org/10.1590/2238-38752020v10310 1 Universidade Federal de Pernambco (UFPE), Departamento de Sociologia, Recife, Pernambuco, Brasil [email protected] https://orcid.org/0000-0002-8370-2192 Cynthia Lins Hamlin I GENDER IDEOLOGY: AN ANALYSIS OF ITS DISPUTED MEANINGS 1 Opposition to gender has become a central element in the discourses and ini- tiatives of the “global right”. Although the convergence between anti-gender movements and other manifestations of the new right takes distinct and some- times contradictory forms2 (Paternotte & Kuhar, 2018; Corrêa, Paternotte & Ku- har, 2018), the dismantling of a series of polices for social inclusion and reduc- ing inequalities is at stake. Ideologues of the new right such as Steve Bannon3 and Olavo de Carvalho have waged a “culture war”4 on enemies like “gender dec., 2020 dec., – ideology,” “globalism” and “cultural Marxism.” As Mirrlees (2018: 49) argues, , sep. , these epithets act as full-blown “political instruments of intersectional hate” that are applied to values, practices, and identities of a progressive, liberal, or 1022 – left-wing inclination. They are mobilized and combined in varying forms de- pending on the type of enemy to be attacked: organizations, parties or spe- cific groups like “communists, blacks, gays, feminists and all those who do not share their mental universe” (Messenberg, 2017: 637). Much as they prove theoretically and empirically flimsy, many of these counter-narratives are based on the reinterpretation of empirical data, concepts and, more generally, theoretical perspectives developed by academics: “cul- tural Marxism” is a distortion of the tradition of Western Marxism, especially Gramsci and the first generation of the Frankfurt School; “globalism” is a dis- tortion of the critiques of the economic dimension of globalization, considered an integral part of “cultural Marxism”; “gender ideology” and “gender theory” sociol. -
Soft Power to Whom? a Critical Analysis of the Publicity Film “CPC (Communist Party of China) Is with You Along the Way” in Relation to China’S Soft Power Project
tripleC 18 (1): 286-303, 2020 http://www.triple-c.at Soft Power to Whom? A Critical Analysis of the Publicity Film “CPC (Communist Party of China) is With You Along the Way” in Relation to China’s Soft Power Project Xin Xin, University of Westminster, UK, [email protected] Abstract: The existing literature on China’s soft power is mainly concerned with its success or failure, ignoring the ideological tensions between the Chinese state's international pursuit of soft power and its efforts at reviving the popularity of socialist ideology at home in a country profoundly transformed by modernisation and globalisation processes. This article argues that such ideological tensions should be contextualised and critically analysed by employing an approach informed by critical globalisation studies, particularly by the power-to-whom critique. It offers a critical analysis of the CPC is With You Along the Way film, a notable recent example of the CPC’s publicity videos in the context of its pursuit of soft power. Borrowing Reisigl and Wodak’s discourse-historical approach (DHA) in addition to the analytical devices for the study of ideology from Eagleton and van Dijk, the article argues that CPC is With You Along the Way illustrates a shift in the party’s ideological approach to the question ‘(soft) power to whom?’. Keywords: ideology, China, soft power, globalisation, Chinese dream, discourse-historical ap- proach Acknowledgement: I wish to thank the three anonymous reviewers and Professor Christian Fuchs for their helpful feedback on earlier -
2 Assignment — June, 2019 ENGLISH LANGUAGE TEACHING
QP Code: PA/10/V QP Code: PA/10/V 2 POST-GRADUATE COURSE d) How did the Marxist approach to literature signal a landmark shift in the study of Assignment — June, 2019 literary criticism ? Assess the contribution ENGLISH LANGUAGE TEACHING of Terry Eagleton in this field. 10 + 8 Paper - V : Trends in Critical Theory-I, Literature e) “Simone de Beauvoir ... marks the moment Teaching & Testing when ‘first-wave’ feminism begins to slip over into the ‘second-wave’.” ( Raman Full Marks : 100 Selden et al., 1988 ) — Comment on the above statement, Weightage of Marks : 20% examining the contribution of de Beauvoir to feminist movement and its effect on literary criticism. 18 Special credit will be given for accuracy and relevance in the answer. Marks will be deducted for incorrect spelling, untidy work and illegible handwriting. SECTION - B The weightage for each question has been 2. Answer any three from the following questions : indicated in the margin. 12 × 3 = 36 a) Explain, according to the Freudian proposition, what is meant by id, the ego and the superego. How do you think this SECTION - A tripartite distinction is relevant to the study 1. Answer any two from the following questions : of literature ? 7 + 5 18 × 2 = 36 b) How does Hél!ene Cixous argue for a a) Bring out the essential features of post- positive representation of femininity ? How structuralism, highlighting the major is her account of female sexuality conceptual departures from structuralism. reminiscent of Barthes’ description of the Would you consider this transition a avant-garde text ? 7 + 5 smooth and seamless one ? 14 + 4 c) Trace an outline of the development of the b) Explain Stanley Fish’s perspective of an theory of deconstruction in America.