Chapter 6 - Perception
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Chapter 6 - Perception
Perception is the process of ______, ______, and ______sensory information (also known as ______)
● ______refers to the fact that we can only pay attention to one aspect of the
object at a time. Perceptions about objects ______from moment to moment.
─ ______- you focus on one voice in a crowd
– The Stroop Effect (words/colors)
– ______- the inability to see an object or a person in our midst
● ______- fail to notice a change
● Form Perception
─ ______- when vision competes with our other senses, vision usually wins
─ ______- the organization of the visual
field into objects (figures) that stand out from their surroundings
([back]ground). Can also be auditory.
─ ______- after distinguishing the figure from the ground,
our perception needs to organize the figure into a meaningful form using grouping rules
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● ______– simple organization requiring least amount of effort
● ______enables us to judge distances.
(Gibson & Walk’s ______)
─ ______- depth perception using ______(two) eyes
● ______– images from the two eyes differ
● ______- the more your eyes converge (move inward -towards
the nose) the closer the object. The more your eyes diverge (move outward-(away from the nose)
the farther away the object is.
─ ______- depth perception using ______eye
● ______- if two objects are similar in size, we perceive the one that
casts a smaller retinal image to be farther away
● ______- objects that occlude (______) other objects tend to
be perceived as closer 2 Chapter 6 - Perception ● ______- because light from distant objects passes through more light
than closer objects, we perceive hazy objects to be farther away than those objects that appear sharp
and clear.
● ______- indistinct texture signals an increasing distance
● ______- perceive objects that are higher in our field of vision to be
farther away than those that are lower
● ______(______) - objects closer to a
fixed point move faster and in opposing direction to those objects that are farther away from a fixation
point, moving slower and in the same direction. In other words, stable objects appear to move.
● ______- the more the lines converge, the greater their perceived
distance
● ______- nearby objects reflect more light into our eyes than more
distant objects. Given two identical objects, the dimmer one appears to be farther away.
● Motion Perception
─ ______- objects traveling towards us grow in size and those moving away shrink
in size
─ ______- simulate movement by flashing
24 to 30 frames (slightly different drawings) per second
─ ______- when lights flash at a certain speed
they tend to present illusions of motion
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● ______-perceiving objects as unchanging even as illumination and retinal
images change. Perceptual constancies include constancies of ______and ______.
─ ______- the interplay between perceived
size and perceived distance (______)
─ ______- perceiving familiar objects as
having consistent color even when changing illumination
─ ______- the amount of light an object
reflects is relative to its surroundings
(______)
● Perceptual Interpretation
─ ______- perception is influenced by ______.
Kittens raised without exposure to horizontal lines later had difficulty perceiving horizontal bars.
─ ______- visual ability to adjust to an artificially displaced
visual field (______)
─ ______a mental predisposition to perceive one thing and
not another (uses ______)
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─ ______- concepts that organize and interpret unfamiliar information. We
______them as we age.
● Facial schemas are accentuated by specific features on the face (especially the
______& ______)
─ ______- similar stimuli might cause different perceptions depending
on the context
● Context instilled by ______also alters perception
─ ______- design machines that assist our
natural perceptions (machines aid humans rather than humans aiding machines). It is a growing
field in psychology.
* Perception is both inborn and acquired (______& ______)
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