34Th Annual Benefit Auction & Dinner Dance
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READ ME FIRST Here Are Some Tips on How to Best Navigate, find and Read the Articles You Want in This Issue
READ ME FIRST Here are some tips on how to best navigate, find and read the articles you want in this issue. Down the side of your screen you will see thumbnails of all the pages in this issue. Click on any of the pages and you’ll see a full-size enlargement of the double page spread. Contents Page The Table of Contents has the links to the opening pages of all the articles in this issue. Click on any of the articles listed on the Contents Page and it will take you directly to the opening spread of that article. Click on the ‘down’ arrow on the bottom right of your screen to see all the following spreads. You can return to the Contents Page by clicking on the link at the bottom of the left hand page of each spread. Direct links to the websites you want All the websites mentioned in the magazine are linked. Roll over and click any website address and it will take you directly to the gallery’s website. Keep and fi le the issues on your desktop All the issue downloads are labeled with the issue number and current date. Once you have downloaded the issue you’ll be able to keep it and refer back to all the articles. Print out any article or Advertisement Print out any part of the magazine but only in low resolution. Subscriber Security We value your business and understand you have paid money to receive the virtual magazine as part of your subscription. Consequently only you can access the content of any issue. -
The Artist in the Connecticut Landscape October 2, 2015–January 31, 2016
Annual Report Issue SUMMER 2015 A Special Invitation to Florence Griswold Museum Members Please join us for the 69th Annual Meeting and the Members’ Reception for the Opening of All the Sea Knows: Marine Art from the Museum of the City of New York. Friday, June 5, 2015 at 5:30pm and trustees. At 6:30pm, we’ll enjoy Florence Griswold Museum a festive reception for the opening of 96 Lyme Street All the Sea Knows: Marine Art from the Museum of the City of New York. Old Lyme, Connecticut The 69th Annual Meeting of the This is your invitation to the Florence Griswold Museum takes place Members’ Reception. We hope on Friday, June 5, 2015 at 5:30pm under you can join us. Kindly RSVP a tent on the Adrian P. Moore Garden (acceptances only) to 860-434-5542 Terrace. We will share brief reports on ext. 122 or [email protected]. the activities of the Museum and invite James Edward Buttersworth (1817–1894), Yacht Race off Fort Wadsworth, ca. 1870. Oil on board, 9 1/4 x 12 1/4 members to elect a new slate of officers inches. Museum of the City of New York All the Sea Knows–a New Exhibition BEFORE MISS FLORENCE Sea Knows reveals the diverse ways the helped introduce the world to American sea has been depicted in American art Impressionism, her father, Captain and its connections to the Connecticut Robert Griswold, made his mark as a shore. A special gallery will unite, for respected sea captain. For 25 years he the first time, paintings from MCNY’s sailed the Atlantic between New York collection with selections from the and London on packet ships of the Black Museum’s collection that depict ships X Line. -
Download 2017 Annual Report
Annual Report Issue SUMMER 2018 Please Join Us for the 72nd Annual Meeting and the Members’ Reception for Art and the New England Farm. Friday, June 1, 2018 at 5:30PM Florence Griswold Museum 96 Lyme Street Old Lyme, Connecticut The Annual Meeting takes place on Friday, June 1, 2018 at 5:30pm under a tent on the Adrian P. Moore Garden Terrace. We will share brief reports on the activities of the Museum and invite members to elect a new slate of officers and trustees. Afterwards, we’ll enjoy a festive reception for the exhibition Art and the New England Farm. This is your invitation to the Annual Meeting and Members’ Reception. We hope you can join us. Kindly RSVP (acceptances only) to 860-434-5542 ext. 122 or DeeDee@fl gris.org. Thomas Nason, Midsummer, 1954. Florence Griswold Museum, Gift of Janet Eltinge Art and the New England Farm – the Perils and Pleasures of Farming The Florence Griswold Museum is uniquely positioned to tell the story of Art and the New England Farm, on view May 11 through September 16. This exhibition delves into the agricultural heritage of Florence Griswold’s family estate, the Lyme region and beyond, to examine the complex history and character of New England’s farms. Paintings, drawings, and photographs by artists from the 1830s to the present day will trace the unique challenges of farming in New England. The Museum’s property is itself a case study of family farms in New England. Purchased by the Griswolds in 1841, these grounds became a country estate with barns, an orchard, gardens, and riverfront pastures where the family practiced small-scale farming during Florence’s childhood. -
Currier Museum of Art Exhibition History
Currier Museum of Art Exhibition History Year Title Dates Organized By Catalog Exhibition of Paintings and Sculpture, Antique Furniture and Currier Gallery of Art in Co-operation 1929 October 9 - 27, 1929 TRUE Tapestries at the Formal Opening of the Currier Gallery of Art with the Grand Central Galleries, NY October 12 - November Sponsored by the College Art 1931 Exhibition of Sculpture by Rodin TRUE 7, 1931 Association and assembled by 1932 Paintings by Pupils of Prof. F. Cizek of Vienna January 1 - 25, 1932 The Art Center of New York City FALSE 1932 Drawings by Public School Children of Paterson, NJ January 1 - 25, 1932 The Art Center of New York City FALSE 1932 Designs by Public School Children of Paterson, NJ January 1 - 25, 1932 The Art Center of New York City FALSE Early American Miniatures Loaned by the Ehrich Galleries of 1932 January 1 - 29, 1932 FALSE New York City 1932 Oils by Charles A. Aiken January 1 - 29, 1932 FALSE 1932 Architectural Drawings from the Cambridge School January 3 - 16, 1932 Cambridge School, MA FALSE Photographs of Houses and Gardens by the Cambridge School Cambridge School of Domestic & 1932 January 17 - 30, 1932 FALSE of Domestic & Landscape Architecture Landscape Architecture, MA Watercolors from the 65th Annual Exhibition of the American 1932 February 1 - 25, 1932 American Federation of Arts FALSE Watercolor Society in New York Sculpture - Bronzes of Horses by Richardson White of 1932 February, 1932 FALSE Brookline, MA Cambridge School of Domestic & 1932 Pencil Sketches by Kenneth J. Conant and Frank M. Rines of February, 1932 FALSE Landscape Architecture, MA the Cambridge School of Domestic & Landscape Architecture Miss Laura Bragg, Director, Pittsfield 1932 February, 1932 FALSE Design and Masks by E. -
Celebrating Women's History Month At
Contact: Ed Main 860. 236 .5621 x218 [email protected] Celebrating Women’s History Month at CHS Standing strong (and looking good doing it) has long been a woman’s role in Connecticut. Hartford, CT (March 5, 2013) March is Women’s History Month , a month of celebrating and remembering the role women played in our history. Connecticut women have always been stalwart beacons and strong contributors to both our state and the nation. From the well known heroines (Prudence Crandall, Harriet Beecher Stowe, Isabella Beecher Hooker, Katharine Houghton Hepburn, Ella Grasso) to the lesser known, such as Sybil Ludington (a 16 year-old girl who, much like Paul Revere, went on a horse ride to quickly spread the message of the British burning Danbury on the night of April 26, 1777), Connecticut women have been trailblazing and standing up for what is right for centuries. The contributions to art, fashion and business by women such as Prudence Punderson , Elizabeth Hart Jarvis Colt, Florence Griswold, Beatrice Fox Auerbach are also significant and worthy of celebrating. Emily Seymour Goodwin Holcombe (1852-1923) is one of Connecticut’s true champions who taught the people of Hartford, Connecticut, and our nation, about the grace and wonder of “The Constitution State.” She advocated for saving the Old State House, preserved the Ancient Burying Ground and spearheaded urban renewal in Hartford, which gave her the nickname "The Gold Street Lady.” Her passion, activism and hard work inspired generations after her to do the same. On the night of March 20 (5:30 pm), Holcombe’s life and contributions will be celebrated as noted historian and lecturer, Bill Hosley , shares the story of the woman who stood up for Hartford and Connecticut. -
The New England Watercolor Tradition 1920–1950
The New England Watercolor Tradition 1920–1950 May 15–July 1, 2006 VOSE GALLERIES OF BOSTON Cover: 34209 John Whorf (1903–1959) Heading Out Watercolor on paper 3 15 x 21 ⁄4 inches Signed lower left The New England Watercolor Tradition 1920–1950 May 15–July 1, 2006 Realism and Watercolor, 1900–1950 by Nancy Allyn Jarzombek The Boston Water Color Society and Vose Galleries by Marcia L. Vose The Boston Five: A Brief Fling by Marcia L. Vose Artist Biographies by Elizabeth W. Vose and Rachel Beaupré How to Care for Watercolors: FAQs 238 newbury street • Boston, Massachusetts 02116 V o s e telephone 617.536.6176 • facsimile 617.247.8673 G alleries of B oston [email protected] • www.vosegalleries.com D ealers in f ine P aintinGs for s ix G enerations • e staBlisheD 1841 Boston artists, collectors and critics followed the lead of their New York Realism and Watercolor, 1900–1950 counterparts. The American Watercolor Society was established in New York in by Nancy Allyn Jarzombek 1867 to promote the production of watercolors and their purchase. Their annu - al exhibitions were enthusiastically reviewed by art critics in Boston papers. It By the end of the nineteenth century, watercolor had emerged as an artistic was widely reported that sales of watercolors were brisk and by the middle of the medium with enduring powers. Artists such as Winslow Homer and John Singer 1880s one reviewer noted that every major American painter in oils was also Sargent exploited its expressive and spontaneous possibilities. Collectors, in working in watercolor. 2 The Boston Art Club accepted watercolors into their turn, responded to the fresh, bold handling of the medium; they could not buy annual exhibitions from 1873 until 1881, when the number of watercolors and them fast enough. -
Oral History Interview with George Goodspeed, 1987 Apr. 24-June 3
Oral history interview with George Goodspeed, 1987 Apr. 24-June 3 Funding for the digital preservation of this interview was provided by a grant from the Save America's Treasures Program of the National Park Service. Contact Information Reference Department Archives of American Art Smithsonian Institution Washington. D.C. 20560 www.aaa.si.edu/askus Transcript Preface The following oral history transcript is the result of a recorded interview with George Goodspeed on April 24 and May 6, 1987. The interview took place in Boston, Massachusetts, and was conducted by Robert Brown for the Archives of American Art, Smithsonian Institution. The Archives of American Art has reviewed the transcript and has made corrections and emendations. This transcript has been lightly edited for readability by the Archives of American Art. The reader should bear in mind that they are reading a transcript of spoken, rather than written, prose. Interview ROBERT BROWN: Now, this is April 24— [Audio Break.] ROBERT BROWN: Well, this is an interview with George Goodspeed, in Boston. It's April 24, 1987. Robert Brown, the interviewer. Mr. Goodspeed, I want to talk with you about your years in the Goodspeed's Bookshop, and particularly if we could talk and recall that aspect of the business dealing with art, at least with forms of art. When did you begin? Maybe you can describe your earlier memories of the shop, even as a child, and describe your father's interests. GEORGE GOODSPEED: Well, I remember the shop. I can't sort out what I remember, what I remember from before, from long before, I went to work. -
A Girl Scout Gold Award Project
A KID’S WALKING TOUR OF OLD LYME’S HISTORIC DISTRICT A GIRL SCOUT GOLD AWARD PROJECT by EMILY C. ZEMBA 1 FOR MORE INFORMATION! “A WALKING TOUR GUIDE OF THE HISTORIC DISTRICT OF OLD LYME, CONNECTICUT” BY JENNIFER PERRY “LYME AS IT WAS AND IS” BY JAMES ELY HARDING “OLD LYME, LYME, AND HADLYME” BY KATHRYN BURTON www.oldlyme-ct.gov (TOWN OF OLD LYME WEBSITE) www.arttrail.org (CONNECTICUT IMPRESSIONIST ART TRAIL) www.cthistoryonline.org (CONNECTICUT HISTORY ONLINE) www.oldlymehistoricalsociety.org (OLD LYME HISTORICAL SOCIETY) www.flogris.org (FLORENCE GRISWOLD MUSEUM) 35 I have lived in Old Lyme for most of my life. We pass these signs and others every Through the years I have come to appreciate the day, but do we really know what they historical significance that my town has. There is mean? so much history here, and it seems as if hardly any- Lyme and Old Lyme are filled with body knows about it. For my Girl Scout Gold Award project, I de- history (and herstory) just waiting to be cided to create a Children’s Walking Tour of the discovered, but in order to find it you Historic District in my town. I know that there is have to pay attention to the things an adult walking tour of Old Lyme available in our around you and always ask questions! local library, however, I believe that it is important for kids to get to know their area’s history in a fun Remember, “you have to know the past and educational way. to understand the present.” -Carl Sagan In summer 2003, I took part in a Girl Scout program called “Freedom’s Rites” in Rochester, New York. -
Newtown Newsletter May-June
THE NEWTOWN SENIOR News for and about Newtown Seniors May/June 2019 A publication of the Newtown Senior Center Edition The Newtown Senior Center serves as a community focal point providing programs and services for our older citi- zens. It is a place for them to gather in a friendly environment where they participate in social, cultural and educa- tional activities to enhance independent living, and support mental and social well being. A Special Day with the Grandkids at Quassy Park June 26 from 11am to 8pm—$19 per person Free Parking—Drive on your own Sign up for at the front desk, with payment, for a super fun day at Quassy Amusement and Water Park. Drive on your own and Judy will meet you at the entrance with your tickets. The park is located at 2132 Middlebury Road, Middlebury, CT. In addition to a variety of fun-filled classic and newer theme park rides, Quassy has a a water park for the whole family to enjoy. The Newtown Senior May/June Edition 2 DAILY PROGRAMS SERVICES MONDAY SweetHART BUS 9:00 Flex Fit & Tone 10:00 Cards 10:00 Crafts For Reservations: (203) 748-2511 10:00 Exercise Tape Cancellations/Confirmations: (203) 830-4399 11:00 Women's Discussion Comments/Questions: (203) 744-4070 12:00 Lunch 1:00 Yoga 2:00 Wii Bowling FISH MEDICAL DRIVERS 3:00 Canasta TUESDAY 9:00 Morning Meditation Transportation for medical appointments Mon- 10:00 Cards day –Friday from 9am to 2pm. Ambulatory, dis- 10:00 Art abled and/or seniors may call 800-794-0034. -
Annual American Exhibition [Of] Water Colors and Drawings
AnnualAmericanExhibition[of]WaterColorsandDrawings ArtInstituteofChicago HE ART INSTITUTE OF CHICAGO T THE NEW YORK) PUBLIC LIBRARY CATALOGUE OF THE NINETEENTH ANNUAL TIL»EN ' "' OATIONS EXHIBITION OF I907 WATER-COLORS, PASTELS AND MINIATURES BY AMERICAN ARTISTS MAY 7 TO JUNE 16 THCMTimiTIVIC1 1907 . or-crueflQQ PRINTED FOR THE aKt institute CHICAGO, 1907 V yHE ART INSTITUTE OF CHICAGO CATALOGUE OF THE NINETEENTH ANNUAL EXHIBITION OF WATER-COLORS, PASTELS AND MINIATURES BY AMERICAN ARTISTS MAY 7 TO JUNE 16 TtlC-AHTINSTITVTE- 1907 PRINTED FOR THE ART INSTITUTE CHICAGO, 1907 I HE N i_ VOKK fuel:-; lil^ary Trustees of t^i6Art,|j|8tilutJe of Chicago ~T9o6:t EDWARD R. AYHR CHARLES L. HUTCHINSON SAMUEL E. BARRETT BRYAN LATHROP ADOLPHUS C. BARTLETT PRANK G. LOGAN JOHN C. BLACK R. HALL MCCORMICK CHADNCEY J. BLAIR STANLEY MCCORMICK CLARENCE BUCKINGHAM JOHN J. MITCHELL DANIEL H. BURNHAM SAMUEL M. NICKERSON CHARLES DEE RING MARTIN A. RYERSON HENRY H. GETTY HOWARD VAN D. SHAW JOHN J. GI.ESSNKR ALBERT A. SPRAGUE Ex Officio FRED A. BUSSE, EDWIN G. FOREMAN, Mayor President South Park Commissioner! WALTER H. WILSON, WILLIAM BEST, Comptroller Auditor South Park Commissioners Officers CHARLBS L. HUTCHINSON, MARTIN A. RYERSON, President Vice-President BRNBST A. HAMILL, WILLIAM A. ANGELL, Treasurer Auditor WILLIAM M. R. FRENCH, NEWTON H. CARPENTER, Director Secretary Executive Committee CHARLES L. HUTCHINSON JOHN C. BLACK ALBERT A. SPRAGUE MARTIN A. RYERSON FRANK G. LOGAN HOWARD VAN D. SHAW CLARENCE BUCKINGHAM Art Committee CHARLES L. HUTCHINSON bryan lathrop MARTIN A. RYERSON r. hall Mccormick HOWARD VAN D. SHAW prederic c. bartlett THE ART INSTITUTE OF CHICAGO was incorporated May 24, 1879, for the "founding and maintenance of schools of art and design, the formation and exhibition of collections of objects of art, and the cultivation and extension of the arts of design by any appropriate means." The Museum building upon the Lake Front, first occupied in 1893, is open to the public every week day from 9 to 5, Sundays from I to 5. -
Past Connecticut Arts Awards Recipients
History of Recipients Connecticut Arts Awards 1981 (continued) Pilobolus 1978 Maurice Sendak, Author and illustrator of children’s Marian Anderson, Singer books Robert Motherwell, Painter and printmaker Cesar Pelli, Architect Lippincott, Inc., Public sculpture fabricators Peace Train Foundation / Paul LeMay, Fiddler 1982 and founder of the New England Fiddle Contest Victor Borge, Musician and humorist Patricia Edwards/Valley Arts Center Brookfield Craft Center Juan Fuentes, Photographer Gerry Mulligan, Saxophonist Mildred Dunnock, Actress Lloyd Richards, Actor, director and Dean of Yale Arthur Miller, Playwright School of Drama Moshe Paranov, Pianist and founder of Hartt School of Margo Rose, Puppeteer Music, Hartford United Technologies Corp. Mary Hunter Wolf, Theater director and producer 1983 1979 Willian Benton Art Museum Bowen-Peters School of Dance Arvin Brown, Theater and television director Malcolm Cowley, Literary artist Greater Hartford Arts Council Ralph Kirkpatrick, Musician Jackie McLean, Jazz saxophonist and co-founder of Meriden Gravure Company Artists Collective, Hartford Ruben Nakian, Sculptor James Merrill, Poet National Theatre of the Deaf New Britain Museum of Art 1984 Menen Osario William Styron, Novelist and essayist Wadsworth Atheneum 1980 City Spirit Artists Artists Collective Champion International Peter Blume, Painter and sculptor Lucia Chase, Dancer and actress 1985 Eva LeGallienne, Actress No awards given Newton Schenck, Founder of New Haven’s Long Wharf Theatre 1986 Robert Penn Warren, Poet and novelist Betty Jones, Singer Michael Price, Arts administrator (Goodspeed Musicals, 1981 East Haddam) Morris Carnovsky, Actor James Laughlin, Poet Community Renewal Team Craftery Gallery Barbara Tuchman, Historian and author Curbstone Press Anthony S. Keller, Advocate for creation of state arts 1987 councils. -
Italian American Review WINTER 2011 • VOLUME 1 • NUMBER 1 Italian American Review John D
Italian American Review WINTER 2011 • VOLUME 1 • NUMBER 1 Italian American Review John D. Calandra Italian American Institute The Italian American Review (IAR), a bi-annual, peer-reviewed journal of the John D. Calandra Italian American Institute, publishes scholarly articles about the history and culture of Italian Americans, as well as other aspects of the Italian diaspora. The journal embraces a wide range of professional concerns and theoretical orientations in the social sciences and in cultural studies. Editorial Office Editor: Joseph Sciorra, John D. Calandra Italian American Institute Associate Editor: Anthony Julian Tamburri, John D. Calandra Italian American Institute Associate Editor: Fred Gardaphé, Queens College, CUNY Managing Editor: Rosangela Briscese, John D. Calandra Italian American Institute Production Manager: Lisa Cicchetti, John D. Calandra Italian American Institute Book Review Editor: Nancy Carnevale, Montclair State University Film and Digital Media Review Editor: Laura E. Ruberto, Berkeley City College Subscription Manager: Rachel Hoyle, John D. Calandra Italian American Institute Copy Editor: Ernestine Franco, Pern Editorial Services Editorial Board Richard Alba, The Graduate Center, CUNY Giorgio Bertellini, University of Michigan Donna Chirico, York College, CUNY Simone Cinotto, Università degli Studi di Torino Enrico Cumbo, Michael Power/St. Joseph High School Donna Gabaccia, University of Minnesota John Gennari, University of Vermont Jennifer Guglielmo, Smith College Nicholas Harney, Cassamarca Foundation, University of Western Australia Cover photo: Sabato “Simon” Rodia’s Watts Towers (detail), Los Angeles, 2005. © Joseph Sciorra. John D. Calandra Italian American Institute Queens College, CUNY 25 West 43rd Street, 17th floor New York, NY 10036 ISSN 0535-9120 All rights reserved. Printed in the United States.