Hamlet a Study Guide

Hamlet – A Study Guide

Pre-Reading Notes: Shakespeare wrote Hamlet in the late 1590s and published it in about 1601. In the list of the Shakespeare Canon, it comes after Romeo and Juliet and Julius Caesar and before the other three great tragedies: Othello, King Lear, and Macbeth. I find it interesting to note that after Shakespeare wrote his four great tragedies, he turned to writing romances (not the “I’m so in love with you” kind, Silly, the imaginative, fantasy-filled kind). The professor who taught the graduate courses in Shakespeare at Utah State said that he thought that once Shakespeare had plumbed the depths of the human psyche in his tragedies, he preferred to fill his life with fantasy. I think he may have been right. In any event, Hamlet is a dark and serious tragedy with dark and serious characters who face the horror of their own weaknesses and evils in the five acts that traipse across the Shakespearean stage. I hope you enjoy it.

Act I Notes: Scene 1 Shakespeare does not start us off in Hamlet with the main characters. Instead, he has us meet the sentries on duty at the castle before we get inside the castle at all. These guys are hanging out watching the gates, and they are nervous. Francisco, who is the one on duty at the opening, is being relieved by his friend, Bernardo. But when they meet, Bernardo, who should be challenged by the sentry on duty, is the one who challenges Francisco. And they are both awfully quick to become defensive. We should probably wonder why… Anyway, Francisco says that he is “sick at heart” which translates into being nervous or anxious or in some way saddened. And we should probably wonder why…Bernardo tells Francisco, as Francisco is leaving, that he is expecting some “rivals” to his watch. The word rival just means partner in this context. Bernardo is not planning on having some sort of contest with his fellow sentries. Anyway, Bernardo is waiting for Marcellus and Horatio to join him, and it doesn’t take us long to find out why. As it turns out, Marcellus is one of the sentries, while Horatio is really just a slightly elevated (in social rank, not height) person. And when he gets to the gate to watch with the sentries, we find out why they wanted him to be there. A ghost, who looks like the recently dead king, has been wandering the castle, and they are a little freaked out by it. Horatio doesn’t believe them. As he approaches Bernardo, Bernardo asks, “What, is Horatio there?” and Horatio gives the reply, “A piece of him.” He seems skeptical and flippant. But he is about to become a believer. The Ghost appears, and the two sentries want Horatio to talk to it. (They say it is because he is a “scholar.” Kinda makes you want to keep studying, right? Don’t you want to be the one who speaks to the ghosts?) After the Ghost disappears, the two sentries ask Horatio why the kingdom seems to be on high alert and preparing for war. Horatio recounts for them the story of their old king, who bore a remarkable resemblance to the apparition which has just appeared to them, and the old king of Norway who fought over some land. The King of Norway was called Fortinbras, and Norway’s son (Shakespeare uses the Elizabethan way of referring to the country and the monarch with the same name. So “Norway” means the King of Norway, and “Denmark” means the King of Denmark.) is Young Fortinbras. Young Fortinbras wants to get back his father’s lands, and he has made some threats that he is going to raise an army and get back what his father lost. This might seem a little unfair, but it was a perfectly acceptable way to make a living. Anyway, since the lands were won in combat, and since the dead king (King Hamlet) was a great warrior, the sentries and the now-believing Horatio wonder if the Ghost has appeared to warn his country about the threat that Fortinbras poses…As if… The Ghost reappears after Horatio’s story, and the three men try to stop it from leaving. But it disappears when the morning cock crows, and they decide that they should go and tell the son of the dead king, Young Hamlet, about the ghost.

Now, here are some points to ponder…  First, why don’t the sentries go to the new king and tell him about the ghost? Don’t you think that a king would want to know that his predecessor is running around in the spirit world causing all this anxiety and depression? Hmmm.  Second, what kind of a world does the Ghost inhabit now? We know that he appears to the sentries in his full armor, not in his burial clothes. That would seem to indicate that a ghost in Shakespeare’s theology would have access to his living wardrobe. And why can’t the Ghost stay once the morning light breaks? What is it about morning that protects the living from the ghostly world of the dead?

Scene 2: In this scene we are going to get to meet the big players in the drama. We have, first of all, Claudius, the King of Denmark. Second, we have his lovely wife, Gertrude. And, finally, we have their son, Hamlet, the Prince. But what fun would it be to have such a happy family? As we find out, Claudius is actually the brother of the dead former king, King Hamlet. Gertrude was once King Hamlet’s wife, and now she is married to her onetime brother-in-law. And Hamlet, Jr. is the son of Gertrude and King Hamlet, and he is none too happy that his mother has married his uncle. (In the next few lines, we will find out that Gertrude waited less than two months to marry her brother-in-law.) But at the beginning of the scene, no one is saying anything about it all. Claudius and Gertrude are entering the great reception room in the castle as newlyweds, and the whole Danish council is with them. This all might seem a little strange since we don’t really know how Denmark chose its kings or even if Shakespeare knew how Denmark chose its kings. Let’s assume, though, that it is not unheard of for a brother of a king to take the throne, even though a son should be the preferable heir. And let’s assume that Claudius would need some sort of tacit approval from the nobles of the Danish Court to take on this new role. And let’s also assume that although the people might think to raise an eyebrow or two over Gertrude’s replacing one brother/husband with another, they will accept it. At any rate, Claudius has taken over, and while he may need the support of the nobility, he doesn’t need their permission. (But since we are wondering, let’s allow ourselves to wonder why Hamlet the son is not taking over his father’s throne. Is he being pushed aside? Is there something wrong with him?) In his first speech, we get a glimpse of why Claudius might be the one who takes over. He is really quite a good speech-maker, and he explains away a few of the eyebrow-raising controversies in one fell swoop. He tells the crowd that he recognizes that everyone, including himself, is mourning the former king. No one could be sadder, as a matter of fact. So it is with both sadness (“dirge in marriage”) and happiness (“mirth in funeral”) that he has taken both the crown and the queen for himself. He is going to take care of the Fortinbras problem by getting the uncle of the young warrior involved. He is ready to hear the petitions of the courtiers such as Laertes and grant their requests. And he is ready to party. Yes, indeed, things are really going Claudius’s way… Well, except for that pesky stepson/nephew: Hamlet. Hamlet is hanging around the court, looking all sad and weepy for his father (who, let us remember, has been dead only about two months). Claudius tries to perk him up by bringing him out to explain his sadness to the whole noble court. But Claudius doesn’t really “get” Hamlet’s speech. Hamlet makes two puns in his first lines of dialogue that are insults to Claudius. First, he tells us that he is “A little more than kin and less than kind” and second, he says that he is “too much [in] the sun.” In the first pun, he points out that he is too close as “kin” to the king now that he is both nephew and son. In the second, he states that he is too close to the “sun,” or, as the Elizabethan audience would have known, the king. He could also be referring to the idea that he is too much of a “son” to his dead father to join in the festivities of his mother’s remarriage. As we read on in the play, we will often hear Hamlet using language that baffles others around him. This is just one example. Gertrude jumps in then to try and salvage this family get-together. She asks Hamlet to “cast…off” his “nighted color” and see that her new husband could be a friend to him. In other words, she doesn’t want Hamlet to walk around the court wearing black and feeling miserable. She doesn’t want him to be “forever” looking for his father “in the dust,” meaning that Hamlet has been walking around with his eyes cast down to the ground. (Really, though, let us remember that Hamlet’s father has only been dead for TWO MONTHS!) Claudius adds to this discussion by telling Hamlet that his grief is “unmanly,” a “fault to heaven,” and a “fault against the dead.” Hamlet is, therefore, a bad son and a bad person and, frankly, a little unmanly by mourning his father. Wow. That’s a lot of bad. Both Gertrude and Claudius are anxious for Hamlet to stay in Denmark and not return to school in Wittenberg (a famous German university). Hamlet agrees to his mother’s request that he stay in Denmark, and Claudius just chooses to pass this off as unimportant. He just doesn’t want to fight with his stepson/nephew any more. He wants to go off and party. So he does. And we get the first of the great soliloquies in Hamlet: “too, too sullied flesh.” Hamlet wishes that he could just melt and disappear. He wishes that he could kill himself, that God had not made it against the rules. He knows that everyone else is happy, and he alone is the mourning one. But at this point, he seems to believe that he is in the wrong, that if everyone else can just get over the death of the previous king, he should be able to do that as well. He laments his mother’s choice to marry someone who is like a “satyr” when she had been married to “Hyperion.” (For those of you not up on the Greek mythology, Hyperion was a sun god and a satyr was a half man, half goat creature with a reputation for being ugly and lecherous.) He is angry with her and calls her “frailty,” and he goes on an on about the speed with which she exchanged one husband for another. (And he frankly shows what I think is an unhealthy interest in his mother’s “sheets.”) But at the end of his speech, he resolves that he will hold his tongue. Until…Horatio comes in and they talk about the Ghost. Hamlet is most amazed, as any one of us would be, that his father’s spirit is walking around, and he resolves that he will watch with Horatio and the sentries to see what is up.

Now, here are some points to ponder…  What qualities make Claudius a good king? I mean, he is a little creepy and all, but he is not like his brother as a king. He doesn’t immediately decide to go to war with Norway; instead he is going to send ambassadors to negotiate with the uncle of Young Fortinbras. Maybe keeping his country out of an expensive war is a good thing?  Going along with this, what is wrong with a kingdom getting over their grief and moving on to party with their new king? Should they really mourn forever? What is the appropriate time period for mourning?  I’m always wondering what kind of a relationship Hamlet had with his uncle before his father died. Claudius would have been an institution around the court. He married the Queen pretty quickly. Was he always in love with her? Did he hang out with his nephew and teach him how to party? to fence? to talk to women? Hamlet seems to hate Claudius a lot in this scene. Is it just because of the marriage or was there some bad blood in the family before?  And speaking of families, what is up with Polonius’s son? (More on him in the next scene.)

Scene 3 This scene opens on the family of Polonius, specifically his two children, Ophelia and Laertes. It seems that Ophelia has been keeping company lately with the prince, Hamlet. Now, here is a bit of a mystery to me. Laertes tells Ophelia that she should avoid Hamlet and not take him at his word. Why would he say that? If his sister marries the future King of Denmark, he would be set. Why would he discourage her from pursuing this match? Well, I can’t answer that, but I have a couple of theoretical points. Hamlet would have grown up with people like Laertes, possibly even Laertes. Polonius is a courtier, a councilor to the king, and his children would have grown up at court. Laertes and Hamlet are close in age. They were probably educated by the same tutors. Later in the play, Hamlet refers to Laertes as a “brother,” seeming to indicate that the two men were raised to be close. So, why aren’t they? Could it be that Laertes doesn’t like that spoiled little prince? Could it be that Laertes, who as we will see in future acts has some ambitions, doesn’t want to get too close to a man he might want to depose in the future? Maybe Laertes is just jealous that Hamlet seems to have everything, while he has had to work for all that he has. In any event, Laertes wants his sister to stay away from Hamlet, and she says that she will. Interestingly enough, the two of them are very close, but Laertes can’t get out of Denmark fast enough. When his father arrives to bid him a second farewell, we get the idea that Laertes tires easily of his father and his father’s propensity to complicate everything and to meddle in the affairs of everyone around him. Polonius gives Laertes some advice that has been quoted often as an example of Shakespeare’s inspirational language. But really, that long speech is a series of self-serving pieces of advice. Polonius tells his son that he should:  Keep his thoughts to himself and think before he acts  Be familiar with his friends but not vulgar, meaning that he should have controlled fun with them.  Hold on to the friends whose loyalty he has already tried. (The implications of that are sinister. Does Polonius want his son to deliberately test his friends to make sure that they are loyal? What is Polonius afraid of?)  Be careful of his new friends.  Be careful of getting into fights. However, if Laertes should get into a fight with someone, he should make sure that the other guy looks worse than he does.  Dress as nicely as he can with his limited funds because appearances are everything.  Avoid borrowing or lending his money. Of course, one would want to be careful not to need to borrow money, but lending money is another matter. Polonius seems to be telling his son that he should be careful not to give his money away to someone who needs it.  Finally, be true to himself.

So, Polonius isn’t giving his son advice on how to be a better person; he is teaching him how to watch out for himself first, foremost, and always. Once Laertes has extricated himself from his father and gone on his way, Polonius turns to his daughter and gives her a piece of his mind as well. He tells her that she is making a fool of him by chasing after Hamlet, and he wants her to remember that he has a position to maintain at court. She shouldn’t be embarrassing him. Now, isn’t that interesting? Shouldn’t Polonius want his daughter to marry into the royal family? Does he know something that the rest of us don’t? In any event, Ophelia comes across in this scene as being unsure of what she should believe. She tells both her brother and her father that she doesn’t know what to make of Hamlet’s behavior, and at the end of the scene, she tells her father that she will stay away from Hamlet in obedience to him.

Now, here are some points to ponder…  Does Hamlet really have feelings for Ophelia or is he just playing with her emotions?  How far has the relationship between Ophelia and Hamlet gone? Both her father and her brother warn her about engaging in a sexual relationship with the young prince because she has only one real quality—her virginity—to bargain with for a good match. Is it possible that she is already in too far? (In Kenneth Branagh’s version of Hamlet, the relationship has already gone past the point of no return. But I find only scanty evidence that such a thing was Shakespeare’s intention.)  Why can’t Ophelia stand up for herself?  Just what is the twisted relationship between the two families? (Trust me. It is gonna get a lot messier.)

Scene 4 In this scene, Hamlet is off to see the Ghost with the sentries and his pal, Horatio. As they are walking out of the castle, though, Horatio asks Hamlet about the cannon fire that they are hearing. Hamlet explains that this is one of Claudius’s parties, where he drinks and every time he drains his glass, the cannon goes off as a tribute to his party. Everyone cheers, and the king has shown them that he can be as fun as anyone else. Horatio asks Hamlet if this is the custom in Denmark, and Hamlet replies that it is. But then he says something very interesting. He tells Horatio that it is a custom that would be more “honored in the breach than the observance.” He means that it is a custom that should be ignored rather than perpetuated. Hamlet tells Horatio that Denmark is getting a reputation among other nations of being a place for parties. They are “traduced and taxed” by other nations, meaning that other nations are defaming them and looking down on their accomplishments. Now, one might wonder, why isn’t the king more concerned about this? Does this show that Hamlet is a more capable king than his uncle is? Anyway, this conversation is shut down because the Ghost shows up and, as ghosts are wont to do, interrupts all other thoughts. The Ghost wants to talk to Hamlet alone, but his friends don’t want him to go. They fear for his health. But Hamlet tells them that he is not going to miss this opportunity, that he is not afraid of death. And he goes.

Scene 5 And the Ghost tells him the story of the murder of King Hamlet by his pesky little brother, Claudius. And, of course, then Hamlet is called to revenge, and if he is a good son, he will follow the Ghost’s commands. One of my favorite lines in this play happens after he listens to the Ghost. He says that it is possible to “smile and smile and be a villain.” In this play, we have a number of references to what “seems” to be vs. what actually “is.” Hamlet, here, comments on the fact that someone can look perfectly innocent and pleasant but be hiding a dark heart under that exterior. The Ghost has some pretty interesting things to say about his current condition. He tells Hamlet that because he died with all of his sins “full blown,” he is now being punished. This would seem to imply that King Hamlet was not above reproach as a person. However, his sins could be small, and since he was unable to repent of them while living, he must now do penance in the afterlife. Note, though that he calls is “horrible.” Another point that the Ghost makes is that Gertrude is not to be touched by Hamlet’s revenge. Even in death, the old king seems to love and to want to protect his wife. He tells Hamlet that Gertrude was “won” by Claudius, not that she acted against her former husband. When the sentries and Horatio catch up with Hamlet, he acts very strangely, leading up to the question of whether Hamlet actually goes mad or if he just acts mad to throw Claudius off the scent of his trail to revenge. Hamlet makes his companions (with a little help from the other- worldly Ghost) swear that they will never repeat what happened that night, no matter how crazy he may need to act in the future. They agree to this (as if they had a choice).

Now, here are some points to ponder…  Why does the Ghost make a distinction between being Hamlet’s father and being Hamlet’s father’s spirit? What does this suggest about the nature of the Ghost vs. the nature of a human being?  Is the Ghost real? Hamlet certainly asks that as we continue on with the play. To an Elizabethan audience, this would be a good question. Perhaps the spirit that Hamlet has seen has come to tempt him to evil. Can you really trust a ghost?  Before hearing the story of the Ghost, Hamlet dislikes his uncle’s behavior, but as soon as he hears the story of the murder, he says, “Oh my prophetic soul.” What does this indicate about Hamlet’s fears of his mother and her new husband?  Why did Claudius kill his brother? Can you find any empathy in your heart for the poor younger brother growing up in his brother’s shadow?