Esa Conference 2013 Prague

ESA CONFERENCE 2015 Dublin

I DAY June, 11.

8:00 Registration Room 9:00–9:30 Opening 9:30–11:00 Plenary Session Chair: Noel Fitzpatrick Paul Crowther The Need for Art: Substantial Freedom and the Aesthetics of Self- Consciousness 11:00–11:15 Coffee Break Room Room Room 11:15-12:00 Kantian Perspectives French Aesthetics 1 The Art (in) Question 1 Chair: Isabelle Rieusset- Chair: Tina Kinsella Chair: Kalle Puolakka Lemarié Akos Krassoy. Alessandro Bertinetto. Tak Lap Yeung. Can art save itself? – Gombrich, Danto, and A political aesthetics or Levinas in dialogue with the Question an aesthetical politics Sartre on the freedom of of Artistic Progress Hannah Arendt’s the aesthetic interpretation of Kant’s power of judgment and its difficulties

12:00–12:45 Kantian Perspectives French Aesthetics 1 The Art (in) Question 1 Chair: Isabelle Rieusset- Chair: Tina Kinsella Chair: Kalle Puolakka Lemarié Michaela Ott. Alexander Stern. James Risser. Aesthetics as dividual The Last Aesthetician: Heidegger, Nietzsche and the Sensible Knowing in affections End of Art Kant's Aesthetics

12:45–14:00 Lunch

Room Room Room Room 14:00–14:45 Kant’s Aesthetics Aesthetic Matters 1 Aesthetic Judgment On Authenticity Chair: Isabelle Rieusset- Chair: Connell Vaughan Chair: Fabian Dorsch Chair: Alessandro Bertinetto Lemarié Lucy Elvis, Joanne Jacob Stump. Vitor Moura. Stefan Bird-Pollan. Couch, Christina Mullan, Associative Properties Kundry must die - stage Benjamin’s Artwork Alice Dixon, Steven Mc and Aestetic Judgment direction and authenticity Essay from a Kantian Hugh and Colleen Perspective Fitzpatrick. Gesture As Aesthetic Strategy 14:45-15:30 Kantian Perspectives Aesthetic Matters 1 Aesthetic Judgment On Authenticity Isabelle Rieusset-Lemarié Chair: Connell Vaughan Chair: Fabian Dorsch Chair: Alessandro Bertinetto Ido Geiger and Aviv Colleen Fitzpatrick. David Davies. Christine Battersby. Reiter. Empathy, The semantics of Authenticity and the Art Kant on Form, Function Anthropocentrism & Sibleyan aesthetic Gallery Experience: Van and Decoration Embodiment in Vischer's judgments Gogh’s Children, Micheal Contribution to Farrell, Heidegger and Aesthetics Sartre

15:30-15:45 Coffee Break

Room Room Room 15:45–16:30 Kantian Perspectives French Aesthetics 2 Beauty and beyond Chair: Daniel Martin Feige Chair: Noel Fitzpatrick Chair: Matilde Carrasco Barranco Mojca Kuplen. Daniel Tkatch. Nathalie Heinich. Art and Knowledge: The Limits of Equality: Beyond Beauty: the Values of Art. Kant’s Perspective Jacques Rancière and the Towards an interdisciplinary Sublime in Politics Axiology

16:30–17:15 Kantian Perspectives French Aesthetics 2 Beauty and beyond Chair: Daniel Martin Feige Chair: Noel Fitzpatrick Chair: Matilde Carrasco Barranco Karan August. Michaela Fiserova. Carla Carmona Escalera. Form, Formal, Formative; Partage de l'art. Jacques The ugly also has its rules. Accounting for Rancière et les disparités Between Danto's concept of the normativity in Kant's du régime esthétique art world and Wittgenstein's notion of use aesthetic judgments.

17:15–17:30 Coffee Break

17:30–18:15 Kantian Perspectives Film, Video and Philosophy 1 Beauty and beyond Chair: Daniel Martin Feige Chair: Rob Hopkins Chair: Matilde Carrasco Barranco Katarzyna Wejman. El Putnam. Lisa Katharin Schmalzried. Hermeneutic topicality of "Bring a Camera with Beauty and the Sensory- Kantian theory of You": The Posthumous Dependence- imagination – plot and Collaboration of Ahmed Thesis metaphor Basiony and Shady El Noshokaty

18:15–19:00 Kantian Perspectives Film, Video and Philosophy 1 Beauty and beyond Chair: Daniel Martin Feige Chair: Rob Hopkins Chair: Matilde Carrasco Barranco Niklas Sommer. Cato Wittusen. Jane Forsey. Schiller's interpretation Romantic Film-Philosophy Form and Function: of the Critique of Power and Philosophical Film The Dependent Beauty of Design of Judgement Criticism

19:00 ESA General Assembly

II Day Room Room Room June, 12. 9:00– 9:45 Functions of Art Aesthetic Matters 2 Theatre and Chair: Zsolt Batori Chair: Kalle Puolakka Narration Jerzy Luty. Functions of art in Kai-Uwe Hoffmann. Chair: Fabian evolutionary explanations Thick Aesthetic Concepts Dorsch Reconsidered Andrew Kania. Gameplay and Narration

9:45–10:30 Functions of Art Aesthetic Matters 2 Chair: Zsolt Batori Chair: Kalle Puolakka Stephen Davies. Pauline von Bonsdorff. Body-marking adornments: Genuine and Fake in Aesthetic origins and functions Communication: From Infants to Art 10:30–10:45 Coffee Break Room Room Room 10:45–11:30 Morality and Politics Artists’ Philosophies The Art (in) Question 2 Chair: Matilde Carrasco Barranco Chair: Eva Schuermann Chair: John Zeimbekis Regina-Nino Mion. Jessica Jaques. Eoin O'Connell. The unpredictability of the Repenser Picasso. Le Désir Can We Wrong a Work of Art? political effect of art attrapé par la queue et les iconographies de l’absurde et de la stupeur

11:30–12:15 Morality and Politics Artists’ Philosophies The Art (in) Question 2 Chair: Matilde Carrasco Barranco Chair: Eva Schuermann Chair: John Zeimbekis Robert Stecker. Ulrich Seeberg. Nemesio García-Carril. Moral Norms and Nature Gilles Deleuze über den Maler Individuation and the Categorial Appreciation Francis Bacon. Nachfragen Question in Ontology of Music

12:15–13:00 Morality and Politics Artists’ Philosophies The Art (in) Question 2 Chair: Matilde Carrasco Barranco Chair: Eva Schuermann Chair: John Zeimbekis Wiebke Deimling. Elena Tavani. Michel-Antoine Xhignesse. Moralism about Propaganda Giacometti and Titles Unnamed Merleau-Ponty's Painter

13:00–14:00 Lunch Room Room Room

14:00–14:45 On Emotions French Aesthetics 3 Chair: Dan-Eugen Ratiu Chair: Tina Kinsella John Holliday. Iris Laner. Reading to Feel Less Alone: Science, Arts, and Knowing- Emotional Intimacy in Literature How. Merleau-Ponty on the Epistemic Qualities of ‘Experimental Practices’.

14:45–15:30 On Emotions French Aesthetics 3 Chair: Dan-Eugen Ratiu Chair: Tina Kinsella Karen Simecek. Ingvild Torsen. Poetry, Emotion and Perspective Body in Sculpture. Understanding modernism with Merleau-Ponty

15:30–15:45 Coffee Break 15:45–16:30 On Emotions Aesthetic Matters 3 Chair: Alessandro Bertinetto Chair: Tim Stott Mª José Alcaraz León. David Collins. Is there really a puzzle of the The Potential of, and Limitations negative emotions and aesthetic of Current Work on, Virtue pleasure? Aesthetics

16:30–17:15 On Emotions Aesthetic Matters 3 Chair: Alessandro Bertinetto Chair: Tim Stott Paolo D'Angelo. Anna-Maria C. Bartsch. Emotions in Everyday Life, How can a „Formal Aesthetics“ Emotions in Art be justified?

17:30–19:00 Plenary Session Chair: Rob Hopkins Carole Talon-Hugon Artialisation of Emotions 19:00–20:00 ESA Conference Dinner III DAY Room Room Room June, 13.

9:00– 9:45 Kant revisited Aesthetic Matters 4 The Art (in) Question 3 Chair: Dan-Eugen Ratiu Chair: Kalle Puolakka Chair: Martin McCabe Berta M. Pérez. Andrew James Garrison Speculative reflection as a form of the Huddleston. The Aesthetic Life of Power: aesthetic “free play of the faculties” Expanding Recognition and the Artwork as a Aesthetic Novel “Other” Normativity

9:45–10:30 Kant revisited Aesthetic Matters 4 Chair: Dan-Eugen Ratiu Chair: Kalle Puolakka The Art (in) Question 3 Damla Dönmez. Georg Bertram. Chair: Martin McCabe Connell Vaughan. Saving "Disinterestedness" in Environmental Aesthetic Lessons from the Pasquino: Space Aesthetics: A Defense Against Berleant and Experience as an in “New Genre Public Saito Aspect of Art” Interpretive Activities

10:45–11:30 Aesthetics, Art, and Time Around the Fiction The Art (in) Question 3 Chair: Connell Vaughan Chair: Zsolt Batori Chair: Fabian Dorsch Carmen González. Marc Nicolas Matthew Rowe. Facing the real: timeless art and Sommer. Some Irredeemably Singular performative time What is Weird Artworks Fiction? Prolegomena to an Aesthetics of the Weird

11:30–12:15 Around the Fiction The Art (in) Question 3 Aesthetics, Art, and Time Chair: Zsolt Batori Chair: Fabian Dorsch Chair: Connell Vaughan Daniel Dohrn. Oana Voda. Vladimir Marchenkov. 'According to The Is Gaut Cluster Account a The Chronotope: Forms of Time and Space Fiction' -a Classificatory Account of Art? in Myth, Epic, and the Novel Metaexpressivist Account

12:15–13:00 Aesthetics, Art, and Time Around the Fiction The Art (in) Question 3 Chair: Connell Vaughan Chair: Zsolt Batori Chair: Fabian Dorsch Julia Langkau. Jon Robson. Gerard Vilar. Learning from Testimony, the Test of Time, and Aesthetic Does Artistic Research Produce Fiction Epistemology Knowledge?

13:00–14:30 Lunch

14:30–15:15 Film, Video and Philosophy 2 Everyday Aesthetics The Art (in) Question 3 Chair: Isabelle Rieusset-Lemarié Dan-Eugen Ratiu Chair: Tim Stott Salvador Rubio Marco. Philosophizing Gioia Laura Luis Eduardo Duarte Valverde. through moving-image artworks: an Iannilli. Net.art as language games alternative way out The Aesthechnics of Everyday Life. Suggestions for an Aesthetics of the Everyday in the age of Wearable Technologies

15:15 – 16:00 Everyday Aesthetics The Art (in) Question 3 Film, Video and Philosophy 2 Chair: Dan-Eugen Chair: Tim Stott Chair: Isabelle Rieusset-Lemarié Ratiu Kenneth Wilder. Lindsey Fiorelli. Ariane Nomikos. The Configurational Encounter: What we see at the Movies Illuminating the Contemporary Art and Reception Everyday Aesthetics

16:15–17:45 Plenary Session Chair: Fabian Dorsch Francisca Perez Carreño Keep reading. Aesthetic experience and literary interpretation