Jean Gallagher, CV, 1

Jean Gallagher 69 West 9th Street, Apt. 5B (212) 674-4301 New York, NY 10011 E-mail: [email protected]

Education City University of New York Graduate School and University Center, Ph.D Program in English, Ph.D., February 1994. Queens College, City University of New York, B.A., Summa cum laude, in English, 1985. Université de Paris VIII (St. Denis), CUNY-Paris Exchange Program, 1984-85.

Honors and Awards Finalist, Kinsereth Gensler Award, Alice James Books, 2010. Nominee, Pushcart Prize, 2008. Finalist, The Center for Book Arts Letterpress Poetry Chapbook Competition, 2008. FIELD Poetry Prize, Oberlin College Press, 2005-06 (book publication) Nominee, Pushcart Prize, 2005. Poets Out Loud Prize, Fordham University Press, 2004-05 (book publication) Jacobs Distinguished Teaching Award, Polytechnic University, 2005 Finalist, Ruth Stone Prize in Poetry, 2005 Finalist, Samuel French Morse Poetry Prize, Northeastern University Press, 2005 Finalist, The Ohio State University Press/The Journal Award in Poetry, 2005 Finalist, Barrow Street Press Poetry Prize, 2005 Finalist, Tupelo Press Snowbound Series, 2004 Finalist, The Lynda Hull Memorial Poetry Prize, Crazy Horse Magazine, 2004 Finalist, Indiana Review Poetry Prize, 2004 Sabbatical Leave, Polytechnic University, 2003-04 Finalist, Wick Poetry Prize, Kent State University Press, 2003 Margaret Church Memorial Award for Best Essay, Modern Fiction Studies, for “Vision and Inversion in Nightwood,” 2001 Choice Outstanding Academic Title Award, for The World Wars Through the Female Gaze, 2000 Student Affairs Award for Outstanding Faculty Member, Polytechnic University, 2003 Student Affairs Award for Outstanding Faculty Advisor, Polytechnic University, 1998 Carolyn G. Heilbrun Dissertation Award in Women's Studies, CUNY Graduate Center, 1994 Adrienne Munich Dissertation Award in English, CUNY Graduate Center, 1994 Helaine Newstead Dissertation Fellowship, CUNY Graduate Center, 1992-1993 University Tuition Fellowship, CUNY Graduate Center, 1992-1993 University Fellowship, CUNY Graduate Center, 1985-1986 Valedictorian, Queens College, 1985

Academic Employment Jean Gallagher, CV, 2

Professor of English, Department of Technology, Culture, and Society, Polytechnic Institute of New York University, 2011-present Professor of English, Department of Humanities and Social Sciences, Polytechnic Institute of New York University, 2008-2011. Associate Professor of English, Department of Humanities and Social Sciences, Polytechnic University, 2000-2008. Assistant Professor of English, Department of Humanities and Social Sciences, Polytechnic University, 1994-2000. Lecturer, Humanities Department, Cooper Union for the Advancement of Art and Science, Summer 1993-95 Lecturer, General Studies Program, New York University, 1993-1994. Lecturer, English Department, Queens College, CUNY, 1989-1994. Graduate Assistant, English Department, Queens College, 1986-1989. Lecturer, Writing Skills Workshop, Queens College, 1985-1986. Lecturer, Writing Lab, Queensborough Community College, 1985-1986. Tutor, Writing Skills Workshop, Queens College, 1983-1985

Courses Taught Machines Made of Words I and II, Modern Poetry, Modern American Poetry, Introduction to Poetry, American Literature Survey, Modern Times: Art, Literature, and Culture, 1900-1945, Introduction to Women’s Literature, African-American Literature, Writing and the Humanities I and II, First Year Writing Seminar, Introductory Composition.

Service Chair, Tenure and Promotions Committee, Polytechnic Institute of NYU, Spring 2011 Executive Committee, Department of Humanities and Social Sciences, Polytechnic Institute of NYU, Spring 2010-present. Reader, Masters Thesis for Erin White, MFA Candidate, SUNY Southampton, May 2010. Transfer Credit Evaluator, Department of Humanities and Social Sciences, Polytechnic University, Fall 2007-present. Scheduling Coordinator, Department of Humanities and Social Sciences, Polytechnic University, Fall 2004-present Executive Committee, Department of Humanities and Social Sciences, Polytechnic University, 2006-2008. Chair, Teaching Awards Committee, Polytechnic University, 2007. Scheduling Coordinator, Department of Humanities and Social Sciences, Polytechnic University, Fall 2004-Fall 2008 Chair, Media Studies Search Committee, Department of Humanities and Social Sciences, Fall 2006. Director, Writing and Humanities Program, Polytechnic University, 1994-2003. Director, Writing Center, Polytechnic University, 1994-2001. Student Activities Committee, Polytechnic University, 1999-2005. Jean Gallagher, CV, 3

Chair, Literature Search Committee, Department of Humanities and Social Sciences, 1999. Faculty Advisor, Polytechnic Animé Society, 1998-present. Faculty Advisor, Art Club, Polytechnic University, 1997-1998. Undergraduate Curriculum and Standards Committee, Polytechnic University, 1995- 1996. Faculty Advisor, Counterweight, Student Literary Magazine, Polytechnic University 1995-1997. Graduate Curriculum and Standards Committee, Polytechnic University, 1994-1996. Admissions and Financial Aid Committee, Ph.D. Program in English, CUNY Graduate Center, 1992-1993. Curriculum Committee, Student Representative, Ph.D. Program in English, CUNY Graduate Center, 1990-1992. Required Composition Committee, Queens College, 1989-1992. Planning Committee, Diane Bornstein Conference: "Women, Race, and Memory: Toni Morrison's Beloved." Queens College, May 8, 1990. Curriculum Committee, Student Representative, CUNY Graduate Center, 1988-1989. Manuscript Reviewer, University of Michigan Press Manuscript reviewer, Indiana University Press Manuscript reviewer, University of Arkansas Press Manuscript reviewer, Northeastern University Press Reader, MLA Book Series: Options for Teaching Reader, LIT: Literature, Interpretation, Theory

Grants Activities National Science Foundation Gateway Coalition ($43,000): Writing Across the Curriculum/Writing Consultant Program, Co-investigator, 1999-2000. National Science Foundation Gateway Coalition ($104,000): Writing Across the Curriculum/Writing Consultant Program, Co-investigator, 1998-99. National Science Foundation Gateway Coalition ($63,000): Writing Across the Curriculum/Writing Consultant Program, Co-investigator, 1997-98. National Science Foundation Gateway Coalition ($25,000): Writing Across the Curriculum/Writing Consultant Program, Co-investigator, 1996-97.

Publications Poetry Start. Oberlin College Press, 2012. “Early Things,” Green Mountains Review, Spring 2010. “The World According to the Modern Painters,” The Common Review, Fall 2009. “Script on Gold Leaf (4-7),” The Journal, Fall-Winter 2008. “Year in Eleusis,” FIELD: Contemporary Poetry and Poetics, Fall 2007. “The Antinomian Crisis,” “Four Ways,” “Story With Bear.” Pebble Lake Review, Fall/Winter 2007. Stubborn. Oberlin College Press, 2006. Jean Gallagher, CV, 4

This Minute. Fordham University Press, 2005. “Which Animal Is That.” Barrow Street, Summer 2005. “And Then Who Shows Up,” “Did You.” Guernica, Spring 2005. “Episodes in the History of Photography” (four poems). The Journal (Ohio State University), Spring/Summer 2005. “Detail of Paradise,” “How Many.” Margie: The American Journal of Poetry, Winter 2005. “Bitter Green Song.” 7 Carmine, Fall 2004. “Nativity,” “Epiphany.” Barrow Street, Summer 2004. “Early Photograph II.” Rhino, 2004. Five poems, Commonweal, July 16, 2004. “Stubborn,” “No Place But.” The Journal (Ohio State University), Spring/Summer 2004. “Edge.” Commonweal, April 23, 2004. “It Turns Out.” Commonweal, April 9, 2004 “Annuncio di Morte a Maria,” “Noli Me Tangere.” Notre Dame Review 17, Fall 2003. Four poems, Commonweal, February 28, 2003. “Nothing Seems to Happen. Everything Sails.” Commonweal, January 17, 1999. “Particular Annunciation.” Commonweal, March 21, 1995. “Arches of Bridge Break Ranks.” Commonweal, June 3, 1994.

Scholarly Publications “H.D.’s Distractions: Cinematic Stasis and Lesbian Desire.” Modernism/Modernity 9.3 (September, 2002): 407-422. “Vision and Inversion in Nightwood.” Modern Fiction Studies 47.2 (Summer 2001): 281-305. The World Wars Through the Female Gaze. Carbondale: Southern Illinois University Press, 1998. "The Great War and the Female Gaze: Edith Wharton and the Iconography of War Propaganda." LIT: Literature, Interpretation, Theory 7 (Spring 1996): 27-49. "Mildred Aldrich and the Look of Propaganda." The Image of War: Selected Papers from the Society for the Interdisciplinary Study of Imagery. Ed. Will Wright and Steven Kaplan. Pueblo, CO: University of Southern Colorado, 1992.

Reviews Review of Writing War in the Twentieth Century by Margot Norris. Modernism/ Modernity 8.3 (September 2001): 521-22. “Interdisciplinary Modernisms.” Review Essay. Modern Fiction Studies 46.4 (Winter 2000): Review of Montana Women by Toni Volk. American Book Review 15.2 (June-July 1993): 1. Review of New York by Djuna Barnes. American Book Review 12.4 (September- October), 1990:26. Review of In the Night Cafe by Joyce Johnson. American Book Review 12.2 (May-June 1990): 19. Jean Gallagher, CV, 5

Reprints “Episodes in the History of Photography.” ELN (English Language Notes, Spring 2007. “Vision and Inversion in Nightwood.” Literary Modernism and Photography, ed. Paul Hansom. Westport, CT: Praeger, 2002. 177-198. Other “Marie Ponsot with Sally Dawidoff and Jean Gallagher” (Interview). Brooklyn Rail, October, 2009 (http://www.brooklynrail.org/2008/10/books/marie-ponsot-with- sally-dawidoff-and-jean-gallagher).

Conference Presentations Panel Chair and Presenter: “Celebrating Marie Ponsot.” Association of Writers and Writing Programs, Atlanta, GA, March 2007. Panel Chair, “Another Modernism: Photo-Text and the Life of the Nation.” Modernist Studies Association Conference, Vancouver, BC, October, 2004. “H.D.’s Distractions.” Paper presented at the Modern Language Association Annual Convention, Washington, D.C., December 2000. “H.D.’s Film Stills.” Paper presented at the Modernist Studies Association Conference, Philadelphia, PA, October, 2000 “Picture Adepts: H.D. and Visual Culture.” Paper presented at the Literature and Visual Technologies Conference, Oxford, UK, April 2000. “Vision and Inversion in Nightwood.” Paper presented at the Modernist Studies Association Conference, October, 1999, Pennsylvania State University. Session Leader, “Modernist Observers.” Special Session at the Modern Language Association Annual Meeting, San Fransisco, CA, December 1998. “Nightwood as Visual Critique.” Paper presented at the Border Crossings Conference, New Paltz, NY, October 1998. “‘Her Sensitory Predicament.’” Paper presented at the “Come To Your Senses” Conference, Amsterdam, The Netherlands, May, 1998. “H.D. and the Blitz,” Paper presented at the American Literature Association Conference, San Diego, CA, May 1996. “Surrealism, Fashion, and Combat Photography in Vogue Magazine, 1940-1945.” Paper presented at the Literature of Peace and War Conference, New York University, April 29, 1995. "Vision, Violence, and Vogue: War and Correspondence in Lee Miller's Photography." Paper presented at the Peace and War Issues: Gender, Race, and Ethnicity Conference, Rutgers University, New Brunswick, NJ, November 11-12, 1994. "Visual Disturbances in an Expanded Field: H.D. and the Blitz." Paper presented at the Twentieth-Century Literature Conference, Louisville, KY, February 24-26, 1994. "Fascism, Gender, and the Visible." Paper presented at the Scholarship on Women and Society Conference, Marist College, Poughkeepsie, NY, June 4-6, 1993. "A Stricken Field and the Field of Vision." Paper presented at the Historicizing Literature Conference, New York University, May 1, 1993. "Seeing to the War: Wharton, Gender, and the Iconography of War Propaganda." Paper presented at the Modern Language Association Annual Convention, New York, December, 1992. Jean Gallagher, CV, 6

"The Great War and the Female Observer." Paper presented at the What is Modern Conference, University of Massachusetts, Amherst, Massachusetts, October 2-4, 1992. "Women Eyewitnesses and Great War Propaganda." Paper presented at the Image of War Conference, Colorado Springs, Colorado, March 5-7, 1992. "Seeing to the War." Paper presented at the Women and War Conference, University of Texas, Austin, Texas, October 18-20, 1991. "Edith Wharton and the Iconography of War Propaganda." Paper presented at the Edith Wharton in Paris Conference, Paris, France, June 28-July 1, 1991.

Invited Lectures “On Making a Living and the Life of Writing” Othmer Lecture, Polytechnic University, November 29, 2006. ‘The Good Observer.” University of Connecticut, Storrs, December 2, 1999. “Vision, Violence, and Vogue.” Women’s Studies Lecture Series, University of Connecticut, Stamford, CT, April 14, 1999. “Wharton and Stein on the Front Lines.” CUNY Graduate Center Alumni Lecture Series, September 18, 1998. “Gender and Photography in World War Two.” Queens College Honors Program in the Western Tradition Lecture Series, March 23, 1994. “The Letter and the Law in Incidents in the Life of a Slave Girl.” CUNY Graduate Center, Comparative Literature Colloquium. December, 1988.

Invited Readings Fordham University Press/Poets Out Loud Reading, Associaton Writers and Writing Programs Conference, New York, NY, February, 2008 Ear Inn Reading Series, New York, January, 2008 Fordham University Press/Poets Out Loud Reading, Association of Writers and Writing Programs, Atlanta, GA, March 2007. Ear Inn Reading Series, New York, December 2, 2006 Bluestockings Reading Series, New York, March 29, 2005 Cornelia Street Reading Series, New York, October 16, 2004 Magdalene Reading Series, New York, October 5, 2004. Halcyon Reading Series, New York, March 4, 2003 Village Reading Series, New York, October 9, 2003 Wilson College, Chambersburg, PA, October 28, 2003 Poets Out Loud Reading Series, Fordham University at Lincoln Center, October, 29, 2003 Monday Night Reading Series, New York, July 23, 2003.

References

Letters of reference available upon request.