Adventures of Baron Munchausen, The

DVD details Adventures of Baron Munchausen, The

Columbia/Tristar 76989 Color - 127 min

Released 27 April 1999 Available List Price: $29.95 Keep Case

Regional Aspect Ratio Disc Details Information

1.85 : 1 Closed Captioning: CC Master format: Film NTSC Anamorphic 1 : Sides: 2 (SS-RSDL) Widescreen USA Chapter stops: 28 Pan & Scan Macrovision copy protection

Sound: English Spanish Portuguese

2.0 Surround 2.0 Surround 2.0 Surround English, Spanish, Portuguese, Korean, Chinese, Subtitles: Thai

------Movie Review The Adventures Of Baron Munchausen

Release Date: 1989

Ebert Rating: ***

By Roger Ebert / Mar 10, 1989

I have ever confined myself to facts.

- Attributed to Baron Munchausen

There really was a Baron Munchausen. His full name was Karl Friedrich Hieronymous von Munchausen, and he lived from 1720 to 1797 and fought for the Russians against the Turks. He was, it is said, in the habit of embellishing his war stories, and in 1785 a jewel thief from Hanover named Rudolf Erich Raspe published a book in England which claimed to be based on the baron's life and times.

The real von Munchausen apparently did not complain about this book that made free with his reputation, even though it included such tall stories as the time the baron tethered his horse to a "small twig" in a snowstorm, and discovered when the snow melted that the twig was actually a church steeple.

I remember the illustration that appeared with that story when I read it as a child: The baron on the ground, looking up in perplexity at his horse, which was still hanging from the steeple. I remember asking my father how the horse was going to get down, and my father speculating that he would have to wait until it snowed again, which seemed like a bleak prospect for the horse. And so I asked if the baron could feed his horse in the meantime by climbing up the steeple with hay. The mind of a child is wonderfully literal. And one of the charms of seeing "The Adventures of Baron Munchausen" was to see some of the baron's other impossible adventures, looking for all the world as if they had really happened, thanks to extraordinary special effects.

For adults, this is a "special effects movie," and we approach it in that spirit, also appreciating the sly wit and satire that sneaks in here and there from director Terry Gilliam and his collaborators, who were mostly forged in the mill of Monty Python. They have not made a "children's movie," but children may find it fascinating, because these adventures involve castles and sultans and horses and knights and the man in the moon - subjects that seem fresh, now that the high-tech hardware of outer space is taken for granted by most kids.

------Terry Gilliam's film is, in itself, a tribute to the spirit of the good baron. Gilliam must have had to embellish a few war stories himself, to get Columbia Pictures to spend a reported $46 million on this project, which is one of the three or four most expensive films ever made. The special effects are astonishing, but so is the humor with which they are employed. It is not enough that one of the baron's friends is the fastest runner in the world. He must run all the way to Spain and back in an hour, to fetch a bottle of wine and save the baron's neck. And he must be able to outrun a speeding bullet, stop it, and redirect it back toward the man who fired it.

These adventures, and others, are told with a cheerfulness and a light touch that never betray the time and money it took to create them. It's one thing to spent $46 million; it's another to spend it insouciantly. The movie begins when the baron indignantly interrupts a play that is allegedly based on his life, and continues as he tells the "real" story of his travels - which took him not merely to Turkey but also to the moon, to the heart of a volcano, and into the stomach of a sea monster so big that people actually lived there quite comfortably, once they had been swallowed.

The baron (John Neville) is accompanied on some of these adventures by his friends, including not only the world's fastest man, but also the world's strongest man, the man with the best hearing in the world, and another friend who does not have great eyesight, but owns glasses that allow him to see almost any distance. Even when he is separated from these comrades, the baron travels in good company: when a Venus appears from a seashell, she is played by Uma Thurman, the young innocent from "Dangerous Liaisons," and when the man in the moon appears, he is Robin Williams, with a detachable head that is able to spin off into the night on its own.

Some of the effects in this movie are actually quite wonderful, as when the baron and a friend return from the moon by climbing down two lengths of the same rope again and again, while the markings of a celestial globe apportion the sky behind them. In another scene, a giant feather falls softly onto a vast plain, while the baron tries to understand what strange new world he has found.

Neville, a veteran of the Stratford Shakespeare Festival in Canada, keeps his composure in the midst of these special effects, and seems sensible and matter-of- fact, as anyone would if they had spent a lifetime growing accustomed to the incredible.

The wit and the spectacle of "Baron Munchausen" are considerable achievements. I wish only that Gilliam, who co-wrote the screenplay as well as directed, had been able to edit his own inspiration more severely as he went along. The movie is slow to get off the ground (the prologue in the theater goes on forever before we discover what it's about), and sometimes the movie fails on the basic level of making itself clear. We're not always sure who is who, how they are related, or why we should care. One of the things you have to do, when you fill a movie with

------extravagant fantasies, is to explain the story in clear and direct terms, so it doesn't fly apart with intoxication at its own exuberance.

I was confused sometimes during "Baron Munchausen," and bored sometimes, but this is a vast and commodious work, and even allowing for the unsuccessful passages there is a lot here to treasure. Gilliam says it is the third part of a trilogy. His first film, "Time Bandits," was about childhood. His second, "Brazil," was about adulthood. "Baron Munchausen" is about old age. He may be telling us the truth. He may also be telling us he has tethered his film to a twig in a snowstorm.

Box Office Information Budget $46,630,000 (estimated) Gross $8,083,123 (USA) €1,264,803 (Spain) (10 August 2002) Admissions 606,635 (Spain) (10 August 2002) 618,780 (West Germany)

Movie Awards Academy Awards, USA Year Result Award Category/Recipient(s) Best Art Direction-Set Decoration Dante Ferretti Francesca Lo Schiavo

Best Costume Design Gabriella Pescucci

1990 Nominated Oscar Best Effects, Visual Effects Richard Conway Kent Houston

Best Makeup Maggie Weston Fabrizio Sforza

------Movie Trivia

 Forms an informal trilogy with director Terry Gilliam's previous films, Time Bandits (1981) and Brazil (1985). The three movies represent the three stages of Man (youth, middle age, and elderly) and the impact of imagination on each.

 The role of the King of the Moon was intended for Sean Connery until the role was largely cut. Connery didn't think it was "kingly" enough, thus the role was played by 'Williams, Robin' .

 'Williams, Robin' played the King of the Moon. The credits list "Ray DiTutto". This is the English transliteration of the Italian phrase "Re di Tutto," which means "King of Everything," which was how the King of the Moon introduces himself to the Baron. Williams performed the part as soon as he arrived in England after a transatlantic flight.

 Director Trademark: [Terry Gilliam] [burst] the Baron and his horse.

 Director Terry Gilliam originally filmed a cameo for himself. He appeared in an additional scene set inside the fish, where he sat against the wall of the ship, coughing, and died almost immediately.

 In the scene in the King of the Moon's bedroom, above the headboard is a small bust. In a close-up shot, the eyes of the bust are seen to contain lights that blink on and off, accompanied by the sound of a camera whirring and clicking. This is line producer David Tomblin's homage to "The Prisoner" (1967), which he helped produce and direct in the late 1960s.

 Christopher Lambert filmed scenes, but they were cut from the final print.

 This film became notorious for its many production problems and cost overruns. Making matters worse was the change in regimes at Columbia Pictures. The new regime, not wanting any production from the old regime to "shine", simply buried the film during its U.S. release. There were many markets, especially the smaller ones, in the U.S. where this movie was not booked at all.

 The name of the Baron's horse is "Bucephalus". This was, of course, the name of Alexander the Great's horse. ------ One of the gunners is played by Michael Polley, the father of Sarah Polley who plays Sally.

 Munchausen throws out roses to all the women except one; when Sally asks for a flower, he throws her a scarlet pimpernel.

Movie Goofs

 Crew or equipment visible: A man can be seen wearing a satin stadium jacket in the lower right hand corner as the camera pulls back from the making of the petticoat balloon.

 Crew or equipment visible: A crew member is visible in the lower right hand corner during the pull back from the underwear balloon just moments before one of the guards says, "We'd better tell someone about this." He is a man wearing a blue satin jacket, which clearly reads "King Kong Lives" in red lettering.

 Continuity: The lenses on Adolphus' glasses swap position just after the Baron manages to save them from the giant fish. Once they're ashore again, the lenses are back in their original position.

 Crew or equipment visible: During the long pull-back shot which shows how deep in the Sultan's camp the Baron is being held, extras quickly move together as the camera moves back to cover the dolly track on the ground, but frequently do not succeed.

 Crew or equipment visible: When the Baron is being carried off by Vulcan, you can see a wire attached to the tail of his coat.

 Anachronisms: A sousaphone (a wraparound version of a tuba used in marching bands) is clearly visible in several shots during the victory celebration in which Munchausen is shot. The sousaphone was not invented until approximately a century after the time in which this story takes place.

 Crew or equipment visible: As the ship moves across the sand after the storm, the shadow of the wire that is used to drag the boat can been seen on the sand in front of it.

------Movie Filming Locations Belchite, Zaragoza, Aragón, Spain

Cinecittà, Rome, Lazio, Italy (studio)

Alternate Versions Recent prints, including home video reissues, have included a new card during the end. It has been inserted between the end title and "The End" and reads: "This is a new motion picture. This motion picture is not to be confused with the Ufa/Trannsit/Murnau 1942/43 motion picture bearing the title 'The Adventures of Baron Munchausen.'" This refers to the German production that was made during the Nazi era and underewent restoration by the Murnau Foundation during the 1990's.

Movie Connections Referenced in The Fisher King (1991) It's the Monty Python Story (1993) (TV) Dellamorte Dellamore (1994) The Hamster Factor and Other Tales of Twelve Monkeys (1996) (V) SaGa Frontier (1997) (VG) The Mummy Returns (2001) Lost In La Mancha (2002) The Lord of the Rings: The Two Towers (2002) 29th Telluride Film Festival Aug. 30 - Sept. 2, 2002: Terry Gilliam Interviewed by Salman Rushdie (2003) (V) References Pinocchio (1940) The Crimson Pirate (1952) 8½ (1963) "The Prisoner" (1967) The Navigator: A Mediaeval Odyssey (1988) Version of Aventures de baron de Munchhausen, Les (1911) Münchhausen (1943) Baron Prásil (1961) Featured in The 62nd Annual Academy Awards (1990) (TV) Spoofed in Six-String Samurai (1998)

------Full Cast and Crew Directed by Terry Gilliam

Writing credits Rudolph Erich Raspe (novel) uncredited

Gottfried August Bürger (novel) uncredited

Charles McKeown (screenplay) & Terry Gilliam (screenplay)

Cast (in credits order) verified as complete John Neville .... Baron Munchausen Eric Idle .... Desmond/Berthold Sarah Polley .... Sally Salt Oliver Reed .... Vulcan Charles McKeown .... Rupert/Adolphus Winston Dennis .... Bill/Albrecht Jack Purvis .... Jeremy/Gustavus Valentina Cortese .... Queen Ariadne/Violet Jonathan Pryce .... The Right Ordinary Horatio Jackson Bill Paterson .... Henry Salt Peter Jeffrey .... Sultan Uma Thurman .... Venus/Rose Alison Steadman .... Daisy Ray Cooper .... Functionary Don Henderson .... Commander Robin Williams .... King of the Moon (as Ray D. Tutto) Sting .... Heroic Officer Andrew MacLachlan .... Colonel Mohamed Badrsalem .... Executioner Kiran Shah .... Executioner's Assistant Franco Adducci .... Treasurer José Lifante .... Dr. Death (as Jose Lifante) Ettore Martini .... First General Antonio Pistillo .... Second General Michael Polley .... Gunner Tony Smart .... Gunner rest of cast listed alphabetically: Laura D'Arista .... Theater-goer (uncredited) Terry Gilliam .... Irritating Singer (uncredited)

Produced by Ray Cooper .... co-producer Jake Eberts .... executive producer

------Stratton Leopold .... supervising producer Thomas Schühly .... producer David Tomblin .... line producer

Original Music by Eric Idle (also song) Michael Kamen (also song)

Cinematography by Giuseppe Rotunno

Film Editing by Peter Hollywood

Casting by Francesco Cinieri Irene Lamb Margery Simkin

Production Design by Dante Ferretti

Art Direction by Maria-Teresa Barbasso (as Teresa Barbasso) Giorgio Giovannini Nazzareno Piana

Set Decoration by Francesca Lo Schiavo

Costume Design by Gabriella Pescucci

Makeup Department Iole Cecchini .... hair stylist supervisor: Italy Elisabetta De Leonardis .... hair stylist Cristina De Rossi .... makeup artist Carla Indoni .... hair stylist Enrico Jacoponi .... makeup artist (as Enrico Iacoponi) Antonio Maltempo .... makeup artist Giancarlo Marin .... hair stylist Manuel Martín .... makeup artist: second unit: Spain (as Manuel Martín Gonzalez) Pam Meager .... hair stylist Pam Meager .... makeup artist Fernando Pérez Sobrino .... chief makeup artist: second unit: Spain (as Fernando Perez) José Luis Pérez .... makeup artist: second unit: Spain (as Jose Perez) Alicia Regueiro .... hair stylist: Spain second unit Fabrizio Sforza .... makeup artist Gino Tamagnini .... makeup artist Alfredo Tiberi .... makeup artist

------Maggie Weston .... hair designer Maggie Weston .... makeup designer Franco Giannini .... makeup artist (uncredited)

Production Management Pino Butti .... production manager: Italy Vittorio Fornasiero .... unit manager: Italy Fernando Marqueríe .... unit manager: Spain Francisco Molero .... production manager: Spain Mario Pisani .... production supervisor Giorgio Russo .... production manager: second unit

Second Unit Director or Assistant Director Javier Balaguer .... second assistant director: Spain second unit Javier Chinchilla .... first assistant director: Spain second unit Lee Cleary .... first assistant director John Cozzo .... first assistant director José Luis Escolar .... assistant director: Spain (as Jose Luis Escolar) Luca Lachin .... assistant director: Italy Michele Soavi .... second unit director Catherine Ventura .... assistant director: Italy second unit Manuel Zarzo .... third assistant director: Spain second unit Manuel L. Cañizares .... third assistant director (uncredited)

Art Department Sante Barelli .... supervising painter Domenico Caponecchi .... constructor Osvaldo Caruso .... constructor Bruno Colanzi .... constructor Sergio Conti .... constructor Ken Court .... art director: model unit Roberto Diamanti .... constructor Gianni Fiumi .... property master (as Gianni Fiume) Gianni Gianese .... sculptor Tony Graysmark .... construction manager: model unit Giampaolo Maiorama .... constructor (as Gianpaolo Maiorana) Giampaolo Majorama .... constructor (as Gianpaolo Majorana) Atos Mastrogirolamo .... assistant set decorator Ramón Moya .... construction manager: Spain Giovanni Passanisi .... assistant set decorator Mario Pezzotti .... constructor Salvatore Placenti .... sculptor Massimo Razzi .... supervising art director Pietro Santarelli .... constructor Luigi Sergianni .... construction manager: Italy Bruno Tempera .... property buyer Angelo Tiberti .... constructor

------Charles Torbett .... property master Bob Walker .... decor artist: model unit (as Robert Walker) Peter Williams .... construction supervisor: model unit Mauro Borrelli .... illustrator (uncredited) Gianni Fivino .... property manager (uncredited)

Sound Department Christopher Brooks .... music editor (as Chris Brooks) Michael A. Carter .... dubbing mixer Rusty Coppleman .... sound editor Graham V. Hartstone .... chief dubbing mixer Peter Horrocks .... sound editor Frank Jahn .... production sound mixer Nicolas Le Messurier .... dubbing mixer Stephen McLaughlin .... music mixer Stephen McLaughlin .... music recordist Raymond Meyer .... boom operator Colin Miller .... sound editor Peter Pennell .... supervising sound editor Bob Risk .... sound editor Günther Ruckdeschel .... boom operator Eric Tomlinson .... orchestral engineer

Special Effects by Norman Baillie .... special effects technician: UK Fausto Baldinelli .... special effects technician: Italy Luigi Battestelli .... special effects technician: Italy Michele Borea .... special effects technician: Italy Beniamino Carozza.... special effects technician: Italy Marcello Coccia .... special effects technician: Italy Richard Conway .... special effects Chris Corbould .... special effects technician: UK (as Chris Cobould) Jamie Courtier .... special effects technician: UK Allan Croucher .... special effects plasterer Peter Davey .... special effects technician: UK Marino Erca .... special effects technician: Italy Martin Gant .... special effects technician: UK Manolo Gómez .... special effects technician: second unit: Spain (as Manolo Gomez) Steve Hamilton .... special effects technician: UK Bob Hollow .... special effects technician: UK Billy Howe .... special effects wireman Gianni Indovino .... special effects technician: Italy Brian Lince .... special effects technician: UK Giancarlo Mancini .... special effects technician: Italy Brian Mann .... special effects editor Kevin Mathews .... special effects wireman

------David McCall .... special effects technician: UK (as Dave McCall) Massimo Nespoli .... special effects technician: Italy Duilio Olmi .... special effects technician: Italy Antonio Parra .... special effects supervisor Adriano Pischiutta .... special effects supervisor Claudio Savassi .... special effects technician: Italy Simon Weisse .... special effects technician: Italy Bob Wiesinger .... special effects wireman Tim Willis .... special effects technician: UK

Visual Effects by Dennis Bartlett .... matte photography consultant John Blakeley .... sculptor: model unit Janice Body .... rotoscope artist Martin Body .... optical effects coordinator Dennis Bosher .... draughtsman: model unit Les Broughton .... optical camera Peter Butler .... camera grip: model unit Valerie Charlton .... special effects modeller Brian Cole .... model maker: model unit Vernon Connolly .... electrician: model unit Gilly Noyes Court .... set decorator: model unit (as Gillian Noyes-Court) Jamie Courtier .... animatronics model designer: model unit Bob Cuff .... matte painter Joy Cuff .... matte painter Steve Cutmore .... optical camera Nick Dunlop .... optical camera Doug Ferris .... matte painter Michael Ferriter .... optical camera (as Mike Ferriter) Doug Forrest .... optical camera Simon Fulford .... camera assistant: model unit Martin Gant .... model supervisor: model unit John Grant .... matte camera Kenneth Gray .... motion control Frank Guiney .... special effects engineer: model unit Mark Harris .... assistant art director: model unit John Hollywood .... unit driver: model unit Keith Horsley .... art department assistant: model unit Kent Houston .... optical effects supervisor Andrew Jeffery .... optical camera (as Andy Jeffery) Rashid Khares .... rotoscope artist Stuart King .... electrician: model unit Peter Lamb .... best boy: model unit Michael Lamont .... art director: model unit Neil Lamont .... draughtsman: model unit Simon Lamont .... art department runner: model unit Jim Machin .... model maker: model unit

------Graham Martyr .... clapper loader: model unit Tim Ollive .... optical camera Stephen Onions .... animatronics model designer: model unit Christine Overs .... special effects modeller Roger Pratt .... director of photography: model unit Barry Read .... electrician: model unit Ted Read .... gaffer: model unit Stanley W. Sayer .... matte photographer consultant Keith Short .... sculptor: model unit Leigh Took .... matte painter Peter Tyler .... motion control Leslie Wheeler .... special effects engineer: model unit Ian Whittaker .... animatronics model designer: model unit Kim Aldis .... digital artist (uncredited) Sheila Dunn .... digital artist (uncredited) Barnaby Edwards .... colour balancing assistant (uncredited) Ben Hayden .... digital artist (uncredited) Alec Knox .... digital artist (uncredited) Giles Parker .... CG technical director (uncredited)

Stunts Ricardo Cruz .... stunts (as Riccardo Cruz Moral) José Garcia .... stunts: second unit, Spain (as Jose Garcia) Eduardo García .... stunts: second unit, Spain Paquito Gomez .... stunts: second unit, Spain Luis M. Gutiérrez Santos .... stunts: second unit, Spain (as Luis Gutiérrez) Billy Horrigan .... stunts Salvador Martos Manson .... stunts: second unit, Spain (as Salvador Marios) Les Maryon .... stunts (as Leslie Maryon) Riccardo Mioni .... stunt coordinator: Italy Dinny Powell .... stunts Angelo Ragusa .... stunts Kiran Shah .... stunts Tony Smart .... stunt coordinator Jesus Riaran Torres.... stunts Camilo Vila Novoa .... stunts: second unit, Spain Stefano Maria Mioni .... stunts (uncredited)

Other crew Chris Allies .... graphic artist: titles Francisco Ardura .... transportation manager: Spain Alan Arnold .... additional orchestrator Natalie Baker .... assistant editor David Alan Barclay.... puppeteer (as David Barclay) Bill Barringer .... assistant editor

------Francesco Bellomo .... still photographer (as Franco Bellomo) Yuyi Beringola .... script supervisor: second unit Giuseppe Bertucci .... electrician Massimo Bertucci .... electrician Chris Blunden .... associate editor Doriana Bonora .... production secretary: Spain second unit Elio Bosi .... chief grip: second unit Mario Bramucci .... electrician Franco Bruni .... camera operator Ludy Camacho .... assistant accountant (as Luidi Camacho) Daniele Cimini .... second assistant camera Nikki Clapp .... script supervisor Grady Clarkson .... unit publicist Aldo Colanzi .... key grip Ray Cooper .... music producer Claudio Corbucci .... production assistant: Italy Filomeno Crisara .... sculpture supervisor Lisa Dasteel .... production secretary Alberto De Stefani .... assistant accountant Santiago DeBenito .... accountant: Spain (as Santiago De Benito) Gianni Doddi .... wardrobe master: Spain second unit Margarita Doyle .... production assistant to Terry Gilliam: UK Martín Díaz .... wardrobe supervisor: Spain second unit Daniella Edelburg .... assistant to producer (as Daniela Edelburg) Robert Gordon Edwards .... production executive Giuseppe Fabrizi .... electrician Jeff Felix .... puppeteer John Fiddy .... additional orchestrator Giovanni Fiore Coltellacci .... director of photography: second unit Maria Fiorito .... assistant accountant Celeste Franzi .... wardrobe assistant Vic Fraser .... music preparation Claudio Frollano .... electrician Manolo García .... production assistant: Spain Gianni Gentili .... electrician Raffaela Giordani .... assistant choreographer Pauline Granby .... assistant accountant Jan Green .... dialogue coach Joyce Herlihy .... production executive Gonzalo Jiménez .... production assistant: Spain Michael Kamen .... conductor Michael Kamen .... music producer Michael Kamen .... orchestrator Ian Kelly .... video operator Alfonsa Lettieri .... assistant to costume designer Nancy Rubin Levin.... production coordinator Umberto Lucignano .... assistant camera: second unit

------Ignazio Maccarone .... electrician Steve Maguire .... assistant editor Gianmaria Majorana .... first assistant camera Yolanda Marqueríe .... production secretary: Spain Luciano Marrocchi .... electrician (as Luciano Marocchi) Roberto Marsigli .... assistant camera: second unit Massimiliano Mazzini .... production runner: Italy Paolo Merosi .... production assistant: Italy second unit Mick Monks .... assistant editor Janice Munro .... assistant: Stratton Leopold Salvatore Mureddu .... production assistant to Terry Gilliam: Spain (as Salvatore Murredu) Leandro Muslera .... assistant accountant Christine Newell .... assistant editor Ben Palmer .... assistant editor Pepe Panero .... location manager: Spain second unit Giorgio Pasqualini .... electrician Pino Pennesi .... choreographer (as Pino Penesse) Giovanni Piperno .... second assistant camera Giovanni Piperno .... video operator: second unit Carlo Poggioli .... assistant to costume designer Susana Prieto .... production coordinator Francesco Quattrone .... electrician Eugene Rizzo .... unit publicist Martyn Robinson .... assistant editor Giorgio Rossi .... choreographer Gail Samuelson .... production coordinator Irene Santarelli .... wardrobe mistress Renato Sardini .... supervising gaffer Spartaco Sardini .... gaffer: second unit Klaus Schühly .... unit publicist Ed Shearmur .... additional orchestrator Gregorio Simili .... wardrobe master Enzo Sisti .... accountant: Italy Stefna Smal .... assistant editor Tony Smart .... horse master Riccardo Spada .... production assistant: Italy Alberto Spiazzi .... assistant to costume designer Sergio Strizzi .... still photographer Paul Talkington .... orchestra manager Artur Tarry .... production controller (as Arthur Tarry) Tino Torrescusa .... production runner: Spain Fiachra Trench .... additional orchestrator Remo Ubertini .... transportation manager: Italy Nyla Van Ingen .... assistant: Mr. Gilliam Rick Wentworth .... additional orchestrator Carla Zacchia .... assistant accountant

------Andrea Costantini .... production secretary (uncredited) Stefano Falivene .... focus puller (uncredited) Emanuela Lucidi .... assistant editor (uncredited) Daniela Merlo .... pre-production coordinator (uncredited) Paolo Tiberti .... grip (uncredited)

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