Enchiridion of Elucidation
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The Murderer of Thomas Fell
TRAIL OF CTHULHU The Murderer of Thomas Fell A man close to you—father, business partner, informant, friend—has gone missing. The search begins at his house... which is not as it seems. Following the trail of this missing man leads you on a startling and perilous adventure. Finding him may change your life, and his, forever. Tonight you meet the murderer of Thomas Fell. 1 TRAIL OF CTHULHU 2 TRAIL OF CTHULHU Credits Publisher: Simon Rogers Written by: Will Hindmarch Art and Layout: Jérome Huguenin GUMSHOE Guru: Robin D Laws Playtesters: Alex Jeffries, Scott McKillican, O’Rourke Nirvan Wynn, Michael Marshall, Amy Poynter, Will Ludwigsen, Scott McClellan, Ed Cain, Don Rochester Trail of Cthulhu was written by Kenneth Hite, based on the GUMSHOE system by Robin D Laws Trail of Cthulhu was created by arrangement with Chaosium, Inc. © 2008 Pelgrane Press Ltd. All Rights Reserved. Published by arrangement with Chaosium, Inc. Trail of Cthulhu is a trademark of Pelgrane Press Ltd. 3 An Introduction GUMSHOE is the game engine humming inside a collection of Trail of Cthulhu also supports two distinct styles of play, so you sleek, focused horror and investigation RPGs. It is a precision can face Lovecraftian horrors exactly the way you want to. In the instrument, designed to tell stories through roleplaying by giving Purist mode of play, investigators are fragile, wary souls whose players a greater degree of control over the moments when their sanity is finite and always in peril of being blasted away to nothing characters succeed. In part, it does this by removing the random by the unearthly truths to which they expose themselves. -
GUMSHOE SRD CREATIVE COMMONS VERSION Copyright Notice GUMSHOE SRD © 2017 Pelgrane Press
GUMSHOE SRD CREATIVE COMMONS VERSION Copyright Notice GUMSHOE SRD © 2017 Pelgrane Press. The GUMSHOE SRD is made available under a Creative Commons 3.0 Attribution Unported License (http://creativecommons.org/licenses/by/3.0/deed.en_US). The GUMSHOE SRD is an original work. "GUMSHOE" is a trademark of Pelgrane Press. Permission is granted to use this trademark in works produced under this license. You may not use the GUMSHOE trademark in any way that deliberately or inadvertently claims or suggests a relationship with or endorsement by Pelgrane Press or Robin D. Laws. "The Esoterrorists", "Mutant City Blues", "Ashen Stars", "Fear Itself", "TimeWatch,” "Trail of Cthulhu", "Night’s Black Agents," “Cthulhu Confidential” and “The Yellow King Roleplaying Game” are trademarks of Pelgrane Press Ltd. This license does not grant permission to use these trademarks. You may not include them in your derivative works. Find Pelgrane Press at http://www.pelgranepress.com. To use the GUMSHOE SRD in your work, please use the following attribution language. This text must be placed in the same place you put your own copyright notice, and must be the same size as the rest of your copyright notice. "This work is based on the GUMSHOE SRD (found at https://www.pelgranepress.com/index.php/the-gumshoe-system-reference-document/), a product of Pelgrane Press, developed, written, and edited by Robin D. Laws with additional material by Kenneth Hite, and licensed for our use under the Creative Commons Attribution 3.0 Unported license (http://creativecommons.org/licenses/by/3.0/)." Permission is not granted to use the GUMSHOE logo. -
Trail of Cthulhu.Pdf
TRAIL OF CTHULHU Credits Publisher: Simon Rogers Written by: Kenneth Hite GUMSHOE System: Robin D Laws Layout: Jérôme Huguenin Art: Jérôme Huguenin GUMSHOE Guru: Robin D Laws Editing and Additional Material: Simon Rogers Based on: Call of Cthulhu by Sandy Petersen and Lynn Willis Special thanks : Effie and Julia Huguenin, Léo and Pascal Quidault Playtesting: Adrian Price, Steve Dempsey, Wai Kien, Adrian Smith, Graham Walmsley, Alex Fradera, Dave, Polymancer Studios, Simon Rogers, Daniel Bayn, Danni Bayn, Chris Malone, Mark DiPasquale, Matthew Pook, Tim Barker, Louise Hayes, David Lai, Mike Shepard, Carla Jane Miller, Elizabeth Rees, Robert Mills, Donald F. Taylor III, Richard Hardy, Lynne Hardy, Frederic Moll, Fredrik Hansson, Jeff Campbel Jamie Michael, Joshua Ford, Marcus Ogawa, Lisa Marie Ogawa, Gil Trevizo, Henry de Veuve, Ronald Abitz, Steve Bartalamay, Alan Fountain, Peter Kessler, Wojciech “Alter” Kobza, Laurent Mollicone, Olivier Noël, Wayne O’Connor, Ghislain Morel, James Semple, Gabriella Semple, Dan Pusceddu, Olive Pusceddu, Axel Eble, Stefan Ohrmann, Martin Schrammm, Onno Tasler, Ralf Achenbach, William C Bargo Jr, Jacques Maurice Mallah, Donald F. Taylor III, Keith A Callison, Doug © 2007 Pelgrane Press Ltd. All Rights Reserved. Published by arrangement with Chaosium, Inc. Trail of Cthulhu is a trademark of Pelgrane Press Ltd. 3 TRAIL OF CTHULHU Contents CREDITS ...........................................................3 Cop Talk (Interpersonal) ...................32 Piggybacking ........................................... -
246851-Sample.Pdf
Sample file َطب ٍعة ۱ ْ Issue 1 محَرم ۱٤٤ ُ َّ October 2018 Bayt al Azif ۰ Editor: Table of Contents Jared Smith Houses of the Unholy 2 Sacrifices 3 Writers: How to Play 6 Catherine Ramen, Dean Engelhardt, Evan Johnston, Jared Smith, CthuReview 2017 7 Jensine Eckwall, Rich McKee, Stu Horvath, Zach Howard A Conspiracy in Damascus — 8th century scenario 13 Vintage RPG — Arkham Unveiled 28 Sites of Antiquity — Husn Suleiman 29 Artists: Rebooting Campaigns With a Modern Sensibility 31 Chris Holmes, Evan Johnston, Greg Steele, H. H. Jessup, Double Dare — modern scenario 33 Jeff Shelton-Davis, Jensine Eckwall, John Rutter, William Acheson, Clerical Cosmic Horror — The Brief Era of the William Henry Bartlett Cthulhu Mythos as Dungeons & Dragons Pantheon 43 Vintage RPG — Escape from Innsmouth 45 Cover Art: Overdue — solo scenario 47 Maria Nguyen Going Rogue — An Interview with Rogue Cthulhu 53 Character Creation 58 Harlem Renaissance — An Interview with Chris Spivey 59 Cover Design: Run for it! — Random Tables for Chases 62 Eileen Tjan of OTHER Studio Easier to Fill the Ocean with Stones — 1968 scenario 65 Grave Spirits 77 Playtesters: 79 Contributors Alberto Cintron, Ash Delvillan, Brian Wells, Christopher-Scott Moore, Darin Hinners, Francesco Nesci, Heather Ferris, Ian Mariasky, Jamie Knue, JD Cronise, Jennifer Soles, Jim Ludden, Joe Janda, Joe Procopio, John Tyler, Matt Schnaubelt, Meg Grzywacz, Melissa Ludden, Michael Daryabeygi, Mohan Sud, Nathan Harris, Nic Reynolds, Patty Washburn Ziegler, Rich Maria Nguyen’s McKee, Richard Ferris, Robin Ha, Robin Hall, Scott McKinley, cover was Sumit Sarkar, Tom Ziegler derived from HP Lovecraft’s The Call of New issues of Bayt al Azif are published when the stars are right. -
GUMSHOE SRD CREATIVE COMMONS VERSION Copyright Notice GUMSHOE SRD © 2013 Pelgrane Press
GUMSHOE SRD CREATIVE COMMONS VERSION Copyright Notice GUMSHOE SRD © 2013 Pelgrane Press. The GUMSHOE SRD is made available under a Creative Commons 3.0 Attribution Unported License (http://creativecommons.org/licenses/by/3.0/deed.en_US). The GUMSHOE SRD is an original work. "GUMSHOE" is a trademark of Pelgrane Press. Permission is granted to use this trademark in works produced under this license. You may not use the GUMSHOE trademark in any way that deliberately or inadvertently claims or suggests a relationship with or endorsement by Pelgrane Press or Robin D. Laws. "The Esoterrorists", "Mutant City Blues", "Ashen Stars", "Fear Itself", "Trail of Cthulhu", and "Nights Black Agents" are trademarks of Pelgrane Press. This license does not grant permission to use these trademarks. You may not include them in your derivative works. Find Pelgrane Press at http://www.pelgranepress.com. To use the GUMSHOE SRD in your work, please use the following attribution language. This text must be placed in the same place you put your own copyright notice, and must be the same size as the rest of your copyright notice. "This work is based on the GUMSHOE SRD (found at http://www.pelgranepress.com/?p=12466), a product of Pelgrane Press, developed, written, and edited by Robin D. Laws with additional material by Kenneth Hite, and licensed for our use under the Creative Commons Attribution 3.0 Unported license (http://creativecommons.org/licenses/by/3.0/)." Permission is not granted to use the GUMSHOE logo. Contact [email protected] if you want to use it. GUMSHOE SRD / p. -
1488382850800.Pdf
Feb 25 2017 This is a compilation of pdf share threads and the rpg generals threads. Don't think of it as a library index, think of it as Portobello Road in London, filled with bookstores and little street market booths and you have to talk to each shopkeeper. A HUGE THANK YOU to the Anon Brigade, who do the digging, loading, and posting. It has been cleaned up some, labeled poorly, and shuffled about a little to perhaps be more useful. There are links to ~14,000 pdfs. Don't be intimidated, some are duplicates. Go get a coffee and browse. As Anon says; “Surely in Da Archive™ somewhere.” Part I is the Personal Collections. They are Huge. You need to go to each one and look at them. They often have over 1000 links each. Part II is the Alphabetical Section. Well........ when I say “alphabetical”, I really mean artistically arranged according to my whim and level of sobriety. Ctrl+F will be of limited use in this document, you have to wander around and look with your eyes. Please buy a copy of a book if you use it. No really, I mean it. The Negarons generated by struggling game publishers have been proven to psychically attach themselves to the dice of gamers who like a game enough to play it but not enough to support it. - - – - - – - - - – - - - - - --- – --- --- – - - - - - - - - - - – - - – - - - - - - – - - - - - - - - - - - - - - - - - - - - - - - - – - - – - - - – - - - - - --- – --- --- – - - - - - - - - - - – - - – - - - - - - – - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
4 Tabletop Role-Playing Games
This is an Accepted Manuscript of a book chapter published by Routledge in Role-Playing Game Studies: Transmedia Foundations on April 4, 2018, available online: https://www.routledge.com/Role-Playing-Game-Studies-Transmedia- Foundations/Deterding-Zagal/p/book/9781138638907 Please cite as: William J. White; Jonne Arjoranta; Michael Hitchens; Jon Peterson; Evan Torner; Jonathan Walton (2018). Tabletop Role-Playing Games. In Zagal, José P. and Deterding, S. (eds.), Role-Playing Game Studies: Transmedia Foundations. New York: Routledge, 63-86. 4 Tabletop Role-Playing Games William J. White; Jonne Arjoranta; Michael Hitchens; Jon Peterson; Evan Torner; Jonathan Walton This chapter discusses tabletop role-playing games (TRPGs), sometimes also called “pen and paper” RPGs to distinguish them from their compatriot media, primarily the computer role-playing game (CRPG) and live action role-playing game (LARP). Once some preliminary matters of definition and description are taken care of, the discussion in this chapter proceeds largely along historical lines, presenting TRPGs as (1) originating in the early 1970s with the publication of Dungeons & Dragons and its early offshoots, imitators, and derivations and (2) developing in variety through the 1980s and 1990s as designers sought to emulate different fictional settings and genres as well as explore various game-mechanical approaches before (3) experiencing a period of “mainstream” consolidation and 1 countervailing “indie” experimentation in the first years of the 21st century. It concludes with an attempt to discern the direction of future developments, as the arrival of crowdfunding, print-on-demand, and other Internet-enabled publishing tools change the face of the industry. The historical arc traced here draws in large measure upon two recent histories of the origins of TRPGs, Peterson’s Playing at the World (Peterson 2012) and Appelcline’s multi-volume Designers and Dragons (Appelcline 2013). -
BETWEEN TWO WORLDS: a RHETORICAL ANALYTICAL FRAMEWORK for TABLETOP ROLEPLAYING GAMES By
BETWEEN TWO WORLDS: A RHETORICAL ANALYTICAL FRAMEWORK FOR TABLETOP ROLEPLAYING GAMES by Richard D. Bennett A Thesis Submitted to the Graduate Faculty of George Mason University in Partial Fulfillment of The Requirements for the Degree of Master of Arts English Committee: ___________________________________________ Director ___________________________________________ ___________________________________________ ___________________________________________ Department Chairperson ___________________________________________ Dean, College of Humanities and Social Sciences Date: _____________________________________ Spring Semester 2018 George Mason University Fairfax, VA Between Two Worlds: A Rhetorical Analytical Framework for Tabletop Roleplaying Games A Thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts at George Mason University by Richard D. Bennett Bachelor of Arts American Military University, 2014 Associate of Applied Science Community College of the Air Force, 2011 Director: Douglas Eyman, Associate Professor George Mason University Spring Semester 2018 George Mason University Fairfax, VA Copyright 2018 Richard D. Bennett All Rights Reserved ii DEDICATION This is dedicated to my wife, Elizabeth Bennett, who is my favorite Game Master and the one who would not let me give up. It is also dedicated to my father, Richard C. Bennett, who probably did not see this coming when he bought me my first D&D box set. iii ACKNOWLEDGEMENTS I would like to thank the many friends, relatives, and supporters who have come with me on this journey. My thesis committee, Dr. Douglas Eyman, Dr. Steve Holmes, and Professor Seth Hudson, have been endlessly patient and more supportive than I probably deserve. Finally, thanks go out to the Fenwick Library as a quest location that never failed to provide new treasure.