Reckless Kelly Music Credits

Total Page:16

File Type:pdf, Size:1020Kb

Reckless Kelly Music Credits Music Designer Yahoo Serious Original Music Score Anthony Marinelli Tommy Tycho and Maurie Sheldon Music Editors David Roach, Michael T. Ryan Music Engineer/Mixers Robin Gray, Mark Curry Orchestral Music Performed by Victorian Philharmonic Orchestra Conductor Tommy Tycho Orchestra Manager Ron Layton Didgeridoo Music Alan Dargin SONGS ‘DJAPANA’ (M. Yurupingu) Performed by Yothu Yindi Courtesy of Mushroom Records/Hollywood Records Mushroom Music Pty Ltd ‘WILD THINGS’ (C. Taylor) Performed by Divinyls Courtesy of Virgin Records America, Inc. By permission of EMI Music Publishing Australia Pty. Ltd. ‘RIDE’ (M. Plaza) Performed by Mental As Anything Produced by T. Farris, M. Plaza Courtesy of Syray Pty Ltd Syray Music ‘I FOUGHT THE LAW’ (S. Curtis) Performed by The Dukes Courtesy of Sony Music Acuff Rose, Inc. (USA) administered by MCA/Gilbey ‘RECKLESS’ (J. Reyne) Performed by James Reyne Courtesy of Mushroom Records Warner Chappell Music ‘BORN TO BE WILD’ (Bonfire) Performed by INXS Produced by M. Opitz Courtesy of Truism Pty. Ltd. MCA Music (Australia) Pty. Ltd. ‘FROM A MILLION MILES’ (Single Gun Theory) Performed by Single Gun Theory Courtesy of Volition Music under license from Nettwerk Productions Ltd. Courtesy of Sony Music Publishing ‘HANDLE THE FAME’ (Y. Serious, D. Roach, T. Tycho) Performed by Anthony Warlow Appears Courtesy of Polygram Records Produced by Y. Serious Courtesy of Serious Productions Pty. Ltd. “HAPPY ON MY WAY’ (P. Pyle) Performed by Doyle Lawson and Quicksilver Courtesy of Sugar Hill Records Courtesy of Ernest Tubb Music ‘AS YOU LIKE IT’ (S. Kilbey) Performed by Steve Kilbey Courtesy of Steve Kilbey/Arista Records Courtesy of Sony Music Publishing ‘HAPPINESS IS A WARM GUN’ (J. Lennon, P. McCartney) Performed by The Dukes Courtesy of Sony Music Northern Songs Limited (ATV) administered by MCA Music (Australia) Pty. Ltd. ‘BEDAZZLED’ (Succotash) Performed by Succotash Courtesy of ATI Mushroom Records ATI Publishing ‘FAITH’ (Stapleton, Kelly) Performed by The Dukes Courtesy of Sony Music By permission of MCA Gilbey EMI Music Publishing Australia Pty. Ltd. and MMA Music Reckless Kelly Soundtrack available in Australia on Mushroom CD’s & Tapes Music in the film: Didges can be seen being played in the film, but perhaps the most prominent musical instrument features in the Las Vegas scenes: Lyrics: Songs run over the tail and head credits. Tail credits: After a buzzing fly draws an animated “The End” and is shot for its troubles, and a title pops up to advise no flies were harmed in making the film, a song begins. This is Faith, performed by The Dukes. Lyrics as heard in the film: You’ve got to have faith in something We can believe what we want to believe Give us the joy, we’ll give you the music We got to give when we want to receive You know all of the faithful gonna see the sun rise (Chorus: Only the faithful, only the faithful) Only the faithful going to see it right So come on down, won’t you get on board Give yourself that funky reward Come on home, won’t you head on down Treat yourself to a funky sound Only the faithful going to see the day Only the faithful going to kiss the sky (Chorus: Faith! You’ve gotta have faith!) Only the faithful need to apply (Chorus: Faith! You’ve gotta have faith!) Faithful going to see the sun raise (Chorus: Faith! You gotta have faith!) Only the faithful gonna see it right (short musical interlude with saxophone) Only the faithful going to watch it rise Watch it rise Watch it rise Ooh Only the faithful going to greet the day (Chorus: Faith! You’ve got to have faith!) Only the people going to maintain the faith The chorus begins to fade out still singing ‘faith’ while the main voice also fades out ... As that music fades out, a didg announces the return of Yothu Yindi’s ‘DJAPANA’ (M. Yurupingu). This song features Aboriginal language, and this section is taken from a site claiming to represent the lyrics in correct form. This site is unable to confirm that the language is correct, but presents it as a guide … The English language lyrics are as heard in the film: Wo-o-o djäpana Wo-o-o warwu Wo-o-o rramani Wo-o-o galanggarri Hey you children Of the land Don't be fooled By the Balanda ways It will cause Sorrow and woe For our people And our land Wo-o-o djäpana Wo-o-o warwu Wo-o-o rramani Wo-o-o galanggarri So live it up Living it it up Living it up Living it up Living it up With sunset dreaming Head Credits: The same song can be heard over the head credits, and the same warning applies in relation to the Aboriginal lyrics. The English-language lyrics are as heard in the film: Djäpana wlutju Dhurulama ngunhawarrtji djäpana Warwu galanggarri Rripa ngunhawarrtji djäpana Warwu golungnha Look at the sun Falling from the sky And the sunset Takes my mind Back to my homeland Far away It's a story Planted in my mind It's so clear I remember Oh my, oh my, Sunset dreaming Wo-o-o djäpana Wo-o-o warwu Wo-o-o rramani Wo-o-o galanggarri Hey, you people You people out there How come You ain't fair To the people Of the land Try my, try my, Sunset dreaming Wo-o-o djäpana Wo-o-o warwu Wo-o-o rramani Wo-o-o galanggarri CD: The film’s soundtrack was released on a CD: CD (ST) Picture This TVD93375 1993 1. Born To Be Wild (Bonfire) (MCA Music) Vocals: INXS, produced by Mark Opitz and INXS 2. I Fought The Law (Curtis) (MCA/Gilbey) Vocals: The Dukes, produced by Geoffrey Stapleton and Sean Kelly 3. Wild Thing (Taylor) (EMI Music) Vocals: Divinyls, produced by Charlie Drayton and Mark McEntee 4. AwabaKelly (Serious/Dargin) (Mushroom) Vocals: Alan Dargin & Yahoo Serious, produced by Yahoo Serious 5. Djapana (Yunupingu) (Mushroom) Vocals: Yothu Yindi, produced by Mark Moffatt for Under New Management 6. Ride (Plaza) (Syray) Vocals: Mental As Anything, produced by Tim Farris and Martin Plaza 7. Handle The Fame (Serious/Roach/Tycho) (Mushroom) Vocals: Anthony Warlow, produced by Yahoo Serious 8. Happiness Is A Warm Gun (Lennon/McCartney) (MCA) Vocals: The Dukes, produced by Geoffrey Stapleton and Sean Kelly 9. Reckless Angels (Serious/Tycho) (Mushroom) Vocals: Yahoo Serious, produced by Yahoo Serious 10. From A Million Miles (Single Gun Theory) (Sony Music) Vocals: Single Gun Theory, produced by Anthony Valcic and Single Gun Theory 11. Faith (Stapleton/Kelly) (EMI Music/MCA/Gilbey/MMA) Vocals: The Dukes, produced by Geoffrey Stapleton and Sean Kelly 12. As You Like It (Kilbey) (Sony Music) Vocals: Steve Kilbey, produced by Steve Kilbey 13. Bedazzled (Succotash) (ATI) Vocals: Succotash, produced by David Price 14. Reckless (Reyne) (Warner/Chappell) Vocals: James Reyne, produced by Ross Cockle 15. Happy On My Way (Pyle) (Control) Vocals: Doyle Lawson & Quicksilver, production co-ordinated by Penny Parsons 16. Such Is Life (Serious/Tycho) (Mushroom) Vocals: Yahoo Serious & The Victorian Philharmonic Orchestra, produced by Yahoo Serious 17. Handle The Fame (Finale) (Serious/Roach/Tycho) (Mushroom) Vocals: Anthony Warlow, produced by Yahoo Serious VHS Music Trailer: The VHS copy of the film had a trailer for the CD release before the start of the movie (together with a trailer promoting the Warners Roadshow Movieworld). These are the bands that were mentioned in the promotion: Composers: Yahoo Serious took the main credit as “music designer”, and the three composers had little to do by way of underscore, with songs contributing much of the music to the soundtrack. Co-composerAnthony Marinelli: American composer Anthony Marinelli at time of writing was easy to locate on the web. He had a wiki listing here and an eponymous website here, there’s an interview with him here, and so on. (Below: Anthony Marinelli) Co-composer Maurie Sheldon: Maurie Sheldon was a music assistant on Frog Dreaming, and had done additional score on Serious’s Young Einstein. Other film credits are limited - he was credited as an additional orchestrator on the 1991 franchise picture Freddy’s Dead: The Final Nightmare. Sheldon turned up playing bass on cult items such as the 1983 Tim and Debbie LP Brainspace Vol II. Sheldon seems to have worked as a session bass player - he also played bass on Allan Zavod’s 1980 album What’s New! and Wayne Appleby’s 1990 album Shadows in the Sand. Sheldon also played bass for The Steve Murphy Quartet, which recorded the 1977 LP “Direct” for the Melbourne based Jazznote Records. Sheldon is listed on the rear of the What’s New! album and might well feature in some of the LP’s stills, but the copy available online is of poor quality: Co-composer Tommy Tycho: Co-composer Tommy Tycho had previously worked with Yahoo Serious on the Young Einstein soundtrack. Tommy Tycho was a well-known Hungarian-born pianist, conductor, composer and arranger, who specialised in television work, acting as the Seven network's music director for its first fifteen years, from 1956 to 1971. He has a relatively detailed wiki here. His own website became inactive after he suffered a stroke in 2008 at the age of 80. Unfortunately the Wayback Machine only saved a small and relatively useless main page for the site: At one point, a transcript of an extended interview with Tycho could be found on the ABC's Talking Heads, but the ABC, in its notoriously lax way regarding its online archives, has now lost the transcript of the interview.
Recommended publications
  • 02 9915 8800 ©2018 Encyclopædia Britannica, Inc
    Australian Articles Catalogue Britannica School is committed to ensuring that Australian students and educators always have access to the most credible source of information on curriculum topics. Use this catalogue to browse our expanding collection of locally-sourced articles and media aligned to the Australian National or State Curriculums. Articles marked with an Asterix (*) have been created to meet the curriculum perspectives identified in the NSW or VIC Curriculum. Charles Edward Kingsford Smith Primary Level Charles Nelson Perkins Colonial Australia Aboriginal and Torres Strait Islander Trade Canberra Adaptation Conservation in Australia Andrew Barton Paterson Conservation ANZAC Day Corroboree* Australia Darwin Australian Aboriginal Peoples Dawn Fraser Australian Capital Territory Douglas Mawson Australian Gold Rushes* Douglas Nicholls Australian South Sea Islanders Earth Black Wars East Timor Brisbane Ecosystem Burke and Wills Expedition Eddie Mabo Bushranger Edith Cowan Cathy Freeman Edward Dunlop © 2020 Encyclopaedia Britannica, Inc. Britannica School Australian Articles Catalogue Elizabeth and John Macarthur* Latitude and Longitude Elizabeth Kenny Life Cycle Europe Light European Exploration of Australia Lionel Rose Flags of Australia Literature for Children Flood Luís Vaz de Torres* Food chain Map and Globe Forgotten Australians Margaret Olley Force Margaret Tucker Fred Hollows Melbourne Friction Michael Long Harmony Day* Moon Harold Holt Myall Creek Massacre Heat Mungo National Park History Nellie Melba Hobart New Zealand Howard Walter Florey Norman Lindsay Human Rights North America Human Settlement Northern Territory Immigration to Australia Paul Keating Indigenous and European Contact in Pearl Gibbs Australia Arthur Phillip Indigenous Australian Country Pinjarra Massacre Indigenous Australians and the Environment Reconciliation Jessica Mauboy Reversible and Irreversible Changes John Monash Rod Laver Judith Wright Shamanism Kevin Rudd Stolen Generations © 2020 Encyclopaedia Britannica, Inc.
    [Show full text]
  • Bringing Research to Life
    ANNUAL REPORT 2013 ANNUAL REPORT ART OF THE HEART 2013 Annual Report 2013 From humble cell beginnings come hearty complexities – winning entry from Alexis Bosman, Developmental & Stem Cell Biology Division This heart shaped cluster of cells 400x magnified was created using induced pluripotent stem cells, a specialised type of stem cell which originally began as skin cells. After ‘reprogramming’, the cells have the ability to form any cell type of the body, including cells of the heart. Under special conditions, these cells can be coaxed into producing heart muscle cells (cardiomyocytes). VICTOR CHANG CARDIAC RESEARCH INSTITUTE Bringing research to life THE VICTOR CHANG CARDIAC RESEARCH INSTITUTE Lowy Packer Building 405 Liverpool Street Darlinghurst, NSW, Australia 2010 Phone: (02) 9295 8600 – 1300 842 867 International Phone: +61 2 9295 8600 Fax: (02) 9295 8601 International Fax: +61 2 9295 8601 www.victorchang.edu.au ABN 61 068 363 235 OUR MISSION The relief of pain and suffering and the promotion of well-being, through an understanding of the fundamental mechanisms of cardiovascular biology Proudly printed by Blue Star Group in health and disease. Design: Pro Bono Publico Victor Chang Cardiac Research Institute Photography: Peter Morris, Karl Schwerdtfeger & Djordje Djordjevic 2013 Annual Report CONTENTS CONTENTS Mission.................................................................................................................................... 2 Trustee’s Foreword ...................................................................................................................
    [Show full text]
  • John Marks Exits Spotify SIGN up HERE (FREE!)
    April 2, 2021 The MusicRow Weekly Friday, April 2, 2021 John Marks Exits Spotify SIGN UP HERE (FREE!) If you were forwarded this newsletter and would like to receive it, sign up here. THIS WEEK’S HEADLINES John Marks Exits Spotify Scotty McCreery Signs With UMPG Nashville Brian Kelley Partners With Warner Music Nashville For Solo Music River House Artists/Sony Music Nashville Sign Georgia Webster Sony Music Publishing Renews With Tom Douglas John Marks has left his position as Global Director of Country Music at Spotify, effective March 31, 2021. Date Set For 64th Annual Grammy Awards Marks joined Spotify in 2015, as one of only two Nashville Spotify employees covering the country market. While at the company, Marks was instrumental in growing the music streaming platform’s Hot Country Styles Haury Signs With brand, championing new artists, and establishing Spotify’s footprint in Warner Chappell Music Nashville. He was an integral figure in building Spotify’s reputation as a Nashville global symbol for music consumption and discovery and a driver of country music culture; culminating 6 million followers and 5 billion Round Hill Inks Agreement streams as of 4th Quarter 2020. With Zach Crowell, Establishes Joint Venture Marks spent most of his career in programming and operations in With Tape Room terrestrial radio. He moved to Nashville in 2010 to work at SiriusXM, where he became Head of Country Music Programming. During his 5- Carrie Underwood Deepens year tenure at SiriusXM, he brought The Highway to prominence, helping Her Musical Legacy With ‘My to bring artists like Florida Georgia Line, Old Dominion, Kelsea Ballerini, Chase Rice, and Russell Dickerson to a national audience.
    [Show full text]
  • Kangaroo Valley Voice
    Kangaroo Valley Voice $2.50 Volume 24 Issue 1 ISSN 1833-8402 Circulation 800 JULY 2018 Kangaroo Valley’s own Plus, the TODAY Show comes to town! Broadband read more on Page 3 Network For some time now I’ve been aware of the but we are at the mercy of Telstra which The NBN might blame gamers for the limited reach of the internet in the Valley, can maintain that service for as long as it poor performance of the fixed wireless and I’m sure I’m not the only one! As decides and, as an ageing network, it is in network, but that is rubbish. Gaming only someone who provides internet services decline. accounts for a small portion of network first and foremost, and IT support as The NBN should be more reliable than use. Netflix is another matter. well, I am in contact with a lot of people ADSL. However our NBN wireless isn’t I think it’s time to build a local network who have lousy or no internet. I had high performing as it should and, when it that suits our needs. Kangaroo Valley hopes when the NBN was announced but, needs servicing, the NBN do it when doesn’t have to wait for crumbs from when they finally came, they put in one it suits them, not when it suits us. the government. We have a difficult (and tower and it just doesn’t give access Switching off the NBN for scheduled beautiful) topography, but when a big to enough people. Satellite, which is maintenance during working hours is company comes along with its cookie supposed to pick up everyone else, is not something they do normally in the cutter approach we inevitably miss out.
    [Show full text]
  • Frenchman's Farm Music Credits
    Original Music Composed by Tommy Tycho M.B.E. Music Played by The Sydney International Orchestra Conducted by Tommy Tycho, M.B.E. Recorded by Martin Benge at E.M.I. Studios, Sydney Musical Co-ordination by Ken Laing - Media Music Co-ordination Additional Music Paul Baker ‘Stay With Me’ Performed by Cats Under Pressure Written by Simon Hussey and David Reyne Published by Restaurant Music/Rondor Music Aust. P/L Recorded at A.A.V. Studios ‘Body Heat’ Performed by Martin Munroe Written by Gerry Smith and David Bentley ‘Don't You Make The Same Mistake Again’ Performed by Karen Boddington Written by Peter Blyton and Gerry Smith ‘Don't Panic’ Performed by Peter Blyton Written by Adam Quaid and Phil Graham ‘Raining’ Performed by Barry Tiplady Written by Gerry Smith and Barry Tiplady 'Coming At Ya' Performed by Martin Munroe Written by Gerry Smith Peter Blyton and David Bentley ‘Don't Turn Your Head’ Performed by Chris Lloyd Written by Gerry Smith Peter Ryan & Mel Bradford All Published by and Recorded at Suite Sixteen Pty. Ltd Produced by Suite Sixteen Audio Production Pty. Ltd. David Reyne gets to perform a pop song in the show with Cats Under Pressure, a band he co-founded in 1984, but it didn’t last long, and seems to be have been reformed just to record this track for the film. Reyne has a wiki here. (Below: Reyne singing in the film). Tommy Tycho: Tommy Tycho was a well-known Hungarian-born pianist, conductor, composer and arranger, who specialised in television work, acting as the Seven network's music director for its first fifteen years, from 1956 to 1971.
    [Show full text]
  • Exporting Truth from Aboriginal Australia
    TOBY MIu.ER EXPORTING TRUTH FROM ABORIGINAL AUSTRAUA IPORTIONS OF OUR PAST BECOME PRESENT AGAIN, WHERE ONLY THE MELANCHOLY LIGHT OF ORIGIN SHINES' J don't think there can be any doubt that unnecessarily. Of course, we could look for Aborigines have been the most important the global trace of contemporary Australia Australian exporters of social theory and by a form of desperate content analysis. cultural production to the northern Adding up references to it in the Manhanan hemisphere over the past century. How fiction of Jay Mcinerney, for example: eight could one come to such a conclusion? in Bright Lights, Big City (986) if you count When Jock Given approached me to write the 1984 New York Post, none if you don't; this paper, he referred to a recent essay of four in Ransom (] 987); ten in Story ofMy Life mine. It began like this: 'When Australia (989) if you count each mention of Nell's, became modem, it ceased to be interesting'. three if you don't; and none in Brightness I ran the argument there that Aboriginal Falls (992). Or we could turn to the 1995 Australia had provided Europe with a 'Down Under' episode of The Stmpsons, in 'photographic negative' of itself. The which a State Department representative essence of the north, s~creted by the briefs the family on bilateral relations: 'As blllowtng engines and disputatious I'm sure you remember, in the late 1980s the parliaments of the modern, could be US experienced a short-lived infatuation secreted by examining 'the prediarnarue with Australian culture (this is accompanied realities of the Antipodean primordial' by a cartoon-slide of Paul Hogan as (Miller T 1994.
    [Show full text]
  • Film Soleil 28/9/05 3:35 Pm Page 2 Film Soleil 28/9/05 3:35 Pm Page 3
    Film Soleil 28/9/05 3:35 pm Page 2 Film Soleil 28/9/05 3:35 pm Page 3 Film Soleil D.K. Holm www.pocketessentials.com This edition published in Great Britain 2005 by Pocket Essentials P.O.Box 394, Harpenden, Herts, AL5 1XJ, UK Distributed in the USA by Trafalgar Square Publishing P.O.Box 257, Howe Hill Road, North Pomfret, Vermont 05053 © D.K.Holm 2005 The right of D.K.Holm to be identified as the author of this work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988. All rights reserved. No part of this book may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form, or by any means (electronic, mechanical, photocopying, recording or otherwise) without the written permission of the publisher. Any person who does any unauthorised act in relation to this publication may beliable to criminal prosecution and civil claims for damages. The book is sold subject tothe condition that it shall not, by way of trade or otherwise, be lent, re-sold, hired out or otherwise circulated, without the publisher’s prior consent, in anyform, binding or cover other than in which it is published, and without similar condi-tions, including this condition being imposed on the subsequent publication. A CIP catalogue record for this book is available from the British Library. ISBN 1–904048–50–1 2 4 6 8 10 9 7 5 3 1 Book typeset by Avocet Typeset, Chilton, Aylesbury, Bucks Printed and bound by Cox & Wyman, Reading, Berkshire Film Soleil 28/9/05 3:35 pm Page 5 Acknowledgements There is nothing
    [Show full text]
  • ASIAN REPRESENTATIONS of AUSTRALIA Alison Elizabeth Broinowski 12 December 2001 a Thesis Submitted for the Degree Of
    ABOUT FACE: ASIAN REPRESENTATIONS OF AUSTRALIA Alison Elizabeth Broinowski 12 December 2001 A thesis submitted for the degree of Doctor of Philosophy of The Australian National University ii Statement This thesis is my own work. Preliminary research was undertaken collaboratively with a team of Asian Australians under my co-direction with Dr Russell Trood and Deborah McNamara. They were asked in 1995-96 to collect relevant material, in English and vernacular languages, from the public sphere in their countries of origin. Three monographs based on this work were published in 1998 by the Centre for the Study of Australia Asia Relations at Griffith University and these, together with one unpublished paper, are extensively cited in Part 2. The researchers were Kwak Ki-Sung, Anne T. Nguyen, Ouyang Yu, and Heidi Powson and Lou Miles. Further research was conducted from 2000 at the National Library with a team of Chinese and Japanese linguists from the Australian National University, under an ARC project, ‘Asian Accounts of Australia’, of which Shun Ikeda and I are Chief Investigators. Its preliminary findings are cited in Part 2. Alison Broinowski iii Abstract This thesis considers the ways in which Australia has been publicly represented in ten Asian societies in the twentieth century. It shows how these representations are at odds with Australian opinion leaders’ assertions about being a multicultural society, with their claims about engagement with Asia, and with their understanding of what is ‘typically’ Australian. It reviews the emergence and development of Asian regionalism in the twentieth century, and considers how Occidentalist strategies have come to be used to exclude and marginalise Australia.
    [Show full text]
  • Universal Music Group's Profit Margins Grew in 2020, Despite
    BILLBOARD COUNTRY UPDATE APRIL 13, 2020 | PAGE 4 OF 19 ON THE CHARTS JIM ASKER [email protected] Bulletin SamHunt’s Southside Rules Top Country YOURAlbu DAILYms; BrettENTERTAINMENT Young ‘Catc NEWSh UPDATE’-es Fifth AirplayMARCH 3, 2021 Page 1 of 31 Leader; Travis Denning Makes History INSIDE Universal Music Group’s Sam Hunt’s second studio full-length, and first in over five years, Southside sales (up 21%) in the tracking week. On Country Airplay, it hops 18-15 (11.9 mil- (MCA Nashville/Universal Music Group Nashville), debuts at No.Profit 1 on Billboard’s lion audienceMargins impressions, up 16%).Grew Top• Country TuneCore Albums Unveils chart dated April 18. In its first week (ending April 9), it earnedRewards 46,000 Program equivalent album units, including 16,000 in album sales, ac- TRY TO ‘CATCH’ UP WITH YOUNG Brett Youngachieves his fifth consecutive cordingas Indie to Nielsen Distributors Music/MRC Data. in 2020, Despiteand total Country Airplay No.Pandemic 1 as “Catch” (Big Machine Label Group) ascends SouthsideFend Off marks Major Hunt’s second No. 1 on the 2-1, increasing 13% to 36.6 million impressions. chartLabels: and fourth Exclusive top 10. It follows freshman LP BY ED CHRISTMAN Young’s first of six chart entries, “Sleep With- Montevallo, which arrived at the summit in No - out You,” reached No. 2 in December 2016. He • David Crosby Sells vember 2014 and reigned for nineEven weeks. in Toa nearly date, year-long economic downturn, the hit 1.487 billionfollowed euros with ($1.68 the multiweek billion), orNo. a 1s20% “In Casemargin.
    [Show full text]
  • E 8075Pro-20010524.Pdf
    Important If you are in any doubt about this prospectus, you should consult your stockbroker, bank manager, solicitor, professional accountant or other professional adviser. Listing on the Growth Enterprise Market of The Stock Exchange of Hong Kong Limited PLACING Number of Placing Shares : 90,000,000 Shares consisting of 70,000,000 New Shares and 20,000,000 Sale Shares (subject to Over-allocation Option of up to 13,500,000 existing Shares) Placing Price : HK$1.00 per Share Nominal value : HK$0.10 each Stock code : 8075 Global Co-ordinator and Sponsor Core Pacific – Yamaichi Capital Limited Lead Manager Core Pacific – Yamaichi International (H.K.) Limited Co-Lead Manager Celestial Capital Limited Co-Managers Pacific Challenge Securities Limited CEF Capital Limited Grand Cathay Securities (Hong Kong) Limited SBI E2-Capital Securities Limited Shenyin Wanguo Capital (H.K.) Limited First Shanghai Capital Limited Tai Fook Securities Company Limited YF Securities Company Limited Financial Adviser to the Company The Stock Exchange of Hong Kong Limited and Hong Kong Securities Clearing Company Limited take no responsibility for the contents of this prospectus, make no representation as to its accuracy or completeness and expressly disclaim any liability whatsoever for any loss howsoever arising from or in reliance upon the whole or any part of the contents of this prospectus. A copy of this prospectus, having attached thereto the documents specified in the paragraph headed “Documents delivered to the Registrar of Companies” in Appendix VI to this prospectus, has been registered by the Registrar of Companies in Hong Kong as required by section 342C of the Companies Ordinance (Chapter 32 of the Laws of Hong Kong).
    [Show full text]
  • Young Einstein Tail Credits
    (There are a number of corrections and variations between the VHS and DVD tail credits - a few are noted below). Closing titles: The End This film is dedicated to a genius, a rebel, a pacifist, an eccentric with a clowning sense of humour who once remarked about his own theories "... I never thought that others would take them so much more seriously than I did ..." Albert Einstein 1879-1955 CAST Albert Einstein Yahoo Serious Marie Curie Odile Le Clezio Preston Preston John Howard Mr. Einstein Peewee Wilson Mrs. Einstein Su Cruickshank LONELY ST. HOTEL The Blonde Lulu Pinkus The Brunette Kaarin Fairfax Manager Michael Lake BAVARIAN BREWERY Wolfgang Bavarian Jonathan Coleman Rudy Bavarian Johnny McCall PATENT OFFICE Desk Clerk Michael Blaxland Bright Clerk Ray Fogo Inventor Couple Terry & Alice Pead Nihilist Frank McDonald SYDNEY UNIVERSITY Bursar Tony Harvey Lecturer Tim Elliot Droving Student Ray Winslade Randy Student Ian 'Danno' Rogerson Prudish Student Wendy de Waal Chinese Student P. J. Voeten THE KIDS Peter Zakrzewski Sally Zakrzewski Zanzi Mann Conky Heygate Shannen de Villermont Mark Bell Dogs Albert Heygate Wombat LUNATIC ASYLUM Lunatic Professor Warren Coleman Ernest Rutherford Glenn Butcher Brian Asprin Steve Abbott Nurse Russell Cheek Gate Guard Warwick Irwin Scientists Guard Keith Heygate Cat Pie Cook Roger Ward Asylum Guard Ted Reid Crazed Lunatic Martin Raphael Dangerous Lunatics The Film Crew CURIE ESTATE Mr. Curie Max Meldrum Mrs. Curie Rose Jackson SCIENCE ACADEMY AWARDS Charles Darwin Basil Clarke Marconi Adam Bowen Wilbur
    [Show full text]
  • 1 II . 1 Rice of 7.92
    ..------------...................................-----,, 1 1 1 I The Long Weekend. 1I 1 1 I 1 I1 1 I Right at... 1 1I Spend that Valuable Time 1 1 1 •Qweerc,x••4 I •••:•:'4,:WW•••••••••• I -4.*:;•••*.'%'**.:•4*,"•% .e.••••:•••”.9eza 1 •z•<4; N- 1 nsVa ••N'Fa • •• N:. I 1 c'vs • . ,:‘,Nk,.:,„ esmn 1 4 :■ . -Sce t• • It:.• . . . • . . •• ''•••••••••••••:•••:<.:•:::•97.:;•:::::0::•:: . • .".••••W:' . I k . I I I I I e: e I I I I I I I I I I ..-,4 'A 4 r IC f4 Tieln4I:m g I I I o. o . 1 II se. 0. wAttle•giti I o I I I I I I I I . Thurs., November 9 .. . 8pm to 1 am . . ... . South Gym . . . . . r,_,. ..e low r d war: -civ 1 . ir..,._,_,„... ke ,, e ava ble t de 1 1 1 1 of 7.92. 1 , rice 1 1 1 1 1 1 With each ticket sold you will receive $2 off albums and I 1 1 1 1 cassettes from A & A Records. 1 1 Plenty of doorprizes to be given away. Get your tickets : 1 1 1 1 at the SA offices, CMOR, or at the door. 1 1 1 1 1 1 Sponsored by the Students' Association, A & A Records, I1 1 1 Labatt's, the Winnipeg Jets, and the 1 1 1 1 Winnipeg Blue Bombers. 1 anu .............................................a Monday, November 20, 1989 Page 2 Page 10 Monday, November 20, 1989 new A 14s, 0 \ Mice Infest The College 1r<\ By Louise Charette Students searching for ways to the problem seems to be at its earn a few extra dollars for Christ- worst in the LRC.
    [Show full text]