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Williams, Hipness, Hybridity, and Neo-Bohemian Hip-Hop
HIPNESS, HYBRIDITY, AND “NEO-BOHEMIAN” HIP-HOP: RETHINKING EXISTENCE IN THE AFRICAN DIASPORA A Dissertation Presented to the Faculty of the Graduate School of Cornell University in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy by Maxwell Lewis Williams August 2020 © 2020 Maxwell Lewis Williams HIPNESS, HYBRIDITY, AND “NEO-BOHEMIAN” HIP-HOP: RETHINKING EXISTENCE IN THE AFRICAN DIASPORA Maxwell Lewis Williams Cornell University 2020 This dissertation theorizes a contemporary hip-hop genre that I call “neo-bohemian,” typified by rapper Kendrick Lamar and his collective, Black Hippy. I argue that, by reclaiming the origins of hipness as a set of hybridizing Black cultural responses to the experience of modernity, neo- bohemian rappers imagine and live out liberating ways of being beyond the West’s objectification and dehumanization of Blackness. In turn, I situate neo-bohemian hip-hop within a history of Black musical expression in the United States, Senegal, Mali, and South Africa to locate an “aesthetics of existence” in the African diaspora. By centering this aesthetics as a unifying component of these musical practices, I challenge top-down models of essential diasporic interconnection. Instead, I present diaspora as emerging primarily through comparable responses to experiences of paradigmatic racial violence, through which to imagine radical alternatives to our anti-Black global society. Overall, by rethinking the heuristic value of hipness as a musical and lived Black aesthetic, the project develops an innovative method for connecting the aesthetic and the social in music studies and Black studies, while offering original historical and musicological insights into Black metaphysics and studies of the African diaspora. -
Another Decade of Rogers V. Grimaldi: Continuing to Balance the Lanham Act with the First Amendment Rights of Creators of Artistic Works Lynn M
Another Decade of Rogers v. Grimaldi: Continuing to Balance the Lanham Act with the First Amendment Rights of Creators of Artistic Works Lynn M. Jordan and David M. Kelly Commentary: If You Remove It, You Use It: The Court of Justice of the European Union on Debranding—On the Mitsubishi v. Duma Judgment by the Court of Justice of the European Union Fabio Angelini and Simone Verducci Galletti Brief of the International Trademark Association as Amicus Curiae in Romag Fasteners, Inc. v. Fossil, Inc. September–October, 2019 Vol. 109 No. 5 INTERNATIONAL TRADEMARK ASSOCIATION Powerful Network Powerful Brands 675 Third Avenue, New York, NY 10017-5704 Telephone: +1 (212) 642-1733 email: [email protected] Facsimile: +1 (212) 768-7796 OFFICERS OF THE ASSOCIATION DAVID LOSSIGNOL ....................................................................................................................... President AYALA DEUTSCH ................................................................................................................ President-Elect TIKI DARE ........................................................................................................................... Vice President ZEEGER VINK ...................................................................................................................... Vice President JOMARIE FREDERICKS ................................................................................................................ Treasurer DANA NORTHCOTT ..................................................................................................................... -
Psaudio Copper
Issue 116 JULY 27TH, 2020 “Baby, there’s only two more days till tomorrow.” That’s from the Gary Wilson song, “I Wanna Take You On A Sea Cruise.” Gary, an outsider music legend, expresses what many of us are feeling these days. How many conversations have you had lately with people who ask, “what day is it?” How many times have you had to check, regardless of how busy or bored you are? Right now, I can’t tell you what the date is without looking at my Doug the Pug calendar. (I am quite aware of that big “Copper 116” note scrawled in the July 27 box though.) My sense of time has shifted and I know I’m not alone. It’s part of the new reality and an aspect maybe few of us would have foreseen. Well, as my friend Ed likes to say, “things change with time.” Except for the fact that every moment is precious. In this issue: Larry Schenbeck finds comfort and adventure in his music collection. John Seetoo concludes his interview with John Grado of Grado Labs. WL Woodward tells us about Memphis guitar legend Travis Wammack. Tom Gibbs finds solid hits from Sophia Portanet, Margo Price, Gerald Clayton and Gillian Welch. Anne E. Johnson listens to a difficult instrument to play: the natural horn, and digs Wanda Jackson, the Queen of Rockabilly. Ken hits the road with progressive rock masters Nektar. Audio shows are on hold? Rudy Radelic prepares you for when they’ll come back. Roy Hall tells of four weddings and a funeral. -
Taxi Gang / Ini Kamoze / Half Pint / Yellowman
Taxi Gang Live 86 mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Reggae Album: Live 86 Style: Dancehall, Roots Reggae, Dub MP3 version RAR size: 1242 mb FLAC version RAR size: 1470 mb WMA version RAR size: 1943 mb Rating: 4.1 Votes: 514 Other Formats: AHX VOC AU AC3 MP1 XM MMF Tracklist 1.1 –Taxi Gang* Red Hot 1.2 –Taxi Gang* Chang Kai Check 1.3 –Taxi Gang* Armageddeon Time 1.4 –Taxi Gang* Rockfort Rock 1.5 –Taxi Gang* Hot You're Hot 1.6 –Taxi Gang* Unlimited Taxi 1.7 –Ini Kamoze Settle With Me 1.8 –Ini Kamoze I Want It Ital 1.9 –Ini Kamoze Call A Taxi For Me 1.10 –Ini Kamoze General 1.11 –Ini Kamoze Trouble You A Trouble Me 1.12 –Ini Kamoze Hail Me Idren 1.13 –Ini Kamoze World A Reggae 1.14 –Ini Kamoze Call The Police 2.1 –Half Pint Scorcher 2.2 –Half Pint Mr. Landlord 2.3 –Half Pint Money Problems 2.4 –Half Pint Hold On 2.5 –Half Pint Crazy 2.6 –Half Pint Too Rude 2.7 –Half Pint Political Fiction 2.8 –Half Pint Greetings 2.9 –Yellowman You And Me In Love 2.10 –Yellowman You Uuno Fe Move 2.11 –Yellowman Nobody Move, Nobody Get Hurt 2.13 –Yellowman Zunguzungguguzzungguzeng 2.14 –Yellowman Let The Good Times Roll 2.15 –Yellowman Blueberry Hills 2.16 –Yellowman Yellowman Getting Married 2.17 –Yellowman 54-46 2.18 –Yellowman Koutchie Vibes 2.19 –Yellowman Calypso Barcode and Other Identifiers Barcode (Scanned): 760137488125 Comments about Live 86 - Taxi Gang Nuadazius Extended version of Various - Taxi Connection - Live In London. -
Support Local Music & Arts
Contents OCTOBER 2015 Vol. 18 # 8 THE GOODS 4 Le Beat: Who’s who and what’s happening locally 11 Rock ‘n’ Roll Moment of the month 12 11 Questions: Jan Peters 20 Calendar 32 Monthly Pin-Up: Moongrass 34 Tales from the Road: Minor Plains 35 Stuff Yer Face: Hotpoint Tea & Express SPOTLIGHTS 6 Scotty Sensei: New dimensions 7 Panda Panda Panda: 1, 2, 3, GO 8 Zion I: The resurgence 9 Crushed out: Music and marriage FEATURES 14 Katie Johnson: The face of expression 15 I Found My Friends: The Oral History of Nirvana 16 Mark Pickerel and His Helping Hands: Still screaming 18 Beats Antique: Melding performance, music and art REVIEWS NEXT ISSUE: NOV. 2015 10 Live Shows DEADLINE: Oct. 19 25 Recordings 360.398.1155 • P.O. Box 30373, Bellingham, WA 98228 www.whatsup-magazine.com • [email protected] CO-PUBLISHER/EDITOR-IN-CHIEF: Brent Cole CO-PUBLISHER/DESIGN DIRECTOR: Becca Schwarz Cole CONTRIBUTING WRITERS: Tommy Calderon, Jared Curtis, Thea Hart, Adam Walker, Mark Broyles, Jackson Main, Hayden Eller, Charlie Walentiny, Halee Hastad, Keenan Ketzner, Raleigh Davis, Aaron Apple, Aaron Kayser CONTRIBUTING PHOTOGRAPHERS: Tommy Calderon, David Johnson, Sarah Day, Ryan Russell, Aaron Brick AD SALES: Brent Cole, Victor Gotelaere DISTRIBUTION: David Johnson, Brent Cole COVER ARTIST: Katie Johnson WEB GENIUS: Django @ Seatthole SUPPORT: Harrison, Ruby, Autumn, Lulu What’s Up! is a free, independent monthly music magazine covering the Bellingham/Whatcom County scene, and is locally owned and operated by Brent Cole and Becca Schwarz Cole. What’s Up! is a member of Sustainable Connections, and a sister publication of Grow Northwest. -
Concert & Recital Programs Concert & Recital Programs
Ithaca College Digital Commons @ IC All Concert & Recital Programs Concert & Recital Programs 11-28-2012 Concert: Ithaca College Sinfonietta Ithaca College Sinfonietta James Mick Tiffany Lu Follow this and additional works at: https://digitalcommons.ithaca.edu/music_programs Part of the Music Commons Recommended Citation Ithaca College Sinfonietta; Mick, James; and Lu, Tiffany, "Concert: Ithaca College Sinfonietta" (2012). All Concert & Recital Programs. 3792. https://digitalcommons.ithaca.edu/music_programs/3792 This Program is brought to you for free and open access by the Concert & Recital Programs at Digital Commons @ IC. It has been accepted for inclusion in All Concert & Recital Programs by an authorized administrator of Digital Commons @ IC. Ithaca College Sinfonietta Dr. James Mick, conductor Tiffany Lu, assistant conductor Ford Hall Wednesday November 28th, 2012 7:00 pm Program Overture to Nabucco Giuseppe Verdi (1813-1901) "Nimrod" from The Enigma Variations Edward Elgar (1857-1934) String Symphony No. 10 in B minor, MWV N Felix Mendelssohn 10 (1809-1847) Adagio – Allegro – Più presto Hungarian Dances, WoO 1 Johannes Brahms No. 7 in F Major: Allegretto - Vivo (1833-1897) No. 3 in F Major: Allegretto No. 5 in G minor: Allegro - Vivo Suite from The Firebird Igor Stravinsky VI. Berceuse (1882-1971) VII. Finale This concert is being webstreamed live at http://www.ithaca.edu/music/live/ Biographies Dr. James Mick is an assistant professor of music education at Ithaca College in upstate New York. He teaches courses in string pedagogy and rehearsal techniques, helps manage junior string student teachers, supervises underclassman music education majors, and conducts the Ithaca College Sinfonietta, a full-orchestra consisting primarily of non-music majors. -
The Four Singers Began T.O.K – the Acronym Originally Stood for Touch of Klass
T.O.K The four singers began T.O.K – the acronym originally stood for Touch of Klass. In the early ’90s, when Motown’s glee club foursome was sweeping everything before them with their harmonies, T.O.K began by performing R&B covers, but that inevitably changed. As Davidson explained, “We’re Jamaican. That has to come out in the music, and that’s what happened, gradually.” The quartet trained with Jamaican vocal coach Georgia Guerra, played a lot of high school parties, then graduated to the hotel circuit on Jamaica’s expensive North Coast, where they’d inject a little spice into the shows by covering a Bob Marley song or Ini Kamoze’s Hot Stepper. In 1993, they placed second in the annual Tastee Talent Contest. Though they didn’t win, their appearance helped bring them to Nuff Records, where they recorded a few tracks for the label, although nothing hit the charts. By 1996, they were on Sly & Robbie’s Taxi label, where the single, Hit Them High appeared, again making no real impact. From there it was on to Main Street, where they encountered engineer Richard Browne, who was about to start his own label. T.O.K opted to go with the engineer, who was just a couple of years older than they were. Their first effort for his new High Profile label went nowhere, but the follow-up, Hardcore Lover, which teamed them with dancehall queen Lady Saw, rose to number four. Although High Profile didn’t last, the pairing of Browne and T.O.K did. -
Media, Entertainment and Technology Group - 2017 Year-End Update
January 19, 2018 MEDIA, ENTERTAINMENT AND TECHNOLOGY GROUP - 2017 YEAR-END UPDATE To Our Clients and Friends: 2017 was a banner year in the media, entertainment, and technology industries, chock full of deals, regulatory changes, and important copyright, trademark, and First Amendment rulings. From Disney to DMCA; television royalties to mechanical royalties; fair use to the FCC; pink slime to piracy; and monkey selfies to Dr. Seuss. It was also the year of the Weinstein scandal, and the ensuing #MeToo and Time's Up movements, which have already upended the Hollywood order. In our Media, Entertainment & Technology practice group's 2017 Year-End Update, we have identified those deals, trends, and rulings that are likely to shape an equally active 2018. And building off our prior semi-annual updates, we continue to follow the arc of developments in the global streaming video industry, the pace of Chinese investment in Hollywood, and eSports, all of which continue to merit a close watch. __________________________ TABLE OF CONTENTS I. Transaction & Regulatory Overview A. M&A Watch 1. Disney Announces Purchase of 21st Century Fox 2. Discovery Purchasing Scripps 3. DOJ Tries to Block AT&T-Time Warner Merger 4. Meredith to Buy Time 5. Penske Media Takes Majority Stake in Rolling Stone Mag B. Streaming Industry Pursues a Global Presence with Original and Local Content 1. Netflix's Continued Growth 2. Amazon Expands Presence and Partnerships 3. Hulu's Breakthrough & Foray into Foreign Language Content 4. Disney Ends Netflix Deal & Announces Forthcoming Streaming Service 5. iflix's Continuing Emergence C. The China Outlook 1. -
Karaoke Mietsystem Songlist
Karaoke Mietsystem Songlist Ein Karaokesystem der Firma Showtronic Solutions AG in Zusammenarbeit mit Karafun. Karaoke-Katalog Update vom: 13/10/2020 Singen Sie online auf www.karafun.de Gesamter Katalog TOP 50 Shallow - A Star is Born Take Me Home, Country Roads - John Denver Skandal im Sperrbezirk - Spider Murphy Gang Griechischer Wein - Udo Jürgens Verdammt, Ich Lieb' Dich - Matthias Reim Dancing Queen - ABBA Dance Monkey - Tones and I Breaking Free - High School Musical In The Ghetto - Elvis Presley Angels - Robbie Williams Hulapalu - Andreas Gabalier Someone Like You - Adele 99 Luftballons - Nena Tage wie diese - Die Toten Hosen Ring of Fire - Johnny Cash Lemon Tree - Fool's Garden Ohne Dich (schlaf' ich heut' nacht nicht ein) - You Are the Reason - Calum Scott Perfect - Ed Sheeran Münchener Freiheit Stand by Me - Ben E. King Im Wagen Vor Mir - Henry Valentino And Uschi Let It Go - Idina Menzel Can You Feel The Love Tonight - The Lion King Atemlos durch die Nacht - Helene Fischer Roller - Apache 207 Someone You Loved - Lewis Capaldi I Want It That Way - Backstreet Boys Über Sieben Brücken Musst Du Gehn - Peter Maffay Summer Of '69 - Bryan Adams Cordula grün - Die Draufgänger Tequila - The Champs ...Baby One More Time - Britney Spears All of Me - John Legend Barbie Girl - Aqua Chasing Cars - Snow Patrol My Way - Frank Sinatra Hallelujah - Alexandra Burke Aber Bitte Mit Sahne - Udo Jürgens Bohemian Rhapsody - Queen Wannabe - Spice Girls Schrei nach Liebe - Die Ärzte Can't Help Falling In Love - Elvis Presley Country Roads - Hermes House Band Westerland - Die Ärzte Warum hast du nicht nein gesagt - Roland Kaiser Ich war noch niemals in New York - Ich War Noch Marmor, Stein Und Eisen Bricht - Drafi Deutscher Zombie - The Cranberries Niemals In New York Ich wollte nie erwachsen sein (Nessajas Lied) - Don't Stop Believing - Journey EXPLICIT Kann Texte enthalten, die nicht für Kinder und Jugendliche geeignet sind. -
To Download a PDF of the Full Decision
Case 1:18-cv-03127-WJM-GPG Document 64 Filed 08/20/19 USDC Colorado Page 1 of 45 IN THE UNITED STATES DISTRICT COURT FOR THE DISTRICT OF COLORADO Judge William J. Martínez Civil Action No. 18-cv-3127-WJM-SKC MARTY STOUFFER and MARTY STOUFFER PRODUCTIONS, LTD, Plaintiffs, v. NATIONAL GEOGRAPHIC PARTNERS, LLC; NGSP, INC.; NGHT, LLC, d/b/a NATIONAL GEOGRAPHIC DIGITAL MEDIA; NGHT DIGITAL, LLC; NGC NETWORK US, LLC; and NGC NETWORK INTERNATIONAL, LLC, Defendants. ORDER GRANTING IN PART AND DENYING WITHOUT PREJUDICE IN PART DEFENDANTS’ MOTION TO DISMISS Plaintiffs Marty Stouffer and Marty Stouffer Productions, LTD (together, “Stouffer,” unless the context requires otherwise), sue Defendants (collectively, “National Geographic”) for trademark infringement, copyright infringement, and unfair competition.1 Currently before the Court is National Geographic’s Rule 12(b)(6) Motion to Dismiss Plaintiffs’ Complaint. (ECF No. 23.) For the reasons explained below, the Court: • denies National Geographic’s motion without prejudice as to Stouffer’s trademark causes of action—although the Court finds merit in the First 1 National Geographic claims that Defendant NGHT Digital, LLC, “is unaffiliated with (and entirely unknown to)” the other Defendants. (ECF No. 23 at 8 n.1.) Case 1:18-cv-03127-WJM-GPG Document 64 Filed 08/20/19 USDC Colorado Page 2 of 45 Amendment concerns National Geographic raises, the Court believes the test for accommodating such interests should be somewhat different than what National Geographic has advanced, and no party has had an opportunity to argue under the test formulated by this Court; • grants National Geographic’s motion with prejudice as to Stouffer’s trade dress cause of action; and • grants National Geographic’s motion without prejudice as to Stouffer’s copyright cause of action. -
Carlton Barrett
! 2/,!.$ 4$ + 6 02/3%2)%3 f $25-+)4 7 6!,5%$!4 x]Ó -* Ê " /",½-Ê--1 t 4HE7ORLDS$RUM-AGAZINE !UGUST , -Ê Ê," -/ 9 ,""6 - "*Ê/ Ê /-]Ê /Ê/ Ê-"1 -] Ê , Ê "1/Ê/ Ê - "Ê Ê ,1 i>ÌÕÀ} " Ê, 9½-#!2,4/."!22%44 / Ê-// -½,,/9$+.)"" 7 Ê /-½'),3(!2/.% - " ½-Ê0(),,)0h&)3(v&)3(%2 "Ê "1 /½-!$2)!.9/5.' *ÕÃ -ODERN$RUMMERCOM -9Ê 1 , - /Ê 6- 9Ê `ÊÕV ÊÀit Volume 36, Number 8 • Cover photo by Adrian Boot © Fifty-Six Hope Road Music, Ltd CONTENTS 30 CARLTON BARRETT 54 WILLIE STEWART The songs of Bob Marley and the Wailers spoke a passionate mes- He spent decades turning global audiences on to the sage of political and social justice in a world of grinding inequality. magic of Third World’s reggae rhythms. These days his But it took a powerful engine to deliver the message, to help peo- focus is decidedly more grassroots. But his passion is as ple to believe and find hope. That engine was the beat of the infectious as ever. drummer known to his many admirers as “Field Marshal.” 56 STEVE NISBETT 36 JAMAICAN DRUMMING He barely knew what to do with a reggae groove when he THE EVOLUTION OF A STYLE started his climb to the top of the pops with Steel Pulse. He must have been a fast learner, though, because it wouldn’t Jamaican drumming expert and 2012 MD Pro Panelist Gil be long before the man known as Grizzly would become one Sharone schools us on the history and techniques of the of British reggae’s most identifiable figures. -
A History of Hip Hop in Halifax: 1985 - 1998
HOW THE EAST COAST ROCKS: A HISTORY OF HIP HOP IN HALIFAX: 1985 - 1998 by Michael McGuire Submitted in partial fulfilment of the requirements for the degree of Master of Arts at Dalhousie University Halifax, Nova Scotia August 2011 © Copyright by Michael McGuire, 2011 DALHOUSIE UNIVERSITY DEPARTMENT OF HISTORY The undersigned hereby certify that they have read and recommend to the Faculty of Graduate Studies for acceptance a thesis entitled “HOW THE EAST COAST ROCKS: A HISTORY OF HIP HOP IN HALIFAX: 1985 - 1998” by Michael McGuire in partial fulfilment of the requirements for the degree of Master of Arts. Dated: August 18, 2011 Supervisor: _________________________________ Readers: _________________________________ _________________________________ ii DALHOUSIE UNIVERSITY DATE: August 18, 2011 AUTHOR: Michael McGuire TITLE: How the East Coast Rocks: A History Of Hip Hop In Halifax: 1985 - 1998 DEPARTMENT OR SCHOOL: Department of History DEGREE: MA CONVOCATION: October YEAR: 2011 Permission is herewith granted to Dalhousie University to circulate and to have copied for non-commercial purposes, at its discretion, the above title upon the request of individuals or institutions. I understand that my thesis will be electronically available to the public. The author reserves other publication rights, and neither the thesis nor extensive extracts from it may be printed or otherwise reproduced without the author’s written permission. The author attests that permission has been obtained for the use of any copyrighted material appearing in the