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Boston Symphony Orchestra Concert Programs, Season 10, 1890-1891

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MUSIC HALL, BOSTON. BOSTON SYMPHONY ORCHESTRA, ARTHUR NIKISCH, Conductor. Tenth Season, 1890-91. PROGRAMME OF THE Eleventh Rehearsal and Concert. FRIDAY AFTERNOON, JANUARY 2, AT 2.30. SATURDAY EVENING, JANUARY 3, AT 8.00. WITH HISTORICAL AND DESCRIPTIVE NOTES PREPARED BY G. H. WILSON. PUBLISHED BY C. A. ELLIS, Manager. (321) • The MASON & HAMLIN PIAN Illustrates the same high standard of excellence which has always characterized the MASON & HAMLIN ORGANS, and won for them the Highest Awards at ALL GREAT WORLD'S EXHIBITIONS since and including that of Paris, 1867. SOLD ON EASY TERMS AND RENTED. MASON & HAMLIN ORGAN AND PIANO CO. BOSTON, Mason & Hamlin Hall, 154 and 155 Tremont Street. NEW YORK, 158 Fifth Avenue. CHICAGO, 149 Wabash Avenue. Or~^n and Piano Catalogue sent free to any address. (322) Eleventh Rehearsal and Concert Friday Afternoon, January 2, at 2.30. Saturday Evening, January 3, at 8.00. PROGRAMME. Liszt ------ Symphonic Poem, "Tasso" Lento. Allegro strepitoso ; Lento. Adagio mesto. Meno adagio. Allegretto mosso con grazia (quasi minuetto). Allegro con molto brio. Burmeister - - Concerto for Piano and Orchestra, in D minor Andante. Allegro maestoso. Lento. Intermezzo scherzando attacca. Alia marcia e Finale. (FIRST TIME IN BOSTON.) taff ----- - Symphony No. 3, "Im Walde" In the Daytime (Allegro). In the Twilight (Largo). Dance of the Dry- ads (Allegro assai). Night: Silent breath of night in the forest; Entrance and departure of the wild hunt with Frau Holle and Wotan ; Break of Day (Allegro). Soloist, Mr. RICHARD BURMEISTER. THE PIANOFORTE IS A KNABE. The Programme for the next Public Rehearsal and Concert will be found on >age 347. (323) SHORE LINE BOSTON TO NEW YORK NEW YORK TOI U BOSTON Trains leave either city, week-days, as follows, except as noted : DAY EXPRESS at 10.00 a.m. I Arrive at 4.30 p.m. AFTERNOON SERVICE at 1.00 p.m. Arrive at 7.30 p.m. Dining Car beween Boston and New London. "GILT EDGE" LIMITED at 5.00 p.m. I ' Daily, Sundays included, and arrive 1 1 p.m. Dining Car between Boston and New London. The last trains between the two cities to leave and arrive at termini the same day. MIDNIGHT EXPRESS at 12.00 o'clock. 1 Daily, Sundays included, and arrive at 7.00 a.m. The LAST TRAIN from either City. Wagner Drawing-room Cars on Day Trains. Compartment Sleeping Cars on Night Trains. Trains leave Boston from Park Square Station ; New York, from Grand Central Station. J. R. KENDRICK, Gen'l Manager. GEO. L. CONNOR, Gen'l Pass'r Agent. olid aoLonsrir railroad. Royal Blue Line for Washington. BALTIMORE & OHIO R.R. I FOR BALTIMORE, CHICAGO, WASHINGTON, ST. LOUIS, CINCINNATI, INDIANAPOLIS, COLUMBUS, PITTSBURG. Only Line via Washington to the West. Two Through Trains Daily to Chicago, Cincinnati, and St. Louis Without Change. Six Fast Trains Daily to Washington. Magnificent Pullman Palace, Drawing-room and Sleeping Cars ON ALL TRAINS. NEW YORK TO WASHINGTON IN FIVE HOURS. CHAS. O. SCULL, Gen 1 Pass'r Agt., A.J. SIMMONS, New Eng. Pass'r Agt. Baltimore, Md. 211 "Washington St., Boston, Mass. C. P. CRAIG, Gen'l Eastern Pass'r Agent, New York. (324) Symphonic Poem, " Tasso, Lamento e Trionio." Iiiszt. This, like others of Liszt's larger works, was composed first for pianoforte, and was afterward rewritten for orchestra. In its first shape it dates back to the early forties, the plan having been conceived by Liszt in Venice in 1840. The work played to-day is, in turn, a revision of the first orchestral version, which was played for the first time at Weimar, on Aug. 28, 1849. The score of this work contains a preface from the composer's pen : — " In 1849 all Germany celebrated brilliantly the hundredth anniversary of Goethe's birth. At Weimar, where we then resided, the programme of the ftte included a performance of his drama ' Tasso,' fixed for the evening of August 28. The unhappy fate of the most unfortunate of poets had excited the imagination of the most powerful poetic writers of our time, — Goethe and Byron: Goethe, whose career was one of brilliant prosperity; Byron, whose keen sufferings counterbalanced the advantages of his birth and fortune. We shall not conceal the fact that when, in 1849, we were com- missioned to write an overture for Goethe's drama, we were more directly inspired by the respectful compassion of Byron for the manes of the great man whom he invoked than by the work of the German poet. At the same LP. HOLLANDER & CO. Great Success and Continuance of our ANNUAL CLEARANCE SALE. The unprecedented patronage of the past week attests to the genuineness of the REAL BARGAINS OFFERED. On MONDAY, JANUARY 5, additional bargains will be of- fered in every department. • (325) LADIES' TAILOR. Annual Sale of Model Garments, STREET GOWNS, JACKETS, ULSTERS, and WRAPS. All to be sold WITHOUT REGARD to Cost. 96 Boylston Street, Opp. Public Garden, BOSTON. OYSTERS AND SALADS A SPECIALTY. GENUINE VIENNA ICES. 25 Temple PI. and 33 West St. Established 1873. X> BAILEY'S CHAS. E. FOSS, 1873-1876, PAGE & BAILEY. UMBRELLA STORE. 1876-1888, J. B. BAILEY. 9 TEMPLE PLACE. (formerly with C. F. Hovby & Co.). Special attention given to recovering and repairing umbrellas and parasols. A large and complete assortment of umbrellas ot the %4/ best makes constantly on hand. The only store exclusively devoted to umbrellas 1888-1890, W. M. LOWNEY. in Boston. Feb., 1890, J. B. BAILEY y4> 45 WEST ST. (326) time, in giving us, in some sort, the groans of Tasso in his prison, Byron did not join to recollection of the keen sorrows so nobly and eloquently ' expressed in his Lamentation ' that of the triumph which awaited, by an act of tardy yet striking justice, the chivalric author of ' Jerusalem Deliv- ered.' We have wished to indicate this contrast even in the title of our work, and to succeed in formulating the grand antithesis of genius ill-treated during life, and shining after death with a light humiliating for its prose- cutors. Tasso, after loving and suffering at Ferrara, was avenged at Rome ; his glory still lives in the popular songs of Venice. These three points are inseparable from his immortal memory. To express them in music, we have called up the great shade of the hero as he appears to-day haunting the lagoons of Venice ; we have next caught a glimpse of his figure, haughty and sad, gliding among the fetes of Ferrara, where he produced his master- pieces ; lastly, we have followed him to Rome, the Eternal City, which crowned him, glorifying in him the martyr and the poet. " Lamento e Trionfo : these are the two great opposites in the destiny of poets, about whom it has been justly said that maledictions weigh heavily on their life, benediction descends upon their tomb. In order to invest this idea not only with the authority, but the glory of fact, we resolved to Old violins, VIOLAS and 'CELLOS, Artist Italian Strings, Imported Silver G's. ARTIST BOWS By Knopf, Gand, Tubbs, Lamy, &c. Sole Agent for the BARZONI VIOLINS AND VIOLONCELLOS. All styles of Plush Lined Leather Boxes, Paris Rosin, Sarasate G Strings, Weichold Tested Strings, etc. Instruments taken in exchange and sold _ on instalments. Artistic repairs by my own workmen. Spe- cialty of bridges and bass-bars. Bows re-haired. A fine Music Box for sale cheap, just imported. FREEMAN A. OLIVER, 25 Winter Street, Rooms 8 and 9, Chandler's Building, near Music Hall. (327) — borrow from fact even its form, and to that end have taken as the theme of our musical poem the motive to which we have heard the Venetian gondoliers sing, upon the lagoons, the strophes of Tasso, still repeated three centuries after him, 'Canto 1' armi pietose e '1 Capitano, ' Che '1 gran Sepulchro libero di Cristo The motive is, in itself, plaintive, of a melancholy slowness, a monotonous grief ; but the gondoliers gave it a particular inflection in dragging certain notes by holding back the voice, which, at a distance, soars and shines like rays of glory and of light. This song had already profoundly impressed us ; and, when we had to speak of Tasso, it was impossible to our active senti- ment not to take as the text of our thoughts the persistent homage rendered by his nation to the man of genius, neither whose attachment nor fidelity did the court of Ferrara merit." . The present work is second of the twelve * " symphonic poems " written by Liszt ; and the instruments employed in it are, besides strings, piccolo, flutes, oboes, clarinets, bass clarinet, bassoons, four horns, four trumpets, * Liszt's symphonic poems are: "What is heard on the Mountains" (after Victor Hugo), "Tasso, Lantento e Trionfo," "The Preludes" (after Lamartine), "Orpheus," "Prometheus," " Mazeppa," <l " Festklange," " Heroide Funebre," Hungaria," " Hamlet," " The Battle of the Huns " (after Kaulbach), " The Ideals " (after Schiller). B. PRIESTLEY & CO.'S Silk Warp Henriettas are made of the Purest and Finest Silk and the Best' Quality of Australian Wool. Every yard is guaranteed to be perfectly satisfactory to the wearer. All the Priestley fabrics are STAMPED EVERY FIVE YARDS, on the under side of the selvedge, with the manufacturers' name (B. Priest- ley & CO.) in gilt letters. Unless so stamped, they are not genuine. (328) three trombones, tuba, triangle, cymbals, tpmpani, side drum, and great drum. The following is a reduction of an analysis by Joseph Bennett : — Lento — C minor, C. This brief opening section is founded upon two short and highly contrasted themes, one strong and energetic, derived from the gondoliers' melody, the other of a plaintive, not to say wailing, charac- ter, enhanced in treatment by constant use ofJdissonant and syncopated chords, having the distressful effect proper to the composer's intention.
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  • ~Lag(8Ill COMPANIES INC

    ~Lag(8Ill COMPANIES INC

    May 2001 BAMcinematek 2001 Spring Season 651 ARTS Brooklyn Philharmonic Orchestra BAM Spring Season sponsor: PH il iP M ORRIS ~lAG(8Ill COMPANIES INC. 2001 Spring Broo Iyn Academy of Music Bruce C. Ratner Alan H. Fishman Chairman of the Board Chairman, Campaign for BAM Karen Brooks Hopkins Joseph V. Melillo President Executive Producer presents Royal National Theatre Hamlet by William Shakespeare Approximate BAM Howard Gilman Opera House running time: May 30 & 31; June 1 & 2,2001, at 7:30pm 3 hours and June 2 at 2pm 15 minutes with one intermission Director John Caird Designer Tim Hatley Lighting designer Paul Pyant Music John Cameron Fight director Terry King Sound designer Christopher Shutt Company voice work Patsy Rodenburg U.S . tour general management SFX Theatrical Group/Sondra R. Katz BAM Theater sponsors: AOL Time Warner In c. and Fleet Leadership support: The Peter Jay Sharp Foundation; The Shubert Foundation, Inc.; and The Norman & Rosita Winston Foundation, Inc. Official airline for the BAM presentation of the Royal National Theatre in Hamlet British Airways The actors in Hamlet appear Additional support: The Laura Pels Foundation with the special permission of Actors' Equity Association. The American stage managers are The U.S. tour is sponsored by The American Associates of members of Actors' Equity the Royal National Theatre and The British Council. Association. Design and costumes are generously supported by Alan and Jean Horan. 25 The Players Horatio Simon Day Hamlet, Prince of Denmark Simon Russell Beale Hamlet, his father