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Suicidal Thought of the Main Character in Logan Movie
SUICIDAL THOUGHT OF THE MAIN CHARACTER IN LOGAN MOVIE A FINAL PROJECT In Partial Fulfillment of the Requirement For S-1 Degree in American Study In English Department, Faculty of Humanities Diponegoro University Submitted by Mardiana Al Ma'ruf 13020114130055 FACULTY OF HUMANITIES DIPONEGORO UNIVERSITY 2018 PRONOUNCEMENT The writer states truthfully that he compiled this final academic paper by himself without taking the results from other research in any university, in S-1, S-2, and S-3 degree and in diploma. In addition, the writer ascertains that he does not take the material from other publications or someone’s work except for the references mentioned in the bibliography. Semarang, May 15th, 2018 Mardiana Al Ma'ruf ii MOTTO AND DEDICATION "Come on, Thanatos! Greet each day with a smile!" -Zephys This project is dedicated to my beloved parents and family, my friends and everyone who supported and motivated me, I am sincerely grateful to you iii SUICIDAL THOUGHT OF THE MAIN CHARACTER IN LOGAN MOVIE Written by: Mardiana Al Ma'ruf 13020114130055 Is approved by project advisor On May 16th 2018 Project Advisor Prof. Dr. Nurdien H. Kistanto, MA NIP. 195211031980121001 The Head of English Department Dr. Agus Subiyanto, M. A. NIP. 196408141990011001 iv VALIDATION Approved by Strata 1 Project Examination Committee Faculty of Humanities Diponegoro University On July 27th 2018 Chair Person First Member Retno Wulandari, S.S., M.A. Dra. Christina R., M.Hum NIP. 19750525 200501 2 002 NIP. 19560216 198303 2 001 Second Member Third Member Arido Laksono, S.S., M.Hum. Hadiyanto, S.S., M.Hum. -
Icons of Survival: Metahumanism As Planetary Defense." Nerd Ecology: Defending the Earth with Unpopular Culture
Lioi, Anthony. "Icons of Survival: Metahumanism as Planetary Defense." Nerd Ecology: Defending the Earth with Unpopular Culture. London: Bloomsbury Academic, 2016. 169–196. Environmental Cultures. Bloomsbury Collections. Web. 25 Sep. 2021. <http:// dx.doi.org/10.5040/9781474219730.ch-007>. Downloaded from Bloomsbury Collections, www.bloomsburycollections.com, 25 September 2021, 20:32 UTC. Copyright © Anthony Lioi 2016. You may share this work for non-commercial purposes only, provided you give attribution to the copyright holder and the publisher, and provide a link to the Creative Commons licence. 6 Icons of Survival: Metahumanism as Planetary Defense In which I argue that superhero comics, the most maligned of nerd genres, theorize the transformation of ethics and politics necessary to the project of planetary defense. The figure of the “metahuman,” the human with superpowers and purpose, embodies the transfigured nerd whose defects—intellect, swarm-behavior, abnormality, flux, and love of machines—become virtues of survival in the twenty-first century. The conflict among capitalism, fascism, and communism, which drove the Cold War and its immediate aftermath, also drove the Golden and Silver Ages of Comics. In the era of planetary emergency, these forces reconfigure themselves as different versions of world-destruction. The metahuman also signifies going “beyond” these economic and political systems into orders that preserve democracy without destroying the biosphere. Therefore, the styles of metahuman figuration represent an appeal to tradition and a technique of transformation. I call these strategies the iconic style and metamorphic style. The iconic style, more typical of DC Comics, makes the hero an icon of virtue, and metahuman powers manifest as visible signs: the “S” of Superman, the tiara and golden lasso of Wonder Woman. -
Aliens of Marvel Universe
Index DEM's Foreword: 2 GUNA 42 RIGELLIANS 26 AJM’s Foreword: 2 HERMS 42 R'MALK'I 26 TO THE STARS: 4 HIBERS 16 ROCLITES 26 Building a Starship: 5 HORUSIANS 17 R'ZAHNIANS 27 The Milky Way Galaxy: 8 HUJAH 17 SAGITTARIANS 27 The Races of the Milky Way: 9 INTERDITES 17 SARKS 27 The Andromeda Galaxy: 35 JUDANS 17 Saurids 47 Races of the Skrull Empire: 36 KALLUSIANS 39 sidri 47 Races Opposing the Skrulls: 39 KAMADO 18 SIRIANS 27 Neutral/Noncombatant Races: 41 KAWA 42 SIRIS 28 Races from Other Galaxies 45 KLKLX 18 SIRUSITES 28 Reference points on the net 50 KODABAKS 18 SKRULLS 36 AAKON 9 Korbinites 45 SLIGS 28 A'ASKAVARII 9 KOSMOSIANS 18 S'MGGANI 28 ACHERNONIANS 9 KRONANS 19 SNEEPERS 29 A-CHILTARIANS 9 KRYLORIANS 43 SOLONS 29 ALPHA CENTAURIANS 10 KT'KN 19 SSSTH 29 ARCTURANS 10 KYMELLIANS 19 stenth 29 ASTRANS 10 LANDLAKS 20 STONIANS 30 AUTOCRONS 11 LAXIDAZIANS 20 TAURIANS 30 axi-tun 45 LEM 20 technarchy 30 BA-BANI 11 LEVIANS 20 TEKTONS 38 BADOON 11 LUMINA 21 THUVRIANS 31 BETANS 11 MAKLUANS 21 TRIBBITES 31 CENTAURIANS 12 MANDOS 43 tribunals 48 CENTURII 12 MEGANS 21 TSILN 31 CIEGRIMITES 41 MEKKANS 21 tsyrani 48 CHR’YLITES 45 mephitisoids 46 UL'LULA'NS 32 CLAVIANS 12 m'ndavians 22 VEGANS 32 CONTRAXIANS 12 MOBIANS 43 vorms 49 COURGA 13 MORANI 36 VRELLNEXIANS 32 DAKKAMITES 13 MYNDAI 22 WILAMEANIS 40 DEONISTS 13 nanda 22 WOBBS 44 DIRE WRAITHS 39 NYMENIANS 44 XANDARIANS 40 DRUFFS 41 OVOIDS 23 XANTAREANS 33 ELAN 13 PEGASUSIANS 23 XANTHA 33 ENTEMEN 14 PHANTOMS 23 Xartans 49 ERGONS 14 PHERAGOTS 44 XERONIANS 33 FLB'DBI 14 plodex 46 XIXIX 33 FOMALHAUTI 14 POPPUPIANS 24 YIRBEK 38 FONABI 15 PROCYONITES 24 YRDS 49 FORTESQUIANS 15 QUEEGA 36 ZENN-LAVIANS 34 FROMA 15 QUISTS 24 Z'NOX 38 GEGKU 39 QUONS 25 ZN'RX (Snarks) 34 GLX 16 rajaks 47 ZUNDAMITES 34 GRAMOSIANS 16 REPTOIDS 25 Races Reference Table 51 GRUNDS 16 Rhunians 25 Blank Alien Race Sheet 54 1 The Universe of Marvel: Spacecraft and Aliens for the Marvel Super Heroes Game By David Edward Martin & Andrew James McFayden With help by TY_STATES , Aunt P and the crowd from www.classicmarvel.com . -
Game Rules (PDF)
Adventurer's Handbook DUNGEONWORLD The Largest PBM Adventure Game Ever Made! Credits Produced by Madhouse UK Game Designer Steve Tierney Programming Duncan Perham & Steve Tierney Art Director Marie Smith Artwork & Game Graphics Manny Vega Marie Smith Jonas Nelson Lee Fulford Steve Tierney Other Contributors Andy London Lee Beeson Kerry Harrison Dave Versace Michael Harrison Jimbo Versace Mark Adams Mark Howe Proofreaders Sarah Phillips Nemo Nox P.Sykes Dave Massie Andrew Wallis Andy London Duncan Hart The contents of this handbook and the entire game of DungeonWorld are Copyright Madhouse UK 1999 & on, All Rights Reserved. All artwork used in the DungeonWorld game and in this rulebook, with the exception of that produced by Jonas Nelson (used with his kind permission) is Copyright Madhouse UK 1999, All Rights Reserved. Use or duplication, in whole or in part, is strictly prohibited. DUNGEONWORLD Contents The Handbook The Main Stuff The DungeonWorldTM Adventurer's Handbook is Containing an overview of the play-by-mail hobby, an overview designed in such a way as to be flexible and of the game and discussion of the actual mechanics, scale and easy to customise. You can organise the pages play method which govern the game. You should read this section first. in any order you wish. We can send you new pages when we need to. Your rulebook can The Game World grow as the game grows! Containing information on the World of Myriad, the Kingdom of What You Should Receive Bereny, and the overall setting of the game, including a little historical background, the Laws of the Land and a brief discussion of magic and religion. -
2018 Unparalleled Crossbow Gear
2018 Unparalleled Crossbow Gear. Shoot the Best. Be the Best. We believe in performance and maximizing every shot through meticulous Like you, we do not fear hard work and we are unafraid to dream of something attention to detail and blending handmade craftsmanship with modern better. It’s that drive that compels us to produce the materials. We believe in people who continuously look for an edge — people absolute finest crossbow strings, using the right blend of modern materials, who know that every shot counts. machinery and time-honored techniques. We believe that making innovative crossbow accessories that provide Work ethic, dedication to craftsmanship, and the relentless pursuit of the unparalleled gains in performance are the best way to enhance the perfect shot — we are BlackHeart and we craft crossbow strings. experience, shot after shot. modern craftsmanship crossbow case* Protect your crossbow with the meanest looking case on the market. It features tear / abrasion resistant material and tactical styling. Built to be highly functional and rugged, the Chamber truly beats the competition. 35" Overall, 23" Cam-to-Cam Containment 9.5" Scope Accommodation Height Durable Duraflex ® Components 840D Polyester #81332 New for 2018! ™ *Preproduction rendering. Final product may vary. CHAMBER Visit BlackHeartArchery.com for updates. crossbow protection cocking device Our ByPass™ Cocking Device is the future of crossbow cocking. Experience unmatched ease-of-use thanks to the 3:1 pulley system which makes loading your crossbow a breeze and allows your focus to shift to what 200lbs of required force matters — the perfect shot. 3:1 Pulley System Reduces Effort By Up to 67% Easiest Cocking Solution Available Patent Pending Technology #81368 New for 2018! 100 lbs of load 100lbs of load 66.6 lbs 66.6 lbs 33.33 lbs effort 33.33 lbs effort 66.6 lbs 66.6 lbs ™ 66.6 lbs 66.6 lbs BYPASS shooting accessories Anchor Anchor DuraWeave™ String Construction BlackHeart strings and cables are produced using our exclusive DuraWeave process. -
Relationality and Masculinity in Superhero Narratives Kevin Lee Chiat Bachelor of Arts (Communication Studies) with Second Class Honours
i Being a Superhero is Amazing, Everyone Should Try It: Relationality and Masculinity in Superhero Narratives Kevin Lee Chiat Bachelor of Arts (Communication Studies) with Second Class Honours This thesis is presented for the degree of Doctor of Philosophy of The University of Western Australia School of Humanities 2021 ii THESIS DECLARATION I, Kevin Chiat, certify that: This thesis has been substantially accomplished during enrolment in this degree. This thesis does not contain material which has been submitted for the award of any other degree or diploma in my name, in any university or other tertiary institution. In the future, no part of this thesis will be used in a submission in my name, for any other degree or diploma in any university or other tertiary institution without the prior approval of The University of Western Australia and where applicable, any partner institution responsible for the joint-award of this degree. This thesis does not contain any material previously published or written by another person, except where due reference has been made in the text. This thesis does not violate or infringe any copyright, trademark, patent, or other rights whatsoever of any person. This thesis does not contain work that I have published, nor work under review for publication. Signature Date: 17/12/2020 ii iii ABSTRACT Since the development of the superhero genre in the late 1930s it has been a contentious area of cultural discourse, particularly concerning its depictions of gender politics. A major critique of the genre is that it simply represents an adolescent male power fantasy; and presents a world view that valorises masculinist individualism. -
“The Once and Future Juggernaut”
WITH THE RECENT DEATHS OF CHARLES XAVIER AND WOLVERINE, THE JEAN GREY SCHOOL FOR HIGHER LEARNING HAS BEEN LEFT IN CHAOS. THE X-MEN ARE SPLINTERED AND BROKEN, AND WITH THE FUTURE OF MUTANTKIND HANGING IN THE BALANCE, IDEOLOGICAL DIFFERENCES HAVE SET LIFELONG FRIENDS AGAINST EACH OTHER. IN THE WAKE OF THIS SCHISM, MANY OF THE X-MEN HAVE FOUND THEMSELVES LOST AND SEARCHING FOR PURPOSE. ONE OF THESE X-MEN IS PIOTR RASPUTIN, KNOWN AS COLOSSUS, A MAN WHOSE HAS BEEN LEFT SCARRED BY THE HORRORS IN HIS PAST. HE HAS SEEN HIS FAMILY TORN APART, EVEN HAVING HIS SISTER CAPTURED BY THE DEMON BELASCO AND INFECTED BY THE DARK MAGIC OF HIS REALM OF LIMBO. HE WATCHED AS THE WOMEN HE LOVED WERE KIDNAPPED, LOST, AND KILLED. HE HAS DIED AND BEEN RESURRECTED. AND HIS MIND POSSESSED AND PERVERTED BY BEINGS SUCH AS THE PHOENIX AND CYTTORAK. A MAN WHO ONCE STOOD AS A SHINING, METAL EXAMPLE OF GOOD HAS SEEN HIS SOUL TAINTED BY HIS CHOICES AND THE BLOOD OF THOSE HE HAS KILLED. DESPITE ALL THIS, HE WAS GIVEN A CHANCE AT REDEMPTION BY WOLVERINE, REJOINING THE X-MEN AT THE JEAN GREY SCHOOL. HOWEVER, FACING DOWN HIS DEMONS WILL TAKE MORE THAN JUST SOME FREE ROOM AND BOARD. “THE ONCE AND FUTURE JUGGERNAUT” PART ONE OF FOUR WRITER CHRISTOPHER YOST ARTIST JORGE FORNÉS COLORIST RACHELLE ROSENBERG LETTERER VC’S JOE CARAMAGNA COVER BY KRIS ANKA ASSISTANT EDITOR XANDER JAROWEY EDITOR MIKE MARTS EDITOR IN CHIEF AXEL ALONSO CHIEF CREATIVE OFFICER JOE QUESADA PUBLISHER DAN BUCKLEY EXECUTIVE PRODUCER ALAN FINE X-MEN CREATED BY STAN LEE AND JACK KIRBY AMAZING X-MEN No. -
|||FREE||| Juggernaut
JUGGERNAUT FREE DOWNLOAD Adam Baker | 416 pages | 21 Jun 2012 | Hodder & Stoughton General Division | 9781444709087 | English | London, United Kingdom Juggernaut (comics) More battle ensues and Dr. Ain't nothin' -- ain't nobody -- can beat me! Stan Lee Jack Kirby. While training his son SkaarBruce Banner bombs Juggernaut's house to initiate a confrontation between Skaar and the Juggernaut. Juggernaut reappears on Earth through sheer force of will, although the alien dimension caused him to age rapidly. As Vanisher Juggernaut away, Cain battled the mercenaries there and knocked Man-Killer out Juggernaut the temple. Help Learn to edit Community portal Recent changes Upload file. But Cain, through sheer force Juggernaut will, destroyed Juggernaut evil god and returned to Earth, stronger than ever, but unable to fully control Juggernaut amplified abilities. Please help improve it by removing unnecessary details and making it more concise. He is also the stepbrother of Professor X. Voodoo sends his Juggernaut Cyttorak minions to "fix" Cain's armor and thus "sealing" him inside his armor. When Spider-Man Juggernaut to the facility to Juggernaut the Juggernaut who had done that to him, a new Captain Universe broke into the room and claimed he was there to slay the Juggernaut. On marrying Sharon, Dr. After successfully rescuing Eternity, Cain attempted to destroy him and was banished back to the Crimson Juggernaut. Hermes J. Archived from the original on Its Juggernaut in India may Juggernaut just as rosy — but it comes with political choices and isn't as simple as swapping a billion-plus country for another. It is possible for an opponent with sufficient physical or mystical strength of their own to turn the Juggernaut's unstoppable movement against him, by redirecting his motion so that he gets stranded in a position in which he has no escape; both Juggernaut Hulk Juggernaut his son, Skaar, have done this physically, [46] and Thor has done it mystically with Mjolnir. -
Costume Culture: Visual Rhetoric, Iconography, and Tokenism In
COSTUME CULTURE: VISUAL RHETORIC, ICONOGRAPHY, AND TOKENISM IN COMIC BOOKS A Dissertation by MICHAEL G. BAKER Submitted to the Office of Graduate Studies Texas A&M University-Commerce in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2017 COSTUME CULTURE: VISUAL RHETORIC, ICONOGRAPHY, AND TOKENISM IN COMIC BOOKS A Dissertation by MICHAEL G. BAKER Submitted to: Advisor: Christopher Gonzalez Committee: Tabetha Adkins Donna Dunbar-Odom Mike Odom Head of Department: M. Hunter Hayes Dean of the College: Salvatore Attardo Interim Dean of Graduate Studies: Mary Beth Sampson iii Copyright © 2017 Michael G. Baker iv ABSTRACT COSTUME CULTURE: VISUAL RHETORIC, ICONOGRAPHY, AND TOKENISM IN COMIC BOOKS Michael G. Baker, PhD Texas A&M University-Commerce, 2017 Advisor: Christopher Gonzalez, PhD Superhero comic books provide a unique perspective on marginalized characters not only as objects of literary study, but also as opportunities for rhetorical analysis. There are representations of race, gender, sexuality, and identity in the costuming of superheroes that impact how the audience perceives the characters. Because of the association between iconography and identity, the superhero costume becomes linked with the superhero persona (for example the Superman “S” logo is a stand-in for the character). However, when iconography is affected by issues of tokenism, the rhetorical message associated with the symbol becomes more difficult to decode. Since comic books are sales-oriented and have a plethora of tie-in merchandise, the iconography in these symbols has commodified implications for those who choose to interact with them. When consumers costume themselves with the visual rhetoric associated with comic superheroes, the wearers engage in a rhetorical discussion where they perpetuate whatever message the audience places on that image. -
Drow of the Underdark
™ 95726720_Ch00.indd 1 2/22/07 3:03:16 PM Shadowborn Warrior . .52 Clothing . .98 Spider Companion . .52 Tools . .101 Contents Spiderfriend Magic . .52 Artifacts . .103 Introduction . 4 Staggering Critical . .52 Surprising Riposte . .52 Chapter 5: Chapter 1: Umbral Spell . .52 Monsters of the Underdark . 105 All About the Drow . 7 Vermin Trainer . .53 Adamantine Spider . 106 A Day in the Life . .7 Verminfriend . .53 Chwidencha . 108 Society and Culture . .9 Versatile Combatant . .53 Draegloth . .110 Law, Tradition, and Government . .10 Ambush Feats . .53 Dragon, Deep . .114 Drow Psychology . .13 Gloom Strike . .54 Elf, Albino Drow (Szarkai) . .118 Religion . .15 Sickening Strike . .54 Goblinoid . 120 Rites and Rituals of Lolth . .15 Terrifying Strike . .54 Husk Vermin . 126 CONTENTS TABLE OF Servants of Lolth . .17 Venomous Strike . .54 Kuo-Toa . 129 Lolth . .19 Divine Feats . .54 Lizard, Giant . .133 Houses of the Drow . .20 Divine Intercession . .54 Quaggoth . 136 Structure and Composition . .20 Lolth’s Boon . .54 Shunned . .140 House Authority . .21 Lolth’s Caress . .54 Spider, Monstrous . .141 House Interaction . .21 Profane Agony . .54 Troll . .145 Duties and Benefi ts . .22 Vile Feats . .55 Venom Ooze . .148 Family Units . .24 Unspeakable Vow . .55 Drow Life . .26 Vow of Decadence . .55 Chapter 6: Leisure . .27 Vow of the Spider Queen . .55 Campaigns and Adventures . 150 Arts and Crafts . .27 Vow of Vengeance . .56 Drow Campaigns . 150 Technology and Magic. .28 Weapon Style Feats . .56 Drow Cities and Environs . 153 Love . 29 Despana School . .56 Sample Drow . 160 War . 30 Eilservs School . .56 Anybys Velifane . 160 Death . .31 Inlindl School . .56 Keveras Lorakythe . -
(“Spider-Man”) Cr
PRIVILEGED ATTORNEY-CLIENT COMMUNICATION EXECUTIVE SUMMARY SECOND AMENDED AND RESTATED LICENSE AGREEMENT (“SPIDER-MAN”) CREATIVE ISSUES This memo summarizes certain terms of the Second Amended and Restated License Agreement (“Spider-Man”) between SPE and Marvel, effective September 15, 2011 (the “Agreement”). 1. CHARACTERS AND OTHER CREATIVE ELEMENTS: a. Exclusive to SPE: . The “Spider-Man” character, “Peter Parker” and essentially all existing and future alternate versions, iterations, and alter egos of the “Spider- Man” character. All fictional characters, places structures, businesses, groups, or other entities or elements (collectively, “Creative Elements”) that are listed on the attached Schedule 6. All existing (as of 9/15/11) characters and other Creative Elements that are “Primarily Associated With” Spider-Man but were “Inadvertently Omitted” from Schedule 6. The Agreement contains detailed definitions of these terms, but they basically conform to common-sense meanings. If SPE and Marvel cannot agree as to whether a character or other creative element is Primarily Associated With Spider-Man and/or were Inadvertently Omitted, the matter will be determined by expedited arbitration. All newly created (after 9/15/11) characters and other Creative Elements that first appear in a work that is titled or branded with “Spider-Man” or in which “Spider-Man” is the main protagonist (but not including any team- up work featuring both Spider-Man and another major Marvel character that isn’t part of the Spider-Man Property). The origin story, secret identities, alter egos, powers, costumes, equipment, and other elements of, or associated with, Spider-Man and the other Creative Elements covered above. The story lines of individual Marvel comic books and other works in which Spider-Man or other characters granted to SPE appear, subject to Marvel confirming ownership. -
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Revista Sans Soleil Estudios de la imagen Hijos del átomo: la mutación como génesis del monstruo contemporáneo. El caso de Hulk y los X-Men en Marvel Comics José Joaquín Rodríguez Moreno* University of Washington RESUMEN La Era Atómica engendró un nuevo tipo de monstruo, el mutante. Esta criatura fue explotada en las historias de ciencia ficción y consumida principalmente por una audiencia adolescente, pero fue más que un simple monstruo. A través de un análisis detenido, el mutante puede mostrarnos los miedos y las expectativas que despertaba en su público. Para lograr eso, necesitamos conocer el modo en que estas historias eran creadas, cuál fue su contexto histórico y qué temas desarrollaron los autores. Este trabajo estudia dos casos concretos producidos en Marvel Comics durante los primeros años sesenta: Hulk y los X-Men, gracias a los cuales sabremos más sobre el tiempo y la sociedad en que fueron producidos. PALABRAS CLAVE: Monstruo, Mutante, Era Atómica, Cómics, Estudios culturales. ABSTRACT: The Atomic Age spawned a new monster type – the mutant. This creature was exploited in science fiction narratives and mostly consumed by a teenage audience, but it was more than a mere monster. Through an inquisitive analysis we can learn about the nightmares and hopes that mutants represented for its audience. In order to do it, we need to learn how these narratives were created, what was its historical context and what topics were portrayed by the authors. We are studying two concrete cases from Marvel Comics in the early 60s – Hulk and the X-Men, which will show us more about their time and society.