Simon Bamford

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Simon Bamford Information Acting age 40 - 65 years Nationality British Height (cm) 170 Languages English: native-language Weight (in kg) 70 Dialects London (English): only when Eye color brown required Hair color Brown Queens English: only when Hair length Short required Place of residence Stamford UK English: always Cities I could work in Europe. American: only when required Mid-Atlantic accent: only when required Profession Actor Awards 2018 Lifetime Achievement Award Texas Frightmare 2000 Best Actor Key awards Film 2019 –… Dark Ditties presents Dad Role: Keith (LR) Director: Gary Smart Producer: Neil Morris Distribution: Amazon Prime Video 2019 You are my Sunshine Role: Martin (SR) Director: David Hastings Producer: Tony J Brown 2019 Dark Ditties presents The Witching Hour Role: Leslie Topper (SR) Director: Adams Evans Producer: Gary Smart Distribution: Amazon Prime Video 2019 The invisible collection Role: Producer (OR) Director: Jonny Dixon Producer: Simon Bamford 2018 Dark Ditties presents Mrs Wiltshire Role: Mrs Wiltshire/ Jonathon Brook-Davies (LR) Director: Gary Smart Producer: Neil Morris Distribution: Amazon Prime Video 2018 Dark Ditties presents Finders Keepers Role: Mr Wainwright (SR) Director: Adam Evans Producer: Gary Smart Distribution: Amazon Prime Video Vita Simon Bamford by www.castupload.com — As of: 2021-04- 21 Page 1 of 3 2017 Dark Ditties presents The Offer Role: Jonathon Brook-Davies (LR) Director: Chris Griffiths Producer: Gary Smart Distribution: Amazon Prime Video 2016 Starfish Role: Hospital Senior Consultant (SR) Director: Bill Clark Producer: Pippa Cross Distribution: Unlimited Pictures 2016 You’re so Cool Brewster Role: Peter Vincent (LR) Director: Christopher Griffiths Producer: Gary Smart Distribution: Sony TV 2013 Dead of the Nite Role: Gary (SR) Director: S J Evans Producer: Sousila Pillay Distribution: Pillay Evans Productions 2009 Book of Blood Role: Derek (SR) Director: John Harrison Producer: Lauri Apelian Distribution: Matador Pictures 1990 Nightbreed Role: Ohnaka (SR) Director: Clive Barker Producer: David Barron Distribution: Morgan Creek 1988 Hellraiser 2 Hellbound Role: Butterball (SR) Director: Tony Randel Producer: Christopher Figg Distribution: New World Pictures 1987 Hellraiser Role: Butterball (SR) Director: Clive Barker Producer: Christopher Figg Distribution: New World Pictures Vita Simon Bamford by www.castupload.com — As of: 2021-04- 21 Page 2 of 3 Vita Simon Bamford by www.castupload.com — As of: 2021-04- 21 Page 3 of 3.

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Grimmfest Programming Team
partners Contents Introduction from the Festival Director 5 A huge ‘thank you’ to our partners: Preview Night 7 Film programme: Angst, Piss and Shit 14 Antisocial 22 Attack of the Brainsucker 13 Big Bad Wolves 29 The Body 33 The Borderlands 15 The Butterfly Room 32 The Conspiracy 29 Crazy For You 15 Curse of Chucky 9 Found 28 Girl at the Door 13 The Gloaming 11 The Guest 24 Hansel and Gretel Get Baked 7 Hellraiser (special event) 23 Home Sweet Home 12 ATTACK OFHouse THE With WEREWOLVES 100 Eyes 14 The Human Race 27 [LOBOS DEJohn ARGA] Dies at the End 31 Spain; 2012; Jug98 min Face 24 Kiss of the Damned 28 Director: Juan Martinez Moreno The Machine 34 Starring: Gorka Otxoa, Carlos Areces, Secun de la Make-up Workshop 22 Rosa Modus Anomali 26 Status: English Premiere My Amityville Horror 21 Screening: 6.45PM – 8.25PM Next Exit 12 The Bastard On Love Air Child Of… 15 Paul Naschy and John Landis Out There 25 After 15 yearsThe away, Plan Tomas, an unsuccessful writer, 22 returns to theRadio village Silence of Arga in his native Galicia, 9 sponsors supposedly toSamuel get an and award. Emily In reality,vs. The however,World he is 27 needed thereSFX to endSession a curse that has been hanging 23 over the village for the past hundred years. A huge ‘thank you’ to our sponsor: Shellshocked 34 GRIMM’s EYESleep VIEW: Working Achieving the same masterful 25 balance of blackSmiley comedy and genuine chills as the 21 classic AMERICANStalled WEREWOLF IN LONDON, Juan 33 Martinez Moreno’s gory and mordantly funny tribute to Thanatamorphose 31 the classic werewolf films of Spanish horror icon Paul To Jennifer 11 Naschy, and the Universal horror movies that inspired him, has beenThe a hugeWicker hit Man in Spain.
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October 2019
Winner of Multiple Awards fromo Our college. Our news. Our voice. Naugatuck Valley Community College October 1, 2019 Waterbury, Connecticut Vol. 64, Iss. 2 “Once we start to act, Death of a Pathmaker Joseph Welles As we mark another October, National Breast Cancer Awareness Month, people worldwide pay homage to hope will be everywhere.” broadcast journalist, political analyst and best-selling Jason Hesse author, Mary “Cokie” Roberts. Survived by her husband, two children, and six grandchildren, Roberts died of breast cancer September 17th at the age of seventy-fi ve. Fellow journalists were quick to praise her. Fox News Chief White House Correspondent John Roberts, called her “a true pioneer of business and a revered col- league,” and ABC News President James Goldston hon- ored Roberts for “her kindness and generosity, and sharp intellect,” noting that she “made ABC a better place and all of us better journalists.” 60 Minutes correspondent, Lesley Stahl, said Roberts’ death was like “losing the best sister you could ever have,” adding that her friend’s pro- fessional mantra was always, “Do no harm.” Born December 27, 1943, in New Orleans, Cokie Roberts was raised in a highly-charged political atmo- sphere. Her father, Hale Boggs, served as Majority Leader for the House of Representatives and was an outspoken member of the Warren Commission, which investigated the 1963 assassination of President John F. Kennedy. After Boggs’s death—a plane crash in Alaska in which wreckage was never found—his widow, Roberts’ mother, Lindy Boggs, was elected to the House of Representatives, the fi rst woman elected to Congress Photo Courtesy of Fortune Magazine from Louisiana.
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Becomings-Cunt
Becomings-Cunt: Flesh, Fold and Infinity signification: head as seat of logic, face as signifying plane of subjectivity, race, age, genitals as signifier of gender and possible sexuality and sexual configurations in relation This article positions female genitalia as a model through with other subjects. Becoming investigates and exploits which a project of becoming may be launched. Female the relations between these forces of subjugation and seeks genitalia should not be understood as metaphor or as tactics to reorient the strata indefinitely. Becoming does a reflection applied to a becoming after the project. not become, it launches projects of differentiation through Becoming-cunt engages with the materiality of both affinity with various terms to deterritorialise the constant becoming and the cunt as fleshly, risky and challenging reiteration of subjectivity as returning to ‘itself’. In this to the basic dominant paradigms of thought and subjec- article the cunt is used as a becoming because it values tivity. Briefly, becoming, after Gilles Deleuze and Felix certain principles without fetishising the subject ‘woman’, Guattari, is a project where one enters into an unnatural and because it defies many dominant conceptual para- alliance with another term, in order to transform. Some digms without necessarily exchanging them for other par- of Deleuze and Guattari’s suggestions include becom- adigms. It does not oppose dominant culture with another ing-dog and becoming-woman. However the desire for culture, but with multiplicity, indeterminacy and infinity. becoming is not a desire to become. It is not mimicry, like- Becoming-cunt is, put simply, configuring the flesh and ness, imitation or metaphor.
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Queer Interventions
CINESEXUALITY Queer Interventions Series editors: Noreen Giffney and Michael O’Rourke University College Dublin, Ireland Queer Interventions is an exciting, fresh and unique new series designed to publish innovative, experimental and theoretically engaged work in the burgeoning field of queer studies. The aim of the series is to interrogate, develop and challenge queer theory, publishing queer work which intersects with other theoretical schools and is accessible whilst valuing difficulty; empirical work which is metatheoretical in focus; ethical and political projects and most importantly work which is self-reflexive about methodological and geographical location. The series is interdisciplinary in focus and publishes monographs and collections of essays by new and established scholars. The editors intend the series to promote and maintain high scholarly standards of research and to be attentive to queer theory’s shortcomings, silences, hegemonies and exclusions. They aim to encourage independence, creativity and experimentation: to make a queer theory that matters and to recreate it as something important; a space where new and exciting things can happen. Forthcoming titles Gay Men and Form(s) of Contemporary US Culture Richard Cante ISBN: 978-0-7546-7230-2 Lesbian Dames: Sapphism in Eighteenth-Century England John Benyon and Caroline Gonda ISBN: 978-0-7546-7335-4 The Ashgate Research Companion to Queer Theory Noreen Giffney and Michael O’Rourke ISBN: 978-0-7546-7135-0 Critical Intersex Morgan Holmes ISBN: 978-0-7546-7311-8 Jewish/Christian/Queer Frederick Roden ISBN: 978-0-7546-7375-0 Cinesexuality PATRICIA MACCORMACK © Patricia MacCormack 2008 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise without the prior permission of the publisher.
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Sponsorship Deck 2019
“It has been an honour and thrill to watch grimmfest grow over the past decade into such a powerhouse film festival… the Uk is lucky indeed to have such a great fest in its own back yard.” – dread central GRIMMFEST ONE OF THE uk’s leading festivals for horror, sci-fi & genre film… “Fast becoming one of the most prominent genre festivals in the UK, attracting premieres, special guests and plenty of media attention” – bloody-disgusting.com “Firmly established as my favourite movie WHO ARE WE? - We are grimmfest! festival to visit.” – 60 minutes with Now the UK’s largest genre film festival outside of London, Grimmfest is set to expand even further as it moves into its second decade. Grimmfest was recently voted one of the top 30 genre film festivals in the World by Movie Maker magazine. Grimmfest screens the very best in brand new Horror, Sci-fi and Fantasy movies from around the globe. Film fans attend en masse to experience exclusive big screen movie premieres, meet and greet movie stars and filmmakers, and to hang out in our exciting festival hub and bar. Over the last ten years we have partnered with national and local cinema exhibitors to host the annual Grimmfest and associated monthly screening events in Manchester, UK. Our overall audience has grown to over 20,000 and we expect to welcome over 4000 people to this years Grimmfest in early October. And now we also offer a selection of awards for the selected films, with over £120K worth of prizes up for grabs.
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Hellraiser. Dieci Film, Un Solo Inferno
Lucius Etruscus Hellraiser Dieci film Un solo inferno Crediti Collana: I Libri del Zinefilo n. 5 Prima edizione digitale gratuita: aprile 2018 Questo saggio raccoglie i post tematici dal 29 gennaio al 9 aprile 2018 del blog Il Zinefilo. In copertina: illustrazione di Tim Bradstreet (2012). Scrivetemi o venitemi a trovare su google+, twitter, tumblr e pinterest. Trama Lunedì 29 gennaio 2018 si sono festeggiati i trent’anni dell’uscita italiana di un film destinato a luminoso successo quanto ad inaugurare uno dei peggiori cicli del cinema. Il crollo verticale della lunga saga di Hellraiser simboleggia la profonda trasformazione dell’arte cinematografica, verso il suo triste destino di mediocrità a basso costo. Il saggio analizza dettagliatamente tutti e dieci i film che compongono il ciclo, presentando testimonianze d’annata con traduzioni esclusive di manuali di cinema, riviste specializzate e dichiarazioni dei protagonisti. Proprio una lunga intervista di Doug Bradley - l’unico attore-simbolo della saga - chiude il testo, e l’amaro sfogo di Pinhead sta a simboleggiare l’inferno della cialtroneria in cui è destinata a soffire questa saga cinematografica. L’autore Lucius Etruscus è vice-curatore di ThrillerMagazine e redattore di SherlockMagazine, gestore del database “Gli Archivi di Uruk” e di vari altri blog, come “Fumetti Etruschi” (recensioni di fumetti di ogni genere), “Il Zinefilo” (dedicato al cinema di serie Z), il “CitaScacchi” (citazioni scacchistiche da ogni forma di comunicazione) ed altri ancora. Scrive saggi su riviste on line, ha partecipato (sia come giuria che come autore) al romanzo corale “Chi ha ucciso Carlo Lucarelli?” (Bacchilega Editore) e su ThrillerMagazine ha raccontato le indagini del detective bibliofilo Marlowe..
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8LOODY COLOR Pagesl FANGORIA - '6
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Sponsorship Deck 2019
“It has been an honour and thrill to watch grimmfest grow over the past decade into such a powerhouse film festival… the Uk is lucky indeed to have such a great fest in its own back yard.” – dread central GRIMMFEST ONE OF THE uk’s leading festivals for horror, sci-fi & genre film… “Fast becoming one of the most prominent genre festivals in the UK, attracting premieres, special guests and plenty of media attention” – bloody-disgusting.com “Firmly established as my favourite movie WHO ARE WE? - We are grimmfest! festival to visit.” – 60 minutes with Now the UK’s largest genre film festival outside of London, Grimmfest is set to expand even further as it moves into its second decade. Grimmfest was recently voted one of the top 30 genre film festivals in the World by Movie Maker magazine. Grimmfest screens the very best in brand new Horror, Sci-fi and Fantasy movies from around the globe. Film fans attend en masse to experience exclusive big screen movie premieres, meet and greet movie stars and filmmakers, and to hang out in our exciting festival hub and bar. Over the last ten years we have partnered with national and local cinema exhibitors to host the annual Grimmfest and associated monthly screening events in Manchester, UK. Our overall audience has grown to over 20,000 and we expect to welcome over 4000 people to this years Grimmfest in early October. And now we also offer a selection of awards for the selected films, with over £120K worth of prizes up for grabs.
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Brum Group News the Monthly Newsletter of the BIRMINGHAM SCIENCE FICTION GROUP AUGUST 2018 Issue 563 Honorary President: CHRISTOPHER PRIEST
Brum Group News The Monthly Newsletter of the BIRMINGHAM SCIENCE FICTION GROUP AUGUST 2018 Issue 563 Honorary President: CHRISTOPHER PRIEST Committee: Vernon Brown (Chairman); Pat Brown (Treasurer); Dave Corby (publicity Officer); Theresa Derwin (ordinary member); Carol Goodwin (Newsletter Editor); William McCabe (Website); Novacon 48 Chair: Dave hicks website: Email: www.birminghamsfgroup.org.uk/ [email protected] Facebook: Twitter: www.facebook.com/groups/BirminghamSFGroup/ @BirminghamSF Summer Social Meal August 10th As usual, there is no meeting at the Briar Rose in August as it is the Summer Social meal. As with last year this will be at the Black Eagle venue. The meal is booked for 7:45 pm. As a reminder for those of you attending, the address is The Black Eagle, 16 Factory Road, Hockley, B18 5JU. If you are travelling by car, the following directions may be helpful. Opposite Villa Road, where it meets the junction of Soho Hill and Soho Road, is St Michaels Road. Go down September 14th – Frankenstein 200th Anniversary celebration. Short film from 1910 followed by talk on the novel’s place in SF history by academic Steve Cotterill. it then up the other side, now Factory Road. The Black Eagle is a little way up on the right; it’s set back, don’t overshoot it. If travelling by bus, catch the No 74 around the corner from the Square Peg in Old Square, Birmingham and ask for the stop before Villa Road, just before the Sikh Temple. About five minutes out of town the road goes downhill then past a flyover It then goes up the other side of the valley – at the top is a bus stop – you want the stop after this.
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Download Official Festival Programme HERE!
introduction Contents Introduction from the Festival Director 3 Greetings Grimmlins, Gorehounds, and Preview Night 5 Ghouls! Film programme: A big warm welcome to this, the sixth, Grim- All I know is Nothing 22 mfest. Over the last eight months the Grimm Autumn Harvest 22 team have been scouring the globe for the The Babadook 7 very best new horror and sci-fi movies. It’s The Canal 30 been a bumper year with so many amaz- Coherence 24 ing new films coming our way, which has Dawn of the Dead 21 only made our selection task even harder. Dead Snow 2: Red Vs. Dead 27 Sometimes its almost heart breaking to Devil’s Mile 13 have to pick one film rather than another but Don’t Play with the Food 22 ultimately we have a limited number of slots The Forgotten 23 ‘THE CULT HORROR to fill and the only way to decide is to put it to Get Some 28 a vote. If the whole team loves a movie then it The Herd 11 COMEDY OF THE YEAR’ goes in. This year we’ve tried to squeeze in as House at the End of Time 9 ALAN JONES, FILM4 FRIGHTFEST many shorts and features into the line up as Julia 10 we possibly can (So grab those food and drink Let God Sort Them out 7 ‘DEFINITELY breaks while you can between screenings!) Let us Prey 12 presenting films you may have heard of and Life After Beth 29 WORTH THE HYPE’ some that you may not have. ATTACK OFA Nightmare THE WEREWOLVES on Elm Street 4 HHHH [LOBOS DEOpen ARGA] Grave 27 STARBURST MAGAZINE We think its our best line up so far and cant Reconstruction of William Zero 19 wait to get your responses at the festival.
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