United States Securities and Exchange Commission Form

Total Page:16

File Type:pdf, Size:1020Kb

United States Securities and Exchange Commission Form Table of Contents UNITED STATES SECURITIES AND EXCHANGE COMMISSION Washington, D.C. 20549 FORM 10-K ☐ ANNUAL REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the fiscal year ended OR ☒ TRANSITION REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the transition period from January 1, 2010 to September 30, 2010 Commission File Number 001-32686 VIACOM INC. (Exact name of registrant as specified in its charter) DELAWARE 20-3515052 (State or other jurisdiction of (I.R.S. Employer incorporation or organization) Identification Number) 1515 Broadway New York, NY 10036 (212) 258-6000 (Address, including zip code, and telephone number, including area code, of registrant’s principal executive offices) Securities Registered Pursuant to Section 12(b) of the Act: Name of Each Exchange on Title of Each Class Which Registered Class A Common Stock, $0.001 par value New York Stock Exchange Class B Common Stock, $0.001 par value New York Stock Exchange 6.85% Senior Notes due 2055 New York Stock Exchange Securities Registered Pursuant to Section 12(g) of the Act: None (Title Of Class) Indicate by check mark if the registrant is a well-known seasoned issuer, as defined in Rule 405 of the Securities Act. Yes ☒ No ☐ Indicate by check mark if the registrant is not required to file reports pursuant to Section 13 or Section 15(d) of the Act. Yes ☐ No ☒ Indicate by check mark whether the registrant (1) has filed all reports required to be filed by Section 13 or 15(d) of the Securities Exchange Act of 1934 during the preceding 12 months (or for such shorter period that the registrant was required to file such reports), and (2) has been subject to such filing requirements for the past 90 days. Yes ☒ No ☐ Indicate by check mark whether the registrant has submitted electronically and posted on its corporate Web site, if any, every Interactive Data File required to be submitted and posted pursuant to Rule 405 of Regulation S-T during the preceding 12 months (or such shorter period that the registrant was required to submit and post such files). Yes ☒ No ☐ Indicate by check mark if disclosure of delinquent filers pursuant to Item 405 of Regulation S-K is not contained herein, and will not be contained, to the best of the registrant’s knowledge, in definitive proxy or information statements incorporated by reference in Part III of this Form 10-K or any amendment to this Form 10-K. ☒ Indicate by check mark whether the registrant is a large accelerated filer, an accelerated filer, a non-accelerated filer, or a smaller reporting company. See definitions of “large accelerated filer,” “accelerated filer” and “smaller reporting company” in Rule 12b-2 of the Exchange Act. (Check one): Large accelerated filer ☒ Accelerated filer ☐ Non-accelerated filer ☐ Smaller reporting company ☐ Indicate by check mark whether the registrant is a shell company (as defined in Rule 12b-2 of the Act). Yes ☐ No ☒ As of the close of business on June 30, 2010, the last business day of the registrant’s most recently completed second fiscal quarter, there were 51,970,772 shares of the registrant’s Class A common stock, par value $0.001 per share, and 556,179,499 shares of its Class B common stock, par value $0.001 per share, outstanding. The aggregate market value of Class A common stock held by non-affiliates as of June 30, 2010 was approximately $375.7 million (based upon the closing price of $35.66 per share as reported by the New York Stock Exchange on June 30, 2010). The aggregate market value of Class B common stock held by non-affiliates as of June 30, 2010 was approximately $17.4 billion (based upon the closing price of $31.37 per share as reported by the New York Stock Exchange on June 30, 2010). As of October 31, 2010, 51,972,965 shares of our Class A common stock and 552,566,126 shares of our Class B common stock were outstanding. DOCUMENTS INCORPORATED BY REFERENCE Portions of Viacom Inc.’s Notice of 2011 Annual Meeting of Stockholders and Proxy Statement to be filed with the Securities and Exchange Commission pursuant to Regulation 14A of the Securities Exchange Act of 1934, as amended, are incorporated by reference into this Transition Report on Form 10-K (Portion of Item 5; Part III). Table of Contents TABLE OF CONTENTS PART I Item 1. Business. 1 Item 1A. Risk Factors. 20 Item 1B. Unresolved Staff Comments. 26 Item 2. Properties. 26 Item 3. Legal Proceedings. 27 PART II Item 5. Market for Viacom Inc.’s Common Equity, Related Stockholder Matters and Issuer Purchases of Equity Securities. 31 Item 6. Selected Financial Data. 32 Item 7. Management’s Discussion and Analysis of Results of Operations and Financial Condition. 34 Item 7A. Quantitative and Qualitative Disclosures About Market Risk. 65 Item 8. Financial Statements and Supplementary Data. 65 Item 9. Changes in and Disagreements With Accountants on Accounting and Financial Disclosure. 110 Item 9A. Controls and Procedures. 110 Item 9B. Other Information. 110 PART III Item 10. Directors, Executive Officers and Corporate Governance. 111 Item 11. Executive Compensation. 111 Item 12. Security Ownership of Certain Beneficial Owners and Management and Related Stockholder Matters. 111 Item 13. Certain Relationships and Related Transactions, and Director Independence. 111 Item 14. Principal Accounting Fees and Services. 111 PART IV Item 15. Exhibits, Financial Statement Schedules. 112 SIGNATURES 113 Table of Contents PART I Item 1. Business. OVERVIEW Viacom is a leading global entertainment content company, engaging audiences on television, motion picture, Internet and mobile platforms through many of the world’s best known entertainment brands. We manage our operations through two reporting segments: Media Networks and Filmed Entertainment. References in this document to “Viacom,” “Company,” “we,” “us” and “our” generally mean Viacom Inc. and our consolidated subsidiaries through which our various businesses are conducted. As previously announced, in 2010, we changed our fiscal year end to September 30 from December 31. We made this change to better align our financial reporting period, as well as our annual planning and budgeting process, with our business cycle, particularly the cable broadcast year. This Transition Report on Form 10-K reports our financial results for the nine-month period from January 1, 2010 through September 30, 2010, which we refer to as “fiscal year 2010” throughout this report. Following fiscal year 2010, we will report on a twelve-month fiscal year beginning on October 1 and ending on September 30 of each year. The years ended December 31, 2009 and 2008 reflect the twelve-month results of the respective calendar years. Media Networks Our Media Networks segment provides entertainment content for consumers in key demographics attractive to advertisers, content distributors and retailers. We create and acquire programming and other content for distribution to our audiences how and where they want to view and interact with it: on television, the Internet and mobile devices and through a variety of consumer products and themed entertainment. MTV Networks reaches approximately 635 million households in more than 160 countries and territories worldwide via its approximately 170 channels and multiplatform properties, which include MTV®, VH1®, CMT®, PalladiaHD®, Logo®, Nickelodeon®, Nick at Nite™, Nick Jr.®, TeenNick™, Nicktoons®, Neopets®, COMEDY CENTRAL®, Spike TV®, TV Land® and Atom®, among others. MTV Networks also has a casual games business that includes websites such as AddictingGames.com and Shockwave.com. BET Networks is a leading provider of entertainment, music, news and public affairs programming targeted to the African-American audience, and its channels and properties, which include BET® and CENTRIC®, can be seen in the United States, Canada, the Caribbean, the United Kingdom, Africa and the Middle East. In September 2010, the Company’s Board of Directors authorized management to proceed with a sale of our Harmonix business (“Harmonix”), which develops music-based games, including the Rock Band franchise. Management is actively marketing Harmonix for sale and is committed to a plan that management believes will result in the sale of the business within twelve months. Accordingly, the results of operations of Harmonix, which were previously included in the Media Networks segment, are presented as discontinued operations throughout this Transition Report. Our Media Networks segment generates revenues principally from advertising sales, affiliate fees and ancillary revenues. Revenues from the Media Networks segment accounted for 65%, 61%, 60% and 58% of our revenues for the nine months ended September 30, 2010 and 2009 and for the years ended December 31, 2009 and 2008, respectively. Filmed Entertainment Our Filmed Entertainment segment produces, finances and distributes motion pictures and other entertainment content under the Paramount Pictures®, Paramount Vantage®, Paramount Classics®, MTV Films® and Nickelodeon Movies® brands. Paramount Pictures has been a leading producer and distributor of motion pictures 1 Table of Contents since 1912 and has a library consisting of over 3,300 motion pictures and a small number of television programs. It also acquires films for distribution and has distribution relationships with DreamWorks Animation SKG, Inc. (“DreamWorks Animation”) and MVL Productions LLC (“Marvel”), a subsidiary of The Walt Disney Company (“Disney”). Paramount distributes motion pictures and other entertainment content on DVD and Blu-ray, television, digital and other platforms in the United States and internationally and has a presence in the games business. Revenues from the Filmed Entertainment segment are generated primarily from the theatrical release and/or distribution of motion pictures, sale of home entertainment products such as DVDs, and licensing of motion pictures and other content to pay and basic cable television, broadcast television, syndicated television and digital media outlets.
Recommended publications
  • MOORE CASTING C/O Skyway Studios, 3201 Dickerson Pike - SUITE 110 NASHVILLE, TENNESSEE 37207 (615) 831-0039 & (615) 650-6293
    MOORE CASTING c/o Skyway Studios, 3201 Dickerson Pike - SUITE 110 NASHVILLE, TENNESSEE 37207 (615) 831-0039 & (615) 650-6293 Regina Moore Email: [email protected] Web Site: www.moorecasting.com FILM “Run the Race” Principal Casting Run the Race Productions, LLC “Autumn” Principal Casting Autumn Productions “The Road Less Traveled” Featured Extras & Extras Sweet Road,LLC “I Can Only Imagine”- Principals-Regional Casting Assist Beverly Holloway Casting “Sweet, Sweet Summertime” Principals Triple Horse Studios “Love is Alive” Principals & Extras Bella Veritas Productions “The Upside of Down” Principals & Extras Bella Veritas Productions “The Song” Principals, Extras, Audience City on the Hill Productions “Welcome to Inspiration” Principals & Extras For Our Father Films, LLC “Into the Wild” - remote Principal John Kelly “The Green Mile” Casting Support Castle Rock Pictures, Inc. “Grace Unplugged” Assist. w/ Search Coran Deo Studios, Inc. “Civil Brand” Principals & Extras Brand Productions “Pirates Of The Plain” Principal Pirates Production, LLC Neil Young “Heart of Gold” Audience Producer Paramount Classics "10 Seconds" Principals & Extras Bella Veritas Production “Blackbirds and Blazers” Principals & Extras Wa Ya Productions “Bedlam” Principals & Extras Ghostwaters Productions “The Expert” Facilities/Casting Assist. Arch Stanton Productions “Calling All Kids” Principals & Extras Vision Tree Films “Daydreams Are Forever” Specialty Casting Vanaheim Studios “On The Way Home” Principals & Extras Cloudland Filmworks “Piece by Piece” Principals Michael Ashcraft Productions “Forgotten Memories” Principals Tim Ormond Productions “Derailers” (Short) Principals & Extras Honest Images Perry Wallace Documentary Extras Black Sheep Stew TELEVISION CMT “Still the King” Featured Extras & Extras Hideout Pictures, LLC 2016 Series – 1st Season PBS Outdoor Host Host PopFizz “AHA” (TV Mini Series) Principals City on a Hill Productions GAC Host Great American Country “Tracks” Pilot Real People Casting Mission Control Media, Inc.
    [Show full text]
  • Fire Chief Requests Layoff, Resigns REQUEST: Jim Walkowski Is Also the Acting Chief of the Tached to Any Existing Job Offer Mead
    Warriors Edge Beavers Rochester Tops Evergreen Division Rival Tenino 5-4 / Sports 1 Fallen Logger Remembered / Main 3 $1 Midweek Edition Thursday, Reaching 110,000 Readers in Print and Online — www.chronline.com April 3, 2014 Fire Chief Requests Layoff, Resigns REQUEST: Jim Walkowski is also the acting chief of the tached to any existing job offer Mead. His start date is May 1, sion. Chehalis Fire Department, on or opportunity elsewhere. according to the Facebook post. The Chronicle has requested Says Request Aimed at Wednesday asked the RFA Gov- Hours later, Spokane Fire By 11 p.m., Walkowski sub- a copy of Walkowski’s contract Improving Agency Finances ernance Board to lay him off as District 9 announced via its mitted a letter of resignation to with RFA. It’s unclear what com- a way to improve the financial Facebook page that the eight- the RFA board. pensation Walkowski would By Kyle Spurr condition of the agency. year member of the fire authori- During its meeting, the have been entitled to should he [email protected] When asked about his mo- ty had accepted a job as assistant board had tabled the request, have been removed as chief be- fore the contract’s completion. Riverside Fire Author- tivation for such a request, he chief for the Eastern Washing- choosing to collect more infor- ity Chief Jim Walkowski, who insisted it wasn’t necessarily at- ton fire department based in mation before making a deci- please see CHIEF, page Main 10 Ballots Age, Finances Spell End for 79-Year-Old Fraternity for Veterans Going Out for Tenino Last Roll Call at the Bond Election Toledo VFW Hall SECOND TIME AROUND: Bond Proponents Hoping for Supermarjority on $38 Million Measure By Christopher Brewer [email protected] Voters in the Tenino School District are beginning to re- ceive ballots asking them to once again vote on a $38 mil- lion bond.
    [Show full text]
  • Middle and High School Edition 1
    Chasing Hope: Middle and High School Edition 1 Discussion Guide for use with Chasing Hope: Middle and High School Edition *This film and guide is a gift from the Spring Green Educational Foundation. For more information and resources, go to www.springgreen.org or www.chasinghope.org Chasing Hope: Middle and High School Edition 2 TABLE OF CONTENTS Introduction 3 Part One (testing knowledge base) 6 Part Two (video prep) 7 Part Three (discussion format) 8 Handouts 14 Handout A (pretest) 15 Handout B (processing page) 17 Handout C (film participant’s bios) 18 Handout D (referral form/student response) 20 Chasing Hope: Middle and High School Edition 3 Introduction This discussion guide is meant to serve as a resource and supplement to the viewing of the film Chasing Hope: Middle and High School Edition released by Spring Green Educational Foundation (SGEF) as a gift to schools and youth serving organizations throughout the state of Ohio. While this film is valuable on its own, the guide is instrumental in effectively covering all areas surrounding opioid use and abuse, particularly the mandates given by Governor Kasich in 2016 for all schools serving students in grades 6-12. This film began initially as a conversation between Amy Clark, Board President of SGEF and John Tharp, Lucas County Sheriff, in 2015 as an idea about how to combat what was quickly becoming one of the deadliest issues the state of Ohio has seen; overdose deaths largely due to addiction to opioids. Today, at the time of this print, the state of Ohio leads the nation in accidental overdose deaths with no end in sight.
    [Show full text]
  • If You Really Knew Me Activities
    AN INTRODUCTORY GUIDE TO USING THE “IF YOU REALLY KNEW ME” ACTIVITY CREATED BY CHALLENGE DAY a guide for parents, teachers, young people and other people desiring more connected relationships Separation, isolation and loneliness are enormous challenges for any human being. For young people, however, these feelings can be devastating to physical and mental health, leading many down the paths of self-harm, addiction, bullying or violence. Under these conditions, academic learning becomes virtually impossible. What causes separation, this profound feeling of loneliness and isolation that so many of our adolescents struggle with daily? The answer is simple....FEAR. It is one thing to know a person’s title, accomplishments, successes or “image.” It is entirely different to connect to their humanity, to learn the intimate details about them that you would know if you really knew them. Many people are so afraid of getting vulnerable or, as we say at Challenge Day, “getting real,” that they end up settling for superficial relationships and conversations rather than risking the possibility of sharing more personally, and then perhaps being rejected. People often compare their “insides” to other people’s “outsides,” and relate image-to-image rather than heart-to-heart. As a result, many of us spend our lives feeling separate and alone. -from “Be The Hero You’ve Been Waiting For,” p.49 by Yvonne and Rich Dutra-St.John What if the solution to the challenges of separation, isolation and loneliness was as simple as taking a couple of minutes each day to connect with those people around us? Students are surrounded by others constantly, usually spending more time with their peers and teachers than with their own families.
    [Show full text]
  • Futurehit.DNA How the Digital Revolution Is Changing Top 10 Songs by Jay Frank Published by Futurehit, Inc
    page 1 Friday, October 30, 2009 Book Review by David M. Ross Futurehit.DNA How The Digital Revolution Is Changing Top 10 Songs by Jay Frank Published by Futurehit, Inc. ©2009 Jay Frank, currently SVP of Music Strategy for CMT has sat in a number of musical gatekeeper chairs and always been somewhat outspoken, especially about the interaction between music and technology. So industry observers should not feign shock to see him don the scribe cap and set about inking his thoughts. Jay Frank Considering the author's digital expertise, it is not surprising that the book has its own website with complete details about where to purchase, social networking accounts and even a free first chapter. http://www.futurehitdna.com. The premise of Futurehit.dna is that by carefully monitoring consumer behavior and the technology surrounding the music, one can improve the odds that new music will be discovered and be successful. "Musicians are generally looking for a balance between art and commerce," Frank writes, "and for that this book becomes an important guide." However, he wisely warns, "Implementing these points will do you no good unless the underlying talent and quality is already there." Those looking for a quick, easy read and a fast solution are likely to be disappointed. The author's zeal for thorough explanations creates an ambitious study rich in historical details. Frank's intro begins with songs sung around a ©2009, MusicRow Communications, LLC—ALL RIGHTS RESERVED [email protected] page 2 Friday, October 30, 2009 campfire (no technology) and works his way through a Versions Of Hit Songs." "Most people care more about the century of innovation and the changes it imposed upon song than who is doing the singing," Frank writes.
    [Show full text]
  • UNIVERSAL MUSIC • the Hives – Lex Hives • the Temper Trap
    • The Hives – Lex Hives • The Temper Trap – The Temper Trap • Joe Walsh – Analog Man New Releases From Classics And Jazz Inside!! And more… UNI12-22 “Our assets on-line” UNIVERSAL MUSIC 2450 Victoria Park Ave., Suite 1, Willowdale, Ontario M2J 5H3 Phone: (416) 718.4000 Artwork shown may not be final CHANGE OF DISTRIBUTION – Wax Records Dear Customer, Effective Tuesday May 1st, 2012, the Canadian distribution of the attached Wax Records product will change from Warner Music Canada to Universal Music Canada. In order to make this transition as easy as possible for all customers, the following steps have been agreed upon by Warner Music Canada and Universal Music Canada. ORDERS: Effective Monday April 30th, 2012, Warner Music Canada will cancel all back orders for the products on the attached list. Effective Tuesday May 1st, 2012, Universal Music Canada will solicit all orders and ship the attached products. RETURNS: Warner Music Canada will accept return requests for this product until Monday April 30, 2012. Universal Music Canada will begin accepting return requests for these products Tuesday May 1st, 2012. Credit will be issued per the Universal Music Canada Terms and Conditions of Sale. ADVERTISING: Warner Music Canada will not be responsible for any ad claims issued after Monday April 30th, 2012. We trust that these procedures will make the transition as smooth as possible and we thank you for your continued support. Please contact your local Universal Music Canada representative should you have any questions. Kind regards, Doug Raaflaub Adam Abbasakoor Vice President, Sales Vice President, Sales Warner Music Canada Universal Music Canada Please update your files accordingly.
    [Show full text]
  • 22 Harper's Magazine / November 2019
    “ 22 HARPER’S MAGAZINE / NOVEMBER 2019 Swanson Miscellany Final 11.indd 22 9/24/19 1:41 PM REPORT MEN AT WORK Is there a masculine cure for toxic masculinity? By Barrett Swanson ou’re being reborn,” the voice I’ve been the recipient of countless un- exhorting us to recall certain touch- “Ysays. “Exiting the womb of sought hugs. Already I have sat in stones from our childhoods. Earlier in your mother. Coming into the Large Groups and Small Groups, and the weekend, he’d recounted for us the earth as a small baby. Everything is watched dozens of middle- aged men sense of brotherhood he’d shared with new.” It is a Saturday morning in mid- weep with shame and contrition. I’ve his platoon, as well as the abyss of anx- March, and right now I’m lying on a had a guy in the military tell me he iety and depression he’d fallen into after yoga mat in a lodge in Ohio, sur- wants to be “a rock for his family.” I’ve returning from deployment. “I had lost rounded by fifty other men who’ve heard a guy from Ohio say that his my tribe,” he’d said. Blaine now serves come to the Midwest for a weekend of beard “means something.” Twice I’ve as a director of programming at Evry- manhood- conrming adventures. The hiked through the woods to “recon- man, which is run by a coterie of guys voice in question belongs to Aaron nect with Mother Nature,” and I have from the tech and media industries.
    [Show full text]
  • Southern Music and the Seamier Side of the Rural South Cecil Kirk Hutson Iowa State University
    Iowa State University Capstones, Theses and Retrospective Theses and Dissertations Dissertations 1995 The ad rker side of Dixie: southern music and the seamier side of the rural South Cecil Kirk Hutson Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/rtd Part of the Folklore Commons, Music Commons, Social and Cultural Anthropology Commons, and the United States History Commons Recommended Citation Hutson, Cecil Kirk, "The ad rker side of Dixie: southern music and the seamier side of the rural South " (1995). Retrospective Theses and Dissertations. 10912. https://lib.dr.iastate.edu/rtd/10912 This Dissertation is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Retrospective Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthiough, substandard margins, and improper alignment can adversely affect reproductioiL In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion.
    [Show full text]
  • Backforty Bunkhouse Newsletter
    Backforty Bunkhouse Newsletter Cowtown Society of Western Music ‗2009 Publication of the Year‘ Distributed by BACKFORTY BUNKHOUSE PRODUCTIONS 106 Roswell St., Ruidoso, NM 88345 (575) 808-4111 Home of Backforty Roundup and CD Chorale Backforty Bunkhouse Publishing BMI Venue / Show Productions Western Music Radio Marketing www.Backforty Bunkhouse.com [email protected] www.MySpace.com/BackfortyBunkhouse Twitter.com/backfortyBH Joe Baker Publisher The Backforty Bunkhouse Newsletter is sent to over 1,050 email subscribers periodically and is growing every day. There are DJs, artists and fans whose interest are Western Swing, Cowboy Poetry, Cowboy Heritage and Texas Honky Tonk music gen- res. We solicit your comments, suggestions and ways we may better serve you. If you do not want to receive this newsletter and want to be removed from our mailing list, reply to this email by entering ―UNSUBSCRIBE‖ in the subject box of the email. Joe Baker's Top 20 – October, 2010 13. Patty Parker, Southwest Serenade 14. Horse Crazy, Daughters Of The West Est. January, 2007 15. Jim Jones, Feels Like Home To Me Howard Higgins, Western Swing Co-Founder & Advisor 16. Backforty Roundup Vol. #46 1. Asleep At The Wheel & Leon Rausch, It‘s A 17. Almeda Terry, Voices From The Range Joe Baker, Co-Founder & Publisher Good Day 18. Troy Bateson, Midnight Moon 2. Tony Harrison & Hot Texas, Swingin‘ Big 19. Chuck Cusimano, Wind Blow My Blues Away Totsie Slover, Editor 3. Rebecca Linda Smith, True Love 20. Allan Chapman, West Of The 98th Meridian 4. Gayla Earlene, Traditional Sugar 5. Tom Houston, Tuxedo Country, Vol.#2 6.
    [Show full text]
  • Capuchin Mission and Tentehar Resistance
    ARTIGOS ARTICLES ARTICLES ARTÍCULOS https://doi.org/10.1590/198053146414 CAPUCHIN MISSION AND TENTEHAR RESISTANCE: REREADINGS OF THE CONFLICT OF ALTO ALEGRE Maria Aparecida Corrêa CustódioI TRANSLATED BY Agildson Lopes de OliveiraII Abstract The article analyzes the genesis, power relations and social impacts of the indigenous mission of the Capuchin Friars Minor in the Republican Maranhão State, from the perspective of the confl ict and the indigenous resistance movement that destroyed the Colônia de Alto Alegre and its boarding school for Indian girls. A theoretical-methodological line was adopted that reconstructs analytically testimonies and archival documentation as they are investigated from the perspective of the indicative paradigm and placed in dialogue with various studies. CAPUCHIN MISSION AND TENTEHAR RESISTANCE: REREADINGS OF THE CONFLICT OF ALTO ALEGRE OF ALTO REREADINGS OF THE CONFLICT AND TENTEHAR RESISTANCE: CAPUCHIN MISSION There is emphasis on sociological, anthropological and historical works. The results show that the confl icting relations between indigenous people and missionaries, contrary to the catechesis and civilization project of the nations of origin, have generated very positive sociopolitical consequences for the Tentehar people. SOCIAL MOVEMENTS • INDIGENOUS PEOPLES • EDUCATION • HISTORY MISSÃO CAPUCHINHA E RESISTÊNCIA TENTEHAR: RELEITURAS DO CONFLITO DE ALTO ALEGRE Resumo O artigo analisa a gênese, as relações de poder e os impactos sociais da missão indígena dos Frades Menores Capuchinhos, no Maranhão republicano, sob a ótica do confl ito e do movimento de resistência indígena que pôs fi m à Colônia de Alto Alegre e ao seu internato de meninas índias. É adotada uma linha teórico-metodológica que reconstrói analiticamente depoimentos e documentação arquivística à medida que são investigados sob a perspectiva do paradigma indiciário e colocados em diálogo com variados estudos, com ênfase para os trabalhos sociológicos, antropológicos e históricos.
    [Show full text]
  • West Windsor &Plainsboro
    WW-P’S FREE COMMUNITY NEWSPAPER WWPINFO.COM WEST WINDSOR Suburban Mom: CPLL Celebrates Its 25th Year 4 & PLAINSBORO Cantu Gets An Opponent In November Election 15 Opposition Continues to Old Trenton Road Mosque 16 South Tennis Wins Mercer County Tournament 18 Career Advice For Girls 34 FOLLOW WWPINFO ON FACEBOOK & TWITTER FOR TIMELY UPDATES NEWS ISSUE DATE: MAY 13, 2011 NEXT ISSUE:MAY 27 After 26 Years, Retiring Jinny Baeckler Reflects School Budget Gets On Plainsboro Library’s Past, Present, & Future by Cara Latham A Trim: $503,000 by Cara Latham budget and agree on a tax levy by hen Jinny Baeckler first the deadline. Officials in both interviewed for the posi- mid a mixed crowd of sup- townships are able to suggest Wtion as head of Plains- porters of the WW-P where to cut or where the district boro’s old library inside a two- Aschool district’s $158.55 should budget more revenue. room schoolhouse on Plainsboro million budget and opponents who While the governing bodies can Road in 1985, the library served said the budget vote was a mandate make suggestions for places to cut, primarily as a children’s room, and to cut taxes, the West Windsor what they have to agree upon is a officials were hoping they could Township Council voted to trim revised tax levy amount. grow the collection to 30,000 $503,000 from the spending plan. While Plainsboro voters passed items. The cuts were proposed by the budget, 521-481, West Wind- Now, two library buildings later WW-P school officials, who made sor voters had enough “no” votes, and her retirement looming, a presentation to the West Windsor 1,120-992, to Baeckler leaves behind a legacy Township turn it down, that transformed Plainsboro’s li- Council on May The reduction may re- 1,601-1,513.
    [Show full text]
  • Victim Mourned Questions in 13-Month-Old’S Death Continue by Mark Rogers Managing Editor
    SATURDAY, APRIL 30, 2011 BUSINESS INSIDE Poboys and more Your guide to dining in featured on menu. Marion County. Section 3A Section B “He that covereth his sins shall not prosper: but whoso confesseth and forsaketh them shall have mercy.” VOLUME 109 • NUMBER 35 ESTABLISHED 1882 — Proverbs 28:13 Victim mourned Questions in 13-month-old’s death continue By Mark Rogers Managing Editor Wreaths, flowers and candles mark the building where 13-month-old Akaysha (Johnson) Pace died. Police reports indicate the young girl died of multiple blunt-force traumas to her head last week. On Tuesday night, dozens of residents of the Hendricks Street Apartments joined family and friends in a candlelight vigil as police continued their investigation into her death. “I’m so glad to see so many people turned out,” said Sherry Jones, Akaysha’s grandmother. “We needed people to come out so we can get justice for this. It’s taken too long.” Jones said family members are concerned because there have been no At left, a picture of 13-month-old Akaysha (Johnson) Pace sits atop a memorial arrests. Columbia Police Detective Chris outside Building B at the Hendricks Street Apartments. Above, dozens of See ‘Mourned’ Page 3A mourners gathered for a candlelight vigil Tuesday evening. photos by Mark Rogers Pursuit leads to arrest By Mark Rogers Managing Editor An Easter night pursuit that began in Columbia has left a Prentiss man facing a variety of charges. Perry Andrew Barrett turned himself into to authorities in Jefferson Davis County a day after leading police on a chase of nearly 30 miles.
    [Show full text]