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My Beloved Is a Bass Line: Musical, De-Colonial Interventions in Song Criticism and Sacred Erotic Discourse
THE BIBLE & CRITICAL THEORY My Beloved is a Bass Line: Musical, De-colonial Interventions in Song Criticism and Sacred Erotic Discourse Heidi Epstein, University of Saskatchewan Abstract How might musical settings of the Song of Songs provide critical interventions in the politics of love? This case study builds a womanist intertextual matrix for the Song such that its amatory and horticultural language can be reinterpreted as irreducibly “de-colonial.” Reread through Chela Sandoval’s model of love, Alice Walker’s search for her foremothers’ and foresisters’ gardens, and Toni Morrison’s “commentary” on the Song (Beloved), the biblical text circulates de-colonial energies. And, given that music figures centrally in these womanists’ genealogies of love, a de-colonial reading of the Song mandates deconstruction of a subaltern musical archive within the Eurocentric discourse of sacred eroticism, a discourse that the Song sustains as an Ur-text. If the biblical female protagonist’s longing and seeking are reread as de-colonial and trickster-esque, she begets a subaltern musical family tree—audible today in the “Shulammitic” bass playing and protest singing of Meshell Ndegeocello. Key words Meshell Ndegeocello; Song of Songs; Bible and music; love; de-colonial theory; Toni Morrison; Alice Walker Introduction What meanings might be produced from the Song of Song’s amatory and horticultural language if it is read with a sense of love as irreducibly “de-colonial”? Some of these meanings shall emerge over the course of this article as I re-read the Song of Song’s imagery and its musicality in four phases through womanist intertexts by Chela Sandoval, Toni Morrison, Alice Walker, and Meshell Ndegeocello. -
May 9 Sunday Online Worship Folder
May 9, 2021 Sixth Sunday of Easter Preparing for worship Today marks the sixth Sunday in the season balm that will bind us together in this time is of Easter. While we direct our attention to res- our worship. urrection and new life, there can also be a sense This past week, many people reflected on of trepidation in not knowing what to expect the words of the late Rachel Held Evans on the with all of this talk of newness. While there is anniversary of her death. A passage from her certainly joy and astonishment in discovering book Searching for Sunday speaks to this idea of resurrection, there can also be pain and uncer- anticipating newness together: “Even here, in tainty, leaving us wondering where to go from the dark, God is busy making all things new. here. To be fair, the resurrection story threw So show up. Open every door … anticipate some pretty sharp curveballs that smashed resurrection. It’s either just around the bend or expectations. a million miles away. Or perhaps it’s somewhere So, what are we to do when we are left won- in between. Let’s find out together.” dering what to expect? For many of us, there As we worship today, there is room for every has been a true feeling of new life as we are bit of joy, excitement, pain, anxiety, wonder and beginning to emerge from life in quarantine anticipation in what we bring. May the songs we after being vaccinated. In our congregational sing and the words we offer direct our attention life, we are making plans to regather in person to God and help us to anticipate resurrection. -
F.No.12/8/2016-JCA-2 Government of India Ministry of Personnel, Public Grievances and Pensions (Department of Personnel and Training) JCA-2 Section
F.No.12/8/2016-JCA-2 Government of India Ministry of Personnel, Public Grievances and Pensions (Department of Personnel and Training) JCA-2 Section North Block, New Delhi Dated the 24th June, 2016 Subject: Holidays to be observed in Central Government Offices during the year 2017- reg. It has been decided that the holidays as specified in the Annexure -I to this O.M. will be observed in all the Administrative Offices of the Central Government located at Delhi/New Delhi during the year 2017. In addition, each employee will also be allowed to avail himself/herself of any two holidays to be chosen by him/her out of the list of Restricted Holidays in Annexure - II. 2. Central Government Administrative Offices located outside Delhi / New Delhi shall observe the following holidays compulsorily in addition to three holidays as per para 3.1 below: 1. REPUBLIC DAY 2. INDEPENDENCE DAY 3. MAHATMA GANDHI'S BIRTHDAY 4. BUDDHA PURNIMA 5. CHRISTMAS DAY 6. DUSSEHRA (VIJAY DASHMI) 7. DIWALI (DEEPAVALI) 8. GOOD FRIDAY 9. GURU NANAK'S BIRTHDAY 10. IDU'L FITR 11. IDU'L ZUHA 12. MAHAVIR JAYANTI 13. MUHARR.AM 14. PROPHET MOHAMMAD'S BIRTHDAY (ID-E-MILAD) 3.1. In addition to the above 14 Compulsory holidays mentioned in para 2, three holidays shall be decided from the list indicated below by the Central Government Employees Welfare Coordination Committee in the State Capitals, if necessary, in consultation with Coordination Committees at other places in the State. The final list applicable uniformly to all Central Government offices within the concerned State shall be notified accordingly and no change can be carried out thereafter. -
F. No.12/2/2018-JCA-2 Government of India Ministry of Personnel, Public
F. No.12/2/2018-JCA-2 Government of India Ministry of Personnel, Public Grievances and Pensions (Department of Personnel and Training) Establishment (JCA-2) Section North Block, New Delhi Dated the 11th July, 2018 Subject: Holidays to be observed in Central Government Offices during the2019- reg. It has been decided that the holidays as specified in the Annexure —Ito this O.M. will be observed in all the Administrative Offices of the Central Government located at Delhi/New Delhi during the year 2019. In addition, each employee will also be allowed to avail himself/herself of any two holidays to be chosen by him/her out of the list of Restricted Holidays in Annexure — II. 2. Central Government Administrative Offices located outside Delhi I New Delhi shall observe the following holidays compulsorily in addition to three holidays as per para 3.1 below: 1. REPUBLIC DAY 2. INDEPENDENCE DAY 3. MAHATMA GANDHI'S BIRTHDAY 4. BUDDHA PURNIMA 5. CHRISTMAS DAY 6. DUSSEHRA (VIJAY DASHMI) 7. DIWALI (DEEPAVALI) 8. GOOD FRIDAY 9. GURU NANAK'S BIRTHDAY 10. IDU'L FuR 11. IDU'LZUHA 12. MAHAVIR JAYANTI 13. MUHARRAM 14. PROPHET MOHAMMAD'S BIRTHDAY (ID-E-MILAD) 3.1. In addition to the above 14 Compulsory holidays mentioned in para 2, three holidays shall be decided from the list indicated below by the Central Government Employees Welfare Coordination Committee in the State Capitals, if necessary, in consultation with Coordination Committees at other places in the State. The final list applicable uniformly to all Central Government offices within the concerned State shall be notified accordingly and no change can be carried out thereafter. -
©2021 SCW Fitness Education 1 Waterinmotion® Strength
©2021 SCW Fitness Education www.waterinmotion.com 1 WATERinMOTION® Strength WATERinMOTION® Strength takes advantage of the aqua environment to build muscular endurance, power and overall tone in a 45 minute workout using aqua dumbbells. Use the unique properties of water to build lean muscle through the creative use of drag, resistance, and buoyancy. Water minimizes the strain of gravity on the joints and ligaments to prevent overuse on the muscles while enhancing recovery time and improving flexibility and power. TRACK TITLE ORIGINAL ARTIST* TYPE TIME BPM 1 Shake Your Groove Thing Peaches & Herb Warm Up 5:01 136 2 Believer Imagine Dragons Lower Body 1 4:56 140 3 True Feeling Galantis Upper Body 1 4:41 132 4 (Your Love Keeps Lifting Me) Higher Ajr Core 1 4:43 132 5 Weak Pink Lower Body 2 4:54 140 6 What About Us Katy Perry Upper Body 2 4:45 132 7 Witness Jackie Wilson Core 2 4:57 140 8 You Look Good Lady Antebellum Flexibility 3:57 n/a *Songs not performed by the original artist ©2021 SCW Fitness Education www.waterinmotion.com 1 Changing the Tide in Water Exercise Choreographer: Connie Warasila Eight diverse segments, Education Author: Connie Warasila with a specific song track Education Presenter: Connie Warasila for each, will utilize fresh, yet simple movement Music: Yes! Fitness Music® patterns to invigorate Presenters: Cheri Kulp participants regardless of Chris Henry Connie Warasila age, skill or fitness level. Instructors will learn to Support Team: Adam Buttacavoli Mike Leber use every inch of the Peter Shannon pool with well planned transitions and carefully organized sequencing for workouts you’ve dreamed of, that are a cinch to integrate. -
This Point Newsletter
THIS POINT NEWSLETTER A PUBLICATION OF THE POINT RICHMOND HISTORY ASSOCIAT!ON VOL. I, No. 4 November, 1982 75 cents HISTORY ASSOCIATION NEWS: INSIDE COVER PTA· PAST ANO PRESENT 11 POINTS IN THE PAST 1 APPEARANCE IS NOT EVERYTHING 12 "OUR TOVllN" 3 AFTER SCHOOL 13 IT WAS WRITTEN 6 TRADITIONAL HALLOWE'EN? 14 AN INTERVIEW with LUIGI BERNARDI 8 RICHMOND MUSEUM NEWS 15 THE GREAT DEPRESSION 10 POINTS IN THE FUTURE 16 ~--====in tiin e ;;;;,;,;;::;;;;__..___ ___. PLAN TO A TTEND NOVEMBER 18 The next meeting of the Point Richmond History Association will be Thursday, Nov ember 18 at 7:30 p.m. in Linsley Hall (235 Washington Avenue). The main feature of the meeting will be a reminiscing session by some of the more knowledgeable male members of our com munity - offering them "equal time" for the May meeting, when the panel was all-fe male. Plan to attend, and invite friends ! An entertaining and educational meeting is virtually assured, with invitations going to Henry O'Hara, Gust Allyn, Luigi Bernardi, Lawrence Thole, August l.anzi, Al Riffanelli, Al Frosini, Walter Hess, Allen Clark, Jim Carey, Jay Vincent, Mario deValle, Rau1o Ferrari, Leo Gozzi, and Mike Raffanelli. If you are, or know anyone who is, in formed, first hand, about Point Richmond's past, please call 235-4222, and plan to come, and participate in a lively discussion! We want, and welcome more members so, if you are not a member, please fill out the form on the last page of this newsletter and send it in now! You will receive a mailed subscription to "This Point In Time", and an invitation to all meetings and events spon sored by the Association. -
A Study Examining Photovoltaic (PV) Solar Power As an Alternative for the Rebuilding of the Iraqi Electrical Power Generation Infrastructure
NAVAL POSTGRADUATE SCHOOL MONTEREY, CALIFORNIA MBA PROFESSIONAL REPORT OPERATION SOLAR EAGLE: A Study Examining Photovoltaic (PV) Solar Power as an Alternative for the Rebuilding of the Iraqi Electrical Power Generation Infrastructure By: Curtis Austin, Ralph Borja, and Jeffery Phillips June 2005 Advisors: Ron Tudor, and Brad Naegle Approved for public release; distribution is unlimited. THIS PAGE INTENTIONALLY LEFT BLANK REPORT DOCUMENTATION PAGE Form Approved OMB No. 0704-0188 Public reporting burden for this collection of information is estimated to average 1 hour per response, including the time for reviewing instruction, searching existing data sources, gathering and maintaining the data needed, and completing and reviewing the collection of information. Send comments regarding this burden estimate or any other aspect of this collection of information, including suggestions for reducing this burden, to Washington headquarters Services, Directorate for Information Operations and Reports, 1215 Jefferson Davis Highway, Suite 1204, Arlington, VA 22202- 4302, and to the Office of Management and Budget, Paperwork Reduction Project (0704-0188) Washington DC 20503. 1. AGENCY USE ONLY (Leave blank) 2. REPORT DATE 3. REPORT TYPE AND DATES COVERED June 2005 MBA Professional Report 4. TITLE AND SUBTITLE: OPERATION SOLAR EAGLE: A Study Examining 5. FUNDING NUMBERS Photovoltaic Solar Power as an Alternative for the Rebuilding of the Iraqi Electrical Power Generation Infrastructure 6. AUTHOR(S) Curtis Austin, Ralph Borja, and Jeffery Phillips 7. PERFORMING ORGANIZATION NAME(S) AND ADDRESS(ES) 8. PERFORMING ORGANIZATION Naval Postgraduate School (NPS) REPORT NUMBER Monterey, California 93943-5000 9. SPONSORING / MONITORING AGENCY NAME(S) AND ADDRESS(ES) 10. SPONSORING / MONITORING AGENCY REPORT NUMBER 11. -
Black Country Music(S) and The
Jost Hendrik Cornelius Burfeind Wilhelmplatz 6 24116 Kiel E-Mail: [email protected] Telefon: 01520–2667189 Matrikelnummer: 1014350 “THAT BLACK SPECK SOUND JUST LIKE A REDNECK”: BLACK COUNTRY MUSIC(S) AND THE (RE-)MAKING OF RACE AND GENRE MASTERARBEIT im Fach „English and American Literatures, Cultures, and Media” mit dem Abschlussziel Master of Arts der Philosophischen Fakultät der Christian-Albrechts-Universität zu Kiel vorgelegt von Hendrik Burfeind Erstgutachter: Prof. Dr. Christian Huck Zweitgutachter: Dr. Dennis Büscher-Ulbrich Kiel im April 2020 TABLE OF CONTENTS 1. Introduction 1 2. Theoretical Framework 2.1 Race, Racialization, and Ideology 8 2.2 Genre and Crossover 10 2.3 Articulation and Genre 15 2.4 On Hijacks, Covers, and Versions 16 3. “Just Out of Reach”: Locating the Soul/Country Binary 3.1 The South and the Geography of Genre(s) 19 3.2 Richard Nixon, “Okie from Muskogee,” and the Politics of Country Music 22 3.3 The ‘Segregation of Sound’ and the ‘Common Stock’ 25 3.4 Charting Success; Or, the Segregation of Sound, Continued 28 4. Analysis, Pt. 1: Rhythm and Country 4.1 “I’ve Always Been Country”: The Making of an Alternative Tradition 31 4.2 Country Music and the Birth of Soul 35 4.3 The Impossibility of Black Country 37 4.4 Modern Sounds and the Same Old Song 39 4.5 Interlude: Race and Genre in the Early 1960s 44 4.6 Country-Soul Flourishes 46 5. Analysis, Pt. 2: Country-Soul 5.1 “Country Music Now Interracial” 48 5.2 Crossover at the Outskirts of Town 50 5.3 Introducing Soul Country 53 5.4 “The Chokin’ Kind” Explores New Territory 57 5.5 “Blacks Sing Country Music” 60 5.6 “Wherever You Go, It’s Simon Country” 64 6. -
AP English Literature and Composition
Arkansas State University, Jonesboro, Arkansas Advanced Placement Summer Institute July 15 – 18, 2013 AP English Literature and Composition Jerry Brown [email protected] AP English APSI 2013 Table of Contents AP Access and Equity and Pre-AP 1 Prose/MC Camp 104 AP English Language and Composition Exam 2 Analyze the Prompt graphic 105 AP English Literature and Composition Exam 5 How to answer the prose essay 106 Exam Day 7 Writing the prose essay 108 Levels of Reading and Questioning the Text 8 The Birthday Party – Lesson and student samples 111 Poetry/MC Camp 9 Grandmother (MC) 118 Things to remember when reading poetry 10 Coketown (MC) 121 Things to remember when analyzing poetry 11 Welcome to the Monkey House (lessons) 124 Poetry Terms (Brief list) 12 Long Walk to Forever 129 Multiple Choice Strategies 13 EPICAC 133 Multiple Choice Practice 14 Elements of Fiction graphic 141 Beasts (MC) 15 Story Pyramid graphic 142 Sonnet 130 – Shakespeare (MC) 17 Irony (Thanks to Sharon Kingston) 146 Church Monuments (MC) 20 Satire: What do we want to change? 149 Dialogue between the Soul and the Body (MC) 24 Just In Time For Spring 156 I Dreaded that First Robin (MC) 27 “Baby Cakes” 157 Storm Warnings Lesson 30 Question 2 (2000) – The Spectator 159 Poetry Pairs, Triplets, Quads: 41 Question 2 (2006) – Lady Windermere’s Fan 160 Piazza Piece, When I Was One-and-Twenty 42 Question 2 (2002) – Kiss and Tell 161 688 Song, How do I love three? 43 Question 2 (2010) – Belinda 163 My Papa’s Waltz, good times 44 Madam and the Rent Man 164 You Are Happy, Traveling Through the Dark 45 Sarah Cynthia Sylvia Stout 165 Anthem For Doomed Youth 46 Fascinating Shakespeare: Macbeth 166 XIX. -
Brochures Discussing Help Our Community Provides for Families Are Located on Top of the Cubbies
Little Stars Contents Philosophy p. 2 Welcome To Little Stars pgs. 3-7 Prices p.7 Curriculum pgs. 8-10 Classroom Schedule pgs. 11-12 Learning Centers pgs. 13-14 Parent Information pgs. 15-17 Poem p. 18 !1 Philosophy The child is the center of Little Stars. It is our goal to produce a warm and nurturing environment where children can learn from each other. Children are born with an innate drive to learn and explore. It becomes our responsibility to build on that natural curiosity and give them tools to use throughout life. Our approach is based on age- appropriate practices for all children. We value the fundamental principle that curriculum begins with each child as an individual, with a unique pattern of developmental capabilities, temperamental characteristics, and learning styles. Above all, we want the children to have fun!!! Little Stars believes a child-centered classroom needs to be a safe and healthy environment. Children need to feel comfortable and secure in order to explore and learn to their fullest potential. We will do this by making safety a daily experience. Providing safety rules, using safety behaviors, maintaining a stable-predictable-positive environment, being prepared for emergencies, keeping the environment clean, monitoring immunizations, and teaching good personal habits are all examples used. Little Stars Preschool believes a child-centered classroom sees children actively engaged in learning in order to advance their physical and intellectual development. This will be accomplished by having children participate in learning activities that foster independent thinking and creativity. Child directed and hands-on activities make learning meaningful and allow students to construct their own concepts. -
Xemacs User's Manual
XEmacs User's Manual July 1994 (General Public License upgraded, January 1991) Richard Stallman Lucid, Inc. and Ben Wing Copyright c 1985, 1986, 1988 Richard M. Stallman. Copyright c 1991, 1992, 1993, 1994 Lucid, Inc. Copyright c 1993, 1994 Sun Microsystems, Inc. Copyright c 1995 Amdahl Corporation. Permission is granted to make and distribute verbatim copies of this manual provided the copy- right notice and this permission notice are preserved on all copies. Permission is granted to copy and distribute modified versions of this manual under the con- ditions for verbatim copying, provided also that the sections entitled \The GNU Manifesto", \Distribution" and \GNU General Public License" are included exactly as in the original, and provided that the entire resulting derived work is distributed under the terms of a permission notice identical to this one. Permission is granted to copy and distribute translations of this manual into another language, under the above conditions for modified versions, except that the sections entitled \The GNU Manifesto", \Distribution" and \GNU General Public License" may be included in a translation approved by the author instead of in the original English. i Short Contents Preface ............................................ 1 GNU GENERAL PUBLIC LICENSE ....................... 3 Distribution ......................................... 9 Introduction ........................................ 11 1 The XEmacs Frame ............................... 13 2 Keystrokes, Key Sequences, and Key Bindings ............. 17 -
GOVERNMENT of INDIA MINISTRY of MINES ***** Subject
GOVERNMENT OF INDIA MINISTRY OF MINES ***** Subject :- How to reach Ministry of Mines Major part of Ministry of Mines is housed in ‘A’ and ‘D’ Wings, 3rd floor as well as 1st floor of ‘D’ wing, Shastri Bhwan, Dr. Rajendra Prasad Road, New Delhi. A small portion of the Ministry including the Record Room is housed in block XI, 5th floor, CGO Complex, New Delhi. Hon’ble Minister of Mines Shri Narendra Singh Tomer sits in Room No. 101 ‘C’, Wing, Shastri Bhawan, New Delhi. Hon’ble Minister of State Shri Vishnu Deo Sai sits in Room No. 415,’B’, Wing, Shastri Bhawan, New Delhi. 2. Shastri Bhawan is situated in the Central part of Delhi and is about 21 Kms. from Indira Gandhi International Airport (IGIA) and about 5 Kms from New Delhi, Railway Station. It as well connected by Road and Delhi Metro network. Shastri Bhawan is a few yards from Gate No. 2 (On Dr. Rajendra Prasad Road) of Central Secretariat Metro Station. 3. The nearest entry gate to the Ministry of Mines in Shastri Bhawan is Gate No. 2. ( ‘A’, Wing) which is next to the Post Office. Entry to Ministry of Mines situated in Block XI, CGO complex is through BSF, HQ, Entry Gate. The office is situated on the 5th floor just above the Corporation Bank. 4. Ministry of Mines has an Information Facilitation Centre operating from Garage no. 23, Ground Floor, ‘A’ Wing Shastri Bhawan, facing, Dr. Rajendra Prasad Road, New Delhi. The Receipt & Issue (R&I) Section of Ministry of Mines is situated in Room No.