Volume 1 – 1971

E BY CO THE AD LL M E C T O

R C O Paul McCartney L S L E O R 7 ” DISCOGRAPHY C T

PART 1 ANOTHER DAY / OH WOMAN, OH WHY

COMPILED BY MARKUS DEN BOER INTRO EINLEITUNG ANOTHER DAY / OH WOMAN, OH WHY was Paul McCa- Nach der Trennung der Beatles war ANOTHER DAY / OH . rtney’s first solo single release after the Beatles split. Both WOMAN, OH WHY die erste Solo-Single von Paul McCart- songs were eventually recorded in New York in November ney. Beide Songs wurden im November 1970 in New York 1970. However, before he could begin the sessions, he first aufgenommen. Für die Aufnahmen musste Paul jedoch zuerst had to find some suitable musicians, so, at the beginning of geeignete Musiker finden, so dass Anfang November 1970 je that month, he held auditions for both a guitarist and a drum- eine Audition für den Schlagzeuger und eine für die Gitarristen mer. These were won by session guitarist David Spinozza and stattfand. Für den Gitarren-Part wurde der Session-Musiker Denny Seiwell respectively (the latter also going on to become David Spinozza ausgesucht, während am Schlagzeug Denny the first drummer with Wings). Seiwell überzeugen konnte. Letzterer hinterließ einen derart positiven Eindruck, so dass er später auch zur Ur-Besetzung The decision to credit the songwriting for Another Day to ‘Mr. der „Wings“ gehörte. & Mrs. McCartney’ was to result in considerable legal head- aches for Paul. Only a few years before, the company ATV Beim Song Another Day wurden als Songschreiber „Mr. & Music had paid several million pounds to acquire the North- Mrs. McCartney“ angegeben, was dem Ex-Beatle Ärger in ern Songs publishing company, which not only held the rights Form eines längeren Rechtsstreits einbrachte. Die Firma ATV to the Beatles song catalogue, but also to any new compo- Music hatte erst wenige Jahre zuvor ein paar Millionen Pfund sitions by Paul McCartney or John Lennon. The director of für den Kauf der Firma Northern Songs bezahlt, die bekannt- ATV Music, Lew Grade, viewed this co-authorship credit from lich die Rechte am Beatles-Songkatalog besitzt, aber auch Linda as an attempt on the part of the McCartneys to cheat Rechteinhaber neuer Kompositionen von Paul McCartney ATV Music out of 50% of the royalties which would have been und John Lennon war. Lew Grade, Präsident von ATV Music, due to Linda. Later on, a settlement was negotiated, in which sah in Lindas Co-Autorenschaft nur als Versuch der McCart- Paul agreed to film a TV special for ATV (called ‘James Paul neys, ATV Music um Tantiemen zu bringen, die Linda zu 50% McCartney’). zugestanden hätten. Im späteren Verlauf einigte man sich und Paul willigte ein, für ATV ein Fernseh-Special („James Paul This first single was conceived as an autonomous release and McCartney“) zu drehen. unrelated to the album RAM, which was released some three months later (indeed neither track appears on the album). This Es handelt sich bei der Single Another Day um eine vorge- single was clearly not planned as a teaser for any forthcoming zogene, eigenständige Veröffentlichung. Das „RAM“-Album LP. In fact, it would be a further seven years before Another wurde erst drei Monate später veröffentlicht, wobei sich keiner Day appeared on an album, when it was included on Wings der beiden Songs hierauf wiederfand. Insofern kann man Greatest in 1978. It took even longer for Oh Woman, Oh Why: sicher nicht von einer klassischen “Vorabsingle” des Albums it was finally included as a bonus track on the 1987 CD issue sprechen. Es dauerte weitere sieben Jahre, bis Another Day . of Wings Wild Life. zum ersten mal regulär auf einem Album veröffentlicht wurde. So ist der Titel auf dem „Wings Greatest“ Album aus dem ANOTHER DAY / OH WOMAN, OH WHY was released in Jahr 1978 enthalten. Bei Oh Woman, Oh Why dauerte es countless countries around the globe. For this reason, this sogar noch um einiges länger. Diesen Song gab es erstmals first chapter of the discography is probably the most extensive als Bonus-Track auf der englischen CD-Veröffentlichung des section of the entire discography. Albums „Wings Wild Life“ aus dem Jahr 1987.

While the single was released in a black Apple die-cut sleeve Die Single ANOTHER DAY / OH WOMAN, OH WHY wurde in the United Kingdom and the United States, in most Euro- rund um den Erdball in unzähligen Ländern veröffentlicht. Ins- pean countries, it came out in a wide variety of picture sleeves. gesamt dürfte dieses Kapitel der Diskographie auch das mit The various pressings from countries such as Denmark, Ire- Abstand umfangreichste des ganzen Projekts sein. land, Lebanon and New Zealand have at least one thing in common. They have basically the same matrix number as Während die Single in England und den USA nur in einem the UK issue, all of them bearing the wording ‘PECKO’ on schwarzen Apple-Lochcover veröffentlicht wurde, erschien the A-side and ‘FP’ on the B-side. It is therefore quite likely sie in vielen europäischen Ländern in mitunter sehr stark vari- that the stampers for the pressings were supplied to these ierenden Bildcovern. Die Pressungen aus diversen Ländern countries by the British manufacturers. There is, however, no wie Dänemark, Irland, dem Libanon und aus Neuseeland conclusive proof of this assumption. fallen dadurch auf, dass sie quasi die gleiche Matrixnummer wie die UK Veröffentlichung haben; jeweils mit dem Schriftzug „PECKO“ auf der A-Seite und „FP“ auf der B-Seite. Insofern liegt die Vermutung nahe, dass diese Länder die entspre- chenden Matrizen zur Herstellung der Singles aus England bekommen haben.

Another Day (Mr. & Mrs. McCartney) Oh Woman Oh Why (Paul McCartney)

Recorded: Nov. 1970 until Jan. 1971 (A&R Studios, Recorded: Nov. 1970 until Jan. 1971 (A&R Studios, New York, USA; Columbia Studios, New New York, USA; Columbia Studios, New York, USA) York, USA) Musicians: Paul McCartney, Linda McCartney, Dave Musicians: Paul McCartney, Linda McCartney, Dave Spinozza (guitar), Denny Seiwell (drums) Spinozza (guitar), Denny Seiwell (drums) and the New York Philharmonic Orchestra and the New York Philharmonic Orchestra Produced by: Paul & Linda McCartney Produced by: Paul & Linda McCartney

The illustration on the first page of this chapter is the Die Titelseite dieses Kapitels zeigt die Werbeanzeige UK advertisement for Another Day / Oh Woman Oh aus England für die Another Day / Oh Woman Oh Why Why. Single.

1971-1-2 PART 1: ANOTHER DAY / OH WOMAN OH WHY Collectors Guide: ANOTHER DAY / OH WOMAN, OH WHY (1971)

1. Acetates / Acetates: ANOTHER DAY & OH WOMAN, OH WHY [1971-1/01a] UK Apple Records (one-sided acetate) AS 06 [1971-1/02a] USA Sound Recorders Studio (8“ one-sided acetate) CS 13 [1971-1/02b] USA Apple Records 1829 (7“ two-sided acetate) CS 13 [1971-1/02c] USA Apple Records 1829 (10“ one-sided acetate) CS 14 [1971-1/02d] USA Apple Records 1829 (10“ one-sided acetate) CS 14

2. Official single releases / Offizielle Single Veröffentlichungen: ANOTHER DAY / OH WOMAN, OH WHY [1971-1/01b] UK Apple Records R 5889 (push-out centre; demonstration disc) AS 06 [1971-1/01c] UK Apple Records R 5889 (closed centre) AS 06 [1971-1/01d] UK Apple Records R 5889 (closed centre; different label) AS 07 [1971-1/01e] UK Apple Records R 5889 (closed centre; different label; sample sticker) AS 07 [1971-1/01f] UK Apple Records R 5889 (closed centre; different label) AS 07 [1971-1/01g] UK Apple Records R 5889 (push-out centre; sample sticker) AS 08 [1971-1/01h] UK Apple Records R 5889 (push-out centre) AS 08 [1971-1/01i] UK Apple Records R 5889 (push-out centre; different label) AS 08 [1971-1/01j] UK Apple Records R 5889 (open centre) AS 09 [1971-1/01k] UK Apple Records R 5889 (open centre; different label) AS 09 [1971-1/01l] UK Apple Records R 5889 (open centre; different label) AS 09 [1971-1/01m] UK Capitol Records R 5889 (reissue; push-out centre; sample sticker) PB 10 [1971-1/01n] UK Capitol Records R 5889 (reissue; push-out centre) PB 10 [1971-1/01o] UK Capitol Records R 5889 (reissue; push-out centre, bigger ) PB 10 [1971-1/01p] UK Capitol Records R 5889 (reissue; closed centre) PB 11 [1971-1/01q] UK Capitol Records R 5889 (reissue; push-out centre, diff. Copyright) PB 11 [1971-1/01r] UK Capitol Records R 5889 (reissue; push-out centre, diff. Copyright) PB 11 [1971-1/02e] USA Apple Records 1829 (Los Angeles pressing; star on label) AS 14 [1971-1/02f] USA Apple Records 1829 (same as [1971-1/02c] but with broken label) AS 15 [1971-1/02g] USA Apple Records 1829 (Scranton pressing; thin printing) AS 15 [1971-1/02h] USA Apple Records 1829 (Scranton pressing; thick printing) AS 15 [1971-1/02i] USA Apple Records 1829 (Scranton mispressing) AS 16 [1971-1/02j] USA Apple Records 1829 (early Winchester pressing) AS 16 [1971-1/02k] USA Apple Records 1829 (Winchester pressing) AS 16 [1971-1/02l] USA Apple Records 1829 (Jacksonville pressing) AS 17 [1971-1/02m] USA Apple Records 1829 (Jacksonville pressing; blank B-side label) AS 17 [1971-1/02n] USA Apple Records 1829 (Jacksonville pressing; blank A-side label) AS 17 [1971-1/02o] USA Apple Records PRO 6193/6194 (promotional copy) AS 18 [1971-1/02p] USA Capitol Records 1829 (reissue) CS 19 [1971-1/02q] USA Capitol Records 1829 (reissue; different label typeset) PW 19 [1971-1/02r] USA Capitol Records 1829 (reissue; different label typeset) CS 19 [1971-1/02s] USA Capitol Records 1829 (reissue; different label typeset) PW 20 [1971-1/03a] CAN Apple Records 1829 CS 21 [1971-1/03b] CAN Capitol Records 1829 (reissue) CS 21 [1971-1/03c] CAN Capitol Records 1829 (reissue; different label typeset) CS 21 [1971-1/04a] JPN Apple Records AR-2771 (red vinyl) PS 22 [1971-1/04b] JPN Apple Records AR-2771 (black vinyl) PS 23 [1971-1/04c] JPN Apple Records EPR-10780 (reissue 1975; Apple label) PS 23 [1971-1/04d] JPN Capitol Records EPR-10780 (reissue 1975; Capitol label) PS 24 [1971-1/04e] JPN EMI/Odeon EPS-17191 (reissue 1981) PS 25 [1971-1/05a] GER Apple / EMI Electrola 1C 006-04 758 (white label sample pressing) CS 25 [1971-1/05b] GER Apple / EMI Electrola 1C 006-04 758 PS 26 [1971-1/05c] GER Apple / EMI Electrola 1C 006-04 758 (different backside) PS 26 [1971-1/05d] GER Apple / EMI Electrola 1C 006-04 758 (Apple company sleeve) AS 26 [1971-1/05e] GER Apple / EMI Electrola 1C 006-04 758 (reissue) PS 27 [1971-1/05f] GER Apple / EMI Electrola 1C 006-04 758 (reissue; different cover) PS 27 [1971-1/05g] GER Apple / EMI Electrola 1C 006-04 758 (reissue; different label typeset) PW 27 [1971-1/07a] FRA Apple / EMI Pathé Marcony 2C 006-04758 M (white label demo record) PW 28 [1971-1/07b] FRA Apple / EMI Pathé Marcony 2C 006-04758 M PS 28 [1971-1/08a] ITA Apple / EMI Italiana 3C 006-04758 PS 29 [1971-1/08b] ITA Apple / EMI Italiana 3C 006-04758 (different label-typeset; misprint) PS 29 [1971-1/08c] ITA Apple / EMI Italiana 3C 006-04758 (2nd-issue; different sleeve & label typeset) PS 29 [1971-1/08d] ITA Apple / EMI Italiana 3C 006-04758 (2nd-issue; different label typeset) PS 30 [1971-1/09a] BEL Apple Records 4C 006-04758 PS 31 [1971-1/09b] BEL Apple Records 4C 006-04758 (slightly different label-typeset) PS 31 [1971-1/10a] NED Apple Records 5C 006-04758 (test pressing) PW 31 [1971-1/10b] NED Apple Records 5C 006-04758 (push-out centre) AS 32 [1971-1/11a] FIN Apple Records R 5889 (push-out centre) CS 32 [1971-1/12a] SWE Apple Records 4E 006-04758 M (push-out centre) PS 33 [1971-1/12b] SWE Apple Records 4E 006-04758 M (push-out centre; different label) PS 33 PS = picture sleeve/Bildcover; AS = Apple company sleeve/Apple Firmencover; CS = company sleeve/Firmencover; PW = plain white sleeve/weißes unbedrucktes Cover; PB = plain black sleeve/schwarzes unbedrucktes Cover PART 1: ANOTHER DAY / OH WOMAN, OH WHY 1971-1-3 Collectors Guide: ANOTHER DAY / OH WOMAN, OH WHY (1971)

2. Official single releases / Offizielle Single Veröffentlichungen: ANOTHER DAY / OH WOMAN, OH WHY (CONTINUED / FORTSETZUNG) [1971-1/13a] NOR Apple/EMI Norsk 7E 006-04758 M (push-out centre) PS 33 [1971-1/14a] DEN Apple Records R5889 (push-out centre) PS 34 [1971-1/14b] DEN Apple Records R5889 (different label typeset) PS 34 [1971-1/14c] DEN Apple Records R5889 (different label typeset; loose labels) PS 34 [1971-1/14d] DEN Apple Records R5889 (different label typeset) PS 35 [1971-1/15a] IRL Apple Records R(I)5889 (push-out centre) AS 35 [1971-1/16a] ESP EMI / Odeon 1J 006-04758 M (promo-sticker) PS 35 [1971-1/16b] ESP EMI / Odeon 1J 006-04758 M (slightly different label) PS 36 [1971-1/17a] POR Apple / Parlophone 8E 006-04758 M PS 36 [1971-1/17b] POR Apple / Parlophone 8E 006-04758 M (different sleeve & matrix number) PS 36 [1971-1/18a] GRE Apple Records R 5889 (multi coloured vinyl) AS 37 [1971-1/18b] GRE Apple Records R 5889 (black vinyl) AS 37 [1971-1/18c] GRE Apple Records R 5889 (black vinyl; slightly different label) AS 37 [1971-1/19a] YUG Apple / Jugoton SAP-8447 AS 38 [1971-1/22a] TUR Apple Records 45-LA 4326 (push-out centre) AS 42 [1971-1/23a] LEB Apple / EMI Lebanon R 5889 CS 42 [1971-1/23a] LEB Apple / EMI Lebanon R 5889 (different label) CS 43 [1971-1/24a] ISR EMI / Parlophone R 5889 PS 43 [1971-1/26a] MEX Apple / Capitol Records 6853 AS 43 [1971-1/26b] MEX Apple / Capitol Records 6853 (additional printing on B-side label) CS 44 [1971-1/31a] VEN EMI / Odeon 129 (thick printing; Odeon company sleeve) CS 45 [1971-1/31b] VEN EMI / Odeon 129 (thin printing; different sleeve) CS 46 [1971-1/34a] PER Apple Records 1 1235 CS 46 [1971-1/34b] PER Apple Records 1 1235 (different company sleeve) CS 46 [1971-1/35a] BRA Apple / EMI-Odeon 7-BT-48 AS 47 [1971-1/35b] BRA Apple / EMI-Odeon 7-BT-48 (different label-typeset) AS 47 [1971-1/35c] BRA Apple / EMI-Odeon 7-BT-48 (different label-typeset) AS 47 [1971-1/35d] BRA Apple / EMI-Odeon 7-BT-48 (fake picture cover) PS 48 [1971-1/35e] BRA Apple / EMI-Odeon 7-BT-48 (fake picture cover; different backside) PS 48 [1971-1/37a] CHI Apple / Odeon 1010 (closed centre) PB 48 [1971-1/37b] CHI Apple / Odeon APPLE-23 (push-out centre; different label & number) CS 49 [1971-1/37c] CHI Apple / Odeon APPLE-23 (push-out centre; different label) PB 49 [1971-1/38a] ARG Apple / Odeon DTOA 8693 (promotional copy) CS 49 [1971-1/38b] ARG Apple / Odeon DTOA 8693 CS 50 [1971-1/38c] ARG Apple / Odeon DTOA 8693 (different label) CS 50 [1971-1/38d] ARG Apple / Odeon DTOA 8693 (different label) CS 50 [1971-1/39a] URU Apple Records 30015 (Odeon company sleeve; promo stamp) CS 51 [1971-1/39b] URU Apple Records 30015 (Apple sleeve) AS 51 [1971-1/44a] SIN Apple Records R-5889 AS 55 [1971-1/46a] PHI Apple / Dyna Records PAL-60966 CS 55 [1971-1/47a] AUS Apple / EMI Australia A-9445 AS 56 [1971-1/47b] AUS Apple / EMI Australia A-9445 (different sleeve) AS 56 [1971-1/47c] AUS Parlophone / EMI Australia A-9445 (reissue) CS 56 [1971-1/48a] NZL Apple / EMI NZP.3398 AS 57 [1971-1/49a] EGY Parlophone / EMI Sono Cairo 41-71184 CS 57 [1971-1/54a] RSA Parlophone / EMI SPD 548 CS 58

3. Official EP releases / Offizielle EP Veröffentlichungen: ANOTHER DAY / JUNK / OH WOMAN, OH WHY / VALENTINE DAY (MEXICAN EP) [1971-1/26c] MEX Apple / Capitol Records EPEM-10603 (EP) PS 44 [1971-1/26d] MEX Apple / Capitol Records EPEM-10603 (EP; different label & sleeve printing) PS 44 [1971-1/26e] MEX Apple / Capitol Records EPEM-10603 (EP; different sleeve printing) PS 45 [1971-1/26f] MEX Apple / Capitol Records EPEM-10603 (EP; different label) PS 45

4. Unofficial releases / Inoffizielle Veröffentlichungen: ANOTHER DAY & OH WOMAN OH WHY (POLISH FLEXIS) [1971-1/20a] POL 35 (Sound postcard; dark-red flexidisc) 38 [1971-1/20b] POL 38 (Sound postcard; orange/red flexidisc) 38 [1971-1/20c] POL Z-40 (Sound postcard; dark-green flexidisc) 39 [1971-1/20d] POL 54-3775 ‘Magdalenka’ (Sound postcard; cardboard) 39 [1971-1/20e] POL X-62 (Sound postcard; dark-turquoise flexidisc) 40 [1971-1/20f] POL X-88 (Sound postcard; ochre flexidisc) 40 [1971-1/20g] POL X-88 (Sound postcard; red/brown flexidisc; different back) 40 [1971-1/20h] POL N-318 (Sound postcard; brown flexidisc) 41 [1971-1/20i] POL 386 (Sound postcard; green flexidisc) 41 [1971-1/20j] POL 520 (Sound postcard; ochre flexidisc) 41 [1971-1/20k] POL 520 (Sound postcard; navy-green flexidisc; different back) 42

PS = picture sleeve/Bildcover; AS = Apple company sleeve/Apple Firmencover; CS = company sleeve/Firmencover; PW = plain white sleeve/weißes unbedrucktes Cover; PB = plain black sleeve/schwarzes unbedrucktes Cover 1971-1-4 PART 1: ANOTHER DAY / OH WOMAN, OH WHY Collectors Guide: ANOTHER DAY / OH WOMAN, OH WHY (1971)

5. Unofficial EP releases / Inoffizielle EP Veröffentlichungen: ANOTHER DAY (VARIOUS EPs FROM THAILAND, MALAYSIA AND INDONESIA) [1971-1/42a] THA MTR-515 (EP) PS 51 [1971-1/42b] THA MC-903 (EP) PS 52 [1971-1/42c] THA TK-483 (EP) PS 52 [1971-1/42d] THA TK-485 (EP) PS 52 [1971-1/42e] THA TK-485 (EP; different label) PS 53 [1971-1/43a] MAL fanfare FF7-2 (EP) PS 53 [1971-1/43b] MAL Malaysia Records MREP 9020 (EP) PS 53 [1971-1/43c] MAL PR-2714 (EP) PS 54 [1971-1/43d] MAL URANYA RECORD UR-49 (EP) PS 54 [1971-1/43e] MAL ATGO ZI -1150 (EP) PS 54 [1971-1/45a] INO CRS 4549 (EP) PS 55

6. Unknown releases / Unbekannte Veröffentlichungen: ANOTHER DAY & OH WOMAN, OH WHY [1971-1/??a] ??? Apple Records R5889 (unknown country) PW 58 [1971-1/??b] ??? Special Records SP.074 (unknown country) PW 58

7. Additional releases / Weitere Veröffentlichungen: ANOTHER DAY (COVER VERSIONS) [1971-1/01z] UK AVENUE Recordings NUE 146 (mini-LP) PS 12 [1971-1/05z] GER top-6 205 D (mini-LP) PS 28 [1971-1/10z] NED top-6 0205 N (mini-LP) PS 32

ADDITIONAL COMMENTS ON MATRIX NUM- ZUSÄTZLICHE ANMERKUNGEN ZU DEN BERS (UK PRESSINGS) MATRIXNUMMERN (UK PRESSUNGEN)

The following system was used to display the UK pressings of the Folgendes System wurde zur Darstellung der englischen Pressun- single Another Day / Oh Woman Oh Why : gen der Single Another Day / Oh Woman Oh Why gewählt:

The singles are first of all displayed in the order:1. closed centre, 1. “closed centre”, 2. “push-out centre” und 3. “open centre”. 2. push-out centre and 3. open centre. Each of these is ordered Jeweils in den Varianten a) ohne den Aufdruck „Copyright also according to the following variations a) without the wording ‘Cop- claimed by Maclen (Music) Ltd.“ und b) mit dem Aufdruck „Copy- yright also claimed by Maclen (Music) Ltd.’ and b) with the word- right also claimed by Maclen (Music) Ltd.“. Jeweils zuerst dar- ing ‘Copyright also claimed by Maclen (Music) Ltd.’. Pictured first gestellt mit dem „Stern“ (*), gefolgt von der Variante ohne den are copies with a star (*), followed by copies without it. „Stern“ (*). Basing the list on matrix numbers would result in a completely differ- Sofern man die Matrixnummern der einzelnen Pressungen betrachtet, ent order. It would definitely be worthwhile doing further research into würde sich anhand dieser ein gänzlich anderes Bild der Reihenfolge additional pressings, to determine the possible release sequence of ergeben. Es wäre sicherlich sehr lohnend, mit weiteren Exemplaren the UK pressings. dieser Single eine mögliche zeitliche Abfolge der einzelnen Veröffent- lichungen bzw. Pressungen sichtbar werden zu lassen.

PART 1: ANOTHER DAY / OH WOMAN, OH WHY 1971-1-5 [1971-1/01a] ANOTHER DAY

COUNTRY: United Kingdom / UK FORMAT: Acetate (45 rpm) CATALOGUE NO: Apple Records MATRIX NO: - OPENING: - RELEASE DATE: 1971 CHARTS: - RARITY INDEX: 

COMMENT: KOMMENTAR: One-sided acetate. In Einseitige Acetate. Im June 2006, two unsuc- Juni 2006 wurde zwei- cessful attempts were mal erfolglos versucht, made to sell this acetate dieses Exemplar bei on eBay, with a starting EBAY zu verkaufen. Der bid of 750 UK pounds. Startpreis lag bei 750 Pfund Sterling.

[1971-1/01b] ANOTHER DAY / OH WOMAN, OH WHY

COUNTRY: United Kingdom / UK FORMAT: 7“ vinyl single (45 rpm) CATALOGUE NO: Apple Records R 5889 MATRIX NO: 7YCE 21523-1U PECKO 7YCE 21524-1U FP OPENING: Top / oben RELEASE DATE: February 1971 CHARTS: - RARITY INDEX: 

COMMENT: KOMMENTAR: Very rare UK demonstration record, Sehr seltene englische Demo-Pres- which seems only ever to have sung, die scheinbar nur mit dem been made with a push-out centre. “push-out centre” erhältlich ist. Auf Both sides of the label bear the beiden Labelseiten findet man den wording ‘19.2.71’, which was the Aufdruck „19.2.71“, welches das single‘s official release date. It has offizielle Veröffentlichungsdatum nearly the same label typeset as der Single war. Nahezu gleicher the regular commercial issue [1971- Labelaufdruck wie die reguläre 1/01i], but without the star (*) before kommerzielle Veröffentlichung the wording ‘Northern Songs NCB‘ [1971-1/01i], jedoch ohne den on the A-side label. Please see the “Stern” (*) vor dem Aufdruck „Nort- reference on page 1971-1-5, for hern Songs NCB“ auf dem Label additional comments concerning der A-Seite. Siehe auch Seite 1971- matrix numbers. 1-5 für zusätzliche Anmerkungen bezüglich der Matrixnummern.

[1971-1/01c] ANOTHER DAY / OH WOMAN, OH WHY

COUNTRY: United Kingdom / UK FORMAT: 7“ vinyl single (45 rpm) CATALOGUE NO: Apple Records R 5889 MATRIX NO: 7YCE 21523-1U PECKO GDP KT 1 7YCE 21524-1U FP OT KT 3 OPENING: Top / oben RELEASE DATE: February 19, 1971 CHARTS: #24 (March 3, 1971); #2 (March 17, 1971) 2 weeks / 10 weeks RARITY INDEX: 

COMMENT: KOMMENTAR: Release with closed centre Pressung mit “closed centre” and the wording ‘Joint interest und dem Aufdruck „Joint interest claimed by McCartney Music Inc.’ claimed by McCartney Music on the A-side label. There is no Inc.“ auf dem Label der A-Seite. additional copyright information Kein zusätzlicher Copyright Hin- on the B-side label, but with the weis auf dem Label der B-Seite, star (*) before ‘Northern Songs jedoch jeweils mit dem “Stern” NCB‘ and ‘Joint interest claimed (*) vor dem Aufdruck „Northern by McCartney Music Inc.‘ on the Songs NCB“ und „Joint interest A-side label. claimed by McCartney Music Inc.“ auf dem Label der A-Seite.

1971-1-6 PART 1: ANOTHER DAY / OH WOMAN, OH WHY [1971-1/05b] ANOTHER DAY / OH WOMAN OH WHY

COUNTRY: Germany / GER FORMAT: 7“ vinyl single (45 rpm) CATALOGUE NO: Apple / EMI Electrola 1C 006-04 758 MATRIX-NO. 04 758 A-1 04 758 B-1 OPENING: Top / oben RELEASE DATE: February 1971 CHARTS: #38 (March 25, 1971); #6 (April 22, 1971) 1 week / 13 weeks RARITY INDEX: 

COMMENT: KOMMENTAR: First issue, with English Erstveröffentlichung mit copyright information Copyright Schriftzug auf on the label in cursive dem Label in Schreib- script. schrift, sowie in engli- scher Sprache.

[1971-1/05c] ANOTHER DAY / OH WOMAN OH WHY

COUNTRY: Germany / GER FORMAT: 7“ vinyl single (45 rpm) CATALOGUE NO: Apple / EMI Electrola 1C 006-04 758 MATRIX NO: 04 758 A-1 04 758 B-1 OPENING: Top / oben RELEASE DATE: February 1971 CHARTS: #38 (March 25, 1971); #6 (April 22, 1971) 1 week / 13 weeks RARITY INDEX: 

COMMENT: KOMMENTAR: Same pressing as [1971- Gleiche Pressung wie 1/05a] but the back [1971-1/05a], jedoch mit cover shows pictures anderen Werbeaufdru- of various other EMI cken weiterer EMI-Ver- releases. öffentlichungen auf der Rückseite der Covers.

[1971-1/05d] ANOTHER DAY / OH WOMAN OH WHY

COMMENT: KOMMENTAR: Same pressing as [1971- Gleiche Pressung wie 2/05b/c] but housed in [1971-2/05b/c], jedoch a black die-cut Apple im schwarzen Apple- sleeve. Lochcover.

1971-1-7 PART 1: ANOTHER DAY / OH WOMAN, OH WHY [1971-1/12a] ANOTHER DAY / OH WOMAN, OH WHY?

COUNTRY: Sweden / SWE FORMAT: 7“ vinyl single (45 rpm) CATALOGUE NO: Apple Records 4E 006-04758 M [MONO] MATRIX NO: 04758 M A 1 04758 M B 1 OPENING: Top / oben RELEASE DATE: 1971 CHARTS: RARITY INDEX: 

COMMENT: KOMMENTAR: Release from Sweden with the Veröffentlichung aus Schweden wording ‘Copyright also claimed mit dem Labelaufdruck „Copyright by MacLen (Music) Ltd.’ on both also claimed by MacLen (Music) sides and ‘Joint interest claimed Ltd.“ auf beiden Labelseiten und by McCartney Music Inc.’ on the „Joint interest claimed by McCart- A-side label only. The last part ney Music Inc.“ nur auf dem of each matrix number (‘A 1’ / ‘B Label der A-Seite. Basierend auf 1’) may indicate this to be the den Endungen der Matrixnum- first pressing of the single. See mern („A 1“ / „B 1“) könnte es sich also the Norwegian issue [1971- hierbei um die erste Pressung 1/13a]. dieser Single handeln. Vergleiche auch mit der Veröffentlichung aus Norwegen [1971-1/13a].

[1971-1/12b] ANOTHER DAY / OH WOMAN, OH WHY?

COUNTRY: Sweden / SWE [MONO] FORMAT: 7“ vinyl single (45 rpm) CATALOGUE NO: Apple Records 4E 006-04758 M MATRIX NO: 4E006 04758 M A 2 4E006 04758 M B 2 OPENING: Top / oben RELEASE DATE: 1971 CHARTS: RARITY INDEX:  COMMENT: KOMMENTAR: This pressing has both a different Diese Pressung hat eine andere matrix number and a different Matrixnummer und auch eine style of push-out centre to [1971- andere Form des “push-out 1/12a]. ‘Joint interest claimed by centre” als [1971-1/12a]. Auf dem McCartney Music Inc.’ is only on Label der A-Seite befindet sich the A-side label, while neither nur der Aufdruck „Joint interest side contains the wording ‘Copy- claimed by McCartney Music right also claimed by MacLen Inc.“, während der zusätzliche (Music) Ltd.’. Since the matrix Aufdruck „Copyright also claimed numbers end in ‘A 2’ and ‘B 2’ by MacLen (Music) Ltd.“ auf this might be the second pressing beiden Seiten fehlt. Basierend of this single. auf den Endungen der Matrix- nummern („A 2“ / „B 2“) könnte es sich hierbei um die zweite Pres- sung dieser Single handeln.

[1971-1/13a] ANOTHER DAY / OH WOMAN, OH WHY?

COUNTRY: Norway / NOR FORMAT: 7“ vinyl single (45 rpm) CATALOGUE NO: Apple/EMI Norsk 7E 006-04 758 M [MONO] MATRIX NO: 04758M A1 04758M B1 OPENING: Top / oben RELEASE DATE: March 1971 CHARTS: #4 (April 7, 1971); #3 (May 12, 1971) 4 week / 15 weeks RARITY INDEX: ½

COMMENT: KOMMENTAR: Very rare pressing from Sehr seltene Pressung aus Norway, which has the same Norwegen mit der gleichen matrix number, exactly the Matrixnummer, exakt dem same label typeset (except gleichen Aufdruck auf for the catalogue number) beiden Labeln (ausgenom- and the same type of push- men der Katalognummer) out centre as the Swedish und der gleichen Form des pressing [1971-1/12a]. “push-out centre” wie bei der Veröffentlichung aus Schwe- den [1971-1/12a].

PART 1: ANOTHER DAY / OH WOMAN, OH WHY 1971-1-8 [1971-2/43a] SWEET AND INNOCENT / EAT AT HOME / STAGGER LEE / DON´T PULL YOUR LOVE

COUNTRY: Malaysia / MAL FORMAT: 7“ vinyl EP (33 rpm) CATALOGUE NO: ATGO ZI-1186 [MONO] MATRIX NO: ZI-1886-A F121* ZI-1886-B F122* OPENING: Right / rechts RELEASE DATE: CHARTS: - RARITY INDEX: 

COMMENT: KOMMENTAR: Semi-legal EP, containing the four Halblegale EP, die vier Songs songs: Sweet And Innocent by the enthält: Sweet And Innocent von Osmonds, Stagger Lee by Tommy the Osmonds, Stagger Lee von Roe, Eat At Home by Paul and Tommy Roe, Eat At Home von Linda McCartney and Don´t Pull Paul and Linda McCartney und Your Love by Hamilton Joe Frank Don´t Pull Your Love by Hamilton & Reynolds. Hard to find EP, in a Joe Frank & Reynolds. Schwer thin cardboard picture sleeve. The zu findende EP im Bildcover aus A and B-side labels have been dünner Pappe. Die Label der swapped over. A- und B-Seite sind vertauscht aufgeklebt.

[1971-2/44a] EAT AT HOME / SMILE AWAY

COUNTRY: Singapore / SIN FORMAT: 7“ vinyl single (45 rpm) CATALOGUE NO: Apple Records PEA-506 MATRIX NO: PEA-506A PEA-506B OPENING: Top / oben RELEASE DATE: 1971 CHARTS: - RARITY INDEX: 

COMMENT: KOMMENTAR: Release from Singapore Veröffentlichung aus Sin- with promotional sticker on gapur mit Promo-Aufkleber both labels. These press- auf beiden Label-Seiten. ings were distributed by EMI Diese Singles wurden ver- S.E.A. (South East Asia) and trieben von EMI S.E.A (Süd sold in Singapore, Malaysia Ost Asien) und verkauft in and Hong Kong. Singapur, Malaysia und Hong Kong.

[1971-2/44b] EAT AT HOME / SMILE AWAY

COUNTRY: Singapore / SIN FORMAT: 7“ vinyl single (45 rpm) CATALOGUE NO: Apple Records PEA-506 MATRIX NO: PEA-506A PEA-506B OPENING: Top / oben RELEASE DATE: 1971 CHARTS: - RARITY INDEX: 

COMMENT: KOMMENTAR: Same pressing as Gleiche Pressung wie [1971-2/44a], but without [1971-2/44a], jedoch the ‘PROMOTIONAL ohne den ‘PROMO- SAMPLE’ sticker. TIONAL SAMPLE’ Auf- kleber.

PART 2: EAT AT HOME / SMILE AWAY 1971-2-9 [1971-3/21.8a] HEART OF THE COUNTRY / RAM ON / DEAR BOY / EAT AT HOME

COUNTRY: USSR (now Russia/nun Russland) [MONO] FORMAT: 7“ vinyl EP (33 rpm) CATALOGUE NO: Melodiya M62-36701/2 MATRIX NO: M62-36701/4-1 M62-36702/4-1 OPENING: Right / rechts RELEASE DATE: 1974 CHARTS: - RARITY INDEX: 

COMMENT: KOMMENTAR: Pressed in the Aprelevka Schallplatten-Presswerk plant (near Moscow, „Aprelevka plant“ (nahe today Russia). The label Moskau, heute Russ- is blue. land). Die Farbe des Labels is blau.

[1971-3/21.9a] HEART OF THE COUNTRY / RAM ON / DEAR BOY / EAT AT HOME

COUNTRY: USSR (now Russia/nun Russland) [MONO] FORMAT: 7“ vinyl EP (33 rpm) CATALOGUE NO: Melodiya M62-36701/2 MATRIX NO: M62-36701/4-1 M62-36702/4-1 OPENING: - RELEASE DATE: 1974 CHARTS: - RARITY INDEX: 

COMMENT: KOMMENTAR: Pressed in the Aprelevka Schallplatten-Presswerk plant (near Moscow, „Aprelevka plant“ (nahe today Russia). The label Moskau, heute Russ- is green. land). Die Farbe des Labels is grün.

[1971-3/21.10a] HEART OF THE COUNTRY / RAM ON / DEAR BOY / EAT AT HOME

COMMENT: KOMMENTAR: Pressed in the Leningrad Schallplatten-Presswerk plant (today St. Peters- „Leningrad plant” (Lenin- burg, Russia). The label grad, heute „St. Peters- is red. burg”, Russland). Die Farbe des Labels ist rot.

PART 3: HEART OF THE COUNTRY / RAM ON / DEAR BOY / EAT AT HOME 1971-3-10 [1971-3/21.18a] HEART OF THE COUNTRY / RAM ON / DEAR BOY / EAT AT HOME

COUNTRY: USSR (now Latvia/nun Lettland) [MONO] FORMAT: 7“ vinyl EP (33 rpm) CATALOGUE NO: Melodiya M62-36701/2 MATRIX NO: M62-36701/4-1 M62-36702/4-1 OPENING: Left / links RELEASE DATE: 1974 CHARTS: - RARITY INDEX: 

COMMENT: KOMMENTAR: Pressed in the Riga plant (today Schallplatten-Presswerk „Riga plant“ Latvia). This is the same label (heute Lettland). Hierbei handelt es variation as [1971-3/21.17a], but sich um die gleiche Label-Variante the colour of the label is very light wie [1971-3/21.17a], jedoch ist die yellow and the font colour is black. Farbe des Labels leicht gelblich The EP is housed in a ‘fake’ picture und die Schriftfarbe ist schwarz. Die sleeve which was never released EP hat ein „gefälschtes“ Bildcover, officially. Furthermore it can be seen das offiziell nie veröffentlicht wurde. from the wording at the back of the Zudem gibt das Cover das Press- sleeve that it should be made at the werk „Aprelevka plant“ (Moskau) als Aprelevka (Moscow) record plant. Produktionsstätte an. Auch wenn es Even though it is not an official sich hierbei nicht um ein offizielles sleeve, it is still very hard to find. Cover handet, ist es gleichwohl sehr schwer zu finden.

[1971-3/21.19a] HEART OF THE COUNTRY / RAM ON / DEAR BOY / EAT AT HOME

COUNTRY: USSR (now Uzbekistan/nun Usbekistan) [MONO] FORMAT: 7“ vinyl EP (33 rpm) CATALOGUE NO: Melodiya M62-36701/2 MATRIX NO: M62-36701/4-1 M62-36702/4-1 OPENING: - RELEASE DATE: 1974 CHARTS: - RARITY INDEX: 

COMMENT: KOMMENTAR: Pressed in the Tashkent Schallplatten-Presswerk plant (today Uzbekistan). „Tashkent-plant” (heute This is an ultra rare Usbekistan). Dies ist pressing in green vinyl eine ultra rare Pressung with cream labels and im grünen Vinyl mit is almost impossible to creme-farbenen Labels. find, even on the territory Sie ist selbst im Bereich of the former USSR. der ehemaligen UdSSR nahezu unmöglich zu finden.

1971-3-11 PART 3: HEART OF THE COUNTRY / RAM ON / DEAR BOY / EAT AT HOME [1971-4/02l] UNCLE ALBERT/ADMIRAL HALSEY / TOO MANY PEOPLE

COUNTRY: United States / USA FORMAT: 7“ vinyl single (45 rpm) CATALOGUE NO: Apple Records 1837 MATRIX NO:

OPENING: Top / oben RELEASE DATE: 1975 CHARTS: - RARITY INDEX: 

COMMENT: KOMMENTAR: Ultra rare reissue on the Sehr seltene Wiederver- Apple label with the addi- öffentlichung auf dem tional wording ‘All rights Apple-Label mit dem zusätz- reserved. Unauthorized lichen Aufdruck „All rights duplication is a violation of reserved. Unauthorized application laws’ on both duplication is a violation of sides, while the label typeset application laws“ auf beiden is identical to [1971-4/02c]. Labelseiten. Ansonsten hat die Single den gleichen Auf- druck wie [1971-4/02c].

JUKEBOX-STRIPS: JUKEBOX-STREIFEN:

This is a jukebox strip Zu sehen ist hier ein printed by ‘STERLING Jukebox “Beschrif- TITLE STRIP CO., INC.’ tungsstreifen” der Firma for the US release of „STERLING TITLE UNCLE ALBERT/ADMI- STRIP CO., INC.“ für die RAL HALSEY / TOO US Veröffentlichung von MANY PEOPLE. UNCLE ALBERT/ADMI- RAL HALSEY / TOO The strips were pro- MANY PEOPLE. duced in sheets of ten, divided into two columns Es befinden sich auf of five strips each. einem Druckbogen ins- gesamt zehn “Beschrif- tungsstreifen”, die in zwei Spalten mit je fünf Streifen aufgeteilt sind.

[1971-4/02m] UNCLE ALBERT/ADMIRAL HALSEY / TOO MANY PEOPLE

COUNTRY: United States / USA FORMAT: 7“ vinyl single (45 rpm) CATALOGUE NO: Capitol Records 1837 MATRIX NO: X-47531-S-2-1 1 EW/CF.* X-47527-S-2-1 2 EW/CF* OPENING: Top / oben RELEASE DATE: 1976 CHARTS: - RARITY INDEX: 

COMMENT: KOMMENTAR: Reissue on Capitol with Wiederveröffentlichung the MPL logo on both auf dem Capitol-Label labels. mit MPL-Logo auf beiden Labelseiten.

1971-4-12 PART 4: UNCLE ALBERT/ADMIRAL HALSEY / TOO MANY PEOPLE [1971-4/37d] UNCLE ALBERT/ADMIRAL HALSEY / TOO MANY PEOPLE

COUNTRY: Chile / CHI [MONO] FORMAT: 7“ vinyl single (45 rpm) CATALOGUE NO: Apple / Odeon APPLE-30 MATRIX NO: PRO-X-47531. PRO-X-47527. OPENING: Top / oben RELEASE DATE: 1971 CHARTS: - RARITY INDEX: 

COMMENT: KOMMENTAR: Same issue as [1971- Gleiche Pressung wie 4/37c], but the text is [1971-4/37c], jedoch mit laid out differently and leicht anderen Textpo- the spaces between the sitionen und Abständen wordings are also dif- zwischen den Aufdru- ferent. cken auf dem Label.

[1971-4/40a] UNCLE ALBERT/ADMIRAL HALSEY / TOO MANY PEOPLE

COUNTRY: India / IND FORMAT: 7“ vinyl EP (45 rpm) CATALOGUE NO: Apple Records 1837 MATRIX NO: 45 47527-Z2-T2 45 47531Z2-T1 OPENING: Right / rechts RELEASE DATE: 1971 CHARTS: - RARITY INDEX: 

COMMENT: KOMMENTAR: Ultra rare release from Sehr seltene Pressung India with sliced apple on aus Indien mit “geschnit- the A-side label and full tenem” Apfel auf dem apple on the B-side label. Label der A-Seite und The single is housed in a “ungeschnittenem” unique EMI die-cut com- Apfel auf dem Label der pany sleeve. B-Seite. Die Single befindet sich in einem speziel- len EMI Lochcover.

[1971-4/42a] BANGLA-DESH / DEEP BLUE / UNCLE ALBERT/ADMIRAL HALSEY / DEAR BOY

COUNTRY: Thailand / THA FORMAT: 7“ vinyl EP (45 rpm) CATALOGUE NO: MC-914 MATRIX NO:

OPENING: Right / rechts RELEASE DATE: 1971 CHARTS: - RARITY INDEX: 

COMMENT: KOMMENTAR: Semi-legal EP, containing Halblegale EP, die vier the four songs: Bangla- Songs enthält: Bangla- Desh & Deep Blue by Desh & Deep Blue von George Harrison and George Harrison und Uncle Albert/Admiral Uncle Albert/Admiral Halsey & Dear Boy by Halsey & Dear Boy von Paul McCartney. Paul McCartney.

PART 4: UNCLE ALBERT/ADMIRAL HALSEY / TOO MANY PEOPLE 1971-4-13 [1971-5/01j] THE BACK SEAT OF MY CAR / HEART OF THE COUNTRY

COUNTRY: United Kingdom / UK FORMAT: 7“ vinyl single (45 rpm) CATALOGUE NO: Capitol Records R 5914 MATRIX NO: 7YCE 21575-1 VV KT C 7YCE 21576-1 VV KT C OPENING: Top / oben RELEASE DATE: 1975/1976 CHARTS: - RARITY INDEX: 

COMMENT: KOMMENTAR: Same label typeset as Gleicher Labelaufdruck [1971-5/01h] but with wie [1971-5/01h], jedoch the copyright wording ‘ mit dem Copyright Auf- 1971 McCartney Music druck „ 1971 McCart- Inc.’ on the left-hand side ney Music Inc.“ auf der of both labels. linken Seite beider Label.

This is the original sheet music as published in the UK by ‘Northern Songs Hierbei handelt es sich um die offizielle Noten-Veröffentlichung aus England, LTD./Music Sales LTD.’ It comprises two gatefold pages with the picture welche bei „NORTHERN SONGS LTD. / MUSIC SALES LIMITED“ of the RAM album cover on front. The page size is 28.0 x 21.5 cm. It erschienen ist. Diese umfaßt zwei Klappseiten mit dem Bild des „RAM“ originally sold for 25 British pence. Album-Covers auf dem Titel. Die Abmessungen eines Blattes betragen ca. 28,0 x 21,5cm und der ursprüngliche Preis betrug 25 englische Pence.

[1971-5/19a] THE BACK SEAT OF MY CAR / HEART OF THE COUNTRY

COUNTRY: Yugoslavia / YUG FORMAT: 7“ vinyl single (45 rpm) CATALOGUE NO: Apple / Jugoton SAP-88507 MATRIX NO: SAP-88507A 20971-22971 MK-VP SAP-88507B 20971-22971 MK-VP OPENING: Top / oben RELEASE DATE: 1971 CHARTS: RARITY INDEX: 

COMMENT: KOMMENTAR: Release from Yugoslavia Veröffentlichung aus with a black Apple die-cut Jugoslawien mit schwarzem sleeve and the wording Apple Lochcover und ‘Jugoton’ in white in the weißem „Jugoton“ Aufdruck bottom right-hand corner unten rechts auf beiden of both sides of the sleeve. Coverseiten. Soweit This is the only known coun- bekannt, war Jugoslawien try outside the UK to release das einzige Land neben the ‘The Back Seat Of My England, dass die „The Car’ single. Back Seat Of My Car“ Single ebenfalls veröffentlicht hat.

1971-5-14