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Working 9 to 5: Embracing the Eighth Amendment Through an Integrated Model of Prison Labor
Valparaiso University Law Review Volume 43 Number 3 Spring 2009 pp.1425-1482 Spring 2009 Working 9 to 5: Embracing the Eighth Amendment Through an Integrated Model of Prison Labor Amy L. Riederer Follow this and additional works at: https://scholar.valpo.edu/vulr Part of the Law Commons Recommended Citation Amy L. Riederer, Working 9 to 5: Embracing the Eighth Amendment Through an Integrated Model of Prison Labor, 43 Val. U. L. Rev. 1425 (2009). Available at: https://scholar.valpo.edu/vulr/vol43/iss3/11 This Notes is brought to you for free and open access by the Valparaiso University Law School at ValpoScholar. It has been accepted for inclusion in Valparaiso University Law Review by an authorized administrator of ValpoScholar. For more information, please contact a ValpoScholar staff member at [email protected]. Riederer: Working 9 to 5: Embracing the Eighth Amendment Through an Integra WORKING 9 TO 5: EMBRACING THE EIGHTH AMENDMENT THROUGH AN INTEGRATED MODEL OF PRISON LABOR I. INTRODUCTION The numbers are disheartening: there were 2,293,157 prisoners in federal, state, and local jails and prisons in 2007.1 States used 38.2 billion dollars for correctional expenditures in 2001.2 Sixty-eight percent of state prisoners did not receive a high school diploma.3 The average recidivism rate of prisoners incarcerated for common crimes is 74.2%.4 At the very least, these statistics suggest that the American prison system is dysfunctional.5 This dysfunction is indicative of the historical friction between the goals of imprisonment—punishment and rehabilitation—and the rights the Constitution guarantees to prisoners.6 1 U.S. -
Music and the American Civil War
“LIBERTY’S GREAT AUXILIARY”: MUSIC AND THE AMERICAN CIVIL WAR by CHRISTIAN MCWHIRTER A DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of History in the Graduate School of The University of Alabama TUSCALOOSA, ALABAMA 2009 Copyright Christian McWhirter 2009 ALL RIGHTS RESERVED ABSTRACT Music was almost omnipresent during the American Civil War. Soldiers, civilians, and slaves listened to and performed popular songs almost constantly. The heightened political and emotional climate of the war created a need for Americans to express themselves in a variety of ways, and music was one of the best. It did not require a high level of literacy and it could be performed in groups to ensure that the ideas embedded in each song immediately reached a large audience. Previous studies of Civil War music have focused on the music itself. Historians and musicologists have examined the types of songs published during the war and considered how they reflected the popular mood of northerners and southerners. This study utilizes the letters, diaries, memoirs, and newspapers of the 1860s to delve deeper and determine what roles music played in Civil War America. This study begins by examining the explosion of professional and amateur music that accompanied the onset of the Civil War. Of the songs produced by this explosion, the most popular and resonant were those that addressed the political causes of the war and were adopted as the rallying cries of northerners and southerners. All classes of Americans used songs in a variety of ways, and this study specifically examines the role of music on the home-front, in the armies, and among African Americans. -
Rll I!Sj Llzli R-- - N I Os Oil a Seiy Ran
29, 1S34 Pago 10 Daily Nebraskan Wednesday, February ri rt fi rlL i!sJ LLzli r-- - n I oS oil a Seiy ran T By Peter Palermo Learning to Crawl, the Pretenders' third album, could well be the record to thrust this group into stardom. Two years ago, however, you would have found it difficult to find anyone who would say that riches lay ahead for Chrissie Hynde and her boys. When James Honeyman-Scot- t, the 2CT.ii Century Fox group's talented guitarist, and Pete Farndon, Nastassja Kins!d and Dudley Moore in Unfaithfully Yours. bass player and sometime lover to Hynde, both died within months of each other, the band's future (to say the least) was in doubt. Dudley Moore gets drunk again By Christopher Burbsch suspicion of infidelity by the latter's wife provides the movie's only wit. Coincidentally, Brooks scenes The purchase price of a ticket into the wonderful are also the film's closest brushes with sincerity. world of cinema is roughly 1 times the cost of two Elecords hours of television and a six pack of BEER. A good As recent Dudley Moore productions have been Yours teems movie, for this reviewer, provides VA times more wont to do, Unfaithfully with slapstick But when Hynde gave birth early last year to tears and or than does an of drunken Dudley slapstick, that is. a it marked a transition in the laughs, insight evening daughter, band, All Night Live and 72 ounces of that evil plain label or what was left of it. -
The BG News November 14, 2003
Bowling Green State University ScholarWorks@BGSU BG News (Student Newspaper) University Publications 11-14-2003 The BG News November 14, 2003 Bowling Green State University Follow this and additional works at: https://scholarworks.bgsu.edu/bg-news Recommended Citation Bowling Green State University, "The BG News November 14, 2003" (2003). BG News (Student Newspaper). 7195. https://scholarworks.bgsu.edu/bg-news/7195 This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. This Article is brought to you for free and open access by the University Publications at ScholarWorks@BGSU. It has been accepted for inclusion in BG News (Student Newspaper) by an authorized administrator of ScholarWorks@BGSU. State University FRIDAY November 14, 2003 • BOUNCE BACK?: SUNNY Falcons attempt to HIGH: 48 I LOW: 31 rebound from Miami www.bgnews.com loss against Kent; PAGE 5 independent student press VOLUME 98 ISSUC57 B0N0REDITHIRDINA3-PARTSERIES Toledo attempts Time important to ROTC to enhance By Kara Hun hours a day on this stuff. It's got- said Col. William Wesselman, EDITOR-IN-CHIEF ten to the point where 1 can't do chair of aerospace studies in the For Cadet Colonel Jill Greiwe, something without doing some- Air Force ROTC program. "I tell arts in city multitasking has become as sec- thing else at the same time." the cadets every year ... your THE BG NEKS ond nature as breathing in her Aiming at producing leaders number one priority is to major Today the city of Toledo and the role as Cadet Wing Commander and future members of their in your major. -
Music Industry Report 2020 Includes the Work of Talented Student Interns Who Went Through a Competitive Selection Process to Become a Part of the Research Team
2O2O THE RESEARCH TEAM This study is a product of the collaboration and vision of multiple people. Led by researchers from the Nashville Area Chamber of Commerce and Exploration Group: Joanna McCall Coordinator of Applied Research, Nashville Area Chamber of Commerce Barrett Smith Coordinator of Applied Research, Nashville Area Chamber of Commerce Jacob Wunderlich Director, Business Development and Applied Research, Exploration Group The Music Industry Report 2020 includes the work of talented student interns who went through a competitive selection process to become a part of the research team: Alexander Baynum Shruthi Kumar Belmont University DePaul University Kate Cosentino Isabel Smith Belmont University Elon University Patrick Croke University of Virginia In addition, Aaron Davis of Exploration Group and Rupa DeLoach of the Nashville Area Chamber of Commerce contributed invaluable input and analysis. Cluster Analysis and Economic Impact Analysis were conducted by Alexander Baynum and Rupa DeLoach. 2 TABLE OF CONTENTS 5 - 6 Letter of Intent Aaron Davis, Exploration Group and Rupa DeLoach, The Research Center 7 - 23 Executive Summary 25 - 27 Introduction 29 - 34 How the Music Industry Works Creator’s Side Listener’s Side 36 - 78 Facets of the Music Industry Today Traditional Small Business Models, Startups, Venture Capitalism Software, Technology and New Media Collective Management Organizations Songwriters, Recording Artists, Music Publishers and Record Labels Brick and Mortar Retail Storefronts Digital Streaming Platforms Non-interactive -
Willie Nelson
LESSON GUIDE • GRADES 3-6 TABLE OF CONTENTS 3 Introduction 4 About the Guide 5 Pre and Post-Lesson: Anticipation Guide 6 Lesson 1: Introduction to Outlaws 7 Lesson 1: Worksheet 8 Lyric Sheet: Me and Paul 9 Lesson 2: Who Were The Outlaws? 10 Lesson 3: Worksheet 12 Activities: Jigsaw Texts 14 Lyric Sheet: Are You Sure Hank Done It This Way 15 Lesson 4: T for Texas, T for Tennessee 16 Lesson 5: Literary Lyrics 17 Lyric Sheet: Daddy What If? 18 Lyric Sheet: Act Naturally 19 Complete Tennessee Standards 21 Complete Texas Standards 23 Biographies 3-6 Table of Contents 2 Outlaws and Armadillos: Country’s Roaring ‘70s examines how the Outlaw movement greatly enlarged country music’s audience during the 1970s. Led by pacesetters such as Willie Nelson, Waylon Jennings, Kris Kristofferson, and Bobby Bare, artists in Nashville and Austin demanded the creative freedom to make their own country music, different from the pop-oriented sound that prevailed at the time. This exhibition also examines the cultures of Nashville and fiercely independent Austin, and the complicated, surprising relationships between the two. Artwork by Sam Yeates, Rising from the Ashes, Willie Takes Flight for Austin (2017) 3-6 Introduction 3 This interdisciplinary lesson guide allows classrooms to explore the exhibition Outlaws and Armadillos: Country’s Roaring ‘70s on view at the Country Music Hall of Fame and Museum® from May 25, 2018 – February 14, 2021. Students will examine the causes and effects of the Outlaw movement through analysis of art, music, video, and nonfiction texts. In doing so, students will gain an understanding of the culture of this movement; who and what influenced it; and how these changes diversified country music’s audience during this time. -
May 28, 2021 the Musicrow Weekly Friday, May 28, 2021
May 28, 2021 The MusicRow Weekly Friday, May 28, 2021 MusicRow Announces 33rd Annual SIGN UP HERE (FREE!) MusicRow Awards Dates For 2021 If you were forwarded this newsletter and would like to receive it, sign up here. THIS WEEK’S HEADLINES 2021 MusicRow Awards Dates Americana Honors & Awards Nominees Now in its 33rd year, the 2021 MusicRow Awards, presented by City National Bank, will take place virtually on all MusicRow platforms on Tuesday, Aug. Jon Nite Renews With Sony 10. Music Publishing Nashville The virtual event will feature award presentations for category winners. Black River Publishing, Winners of these categories will be determined by the votes of subscribed Warner Chappell Music Sign members of MusicRow. Josh Kerr Nominees for the MusicRow Awards will be revealed Tuesday, July 6 and Garth Brooks Honored At supported by MusicRow‘s annual “Nominator” publication. Kennedy Center Honors Voting will begin Wednesday, July 7 and run through Friday, July 16 for all MusicRow subscribed members. To become a subscribed member and Terry Hemmings To Be become eligible to vote, sign up here. Inducted Into Alumni Hall Of Fame There are 11 member-voted categories: 1. Producer of the Year Faren Rachels Signs With 2. Label of the Year Combustion Music 3. Talent Agency of the Year 4. Breakthrough Songwriter of the Year Big Machine Music Signs 5. Breakthrough Artist-Writer of the Year Sara Davis 6. Male Songwriter of the Year 7. Female Songwriter of the Year Billboard Music Awards 8. Song of the Year Winners 9. Robert K. Oermann Discovery Artist of the Year 10. -
We Love Jeans P.8 Racial Stereotypes P.17
we love jeans p.8 Racial steReotypes p.17 november-december 2009 www.layouth.com also inside i’m tRying to stop cussing gifts you can make 5 Biggest 14 RegR et essays 24 My American dream As An undocumented immigrAnt, i thought college wAs out of reAch—but i found A wAy page 10 About l.A. youth involved. Newcomer’s orientations are held every other month on Saturday mornings. Call for info at How did L.A. Youth start? (323) 938-9194. Regular staff meetings are held every Former teacher Donna Myrow founded the nonprofit Saturday from 1 to 3 p.m. teen newspaper in 1988 after the Supreme Court senior writers: Lia Dun, Marshall HS • Justin Koh, Cleveland HS • Elliot Kwon, Palos Verdes Peninsula HS • Charlene Lee, Walnut HS • Ernesto Pineda, Hazelwood decision, which struck down student press Where is L.A. Youth distributed? Animo Film & Theatre Arts Charter HS • Samantha Richards, S.O.C.E.S. rights. Myrow saw a need for an independent, uncen- L.A. Youth is distributed free to teachers at public and sored forum for youth expression. L.A. Youth is now private schools throughout Los Angeles County. It can staff: Meagan Almazan, Warren HS • Gabe Andreen, Pilgrim School • Stacey Avnes, S.O.C.E.S. • Yasamin Azarakhsh, Notre Dame HS • Ben Bang, Palos Verdes Peninsula HS • Isabella Betita, celebrating its 21st year of publishing. also be picked up for free at many public libraries and S.O.C.E.S. • William Brent, Central L.A. HS for the Visual and Performing Arts • Caitlin Bryan, Valley is available online at www.layouth.com. -
Razorcake Issue
RIP THIS PAGE OUT Curious about how to realistically help Razorcake? If you wish to donate through the mail, please rip this page out and send it to: Razorcake/Gorsky Press, Inc. PO Box 42129 Los Angeles, CA 90042 Just NAME: turn ADDRESS: the EMAIL: page. DONATION AMOUNT: 5D]RUFDNH*RUVN\3UHVV,QFD&DOLIRUQLDQRWIRUSUR¿WFRUSRUDWLRQLVUHJLVWHUHG DVDFKDULWDEOHRUJDQL]DWLRQZLWKWKH6WDWHRI&DOLIRUQLD¶V6HFUHWDU\RI6WDWHDQGKDV EHHQJUDQWHGRI¿FLDOWD[H[HPSWVWDWXV VHFWLRQ F RIWKH,QWHUQDO5HYHQXH &RGH IURPWKH8QLWHG6WDWHV,562XUWD[,'QXPEHULV <RXUJLIWLVWD[GHGXFWLEOHWRWKHIXOOH[WHQWSURYLGHGE\ODZ SUBSCRIBE AND HELP KEEP RAZORCAKE IN BUSINESS Subscription rates for a one year, six-issue subscription: U.S. – bulk: $16.50 • U.S. – 1st class, in envelope: $22.50 Prisoners: $22.50 • Canada: $25.00 • Mexico: $33.00 Anywhere else: $50.00 (U.S. funds: checks, cash, or money order) We Do Our Part www.razorcake.org Name Email Address City State Zip U.S. subscribers (sorry world, int’l postage sucks) will receive either Grabass Charlestons, Dale and the Careeners CD (No Idea) or the Awesome Fest 666 Compilation (courtesy of Awesome Fest). Although it never hurts to circle one, we can’t promise what you’ll get. Return this with your payment to: Razorcake, PO Box 42129, LA, CA 90042 If you want your subscription to start with an issue other than #72, please indicate what number. TEN NEW REASONS TO DONATE TO RAZORCAKE VPDQ\RI\RXSUREDEO\DOUHDG\NQRZRazorcake ALVDERQDILGHQRQSURILWPXVLFPDJD]LQHGHGLFDWHG WRVXSSRUWLQJLQGHSHQGHQWPXVLFFXOWXUH$OOGRQDWLRQV The Donation Incentives are… -
Daily Eastern News: March 05, 2004 Eastern Illinois University
Eastern Illinois University The Keep March 2004 3-5-2004 Daily Eastern News: March 05, 2004 Eastern Illinois University Follow this and additional works at: http://thekeep.eiu.edu/den_2004_mar Recommended Citation Eastern Illinois University, "Daily Eastern News: March 05, 2004" (2004). March. 5. http://thekeep.eiu.edu/den_2004_mar/5 This Article is brought to you for free and open access by the 2004 at The Keep. It has been accepted for inclusion in March by an authorized administrator of The Keep. For more information, please contact [email protected]. March 5, 2004 + f RI 0 AY Hittin' the hookah Champaign hookah bar offers good times. Page 1B VERGE APPORTIONMENT BOARD Have a Cuts made nice Day to budget Howie Day to headline proposals UB spring concerts +Board will recommend budgets for By Brittany Robson 2005 to president's council ACTIVITIES EDITOR Songwriter and performer Howie Day, 22, from By Brian O'Malley Bangor, Maine, will play April 4 at Lantz Arena as open STUDENT GOVERNMENT EDITOR for the University Board's spring concert series. UB is paying $28,500 for Day to perform at Eastern. The Apportionment Board Thursday approved a Day independently released his first album, "Australia" total combined budget of $477,000 for the five-fee in 2000. More than a year funded boards of AB for fiscal year 2005, which they later, over 100,000 copies will recommend to Shirley Stewart, vice president for have been sold. student affairs. In addition to that, he has Spring Concert Series The total proposed amount was more than $525,000, released "Madrigals EP" which is about $7,000 fewer than last year's proposal. -
Spring Concert Bands Announced by Matthew Vita Worked Hard in Past Years to Get Arts & Life Editor Away from the Label
GSA needed on campus Free Editor argues non-discrimination Thursday clause is only a first step editorial by Kaylan Sobel March 1, 2007 find out more on Page 4 THE STUDENT VOICE OF THE UNIVERSITY OF SCRANTON Spring concert bands announced BY mattheW vita worked hard in past years to get Arts & Life Editor away from the label. The Starting Line, on the other The University of Scranton Pro- hand, has turned out one pop- gramming Board announced to- punk ballad after another while day that the spring concert will be dominating MTV and radio sta- headlined by both Thursday and tions around the country. The Starting Line. The concert is “I’ve seen both bands in con- slated for April 14, and doors will cert, and they both put on great open at 6 p.m. The opening set, shows,” Joey Casabona, senior Paulson, should begin by 7 p.m. programmer, said. After the opener, The Starting Thursday latest album, “A City Line will take the stage from 7:45 By The Light Divided,” was pro- to 9 p.m. and will be followed by duced by Dave Fridmann, who Thursday at 9:15 p.m. has worked with bands such as Tickets will go on sale March 19 Weezer and The Flaming Lips. at 11:30 a.m. outside Gunster 225 Fridmann helped the band build for $10. Students will be able to on its hardcore roots and create buy up to two tickets. Tickets will one of its best albums to date. then go on sale to the public on While Thursday has worked April 2 for $15. -
2017 Music Business Attendee List Renaissance Hotel, Nashville TN May 15-‐18, 2
2017 Music Business Attendee List Renaissance Hotel, Nashville TN May 15-18, 2017 COMMERCE COMPANIES 7digital Amazon (cont’d) Paul Langworthy Rosie de la Mare CCO Sr. Content Program Mgr. James Priestley Dave Dederer VP, Business Development Head of Programming Jamie Ross Kristin Durie Head of Music Partnerships Sr. Label Relations Mgr. John Farrey All Media Supply AssoC. Label Relations Mgr. Robbie Defreitas Josh Fein VP Sr. Mgr., Marketing & ACquisition Todd Oenbrink Chris Graham Sales Dir. Sr. Artist Relations Mgr. Sean Hallarman Alliance Entertainment Music Editorial Mgr. MarC Bartlett Jessi Liang Sr. VP, Sales & Marketing Technical ACCount Mgr. Terri Borders Nicole Lund Talent Aquisition Sr. Label Relations Mgr. Jason Bright Dan Minamide VP, Walmart ACCount Exec. AssoC. Label Relations Mgr. Ken Glaser Lisa Nicholas-RitsCher VP, Sales Content Editor, Media & Movies Thuy Ngo Elizabeth O'Brien VP, Marketing DIRECT2U Publicist Bruce Ogilvie Beth O'Brien Chairman Public Relations Laura Provenzano Amy Penka Sr. VP, PurChasing & Marketing Ops. Mgr. Jeff Walker Aly Proctor CEO Music Vendor Mgr. Ryan Redington Amazon Dir., US Digital Music Natasha Bishop Jeff Reguilon Music Sales Mgr. Mgr., Content Programming Nathan BraCkett Elizabeth Reynolds Sr. Editorial Mgr. Brand Specialist, Music Jill Chapman Kelly Rich Digital Media Ops. Mgr. Sr. Label Relations Mgr. Cindy Charles Jack Rutledge Head of Business Development Sr. Mgr., Catalog & Selection Anthony Coorey Andrew Sexton Partner Marketing Mgr. Label Relations Mgr. *speaker 1 2017 Music Business Attendee List Renaissance Hotel, Nashville TN May 15-18, 2017 COMMERCE COMPANIES Amazon (cont’d) Apple Music (cont’d) Adam Steiner Gregory Mead Sr. Content ProduCer ProduCt Marketing David Stuart Karen Park Joh AssoC.