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												  Genetic Glass Ceilings Gressel, JonathanGenetic Glass Ceilings Gressel, Jonathan Published by Johns Hopkins University Press Gressel, Jonathan. Genetic Glass Ceilings: Transgenics for Crop Biodiversity. Johns Hopkins University Press, 2008. Project MUSE. doi:10.1353/book.60335. https://muse.jhu.edu/. For additional information about this book https://muse.jhu.edu/book/60335 [ Access provided at 2 Oct 2021 23:39 GMT with no institutional affiliation ] This work is licensed under a Creative Commons Attribution 4.0 International License. Genetic Glass Ceilings Transgenics for Crop Biodiversity This page intentionally left blank Genetic Glass Ceilings Transgenics for Crop Biodiversity Jonathan Gressel Foreword by Klaus Ammann The Johns Hopkins University Press Baltimore © 2008 The Johns Hopkins University Press All rights reserved. Published 2008 Printed in the United States of America on acid-free paper 987654321 The Johns Hopkins University Press 2715 North Charles Street Baltimore, Maryland 21218-4363 www.press.jhu.edu Library of Congress Cataloging-in-Publication Data Gressel, Jonathan. Genetic glass ceilings : transgenics for crop biodiversity / Jonathan Gressel. p. cm. Includes bibliographical references and index. ISBN 13: 978-0-8018-8719-2 (hardcover : alk. paper) ISBN 10: 0-8018-8719-4 (hardcover : alk. paper) 1. Crops—Genetic engineering. 2. Transgenic plants. 3. Plant diversity. 4. Crop improvement. I. Title. II. Title: Transgenics for crop biodiversity. SB123.57.G74 2008 631.5Ј233—dc22 20007020365 A catalog record for this book is available from the British Library. Special discounts are available for bulk purchases of this book. For more information, please contact Special Sales at 410-516-6936 or [email protected]. Dedicated to the memory of Professor Leroy (Whitey) Holm, the person who stimulated me to think differently.
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												  Angélique KidjoAngélique Kidjo Over the last three decades, Angélique Kidjo has cemented her status as one of the most singular and extraordinary voices in international music, inspiring countless artists with her ingenuity, eclecticism, and seemingly boundless creative spirit. On her new album Mother Nature, the four-time Grammy Award-winning luminary joins forces with many of her musical progeny, including some of the most captivating young creators of West African music, Afrobeat, Afro-pop, dancehall, hip-hop, and alt-R&B. The result is a truly visionary body of work, rooted in a deep understanding of musical tradition yet endlessly forward-thinking and inventive. The follow-up to 2019’s Celia (her Grammy Award-winning, critically lauded tribute to Celia Cruz), Mother Nature fulfills a promise Kidjo first made upon accepting the award for Best Global Music Album at the 2016 Grammys, then reiterated after winning the Best World Music Album prize in 2020 and proudly proclaiming: “The new generation of artists coming from Africa are going to take you by storm, and the time has come.” As Kidjo points out, the album was sparked from a newly heightened awareness of her own musical legacy. “For many years I was mostly just focused on creating music that makes me happy and that’s true to who I am, but over time I started to realize the impact that my songs have had on the younger generations,” says Kidjo, who hails from the West African country of Benin. “This album came from thinking about how we can build from that, and start pushing things forward together.” To that end, Mother Nature confronts such pressing issues as racial inequity and the climate crisis, once again proving the longtime activist’s rare power to transform complex subject matter into music that’s radiantly joyful.
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												  Africa's Soft Power : Philosophies, Political Values, Foreign Policies and Cultural Exports / Oluwaseun Tella“This seven-chapter book is a powerful testimonial to consummate African scholarship. Its analysis is rigorous, insightful, lucid and authoritative, providing fresh perspectives on selected uniquely African philosophies, and the potential ities, deployment and limitations of soft power in Africa’s international relations. The author rigorously Africanises the concept, broadening its analytic scope from its biased Western methodology, thus brilliantly fulfilling that great African pro verb made famous by the inimitable Chinua Achebe: ‘that until the lions have their own historians, the history of the hunt will always glorify the hunter’. This is truly an intellectual tour de force.” W. Alade Fawole, Professor of International Relations, Obafemi Awolowo University, Ile-Ife, Nigeria. “This book addresses an important tool in the arsenal of foreign policy from an African perspective. African states have significant soft power capacities, although soft power is not always appreciated as a lever of influence, or fully integrated into countries’ foreign policy strategies. Tella takes Nye’s original concept and Africanises it, discussing Egypt, Kenya, Nigeria and South Africa via their respective philosophies of Pharaonism, Harambee, Omolúwàbí and Ubuntu. This study is a critical contribution to the literature on African foreign policies and how to use soft power to greater effect in building African agency on the global stage.” Elizabeth Sidiropoulos, Chief Executive, South African Institute of International Affairs, Johannesburg, South Africa. “Soft power is seldom associated with African states, given decades bedevilled by coup d’états, brazen dictatorships and misrule. This ground-breaking book is certainly a tour de force in conceptualising soft power in the African context.
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												  The African Roots of Cuban Music,The Music of the Nyayo Era,Kenyans' Elusive Search for a Cultural Identity,How Afrobeat(S)The African Roots of Cuban Music By Boima Tucker British sociologist Paul Gilroy suggested the history of culture in the Atlantic world is characterized by constant exchange. One of the most traceable elements of that exchange, is the musical connections between communities of African descent on either side of the ocean. These musical practices operate as sites of resistance, cultural retention, and social cohesion that allow us to understand some of the ways we all are formed by trans-continental processes. During the dawn of recorded music in the early part of the 20th century, Cuba—one of many New World sites of African and indigenous resistance to European colonisation and enslavement—would become a hotbed for musical export in the emerging industrialized system of music distribution. Folk musical traditions from across the island would come together in Havana’s studios, and then get dispersed around the entire Atlantic world. In the early part of the 20th Century, Cuban musical styles like son, mambo and guaguanco followed migrants and sailors out across the Atlantic, hitting radio waves in the ports of landing, and spreading throughout the interior of the countries they landed in. With its strong traces of West and Central African rhythms, this music would find legions of devoted followers on the African continent. Local artists would try their hand at recreating the sound, and start to mix elements of their own local traditions creating what we now know as Congolese rumba, soukous, mbalax, semba, kizomba, and highlife, etc. These styles, amongst many others on the continent, would go on to form the backbone of national identity in the post-independence period, their propagation supported with enthusiasm by the leaders of the new nations.
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												  Top Albums (11/09/2020 - 18/09/2020)Top Albums (11/09/2020 - 18/09/2020) Pos. SD Artiste Titre Éditeur Distributeur 1 GRAND CORPS MALADE MESDAMES CAROLINE FRANCE UNIVERSAL MUSIC FRANCE 2 FREEZE CORLEONE LMF NEUVE / CAROLINE FRANCE UNIVERSAL MUSIC FRANCE 3 2 PLK ENNA PANENKA WAGRAM 4 1 JULIEN DORÉ AIMÉE COLUMBIA SONY MUSIC ENTERTAINMENT 5 3 INDOCHINE SINGLES COLLECTION (2001 - 2021) RCA GROUP SONY MUSIC ENTERTAINMENT 6 5 GRÉGORY LEMARCHAL POURQUOI JE VIS LABEL PANTHEON UNIVERSAL MUSIC FRANCE 7 4 KAARIS 2.7.0 CAROLINE FRANCE UNIVERSAL MUSIC FRANCE 8 7 VITAA & SLIMANE VERSUS ISLAND DEF JAM UNIVERSAL MUSIC FRANCE 9 LETO 100 VISAGES REC118 WARNER MUSIC FRANCE 10 MARILYN MANSON WE ARE CHAOS CAROLINE FRANCE UNIVERSAL MUSIC FRANCE 11 8 JUL LA MACHINE BELIEVE BELIEVE 12 9 HATIK CHAISE PLIANTE MCA 13 10 NINHO M.I.L.S. 3 REC. 118 / MAL LUNE MUSIC WARNER MUSIC FRANCE 14 15 POP SMOKE SHOOT FOR THE STARS AIM FOR THE MOON ISLAND DEF JAM UNIVERSAL MUSIC FRANCE 15 13 NEKFEU LES ÉTOILES VAGABONDES : EXPANSION SEINE ZOO RECORDS UNIVERSAL MUSIC FRANCE 16 12 MAES LES DERNIERS SALOPARDS CAPITOL MUSIC FRANCE UNIVERSAL MUSIC FRANCE 17 14 DADJU POISON OU ANTIDOTE POLYDOR UNIVERSAL MUSIC FRANCE 18 16 ANGÈLE BROL INITIAL ARTIST SERVICES UNIVERSAL MUSIC FRANCE 19 19 PNL DEUX FRERES BELIEVE BELIEVE 20 17 THE WEEKND AFTER HOURS ISLAND DEF JAM UNIVERSAL MUSIC FRANCE 21 ASAF AVIDAN ANAGNORISIS PLAY TWO WARNER MUSIC FRANCE 22 11 EVA FEED MCA UNIVERSAL MUSIC FRANCE 23 22 NINHO DESTIN REC. 118 / MAL LUNE MUSIC WARNER MUSIC FRANCE 24 21 GAMBI LA VIE EST BELLE REC118 WARNER MUSIC FRANCE 25 24 MAÎTRE GIMS CEINTURE NOIRE SONY MUSIC DISTRIBUES SONY MUSIC ENTERTAINMENT 26 23 GREGORY PORTER ALL RISE DECCA RECORDS FRANCE UNIVERSAL MUSIC FRANCE Classements officiels de la Société Civile des Producteurs Phonographiques (SCPP) établis par GFK en collaboration avec le SNEP.
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												  Giant and DwarfJuraj Mesík Giant and Dwarf “New Europeans” and Perspectives of Africa Juraj Mesík was involved in ecological issues for many years; first as consultant for the then Czechoslovak Minister of the Environment and later as director of the Ecopolis Foundation. He worked for the World Bank in Washington from 2003 until 2008. Currently, he teaches about global problems and challenges at the Palacký University in the Czech Republic and at the Comenius University in Slovakia. Juraj Mesík Giant and Dwarf “New Europeans” and Perspectives of Africa Giant and Dwarf Juraj Mesík Published by the Pontis Foundation, Bratislava 2013. Edition no. 1 © All rights reserved. ISBN 978-80-971310-0-5 This publication was produced within the Knowledge Makes Change! project that is supported by the European Union. The information and views set out in this publication are those of the author and do not necessarily reflect the official opinion of the European Union. To my father (1933 – 2011) Contents Preface ...........................................................................................................................................................7 Why Should We Be Interested in Africa? ....................................................................................................9 SECTION ONE: CONTINENT OF GIGANTIC PROBLEMS Population Growth: A Thorn in Africa’s side ............................................................................................ 16 Could Malthus Be Right? Memento from St. Matthew’s Island ...............................................................25
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												  Democratic Republic of the Congo: AET Background StudyInnovationInnovation forfor AgriculturalAgricultural TrainingTraining andand EducationEducation Democratic Republic of the Congo: AET Background Study Ntam Baharanyi, Lila B Karki, Md. Mutaleb Tuskegee University Draft for Comment – Released in September 2014 Acknowledgements This document was written as part of a series of InnovATE background studies. These are studies conducted on the AET system in a particular country, at times with particular attention paid to an AET institution or program. Background studies are based partially on USAID mission interest, partially on the presence of interesting AET activities or problems, and on providing a geographical balance. Most of the initial work on the studies will be done through desktop review of available literature and communication with experts. The remainder of the information is sometimes amassed through data collection visits. Lessons learned in one country can often be applied in other countries. The InnovATE project was made possible by the United States Agency for International Development and the generous support of the American people through USAID Cooperative Agreement No. AID-OAA-L-12- 00002. For more information about the InnovATE project and other publications visit our website at http://www.oired.vt.edu/innovate or join the discussion in our Community of Practice at www.innovate- community.oired.vt.edu. Contact us at [email protected] or call 540-231-6338. Table of Contents Executive Summary .........................................................................................................................................
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											Broken Screens: National Laws on Animal ImportsBroken Screen S The Regulation of Live Animal Imports in the United States DEFENDERS OF WILDLIFE Defenders of Wildlife is a national, nonprofit membership organization dedicated to the protection of all native wild animals and plants in their natural communities. PROJECT CONTRIBUTORS The Consortium for Conservation Medicine (CCM) is a collaborative institution linking Johns Hopkins Bloomberg School of Public Health, Tufts University School of Veterinary Medicine Center for Conservation Medicine, The University of Pittsburgh Graduate School of Public Health, the University of Wisconsin-Madison Nelson Institute for Environmental Studies, the U.S. Geological Society National Wildlife Health Center and the Wildlife Trust. CCM strives to understand the links among human changes to the environment, the health of all species including humans, and the conservation of biodiversity. www.conservationmedicine.org The Invasive Species Specialist Group (ISSG) is part of the Species Survival Commission of The World Conservation Union (IUCN). The ISSG consist of about 150 scientific and policy experts on invasive species from more than 40 countries. The ISSG aims to reduce threats to natural ecosystems and the native species they contain by increasing awareness of invasive alien species, and of ways to prevent, control or eradicate them. www.issg.org ACKNOWLEDGEMENTS Defenders of Wildlife Principal Author: Peter T. Jenkins Co-authors: Kristen Genovese, Heidi Ruffler Additional assistance: Carroll Muffett, Stas Burgiel, Kelly Malsch, Timm Kroeger, Mark Cheater, Robert Irvin and Gabriela Chavarria Researcher: David Tucker Editor: Kate Davies Art Director: Jen Lee Consortium for Conservation Medicine Principal Contributor: Katherine F. Smith Additional assistance: Peter Daszak and Lisa Schloegel IUCN Invasive Species Specialist Group Principal Contributor: Michael Browne Additional assistance: Shyama Pagad, UniServices Ltd.
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											Hanoï Kel-P RemixMARIE MINET — Hanoï Kel-P Remix Kel-P remixes Marie Minet's single "Hanoi" in an original mix of genres between afrobeat and French music. A few weeks after the release of her track Hanoï, a luminous and elegant ballad about a Parisian woman's desire to leave everything behind, written with her brother during a cathartic trip to Asia, Marie Minet unveils her new version: Hanoi Remix, a rhythmic and sunny production by Kel-P. MARIE MINET [email protected] +33 667 15 30 18 MARIEMINET.COM With this new track, influenced by Afro-pop and French music, and carried by warm and voluptuous brass instruments, Kel-P once again shows her talent. A careful production, respecting the acoustic richness of its original version. Marie is a complete artist who gives herself entirely to the stories she interprets as she gives herself to life. When a second lockdown was announced, she left without hesitation to Ghana to meet a new generation of producers from the afro-fusion and afrobeat movement. During this trip, Marie Minet met Kel-P, a young Nigerian producer who made a name for himself with Burna Boy's African Giant album (nominated last year at the Grammy Awards) but also with Wizkid, Mr Eazi, Tiwa Savage, and other collaborations such as with the producer Killbeatz (Ed Sheeran, Fuse Odg, Wizkid). Her first album Clair Obscur allowed Marie Minet to express herself, revealing a mix between the diferent cultures she lived through, and confirmed with this first afro-pop remix. Kel-P, who carries the acoustic tradition of Afrobeat, brightly mixing it with electronic rhythms to ofer us a new version of Hanoi, unveiling summer.
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												  Becky G and Burna Boy Release New Track “Rotate”BECKY G AND BURNA BOY RELEASE NEW TRACK “ROTATE” (Los Angeles, CA –February 23, 2021). Global superstars Becky G and Burna Boy have joined forces on their latest track “Rotate” which is out now via Kemosabe/RCA Records. Listen HERE. Becky G says, “Rotate” to me is a celebration. I think it’s evident that futbol holds a special place in my heart and having Burna Boy join me on this made sense because ultimately I wanted to embody the perfect pre-game song that gets the blood flowing, makes you want to dance and enjoy the sport.” Burna Boy says, "This is a song that inspires you to aspire and I’m truly honoured to be a part of the champions league journey. Writing it came from a place of positivity. The belief that no matter who or where you are, whatever your background or your origins are, there is no limit to what you can achieve when you put your mind to it! I believe we are ALL champions!" "Rotate," which was co-written by both artists along with SoFLY, Nius, DiGenius, Elena Rose, Nate Campany and Jin Jin and produced by SoFLY, Nius and DiGenius, is currently featured in the 2021 Pepsi global football campaign “Music Keeps Us Fizzing’ which launched earlier this week (https://youtu.be/EMjHEukGL7M). The lyrics and beat of the track, ‘Rotate’, are inspired by this year’s roster of Pepsi football talent and are a tribute to the beautiful game. ABOUT BECKY G Singer, songwriter and actress Becky G was born for the spotlight and her multifaceted career is shaping up to be nothing short of iconic.
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												  Oneafrica Award Winners.PdfBios of the OneAfrica Awards winners: 1. Cultural Influencer Award recipient - Burna Boy Damini Ebunoluwa Ogulu, best known as Burna Boy, is a Nigerian born singer and songwriter. Ogulu grew up in southern Nigeria and began making his own beats using FruityLoops. He rose to prominence in 2012 after releasing "Like to Party", the lead single from his debut studio album L.I.F.E (2013). The album sold 40,000 copies on the first day of its release. His third studio album Outside marked his major-label debut. In 2019, he won Best International Act at the 2019 BET Awards and was announced as an Apple Music Up Next artist. His fourth studio album African Giant was released in July 2019; it won Album of the Year at the 2019 All Africa Music Awards and was nominated for Best World Music Album at the 62nd Annual Grammy Awards. Burna Boy describes his music as Afro fusion, a genre that blends Afrobeat, dancehall riddims, reggae, American Rap and R&B. August Brown of The Los Angeles Times said Burna Boy's sound is "savvy and modern but undistracted by obvious crossover moves". 2. Research in Healthcare Award recipient - Prof Salome Maswime Salome Maswime is a South African clinician and health expert. She is an Obstetrician and Gynecologist and Professor of Global Surgery at the University of Cape Town. In 2017, she was honored with the Trailblazer and Young Achiever Award. Maswime is from Limpopo and graduated in medicine from the University of KwaZulu-Natal in 2005. During her medical internship, she saw two deaths in Greytown, KwaZulu-Natal.
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												  Final Nominations ListNATIONAL ACADEMY OF RECORDING ARTS & SCIENCES, INC. FINAL NOMINATIONS LIST THE NATIONAL ACADEMY OF RECORDING ARTS & SCIENCES, INC. Final Nominations List 62nd Annual GRAMMY® Awards For recordings released during the Eligibility Year October 1, 2018 through August 31, 2019 Note: More or less than 5 nominations in a category is the result of ties. General Field Category 1 8. SUNFLOWER Record Of The Year Post Malone & Swae Lee Award to the Artist and to the Producer(s), Recording Engineer(s) Louis Bell & Carter Lang, producers; Louis Bell & Manny and/or Mixer(s) and mastering engineer(s), if other than the artist. Marroquin, engineers/mixers 1. HEY, MA Bon Iver BJ Burton, Brad Cook, Chris Messina & Justin Vernon, producers; BJ Burton, Zach Hansen & Chris Messina, engineers/mixers; Greg Calbi, mastering engineer 2. BAD GUY Billie Eilish Finneas O'Connell, producer; Rob Kinelski & Finneas O'Connell, engineers/mixers; John Greenham, mastering engineer 3. 7 RINGS Ariana Grande Charles Anderson, Tommy Brown, Michael Foster & Victoria Monet, producers; Serban Ghenea, John Hanes, Billy Hickey & Brendan Morawski, engineers/mixers; Randy Merrill, mastering engineer 4. HARD PLACE H.E.R. Rodney “Darkchild” Jerkins, producer; Joseph Hurtado, Jaycen Joshua, Derek Keota & Miki Tsutsumi, engineers/mixers; Colin Leonard, mastering engineer 5. TALK Khalid Disclosure & Denis Kosiak, producers; Ingmar Carlson, Jon Castelli, Josh Deguzman, John Kercy, Denis Kosiak, Guy Lawrence & Michael Romero, engineers/mixers; Dale Becker, mastering engineer 6. OLD TOWN ROAD Lil Nas X Featuring Billy Ray Cyrus Andrew "VoxGod" Bolooki & YoungKio, producers; Andrew "VoxGod" Bolooki & Cinco, engineers/mixers; Eric Lagg, mastering engineer 7. TRUTH HURTS Lizzo Ricky Reed & Tele, producers; Chris Galland, Manny Marroquin & Ethan Shumaker, engineers/mixers; Chris Gehringer, mastering engineer © The Recording Academy 2019 - all rights reserved 1 Not for copy or distribution 62nd Finals - Press List General Field Category 2 8.