SKOWHEGAN SCHOOL OF PAINTING & SCULPTURE 136 WEST 22ND STREET, NEW YORK, NY 10011 / T 212 529 0505 / F 212 473 1342 WWW.SKOWHEGANART.ORG JOURNAL

Non-Profit Org. U.S. Postage 2014–2015 PAID New York, NY Permit No. 6960

Founded in 1946 by artists for artists, Skowhegan School of Painting & Sculpture is one of the country's foremost programs for emerging visual artists. The intensive nine-week summer 03 Summer 2014 16 Space Launch session, held on our nearly 350-acre campus in Maine, provides a collaborative and rigorous Why Are These Games So Bad? New York Space Fund environment for artistic creation, risk-taking, and mentorship, by creating a flexible Sharon Madanes (A '14) skowheganBOX no.2 pedagogical framework that is informed by the School's history and responsive to the Susan Metrican (A '14) individual needs of each artist. Skowhegan summers have had a lasting impact on the Sreshta Rit Premnath (A '09) Paper Negatives practices of thousands of artists, and the institution plays an integral role in ensuring the Inaugural Season Tei Blow (A '14) vitality of contemporary artmaking. 136 W. 22nd Street Selected Documentation Daniel Carroll (A '14) Bernard Langlais and Skowhegan 26 Alumni Programs & News Hannah W. Blunt 2015 Session June 6 – August 8 42 Support I see you, you see me. (2014) Resident Faculty Visiting Faculty Special Lecture LaToya Ruby Frazier (A '07) David Diao (F '70) Theaster Gates by Felipe Steinberg (A '14) Neil Goldberg Jonathan Berger Odili Donald Odita Lizzie Fitch & Ryan Trecartin Michelle Grabner Regina José Galindo Sarah Oppenheimer Julie Ault Bridging the Gulf Katie Sonnenborn & Sarah Workneh Co-Directors

The summer of 2014 was tumultuous and dangerous in much of the world. At times it was difficult to negotiate living in Skowhegan's idyllic environment, rooted in freedom and generosity, when the world outside was so intensely complicated, violent, and dark.

Over 69 years, this has often been the case. The School has lived through wars, the unrest that launched the Civil Rights Movement, the Feminist Movement, the AIDS Crisis, 9/11, and political and financial upheavals throughout this country and the globe. Yet throughout the chaos, Skowhegan has remained a place where artists experience a generosity not often found in regular life, and can feel confident in pushing beyond the status quo.

This experience was by design. Our Founders understood the need for an alternative and inclusive arts education experience when they started Skowhegan in 1946, and which they shaped through consecutive summers in which a true diversity of artists assembled to “gather under the banner of the muses to work, to share and to nurture what they held in common: Art.” 1 In evaluating the School's impact over seven decades, it seems clear that by offering a place of hope and safety, artists can envision new possibilities through their work. It is this aspiration that makes Skowhegan different, and that defines its legacy.

Sustaining this spirit is what drives Skowhegan (the organization) to engage in a similar kind of aspirational imagining. In recent years, the staff and boards have conducted deep study of our campus infrastructure and staffing, our organizational presence and purpose within the art community, and our governance to ensure that we can continue to offer artists an alternative context to develop work and to push the boundaries of their practices. The mission of the organization is centered on the nine-week program and important new developments emerged that will solidify this vision, among them: a multi-year plan for campus improvements; a new digital presence; and improved fundraising. And while Skowhegan's program has always been visible, our permanent space in New York makes it tangible in new ways for our alumni, faculty, donors, and the larger art community, and offers another safe place to come together and exchange ideas.

Each August as we prepare to leave campus, we talk about how the entirety of the experience hinges on returning to the home from which we have been isolated, and bursting the relative safety of the bubble that is Skowhegan, so as to unite it with the world in which it exists. Our programs off-campus reach towards bridging this gulf, as do the relationships among more than 4,000 artists who have been affected by living and working together in Maine.

1 John Button (F '64, '65, '75) in his tribute to Skowhegan Co-founder Willard Cummings at his memorial service on July 27, 1975 at the South Solon Meeting House.

3 4 Why Are These Games So Bad? Illustration by Sharon Madanes (A '14) Text by Susan Metrican (A '14)

There are certain events each summer that act as almost a stand-in for the entire experience of the group of 65 distinct individuals who find themselves at Skowhegan. Sometimes these events happen early and set the tone for group interaction— sometimes they happen once the group can no longer imagine anyone else and collective brainstorming takes hold. In 2014, both happened—the nexus of practice and making, collaboration, spontaneity, and joyful celebration manifested itself into a carnival called HappyLand. The Stuff they picked up at the dump Bla Bla...hihi hi, this Chatterbox has would be the perfect material for what something she wants to tell you. “We they had in mind, but The Stuff had came up with the idea of the face- another plan. “The dump is actually a painting booth mainly so we could touch really great place to find materials for each other's faces. It was nice to catch projects—and it's a good way to be up and see how people were coming spontaneous!” – participant along with their work and missing home Haunted Pile, Kyle Downs and stuff.” – participant Bla Bla...hihi hi, Make-Up Salon, Sharon They had 24 hours, and worked Madanes & Irini Miga straight through lunch. “I was super hungry, we all were, but we had to keep Where the hell is everybody? The working. This thing was supposed to pop Lone Sweeper is the only one left to off in about 8 hours.” – participant clean up the mess. “I just found it pretty annoying that everyone was willing to A backwoods bloodbath that will get in there and make a huge mess and tickle your heart, then rip it out. “We enjoy themselves, but when it was time spent countless hours talking in those to clean up, they're all still asleep." rocking chairs on the porch. It was good – participant to be able to turn off your cellphone and insta-chat and get to know someone the old fashioned way.” – participant Knock Out the Teeth of the Redneck Zombie, Willie Stewart

HappyLand Games: Heavy Plinko, Andrew Hamill Arm Wrestling, Everybody & Magdalen Wong Prince Albert, Kolbeinn Hugi Ayo's Massage, Ayo Shih Tuzan the Fortune Teller, Kyle Downs, Billy Putt-Putt, Kyle Downs & Alex Goss Susan Metrican & Kuldeep Singh B-Movie Screening, Kyle Downs Monster Acne, Nick Doyle, Kyle Downs & Willie Stewart & Willie Stewart Greek Vase Head-in-Hole, Katapult Kornhole, Chris Papa Susan Metrican Basketball, Aaron Fowler T-shirt Painting, Alex Cohen DJ, Austin White

HappyLand is an artist-made traveling circus that contains unusual games, prizes, b-movie screenings, and multiple performances involving the artists as clowns, side-show performers, and HappyLand employees. The environment and props are built by the artists twenty-four hours ahead of the performance from local, discarded materials, and found objects, transforming everyday detritus into a collaborative environment that fosters creative problem solving on a community and personal level. – Kyle Downs & Willie Stewart

5 3 Paper Negatives by Tei Blow (A '14) 2014 Participants 2014 Resident Faculty

Kenya (Robinson) Gabino Castelan Alex Goss Sharon Madanes Holly Pitre Jeffrey Gibson Noor Abed Xinyi Cheng Andrew Green J. Louise Makary Yoshie Sakai Jennie C. Jones (A '96) Alejandro Acierto Allana Clarke Nicolás Gullotta Jonatah Manno Ayo Shih Yoshua Okón Catalina Africa Alex Cohen Lauren Halsey Jonathan Marshalik David Shrobe Marc Swanson (A '00) Sigrid Sandtröm (A '00) Cortney Andrews Oscar Cornejo Andrew Hamill Sean McElroy (Royal Kuldeep Singh Osiris Karaoke Ensemble) Mario Ayala Kyle Downs Elizabeth Harney Corinne Spencer Holli McEntegart Nicolás Bacal Nick Doyle Robert Hodge Rachel Stern 2014 Visiting Faculty Susan Metrican (not shown) Christopher Earley William Stewart Seline Baumgartner Audrey Hope Irini Miga John Edmonds Ashley Teamer Luis Camnitzer Anthea Behm Kolbeinn Hugi Madsen Minax Jamie Felton Austin White Abraham Cruzvillegas Claudia Bitran Singithi Kandage Sophia Narrett Felipe Steinberg (not shown) Magdalen Wong Sheila Hicks Tei Blow (Royal Osiris Chris Papa Karaoke Ensemble) Aaron Fowler Baseera Khan Julie Yeo Roni Horn Joseph Parra Matt Brett Anna Garner Kylie Lockwood Betye Saar (F '85) Oren Pinhassi Daniel Carroll Doreen Garner Eric Nathaniel Mack Simon Critchley (Paul Mellon Distinguished Fellow)

4 5 04

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8 9 Selected Documentation by Daniel Carroll (A '14)

It is impossible to convey the energy of any given summer to those who cannot be there to experience it—that is also part of its beauty. Each year, we use the Journal to recount some of the stories and projects that occurred over the summer but talking about the remarkable diversity of work and the personal engagement of the participants, faculty and staff, is almost like telling ghost stories—legends, lore. In 2014, however, through his almost relentless support of his fellow participants, Danny Carroll leaves us with documents that simultaneously demonstrate the breadth of work and the generosity that seemed to overwhelm the spirit of the summer. Thank you, Danny, and thank you, class of 2014.

– Sarah Workneh, Co-Director

07

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Documented works by:

01 Nicolás Gullotta 07 Anna Garner 02 Holli McEntegart 08 Anthea Behm 03 J. Louise Makary 09 Danny Carroll 04 Cori Spencer 10 Cortney Andrews 05 Rachel Stern 11 Allana Clarke 06 Claudia Bitran

09 11

10 11 Bernard Langlais and Skowhegan Hannah W. Blunt Langlais Curator for Special Projects, Colby College

In 1940, Bernard Langlais left his home state of Maine, set on pursuing a career in commercial art. His childhood studio—a loft space over his grandparents' barn—was filled with his early artistic exploits: comic strips, painted banners for local sports games, and cartoon drawings. Eager for training and artistic exposure, Langlais said he was “just biding my time, waiting to finish high school so that I could go somewhere else.” In 1949, after a stint in the Naval Air Command and several years studying at the Corcoran School of Art in Washington, D.C., he received a scholarship to the Skowhegan School of Painting & Sculpture. On the then 160-acre farm, with its converted-barn studios, rolling fields, and open-air “classrooms,” Langlais was enlightened by paradox: he was surrounded by a diverse group of experimental artists, in a rural setting just 60 miles down the Maine back roads from his childhood home in Old Town. “The first summer at Skowhegan changed the direction of my life,” he wrote in 1973. He abandoned commercial design for fine art, and began making vibrant, expressionistic painted landscapes.

Langlais returned to Skowhegan as a participant for three summers in a row (1949-51). He forged close friendships with Alex Katz and Charles Duback, artists who became his studio mates in New York City. Skowhegan School co-founder Willard “Bill” Cummings—once described as a man who was “just farming artists instead of chickens”—became a friend and mentor. Langlais rented a cottage from Cummings on Wesserunsett Lake after the School's session. It was even in Skowhegan, at Lakewood Theater, across the Lake from campus, that Langlais first spotted Helen Friend, an aspiring singer and the daughter of a Maine state senator who was working at the ticket booth— they married in 1955.

The deeper, more lasting effect of the School, however, was Langlais's fixation on the environment of his art: how and where he worked; the materials and techniques he used; and the conditions in which he completed and displayed his pieces. Outdoor space, old barns, reclaimed wood, and fresh Maine air became integral to Langlais's art. By the late 1950s, Langlais abandoned painting for the medium of wood—a material he found more intuitive. Langlais remained close to Bill Cummings even after he purchased his own summer cottage in Cushing. When Langlais debated moving back to Maine full-time in the mid-1960s, he confided in a letter to Cummings: “I think I've had it with NY.”

It was Cummings who recommended Langlais to the Skowhegan Tourist Hospitality Association in 1967 for their planned monument to Maine's Native Americans. Cummings applauded their decision “to have a fine work of art rather than a commercial statue with no local or artistic identity.” Nonetheless, and not surprisingly, Langlais challenged the Association's concept for the commission. The original plans outlined a thirty-foot statue representing an Indian, which one advisor to the project described as, “a compromise between

12 13 expected-tourist-stereotype and whatever historical-accuracy- were Langlais's succinct, humble remarks at the ceremony: “I've lived we-can-uncover.” Langlais used the full 70-foot timbers that were with this fellow for two years. There will be an empty space in my donated for the project and, after taking it upon himself to research yard. He's become a good friend. I hope you accept him as that.” the local native peoples, represented an Abenaki man with fishing weir and spear, rather than the figure with headdress, loin cloth and By the time of the Indian's dedication, Langlais had populated his tomahawk that had been proposed. He worked on the project for two backyard with half a dozen large-scale wood sculptures, mostly years, building scaffolding for the statue in the front yard of his home representing animals, from the jungle to the plains to the realms in Cushing in order to work on the sculpture at its full height. of make believe, but also athletes and politicians. That number multiplied in the 1970s as his land became his primary canvas. He In June of 1969, the monumental piece was transported to covered the exteriors of his barns with wood reliefs, and moved and Skowhegan on a flatbed truck with a similarly gigantic banner that reworked three-dimensional pieces in an ever-changing outdoor identified the cargo as THE SKOWHEGAN INDIAN. The legislative installation. Langlais acquired live sheep, geese, a donkey, a ram, and body recessed as the Indian passed the State Capital in Augusta. In a horse to graze among the sculptures. By his death in 1977, he had the weeks leading up to the dedication ceremony, a rumor began to created a farm of his own in Cushing, a rolling field with old barns, spread that President Richard Nixon might be in attendance at the muddy ponds, and river views, where art was the bumper crop. dedication event. Much better than an appearance by Nixon, though,

I see you, you see me. by Felipe Steinberg (A '14)

Felipe Steinberg is a Brazilian artist whose film and video works relate largely to an examination of global political structures explored through the micro relationships expressed in daily life and culture. While at Skowhegan, Felipe developed work in response to a local public sculpture, Bernard Langlais's Indian, which was undergoing renovation. Interested in both the town's investment in preserving the sculpture and its complicated history with the Native American population, Felipe inverts the colonial eye by using film and photo to convey the Indian's gaze upon the town's inhabitants.

Images courtesy of Hannah W. Blunt & Colby College

14 15 Michael Huseby Nataliya Slinko (A '10) From The Board New York Space Fund Mary Ellen Keating Elizabeth Smith Mihail Lari and Scott Murray Katie and Jonah Sonnenborn Nicholas Lawrence (A '83) Marc Swanson (A '00, F '14) Dear Friends, In 2014 Skowhegan opened its first permanent home in New York Allen W. Lindstrom Julianne Swartz (A '99, F '08) for the office, publicly accessible archives, and a flexible program Robert L. Looker Jackson Taylor After 68 years, Skowhegan continues to be a leading opportunity for emerging visual artists space. We gratefully acknowledge the following individuals and Donald Moffett (F '04) and Hanna and Matthew Robert Gober (F '94) Usdan Foundation and the nine-week summer session remains our core purpose. To complement this mission, foundations whose generosity helped make this project possible. Tiffany E. Moller Julia B. Weld Skowhegan has established several new initiatives to create active hubs uniting alumni and Margaret Morton Cecilia Wolfson faculty of different generations, as well as making Skowhegan more accessible and visible to the Amanda and James Sarah Workneh Opinsky (A '77) contemporary art world at large. These include the new website, the alumni Tumblr, and the New Major Gifts Daniel J. Desmond Don Zacharia York home with its flexible program space and archives. Greg and Susie Palm, The Lawrence S. Zilavy Graham and Ann L. Gund Chiara and Ben Edmands Palm Foundation Nancy Negley (A '73), The William Ettelson Sheila Pepe (A '94, F '13) Reading Room Support Board membership is central to Skowhegan's success, and we are pleased to introduce new Brown Foundation Constance Evans Langhorne Perrow The Looker Family Trust, members: John Coleman, CEO of the VIA Agency, a leading independent advertising agency Alan Wanzenberg Litsa Floris Paul Pfeiffer (F '05, '10) "Looker South" based in Portland, Maine, and Mihail Lari, a Los Angeles-based collector and entrepreneur, joined John H. Friedman Arthur Pober Support Christopher Gaillard Special Thanks the Trustees; artists Jennie C. Jones (A '96, F '14) and Martin Kersels (F '10) joined the Governors. Diane L. Ackerman Mr. and Mrs. Duncan Alan Wanzenberg Peter Gethers Alex Blavatnik M. Pollock Seky Gomez Their experience, interest, and leadership will help further our mission and keep Skowhegan on Amy and John Griffin Gayle E. Brown Lindsay Pollock and Elizabeth Peeples course. We acknowledge three Trustee retirees: George Ahl (13 years) championed emerging Anne and RJ Grissinger Amy Cappellazzo and Andrew S. Zarnett AWAPC artists and led spirited efforts to broaden Skowhegan's reach and visibility; Lisa Richards (16 Joanne Rosen Agnes Gund Mr. and Mrs. Judson P. Reis John Melick years) established an endowed Travel Fund to help international artists access Skowhegan; and John R. Coleman, Charlotte Hall Louise and Leonard Riggio Blue Medium Robert Shapiro (24 years) played a critical role in stabilizing Skowhegan's finances and building its The VIA Agency Kate Haw Meredith and Conley Rollins Rick Prins Marie Therese Heiden Alison Rosenbaum endowment. We salute their service and thank them for so many contributions. Julian and Lucy Colville Bruce McQuirk Brammie and Warren C. Cook Steve Henry and Philip Beverly Semmes Skadden, Arps, Slate, Shneidman (A '82, F '01, '05) Meagher & Flom LLP For both boards, an abiding priority is improving our physical plant. A campus assessment Eleanor Acquavella Dejoux revealed deferred maintenance and necessary renovations that are now underway, as are plans to study future building needs and prospective sites. Working in concert with local builders and historic preservationists, the Buildings & Grounds Committee and staff have developed a feasible plan to restore buildings while maintaining the specificity of Skowhegan's site, and the aesthetic vision of Bill Cummings. The acquisition and renovation of 136 West 22nd Street was a major undertaking. Beautifully designed by Trustee Alan Wanzenberg with financial and legal input from Trustee Rick Prins, the project came together thanks to the contributions of many, notably Ann and Graham Gund and Nancy Negley (A '73). It has been fantastic to see the program space activated by alumni, as detailed in the pages of this journal.

Skowhegan's ever-changing artist community is enabled through a dedicated and consistent staff, and we gratefully acknowledge the service of librarian Judy Stoodley who retired after 14 years. Judy embraced Skowhegan's unique composition, writing in 2009: If I could identify trends in interests I would, but I hope that never comes to pass, as the most exciting and challenging thing about working [here] is the almost guaranteed unpredictability that each new class of unique and decidedly un-trendy artists presents. Her commitment to a flexible, responsive structure was matched by Mary Looker and Trustee Rob Looker's sense of purpose and decade-long support for the library. Last year they formalized this connection through a major endowment gift that will sustain acquisitions and provide seed funds for the collection of artists' books in New York, a visionary gift that goes to the heart of what Skowhegan does.

We hope you enjoy learning about the class of 2014 and our inaugural season at the New York space, and that you will join us at a program, event, or campus lecture soon.

Ann Gund Maria Elena González Chair, Board of Trustees Chair, Board of Governors

Greg Palm Anoka Faruqee President, Board of Trustees Vice Chair, Board of Governors

Mary Mattingly (A '10), Mobile Food Forest (2014), commissioned sculpture for outdoor rear space / Photo Nat Ward 16 17 skowheganBOX no.2 Sreshta Rit Premnath (A '09)

Brian Bress (A '07), Organizing the Physical Evidence (2014), Diptych, archival inkjet print (edition of 25), 14 x 11 inches, each Photo Brian Bress skowheganBOX no.2 – the second edition of Skowhegan's limited edition print box set – contains work by Lucas Blalock, Brian Bress, John Houck, and Letha Wilson. This group of young American photographers has become identified with a larger movement that self reflexively considers the problems of photographic representation.

The impulse to expose a photograph's objecthood is a riposte to the fundamental nature of photography as described by the philosopher Vilém Flusser. He claims that photographs: “are difficult to decode, for a strange reason. To all appearances, they do not have to be decoded since their significance is automatically reflected on their surface.”1 The aphoristic rephrasing of this conundrum is found in the title of John Houck's 2012 exhibition at Kansas Gallery in New York: “To understand photography, you must first understand photograph."

Houck's contribution to BOX no.2 is a parametric edition of silkscreen prints that are an extension of his Aggregates Letha Wilson (A '09), Headlands Golden series. Previous iterations of this project involve a grid pattern produced by a custom algorithm, which is printed, folded, Cement Fold (2014), photographed and reprinted several times. The resulting artworks confound the perceptual expectations that separate the C-print, mounted on museum board (edition photographic image from its material substrate. In this iteration, Houck uses the variable shadows produced by shifting the of 25, hand-folded), orientation of several layers of a silkscreen aggregate, resulting in images that are at once equivalent but unique. 16 x 12 x 5/8 inches

1 "Vilém Flusser; Towards a Philosophy of Photography," pg. 14; Reaktion Books, 2013

18 19 This oscillation of the photograph between representation and thingness continues in Brian Bress's double portraits. Each box contains two comically monstrous doppelgangers, whose elaborately handmade faces could be endlessly reconstituted. The diptych functions like two frames from a video, each departing from the other while leaving an absent, unaccounted temporal lag in between the frames. Furthermore, the artifice of the mask as a stand-in for the people it hides belies a further obstruction in the surface of photographic representation.

The photographs of Lucas Blalock stage this rupturing of the photographic surface through procedures of digital post-production gone awry. The use of the Photoshop stamp tool, for instance, leads to the creation of a photographic reality that no longer bears an indexical relation to the world as we know it. Blalock has produced an ambitious set of hand-bound books containing a single centerfold, unique to each BOX in the edition, and collectively titled “THIMGS”. An appropriate name in which the misplaced “M” may stand for the parochial spoke in the wheel that derails each photograph. Lucas Blalock (A '11), THIMGS (2014), Unique hardcover artist books in three sizes: 9 5/16 x The reconstitution of photographs into sculpture is 7 7/16 x 7/16 inches; 8 7/16 x 6 10/16 x 7/16 inches; 7 5/16 x 4 13/16 x 7/16 inches most evident in Letha Wilson's practice. Concrete matrices, architectural disruptions, cuts and folds Left: Sweater (watermelon print) (upside down) / interrupt the photographs of sublime American Sweater, 6/25 landscape. The material inlay aspires not only to reveal the limits of the photograph, but also to supply the viewer with fragments of the tactile world that the photograph itself elides. For her contribution to BOX no.2, Wilson has dipped a photograph of a California sunset into concrete, re-photographed the resulting hybrid and folded the final photo-print into an accordion. The artwork that results from this operation John Houck (A '08), Variable Shadow #1 (2014), acrylic silkscreen on archival pigment elicits a viewer's apprehension of a sunset, and the print on 100% cotton rag, unique (series of 25 parametric prints) 17 x 12 inches simultaneous acknowledgement of looking at looking AP1–AP4/4 pictured at a photograph of a sunset – a recursive gesture that brings us back to the aporia inherent in this group of conceptual photographic practitioners.

skowheganBOX no.2 launched at the New York space on November 18, 2014. It has since been acquired by the Portland Museum of Art and the Whitney Museum of American Art.

Sreshta Rit Premnath is the founder and co-editor of the publication Shifter. Premnath completed his MFA at Bard College, and attended the Whitney Independent Study Program in 2008.

Photos courtesy of Nat Ward, except where noted

20 21 Inaugural Season at 136 W. 22nd Street

Skowhegan's off-campus programs are collaborative in nature and experimental in character. They delve deeply into topics that inform contemporary artmaking and build community between alumni and faculty of all years — as well as a broader group of artists, curators, writers, collectors, and enthusiasts.

SPACE/LAUNCH DECEMBER 13, 2014 ALUMNI PUBLICATION & INAUGURAL ALUMNI EVENT

SPACE/LAUNCH, a publication featuring the works of 39 alumni, was edited by artists Ester Partegás (F '09), Sreshta Rit Premnath (A '09), Birgit Rathsmann (A '04), Adam Shecter (A '06), and Roger White (A '05) and printed on the occasion of the New York space alumni opening event. Installation by Beverly's (A '12) at SPACE/LAUNCH

Daniel Bozhkov (A '90, F '11), Wesserunsett Boogie-Woogie (2014), commissioned sidewalk-facing fresco sign

VARIATIONS VIII Kolbeinn Hugi (A '14) DJing at the Valentine's Day Reunion during CAA DECEMBER 18, 2014 INAUGURAL ALUMNI PERFORMANCE

Early conversations about the vision of 136 W. 22nd Street stressed the importance of evoking a sense of place that both was distinct in New York and also tied back to our home in Maine that has had such a singular impact on the lives and practices of so many artists. In many ways, the re-staging of John Cage and Merce Cunningham's 1967 performance of Variations VIII was the perfect piece to launch our programming—it was an exploration of site, it was rooted in the architecture of our campus in Maine, it was an engagement with our archive, which is now housed at 136 W. 22nd Street, and it was an experience of locating ourselves in a new context. Part of the challenge that Cage and Cunningham took on at Skowhegan in 1967 and have left for us is to “accept an invitation to a distant place” and use only that which is found in the space to create a score. John Dombroski & Ander Mikalson stayed true to the notation, using space and its contents as inspiration and instrument. The story of the original performance of Variations VIII can only exist in an imaginary, and like Skowhegan itself must be recreated, reinvented and reenvisioned each time it is performed. Mary Mattingly (A '10), Mobile Food Forest (2014), commissioned Michael Scoggins (A '03) with his commissioned donor wall / Photo Photo Maria Baranova sculpture for outdoor rear space (alternate view) / Photo Nat Ward Maria Baranova

22 23 STAGING SEX, STAGING SELF WEDNESDAY, APR 22 THE IMPOSSIBLE FEBRUARY 18 – MAY 6, 2015 CHELSEA KNIGHT (A '08) & AUTUMN KNIGHT MAY 14, 2015 A PERFORMATIVE LECTURE SERIES LATENCIES ALUMNI VIDEO SCREENING

This lecture series plunges the ambiguities of identity formation. It moves over and under that line where the body meets language and where that same body asks, "How is it that I am this way?"

This lecture series lives under the umbrella of performance art, but it is also theater. It's ABOUT theater. It collides with a certain kind of academic pursuit and presentation that plumbs boundaries of what "academic" is or might be. It lays claim Knight + Knight's Latencies: "We want to tell to its own performativity – its writing—as a non-linear you our two stories: latent and manifest. This is composition that may or may not have been written for us our hysterical story (hysterical in the Freudian before we even showed up. sense), the story of our alliance, our fraudulence, our transgression, our passive aggression, our This lecture series competition, our sexuality (or rather hypersexuality), hinges on the production of gender, theatricality and and our relation to the world, as women. How we culture. These are self conscious and self-aware relate to one another has everything to do with enactments and - should we say - pageants, in a how we relate to you, and who YOU are defines framework of kindred ideas. We hope you will enjoy them. everything, because I am only NOT YOU, and you WEDNESDAY, APR 8 We hope you will enjoy them. are only NOT ME" ESTEBAN DEL VALLE (A '11) Nathan Boyer, still from Robot's Alpine Quest (2010) INVISIBLE TYRANTS: FINDING THE Featuring: WEDNESDAY, FEB 18 WEDNESDAY, MAY 6 MASTERS BEYOND THESE SHACKLES Seline Baumgartner (A '14) Chaja Hertog (A '12) & Nir Nadler (A '12) NADIA AYARI (A '06) JONATHAN Esteban del Valle addressed the Lynda Benglis (F '78, '79, '99) Lindsay Lawson (A '13) WHAT YOU NEED VANDYKE (A '08) & Robert Burtis Nicolas Mastracchio (A '12) hierarchal structures embedded in the Claudia Bitran (A '14) Nadia Ayari read a selection SELF EVIDENCE Ivan Monforte (A '04) conversation of privilege vs. accessibility Nathan Boyer (A '01) Birgit Rathsmann (A '04) of prose and poetry that and how it relates to notions of “good” Jonathan VanDyke Annette Cyr (A '76) Gretchen Skogerson (A '09) touched on fig holes, Africa and “bad” art: "Growing up as a graffiti looks for himself in Sara Eliassen (A '10) & Luca Antonucci Willie Stewart (A '14) and the future. artist and having never lost my love for a family photograph Kolbeinn Hugi Höskuldsson (A '14) George Terry (A '08) painting walls and illustration, I have found myself split between two different “art taken during his More than merely unlikely or improbable, the impossible occupies a realm of the worlds” with two different approaches to creativity. After watching a room full of childhood. The picture miraculous, the unbelievable, the elusive, or the biblical/mythical. As technology has my Skowhegan peers laugh and mock several painters I found myself relating to, I shows his adopted advanced and science has offered explanations and discoveries, it becomes harder to was forced to ask the question, 'Who is right in this situation?'” Uncle wearing his contemplate the impossible. WEDNESDAY, MAR 25 mother's dress while CHRIS DOMENICK (A '12) WEDNESDAY, APR 15 holding the trunk of Once in the realm of science-fiction and visions of yesterday's tomorrows, even human RAMAPO ET CETERA ELLIE KRAKOW (A '08) a stuffed elephant in his mouth. VanDyke's lecture life on Mars, artificial intelligence, human genetic engineering, and the ability to bring RECOVERY OR SEMBLANCE explored the issues faced by queers who were back long extinct species all seem within the possible, if not the inevitable. With these Chris Domenick analyzed OF RECOVERY children during the AIDS crisis and 80s culture leaps of science and technology, the impossible occupies more space referring to the design and architecture wars, and how the hyper-capitalism and theatricality the fabled, sacred, or sublime, conjuring up images of immaculate conceptions, of one rest stop in upstate Ellie Krakow hosted a conversation that of this period nurtured a certain type of passing resurrections, or divine, supernatural powers. New York (Ramapo, NY) explored how we manage to pick up the (including his own). Augmented by research into as a consequence of the broken pieces and put them back together a gay panic that happened in his rural hometown, It can also refer to the elusive, the unattainable object of desire, the endless white evolution of American in some inherently altered form. Using her passages from the soap operas he watched as a whale quest, or that which cannot be quenched. Related to this desire is the obsessive, highway ideology. He research into the ethics and techniques child, and memories of a disappeared Uncle, he fanatical, or extreme feat of human endurance. asked how the rest stop of restoring ancient sculpture as a jumping off point the discussion probed at how evoked the repressed ghosts of a lost generation functions in terms of a 'site' and why we recover. And it explored the role that staging plays in this processes— The impossible invokes grade-school memories of furiously searching through The of queer mentors while exploring his own transition or 'location' with geographic specificity. The lecture where staged and real recoveries meet, and how they affect and support one Guinness Book of World Records and marveling at impossible lengths of hair, prolonged from theatrical youth to closeted jock. operated as a psychic global travelogue, considering the another. years of sustained hiccups, or absurdly dedicated acts of physical repetition and construction and dissolution of individual subjectivities. endurance. Participants in the dialogue were: Aida Šehovi ´c, creator of “Što Te Nema?” a The lecture highlighted the social and sexual ruptures participatory nomadic monument that commemorates the Bosnian genocide, and The impossible also stands for the fifth consecutive year of Skowhegan Alliance video in this story and use them as a point of departure to Sarah Plazas, a Tibetan Buddhist scholar, translator and practitioner who suffered programming—a small feat in itself. discuss political boundaries, selfies, and the relationship and recovered from a severe burn. between space and global networks. Exploring The Impossible, The Skowhegan Alliance was pleased to present these eighteen video artists and collaborators spanning nearly 40 years of Skowhegan alumni.

24 25 Composition With Yellow, by Joan Branca, Blend Alumni News Sandra Ainsley Gallery, Studio Gallery, Nashville, TN; Toronto, Ontario Canada Poetry and the Art of Eating, Alumni Programs Gallery North, Setauket, NY; Edgar Franceschi Long Island Biennial, The Edge-ceramic Sculptures, The Heckscher Museum of Art; Fall 2013 – 2014 Exhibitions Clay Studio, Philadelpia, PA Gallery Artists, Islesford Artists Gallery, Islesford, ME 1968 A selection of news and images by alumni and past faculty. The following Christy Bergland Thomas McAnulty Cycles of Change: The On The Wall, Carter Burden STUDIO SPACE IN CRISIS exhibitions occurred between November 1, 2013 and October 31, 2014. Seasons at Great Pond, Gallery, New York, NY; Art MARCH 27, 2014 Himmelfarb Gallery, Maryland and Faith, Whitestone Gallery, University of Integrative Philadelphia PA; What You CABINET, BROOKLYN, NY Health, Laurel, MD; The Big See Is What You Get, Carter Show, Creative Alliance at the Burden Gallery, New York, NY Skowhegan, Art F City, and the Artist Solutions to such a nebulous problem Patterson, Baltimore, MD Dena Schutzer Studio Affordability Project (ASAP), have been difficult to identify; however, Barry Nemett Second Nature: Beauty in co-hosted “Studio Space in Crisis,” a number of advocacy groups in the Paintings and Drawings by the Ordinary, TransForm Barry Nemett, Guilin Museum Gallery, New Rochelle, NY a panel discussion on the rising cost city are focused on different aspects of Art, China; Sharper Focus, of studio and living space, and issues of the probem. Placeholder researches Ethan Cohen Fine Arts, New Hunt Slonem York NY; Sharper Focus, Part The Worlds of Hunt of gentrification affecting artists and collective purchasing to convert II, artStrand, Provincetown, Slonem, Morris Museum the cultural community within New buildings to non- or low-profit entities, MA / Ethan Cohen Gallery, of Art, Augusta, GA New York, NY; La Lumiere York City. Moderated by Art F City's in which rents are kept below market. Fantastique: Brittany Shines 1973 Editorial Director Paddy Johnson, Putting buildings under restrictive in Baltimore, The Leidy and Judith Amdur the panelists—Brooklyn Deputy covenant (restricting use to studio and Riggs Gallery, MICA Graduate Solo Exhibition, Audubon Relevant Reading Studio Center, Baltimore, MD Center at Debs Park, Borough President Diana Reyna; artist work) would in effect reduce the value Los Angeles, CA and Placeholder member Shawn of the building, and put the brakes on THE IMPETUS Lorna Ritz A Travelogue in Color, The 1974 Gallagher; urban planner Tom Angotti; gentrification. Reyna, who grew up in Johnson, Paddy. "Industry City Forces Artists Out of Studios Then French Cultural Center, Michiko Itatani and artist and ASAP member Jenny Williamsburg and Bushwick and now Launches Giant Art Show." Art F City. 18 Oct. 2013. Boston, MA; Dunes and Passage: Michiko Itatani Sky, Cape Dune Shack and Jake Webster, South Dubnau—spoke to a packed house. represents the neighborhoods, has Gonzalez, Erik. "The Plot Thickens: A Personal Account of Industry C-Scape, Provincetown, Bend Museum of Art, South witnessed extraordinary change, and City's Bid to Take Over Sunset Park." Art F City. 21 Oct. 2013. MA; Solo Exhibition, State Bend; The Gift of Broken While there was no disagreement House, Boston, MA Tracking Devices: Thinking was joined by audience members in Soskolne, Lise. "Who Owns a Vacant Lot." Shifter Magazine. 22 Oct. with our hands, Experimental on the essential problem, Reyna advocating for working with non- 2013. Ken Rush Sound Studio, Chicago, IL and Angotti offered a broader Poured Landscapes, artist communities to address issues Satow, Julie. "Industry City, the SoHo of Sunset Park." The New Hudson and Laight Walter O'Neill perspective—relating the struggle of gentrification through legislative York Times. 18 Jan. 2014. Willard Boepple (A '63), Monoprint 15-5-14E (2014) Gallery, Hudson, NY Nature Interpreted, Hudson of artists to the larger community of Guild Gallery, New York, NY; change. 1956/57 1963 Merced Multicultural Arts THE TREND 1969 All of the Above, Church of working families. Angotti reminded the Penelope Jencks Willard Boepple Center, Merced; 100 Years Marilyn Propp St.Paul the Apostle, New audience that while today's real estate Most on the panel agreed that Kreinin Souccar, Miriam. "Artists Fleeing the City." Crains New York Leonard Bernstein, Highwood Willard Boepple: Monoprints, in Print: California Society Confluence/Undercurrents: York, NY; Off The Wall/ House, Tanglewood, Lenox, Lori Bookstein Fine Art, of Printmakers Centennial issues are extreme, the problem of commercial rent control (which existed Business. 14 Nov. 2010. Marilyn Propp and David Fresco Painting, Hudson MA; Studio Environments, NY; Recent Sculpture, Lori Celebration, San Francisco Jones, Illinois Wesleyan Guild Gallery, New York, NY; Center for the Book, CA affordable living and working space in New York City from the mid-1940s Rosler, Martha. "Culture Class: Art, Creativity, Urbanism, Part I." Berta Walker Gallery, Bookstein Fine Art, NY; University, Merwin LES at the Yard on Delancey, Provincetown. MA Carved, Cast, Crushed, / Commonwealth Club of has a long and cumulative history in to the mid-1960s) would be the ideal E-flux. Dec. 2010. California, San Francisco, CA Gallery, Bloomington, The Yard on Delancey, New Constructed, Freedmanart, NY IL; Collaborations II, York, NY; Contemporary New York City. solution, however advocacy work Byrne, David. "If the 1% Stifles New York's Creative Talent, I'm out of 1957/58 Will Brown 1966 Printworks, Chicago, IL Fresco Painting, Hudson around that topic faces significant Here." Guardian News and Media. 07 Oct. 2013. Suzanne Hodes Guild Gallery, New York, NY Open Studios Event, Artists Invitational Exhibition of Visual David Reed The panelists discussed an Recent Paintings, Galerie 1970 challenges (for example New York Cotter, Holland. "Lost in the Gallery-Industrial Complex." The New West Studios, Waltham, MA Arts, American Academy David J. Einstein David Rich uncomfortable dynamic: artists York Times. 17 Jan. 2014. of Arts and Letters, NY; Schmidt Maczollek, Cologne, Sideshow Nation, Sideshow State Law requires all rent regulations Germany; Outside the Lines: Permanent Collection, Crocker are often pulled into cycles of 1960 Philadelphia Photographer: Art Museum, Sacramento, CA; Gallery, Brooklyn, NY; Beyond to be passed on a state level). It is Moss, Jeremiah. "On Spike Lee & Hyper-Gentrification, the Monster Dave Getz Will Brown, Fabric Workshop Rites of Spring, Contemporary the Window, University gentrification, where they get Arts Museum; Thinking Group Exhibition, Hohmann clear that as the city becomes less That Ate New York." Jeremiah's Vanishing New York. 3 Mar. 2014. Small Stories, Fairfax Library, & Museum, Philadelphia, Fine Art, Palm Desert, CA of Minnesota, MN; Never affordable space for a few years, but Fairfax CA; Art From The PA; Will Brown, Laurence through Painting, Royal Mind the Bollocks, Life hospitable to artists, change has to Buckley, Cara. "Rising Rents Leave New York Artists Out in the Heart, Annual Exhibition of Miller Gallery, NY Swedish Academy of Fine as the neighborhood becomes more Chuck Forsman on Mars Gallery, Brooklyn occur from a civic base. Skowhegan Cold." The New York Times. 08 Mar. 2014. invited artists, Sonoma State Arts in Stockholm, Sweden Seen in Passing, Denver NY; B Sides & Bootlegs, University Art Gallery, CA Diana Hosley “desirable,” they are forced out. Areas alumni Lee Boroson (A '89), Rob Gail Salzman Art Museum, Denver, CO; Studio No4, Brooklyn NY; (Burchfield) Markers, Robischon that were once industrial zones, that Solarscape, Pennsylvania Dialog in Color, Drawing Full House, Ethan Pettit Swainston (A '07), and Eve Sussman THE FUTURE Carol Pepper-Cooper Gallery, Denver, CO; Watercolor Society Room Gallery, Cos Cob, Gallery, Brooklyn, NY fostered working industry and jobs Celebrations (Distinguished Walking Magpie, Published (A '89), among others, have affected Fleetwood, Blake. "The New Elite and an Urban Renaissance; The International Annual Juried CT; Reflections, Kent Artist of 2014, solo by George F. Thompson and offered affordable workspaces Exodus from the City; A New Kind of Industry: Ideas, The Flight from Exhibit, Warren, PA; Moonlight, Museum, Calais, VT 1975 real change with the Loft Laws in show), Arts Society of Publishing, Staunton, VA the Suburbs; Reclaiming New York: What About the Poor?" The Watercolor USA 2014, Deborah Buck for artists, have become sites for Kingston, Kingston, NY The Windows of Buck House: Albany, NY. New York Times. 14 Jan. 1979. Springfield Art Museum, MA Rochelle Woldorsky new condos and businesses catering Water Works, Duluth Art Susan Heideman Fabulous Fictional Females, 1961 Surface Tension, Trustman to an upwardly mobile community. – (A '95) & Angotti, Tom. "Five Things You Can Do About Gentrification in New Ruth Fine Sandy Walker Institute, Duluth MN; Or published by Acanthus Tamara Zahaykevitch Gallery, Simmons College, Press, New York, NY York City." Tom Angotti's Wordpress. 18 Feb. 2013. Procession: The Art of The Figure: A Bay Area Chadash, A New Light, Combined with the steady erosion Jenny Dubnau (A '95) Legacy, Gary Francis Jewish Artists' Laboratory, Boston, MA; Animals Norman Lewis, Pennsylvania Dreamed & Dreaming, Joanna l. Kao of rent-regulation, the rising rents Johnson, Paddy, and Whitney Kimball. "Jules De Balincourt Issues Academy of the Fine Arts, PA Fine Arts, Alameda; The Minneapolis, MN Breakfast Group: A Half Concord Art Association, MA Array, Berkeley Art Center, and speculative nature of real estate Call to Arms Against Bushwick Gentrification." Art F City. 9 June Berkeley, CA; Feature, 2013. Web. Peter Lipsitt Century of Java and Jive, 1967 development have consistently forced Portals, Milton Cemetery, The Richmond Art Center, Herb Babcock 1972 Berkeley Art Center, Milton, Ontario, Canada; Richmond, VA / Carl Cherry Traveler, Habatat Galleries Joan Branca Berkeley, CA; Community of a migration of the creative and working Jonathan, Bowles. Time to be Creative: Taking Advantage of the Real Local Color: Flora and Fauna, Artists, Danforth Museum, Estate Downturn to Create Affordable Spaces for NYC's Creative Hell and High Water, Center for the Arts, Carmel, International, Royal Oak, classes to other neighborhoods. HarborArts, Boston CA; 8th Annual California Michigan, Oakland County; Gallery North, Setauket, NY; Framingham, MA Sector. New York: Center for an Urban Future, October, 2010. Shipyard and Marina, MA Centered: Printmaking, Passages: Recent Work

26 27 1976 Deirdre Leber Danube Family Portrait, Los Robert L. Pollien Megan Marlatt Natasha Mayers Solo Show, Hampshire Angeles Municipal Art Gallery Robert Pollien, New Works, Sight Specific: A Selection of World Banksters, Space College Art Gallery, (LAMAG), Hollywood, CA Dowling Walsh Gallery, American Perceptual Painters, Skowhegan Gallery, Portland, ME Amherst, MA Rockland, ME; Monhegan, the Concord Art Association, Jean Sausele Knodt Unfailing Muse, Archipelago Concord, MA; Art in Odd CONVERSATIONS 1977 Jean Koeller New Year/New Artists, Long Gallery, The Island Institute; Places–FREE, New York, NY; Mary Armstrong City of Kettering Commission, View Gallery, Washington DC Sketching Crows and Art in Odd Places–NUMBER, Troposphere:@12 Kilometers Government Center, Coastline, Grand Manan Greensboro, NC; Dumbo of Heaven, Center for Maine Kettering, OH; Group 1984 Museum, NB, Canada Arts Festival, Brooklyn, NY SkowheganCONVERSATIONS is a discussion Contemporary Art, Rockport, Show, Keny Galleries, Nancy Cohen series celebrating the significance of the ME; Mary Armstrong Columbus, OH; Jean Koeller, Shattered: Contemporary Rachel Stevens Barbara Penn Paintings, Cross MacKenzie Recent Work, Wittenburg Sculpture in Glass, Frederik Whether, Nicolaysen Art On Common Conscience, dialogue that takes place outside of the Gallery, Washington, DC; University, Springfield, OH Meijer Sculpture Park, Museum, Casper, WY; Carol House Gallery, Keene Grand Rapids, MI; Paper You Are Here, permanent State College, Keene, NH; studio, the classroom, and the gallery. Many Personal Terrain, Concord Art Jay Shinn Association, Concord, MA Cuts, Gallery Gaia; In-Site: site-specific sculpture, Animal Sign / Animal Mind III, generative moments at Skowhegan happen Neonish, Leila Heller The Creative Process in Ventana Ranch Park The Kishwaukee Community Stoney Conley Gallery, New York, NY Plain View, Paul Robeson College Art Gallery; Exploded between formal discussions, critiques, and Galleries, Rutgers University, 1985 View Invitational: The Altered Northern Sky: Works by Ellen Soffer lectures, when participants and faculty have Stoney Conley, Rhodes Arts Newark, NJ; Road Kill, Athens Dozier Bell Arizona Post Card Show, Ellen Soffer: The Shimmer Cultural Center, Athens, NY Dozier Bell, Danese / Corey Exploded View Gallery, the opportunity to delve deeply into the topics Center Gallery, Northfield Series, Peacock Gallery, Mount Herman, Gill, MA Gallery, New York, NY; Tucson, AZ; Arizona Higher Middle Georgia State Robert Harms Charcoal!, Schick Art Gallery, Education Sustainability that inform their work and practices. These Anita Glesta College, Cochran, GA Summer Sheets: Selected Skidmore College, NY; Art Show, Union Gallery, moments happen while lounging after dinner, WATERSHED, Thames Works On Paper, Brick Walk Invitational Exhibition of Visual University of Arizona Leslie Wilkes Fine Art, West Hartford, CT Artsits and Exhibition of Work Campus, Tucson, AZ; Arts on the lawn in the afternoon sun, and in a River Festival, London, UK Marfa in Milan, Orso 16, Milan, by Newly Elected Members Speak, Tucson Museum of myriad of other landscapes and times when Paula S. Heisen Italy; Squared, McMurtrey Maria Katzman and Recipients of Honors and Art, Tucson, AZ; Small Things Interrogation: Flowers Gallery, Houston, TX; Optic Quiet Space, Greene Awards, American Academy Considered, Davis Dominguez boundaries are dissolved, and real discourse Open Studio, The Wills Verve, Women & Their County Council on the of Arts and Letters, New York, Gallery, Tucson, AZ Building, Queens, NY Work, Austin, TX; Parallel Arts, Catskill; A View of NY; A Gathering, Georgia can take place. Process, Barry Whistler Woodstock, WFG Gallery, State University, Atlanta, GA Virginia Pierrepont Christina Hutchings Gallery, Dallas, TX Woodstock, NY; Prince Basement Series, M55/ Women Artists in the Street Gallery, 6th Annual Marilyn Friedman Noho Gallery, New York, NY Collection, Bermuda National 1981/82 Juried Exhibition, Prince Primal Images–Pigment Gallery, Hamilton, Bermuda; David Little Street Gallery, New York, & Clay, Pomona Cultural 1986 Highlights from the BNG Art of Katahdin: The Making of NY; Inky Spokes: A Traveling Center, Pomona, NY Tom Burckhardt Collection, The Bermuda an Art Book, USM Glickman Exhibition of Bicycle Inspired Tom Burckhardt-Paintings, National Gallery; A Sense Library, Portland, ME; Art (traveling, originating Sarah Haviland Center fro Maine of a Place, BNG East, St. Monhegan Artists' Residency Tacoma Art Museum); Aerie, Beacon 3D, Beacon, Contemporary Arts, Rockport, George's, Bermuda; Bermuda 25th Anniversary Exhibition, Current Work, The Brick NY; Columbina, Governors ME; Cast Paintings, Gregory Biennial, Bermuda National Thos. Moser Cabinetmakers, House Gallery, Tacoma, WA Island, NY; Transformation, Lind Gallery 49 Geary Gallery, Hamilton, Bermuda Freeport, ME; The Kienbusch Governors Island, NY; Street, San Francisco, CA; Legacy: A Family of Artists, Martin Landau Reflection Bench, Pratt FULL STOP, Columbus Kathy Soles Palmina F. & Stephen S. Pace Death by Suburb: New Sculpture Park, Brooklyn, College of Art and Design, Geographical Point, Hallspace Galleries of Art, Fryeburg, ME Paintings, Martin Landau, NY; Trio, Grounds for Columbus, OH; Tom Gallery, Dorchester, MA; A.J. Dillon Gallery, Atlantic Sculpture, Hamilton, NJ Burckhardt and Jennifer LandscapeX2, The 1982/84 Highlands, NJ; Summer Coates, Fred Valentine Narrows Center for the Richard Haas Show, Quiet Life Gallery, Barbara Penn Gallery, Ridgewood, NY Arts, Fall River, MA Richard Haas: Projects and Lambertville, NJ; Take Me Focus-Five Women Artists, Left to right: Adrienne Edwards, Zachary Fabri and Proposals, Hypothetical, Out to the Ballgame, AJ Dillon Davis Dominguez Gallery, Yvonne Estrada Pope.L Lindsay Walt Unrealized, Destroyed: 1975- Gallery, Atlantic Highlands, NJ Tucson, AZ; Art Faculty Large Drawings From The Aligned Works: Jill Levine Water Kerner (A '83), Memory Pod (2013), one of ten light sculptures, dimensions variable / Sylvia White Gallery, CA 2013, FX Fowle Architects, Exhibition, University Past Decade, Jason McCoy and Lindsay Walt, State of Arizona Museum Arts Center, Albuquerque, Brenda Everson- New York, NY; Annual Gallery, New York, NY; Yvonne CONVERSATION #5: POPE.L & University of New York, In Abstract Art , Bedford of Art, Tucson, AZ NM; Signed, Sealed, Wiesman 2014: Redefining Tradition, Geneseo, NY; The Brucennial, Stuyvesant Restoration ZACHARY FABRI Delivered, Fuller Lodge Art MVIS 3rd Annual Juried National Academy Museum; 2014, The Bruce High Quality Corporation, NY; Sideshow Center, Los Alamos, NM Exhibition, Albrecht Nation, Sideshow Gallery, Inside the Artist's Studios: Foundation; Between a Place Small-Scale Views, Bruce NOVEMBER 15, 2013 Kemper Museum of Brooklyn, NY; Paperazzi and Candy: New Works in Tyler K. Smith Art, St. Joseph, MO Museum, Greenwich, CT; THE DRAWING CENTER, NEW YORK, NY Pattern + Repetition + Motif 2, Janet Kurnatowski Group Shows Harmon New Works 2014, Broward Gallery, Brooklyn, NY by Fifteen Artists, Matteawan College, Duffy Larson Jeffrey Reed Meek Gallery, Harmon Performa 13 hosted Three Duets, Seven Gallery, Beacon, NY Meek Gallery, Naples, FL Gallery, Davie, FL; World Mayo Studies, Ballinglen 1981 Variations, a series of performances that paired Aids Museum, Broward Arts Foundation, Ballycastle, Kim Abraham 1978 Center for the Performing County Mayo, Ireland 1982 six intergenerational artists for seven programs Peter Dudek 36th Anniversary Show, Zenith David Brody Arts, Wilton Manors, FL Gallery, Washington, DC; as part of Radical Presence: Black Performance Clouds, Lesley Heller 1980 8 Ecstasies, Pierogi/The Gallery, New York, NY; City of Tiny Lights, Salisbury Boiler, Brooklyn, NY Tabitha Vevers Melanie Kozol University Gallery, MD in Contemporary Art. In advance of their Duets Blueprint, Union College; Striking Resemblance, 25th Invitational Salon, New Daphne Cummings performances, Pope.L (A '96, F '04) and Zachary Following the Line, Hudson Zimmerli Art Museum, Arts Program, Kutztown PA; Candida Alvarez Valley Community College, New Brunswick, NJ Cool and Collected, Kenise Maine Northern Skies, LC Fabri (A '13) met for the first time, and along with Making Space, Zolla/ Bates Museum, Hinkley, ME Troy, NY: North Adams Barnes Fine Art, Larchmont, Leiberman Gallery, Chicago, IL Associate Curator Adrienne Edwards, discussed Murals, Downtown North 1979 NY; 25th International Paul Smith the links between their practices, and dealing with Adams, MA: Susan Hartung Sue Collier Invitational, New Arts Larry Deyab The Real Estate Show, ABC Exhibition, Hudson Valley Works on Paper, Saraghi Art Program; NURTUREart 2013 41986, Bow Street Gallery, No Rio, New York, NY shared themes to different ends. Community College, Troy, NY Space, Victoria; 40 Years of Benefit,Bernaducci Meisel Cambridge, MA Women Artists at Douglass Gallery, New York, NY 1983 Tamara E. Krendel Library, Mary H. Dana Women Margaret Lanzetta Animals Dreamed & Jewel Planet, Heskin Water Kerner Artists Series 40th Anniversary Alice Zinnes Here Today Gone Tomorrow, Dreaming, The Concord Art Art From The Boros II, Densie Contemporary, New York, Virtual Exhibit (1971-2011), Sylvia White Gallery, Los Association, Concord, MA Bibro Fine Art, New York, NY; NY; Neonish 24.7, Leila New Brunswick, NJ Angeles, CA; Illuminated Curate NYC 2013, Chashama Heller Gallery, New York, Triptych, Alexandria Museum Carol Perroni Fred Cray Gallery, New York, NY; The NY; Art In Buildings, Time of Art, Alexandria, LA; Blue Common Ground, Community Unique Photographs, Janet Sacred and the Surreal: Equities Inc., New York, NY Gallery, Santa Fe, NM; Merge, Borden Inc, New York, NY The Role of Spirituality African American Performing Tabitha Vevers (A '78), DUÆL: Lee + Man (after Man Ray + Lee Miller) (2013) oil on ivorine with two metronomes

28 29 Estrada–Large Drawings Stories, Wellspring Health Latin America, Phillips Janet Kurnatowski Gallery, We Are Waiting In A Forest, from the Past Decade, Jason Collective, NJ; Group Show, Gallery, New York, NY; Brooklyn, NY; Whitney WriterHouse, Charlottesville, SkowheganWALKS McCoy Gallery, New York, NY Perch Home, Maplewood, NJ Cernuda Arte, Expo Chicago, Houston Biennial, 20 Jay VA; Sequential Investigations, IL; Valley House Gallery, Street/Dumbo, Brooklyn, STPLN, Malmö, Sweden Bart Gulley Christopher Saucedo Dallas Art Fair, Dallas, TX NY; Are You From Around 2013 Artists of the Mohawk- Oyster Shell Kingdom, Here? Janet Kurnatowski Angela Ellsworth Hudson Region, The Hyde Acadiana Center for the Jinnie Seo Gallery, Brooklyn, NY New Acquisitions (gifts Collection, Glens Falls, NY Arts, Lafayette, LA Spectrum Spectrum, The from Kent and Vicki Logan), Plateau, Seoul, Korea; Red Jann Nunn Phoenix Art Museum, AZ; In Gail E. Spaien Ilona Sturm Clouds, Muziekegebouw aa’t Spirit of the Man (sculpture), God We Trust: The Religious Gail Spaien and Dozier Bell, Street Photography: Greece, IJ, Amsterdam, Netherlands; Paradise Ridge Sculpture Mosaic in America, Zacheta Aucocisco Galleries, Portland, Berkeley Public Library: Cho Hee: Words and Beyond Grove, Santa Rosa, CA; National Gallery of Art, ME; New Acquisitions, Central Branch, Berkeley, CA II, Muziekegebouw aa’t IJ, Jann Nunn: Breathing Space, Warsaw; State of the Art: University of New England, ME Amsterdam, Netherlands Mercury 20 Gallery, Oakland, Discovering American Art 1989 CA; Seventeen, Hammerfriar Now, Crystal Bridges Museum 1987 Connie Hayes Kate Shepherd Gallery, Healdsburg, CA; of Art, Bentonville, AK; Linear R.M. Fischer Recent Acquisitions The Something, Galerie Sculpture, Richmond Art Thinking, Scottsdale Museum Life Force, B2OA, and Selections from the Lelong, New York, NY; Center, Richmond, CA; of Contemporary Art, AZ New York, NY Permanent Collection, Estampes, Galerie Divergent Acts, Sonoma Erika Ranee University of New England Art Lelong, Paris, France; The Margaret Libby State University Library The Last Brucennial, 837 Gallery, Portland, ME; One Telephone Game, Galerie Gallery, Rohnert Park, CA Washington Street, New 6th National Juried Show, Person Exhibition, Dowling Lelong, New York, NY Prince Street Gallery, New York, NY; Rooted Movements, Walsh Gallery, Rockland, Paul Santoleri LMAKprojects, New York, NY York, NY; Maine Northern ME; Monhegan Artists Randy Wray Feathered Dragon, DUMBO Skies: Clear Light, L.C. Bates Residency 25 Years, Thos. Morphology of the Print, Arts Festival, Brooklyn, Cathy Sarkowsky Museum, Lewiston, ME Moser Art Gallery, Freeport, Lehman College of Art NY; ARTS/INDUSTRY 10x10x10Tieton, Tieton Arts Arthur Simms (A '85, F '10) speaking to the group ME; Connie Hayes, New Gallery, Bronx, NY; Paperazzi collaboration, revelation, John & Humanities, Tieton, WA; 1988 Paintings, Dowling Walsh 3, Janet Kurnatowski Michael Kohler Arts Center, in/visible, Melissa Morgan Teresa Booth Brown Gallery, Rockland, ME Gallery, Brooklyn, NY; Sheboygan, WI; Collector's Fine Art, Palm Desert, CA COME TOGETHER: SURVIVING Teresa Booth Brown: Sideshow Nation II, Sideshow Choice, Sylvia White Gallery, Paintings and Drawings 1990 Gallery, Brooklyn, NY Ventura, CA; Summer, Galerie Katarina Wong SANDY, YEAR 1 and an Installation: A Gregory W. Coates Ligne 13, Paris, France Cuban America: An Empire Unified (Edible) Scheme, State of Mind, Lehman DECEMBER 15, 2013 Gregory Coates, Namdi 1991 Anderson Ranch Arts Center, Contemporary Art, Miami, Patricia Cronin 1992 College Art Gallery, New INDUSTRY CITY, BROOKLYN, NY Snowmass Village, CO; FL; Consider This, N’Namdi Patricia Cronin: Le Macchine, Tim Doud York, NY; Big Head Brigade Introductions, Michael Warren Contemporary Miami, FL; I gli Dei e i Fantasmi Outwin Boochever Portrait Performance: Free, Art in Including work by: Contemporary, Denver, KAN DO DAT: Contemporary (Machines, Gods and Exhibitoin, Smithsonian, Odd Places, New York, NY Lynda Benglis (F '78, '79, '99) CO; Teresa Booth Brown: Abstract Art, Rush Art Gallery, Ghosts), Musei Capitolini National Portrait Gallery, Recent Work in conjunction 1994 Julia Bland (A '13) New York, NY & Skylight Centrale Montemartini Washington, DC; Tim Doud, with Anderson Ranch Arts Gallery, Brooklyn, NY Museo, Rome, Italy; Come New Bedford Museum of Art, Mark Masyga Michael Berryhill (A '07) Center, Quintenz Gallery and Together: Surviving Sandy, MA; Group Show, Passenger, Metaplay, Czech Center, New York, NY Katherine Bradford (F '09) David Floria, Aspen, CO Lilian Garcia-Roig Year 1, Dedalus Foundation, Detroit, MI; Virilit-HE, Silber Time-Sensitive (solo), Martin Industry City, Brooklyn, NY Art Gallery, Baltimore, MD Beth Campbell (A '97) Nan Lombardi Museum of Art, Waco, TX; 1995 Francis Cape (A '89, F '08) City Days and Country Nights, Natural Exuberance (solo), Alexandra Feit Dawn Chandler Ho L. Tam Friends of My Youth: Ho Martha Diamond (F '77, '83) Sanford Smith Fine Art, Great Arts and Culture Center, Lake New Work, Yukon Art Center, The Outback Series, Barrington, MA; City Days and Charles, LA; A Mysterious Whitehorse, Yukon, Canada; Salon X, Taos, NM Tam, Commonwealth & Mark DiSuvero (F '83) Country Nights, Sanford Smith Clarity 2.0, 621 GALLERY, New Work, Sheldon Museum Council, Los Angeles, CA Fine Art, Great Barrington, MA & Cultural Center, Haines, AK Robert Grant Lois Dodd (F '79) Tallahassee, FL; Important Juana Valdes Ridley Howard (A '00), Pink Portrait, White Frames (2014), oil on linen, 16 x18 in Cuban Artworks (Volume 11), Lemonsubmarine, Cut/log James Hyde (F '03) Betsy Meyer-Donadio Elizabeth Hazan the Clemente, New York, NY Women at the Edge of an Friends and Neighbors Show, Cernuda Arte, Coral Gables, Island, Aluna Art Foundation, Jean Jacques DuPlessis (A '12) FL; A Way of Remembering Sideshow Nation II: At the Stands, Reginald F. Lewis Scott Ogden Brett Cook Pierro Gallery, South Orange, Alamo, Sideshow Gallery, Diana Guerrero-Maciá Miami, FL; 17th International Rackstraw Downes (F '75, '81, '02) (Abstract Women Artists), Cultural Exchange, Diaspora Museum, Baltimore, MD; Satellite Show, RePopRoom, Reflections of Healing, NJ; Solo Show Collage Brooklyn, NY; Paperazzi III, A-Z.2, Elmhurst Museum Stocked: Contemporary New York, NY Oakland Museum of Bill Jensen (F '83, '86) Fort Worth Art Center, TX; of Art, Elmhurst, IL Vibe Cultural Arts Incubator; The Thomas Hunter Project Art from the Grocery Aisles, California, Oakland CA; Life Alex Katz (A '49, '50, F '60, '63, University of Wyoming Art Megan Walch is Living–ROH Wellness Tracy Miller Space, Hunter College, New Overseas Studio Tokyo, '64, '67, '71, '75, '95) York, NY; SENSEI Exchange Museum, Laramie, WY Clinic, Defremery/Little Bobby Tracy Miller: Food, 527 Takadanobaba, Tokyo, Japan; Nils Karsten (A '02) Madison Avenue, New Series–Part 008: In The Hutton Park, CA; Room for Fold, The Cellar of Little Deborah A. Grant The Skullbone Experiment, Big Ideas: BAN7 Clinic IV– Megan Kincheloe (A '13) York, NY; A Moveable Present Tense Future Perfect, touring Australia; Tokyo Feast, Therese A. Maloney Fox Café, New York, NY Socially Engaged Education: Nicola Lopez (A '02) Carol Jazzar Contemporary Studio, Australia Council Making Learning Visible, Gallery, St. Elizabeth College, Art, Miami, FL; Christ You for the Arts, Tokyo, Japan Marlene McCarty (F '11) Morristown, NJ; Tracy Miller: 1996 Yerba Buena Center for the Michele Brody Know It Ain't Easy!!, The Arts, San Francisco, CA Mary Mattingly (A '10) Big Paintings 1997-2013, Drawing Center, New York, NY Connie Walsh American University Art Cheng Long Wetlands International Environmental Interior Facade, Zing Toni Jo Coppa Josiah McElheny (F '08) Museum at the Katzen Art Project, Cheng Long, Jennie C. Jones Magazine, New York, NY Make Believe, The Darkroom Donald Moffett (F '04) Arts Center, Washington, Taiwan; Harlem Roots, Casa Black in the Abstract, Gallery, Essex Junction, Nyeema Morgan (A '09) DC; Cancel All Our Vows, Frela Gallery, Harlem, NY; Contemporaty Art Museum 1997 VT; A Divergent Collective; Dodge Gallery, New York, Houston, TX; Roughneck Nicole Awai Carrie Moyer (A '95, F '10) Five O'Clock Tea Reflections, Campbell, Coppa & Nadal, NY; Let's Go Let Go, 33 University Settlement; Constructivist, Institute American Beauty, Susan The University of Maine at Sheila Pepe (A '94, F '13) Orchard, New York, NY Reflections in Tea, Andrew for Contemporary Art, Inglett Gallery, New York, NY Augusta, ME; The Danforth Philadelphia, PA; TONE, Matt Taber (A '12) Freedman Home, Bronx, Sarah Bedford Gallery, Augusta, ME; Free Charlotte Schulz NY; THAW, Dorsky Gallery, Sikkema, Jenkins & Joel Shapiro (F '76, '80) Gobsmacked, ODETTA, The Last Brucennial, For All 4, Space Gallery, Long Island City, NY Co., New York, NY Portland, ME; Wish You Arthur Simms (A '85, F '10) Brooklyn, NY; The Poetics 837 Washington Street, of Space, Dunedin Fine Yoshiko Kanai New York, NY Were Here 13, A.I.R. Gallery, Kiki Smith (F '93) Louis Cameron Brooklyn, NY; Something Art Center, Dunedin, FL Times Square Ring of Steel, Accessart, Table Rasa Gallery, Rob Storr (A '78, F '02) Brooklyn, NY; Nation II at the Heather Carson Rotten Installation, Denmark The Gallery at 1 Grand Army Dump, Denmark Art Center Mickalene Thomas (F '13) 1993 Plaza, Brooklyn, New York, Alamo, Sideshow Gallery, In Direct Light, Nan Warren Craghead NY; The Appearance of Brooklyn, NY; Online Flat Files, Rae Gallery, Woodbury Ursula von Rydingsvard (F '88) University, Burbank, CA; Heather Cox The Fire To Say, Winkleman Clarity: Works in Black and Pierogi Gallery, Brooklyn, NY Paper-Made, Jamestown Nari Ward (A '91, F '03) Gallery, New York, NY; White, Helen Day Art Center, Size Really Does Matter, Los Angeles Municipal Art Art Center, Jamestown, RI Ishmael Randall Weeks (A '07) Angela Ellsworth (A '93), Close to You (2013-2014), 25,747 pearl corsage pins, fabric, steel, 12 x 24 x 13 in / Crystal REBUS, Riverviews ArtSpace, Stowe, VT; For Whom It Bridges Museum of American Art Gallery, Los Angeles, CA

30 31 Marjan Laaper Alicia Paz Andrew Johnson Brooklyn, NY; Classless Montserrat College of Art, Verein zur Förderung Winterlicht 2013, Schiedam, Garden of Follies, Galerie Ossuary, University of Society, Tang Museum, Beverly, MA; A Woman's von Kunst und Kultur am the Netherlands; Exhibition Dukan, Paris, France / Tennessee Downtown Saratoga Springs, NY Arms, Lincoln Arts Projects, Rosa-Luxemburg-Platz Rolling Snowball 4, Quanzhou, Leipzig, Germany; MEX PRO Gallery, Knoxville, TN; Waltham, MA; On the Wall, e.V, Berlin, Germany; NO China; Ah wat lief, Concordia, Mexico Art Project, Castello Suspension/Descension, MIA Melissa Oresky Gallery Naga, Boston, MA WALLS, Bernauer Straße, Enschede, the Netherlands; di Miramare, Trieste, Italy at Outpost for Contemporary System Preferences, U8, Berlin, Germany Motel Mozaique, Rotterdam, Art, Pasadena, CA; Out of SCA Contemporary, Betsy Alwin the Netherlands; Rolling John Parot Rubble, Schmucker Gallery, Albuquerque, NM Art Park, 340 W. Broadway, 2002 Snowball 5, Iceland Endless Stare, Ship in the Gettysburg College, PA / New York, NY; Among Your William Cordova Woods, Del Mar, CA; Love Jack Olson Gallery, Northern Amy Pryor Moments: New Work By Betsy untitled, Sikkema Jenkins Stephanie Syjuco is In the Air, 2A Gallery, Illinois University, DeKalb, IL The Time Has Come, Alwin, No Globe Exhibition & Co., New York, NY; The Bucharest Biennial 6, Los Angeles, CA; Out of Longwood Art Gallery, Space, Brooklyn, NY Shadows Took Shape, Studio Bucharest, Romania; Alien Site, Out of Mind, Machine Ellen Lesperance Bronx, NY; Value Systems, Museum in Harlem, New She, Vox Populi, Philadelphia, Project, Los Angeles, CA Thread Lines, The Drawing New Haven Museum, CT; James Davis York, NY; the past is more PA; Yerba Buena Center for Center, New York, NY; You & Mapnificent: Artists Use Maps, Project Room, Now Christopher Sollars infinite than the future, Miami the Arts, San Francisco, CA; I Are Earth, Adams & Ollman Bronx River Arts Center, Contemporary Art, Miami, FL Dade College North Campus Orange County Museum Water Shed for Off Shore, Gallery, Portland, OR Bronx, NY; Value Systems, Southern Exposure, San Amy Finkbeiner Gallery, Miami, FL; MIA_BER, of Art, Newport Beach, New Haven Museum, New Berlin Arts Club, Germany CA; Feldman Gallery, Francisco, CA; The Swimmer, Joan Linder Haven, CT; I Want Love, Rox “Believe Me,” Performance, Pacific Northwest College Steven Wolf Fine Arts, San Love Canal, Fiendish Plots, Gallery, New York, NY __$acRED__sensoRE@L, Nils Karsten of Art, Portland, OR Francisco, CA; Karla's Lincoln, NE; Drawings, presented by VVILD TORVS, Wes Miller (A '02) moderates a discussion between Elijah The Age Of Collage #1, Living Room, The Battery, Omi International Arts Sigrid Sandström Bizarre, Brooklyn, NY; A Gestalten Space, Berlin, Burgher and Dave McKenzie 1998 San Francisco, CA Center, Ghent, NY Duckrabbit, Anat Ebgi, 'Womanhouse' or a Roaming Germany; Come Together: JD Beltran Los Angeles, CA; New House? 'A Room of One's Surviving Sandy, Year 1, Electronic Pacific, Fei 1999 Jean Shin Dimensions, Galleri Own' Today, A.I.R. Gallery, Industry City, Brooklyn, Jean Shin: HOST, Montclair Contemporary Art Center, Brian Alfred Andersson & Sandström, Brooklyn, NY; Crowd, Green NY; Incubarte, Museo BLACK/WHITE, Lamontagne Art Museum, NJ; Cabinets CONVERSATION #6: Shanghai, China; Mind Stockholm, Sweden; Door Magazine HQ, NY Valenciano de la Ilustración Gallery, Boston, MA of Wonder: The Art of Matters: Mapping the Human Thinking Through Painting, y la Modernidad, Valencia, ELIJAH BURGHER Collecting, Children's Ulrike Heydenreich Mind, Sandler Neuroscience The Royal Academy of Fine Spain; The Age Of Collage #2, Jeff Hargrave Museum of the Arts, New Lass Dich von der Natur & DAVE MCKENZIE Center, University of California, Arts, Stockholm, Sweden Feinkunst Krüger, Hamburg, Jeffrey Hargrave: 14-year York, NY; Shades of Time: An anwehen, Kunsthalle San Francisco, CA; Making Germany; Come Together: MARCH 7, 2014 Survey, Contemporary Art exhibition from the Archive Edra Soto Bremen, Germany; Neuland, ___ that Matters, Oliver Surviving Sandy, Dedalus and Editions, Millburn, NJ; of the Korean-American HEAD, Western Exhibitions, Galerie van der Mieden, THE DRAWING CENTER, NEW YORK, NY Gallery, California College Foundation, Brooklyn, NY of the Arts, Oakland, CA The Boat I Escaped In As Artists, Queens Museum, Chicago, IL; Excess of Joy, Brussels, Belgium; Zimmer A Child, Bronx Museum NY; Conversations, Morgan Seerveld Gallery, Chicago, IL; mit Aussicht, Kunst im of the Arts, NY; Artstamp. Steve Locke Sanford Biggers Lehman Gallery, New York, NY Your Blue Line, commission Schloss Untergröningen, COME LIKE SHADOWS: Dk, Corridor Galleri, An Art is a mouth-process that speaks a language- Vex, Baldwin Gallery, Aspen, for Chicago Transit Authority; Germany; Lass Dich von der Palimpsests, Traces, Specters Artstamp, Denmark; Solo material. Dave McKenzie (A '00, F '11) and Elijah CO; 3 Dollars & 6 Dimes, Mary Temple Ulrike Heydenreich (A '01), Neuland (2013), collage, 85 x 65 cm Caps for Sale, The Bike Natur anwehen, Städtische of The Silver Screen, Nightlife, Exhibition, MoCA, Tuscon, AZ North Wall, West Light, David Castillo Gallery, Miami, Room, Chicago, IL; Front Galerie Bietigheim- Veils, The Absent Present, Burgher (A '11) utilize their own likenesses and Blanton Museum of Art, The FL; The Shadows Took Julia Randall Stephanie Diamond & Center, Hyde Park Art Bissingen, Germany ZÃ_rcher Studio, New York, Shape, Studio Museum in Desiree Holman University of Texas at Austin, Sticky, Real Art Ways, Spectators (with Tamara Center, Chicago, IL bodies to speak to the power of the interior/ Sophont, Philip J. Steele NY; Gay, Longwood Art Harlem, New York, NY; The TX; Half-Round, Bethel Hartford CT; Oral Fixations, Vanderwal), MoMA Studio, Sharon Paz exterior creation of identity and agency. Through Gallery, Rocky Mountain Gallery at Hostos, Bronx, NY; Floating World, LeRoy Neiman University, Saint Paul, MN; Davison Art Center, Wesleyan Museum of Modern 2001 Paralyzed Movement, Musrara College of Art & Design, Stationary Realms, University Sophia Ainslie Mix14, Jerusalem, Israel; there is no one left to blame, sculpture and performance, McKenzie asks us Gallery, Columbia University, University / Handwerker Art, New York, NY Museum of Contemporary Denver, CO; The Vastness of Arkansas, Fayetteville, in person, Kingston Gallery, Personal Territories, OKK/ to examine the relationship of the private and NY; Moon Medicin, Lincoln Gallery, Ithaca College, NY Art Detroit, Detroit, MI Center, New York, NY/ is Bearable, Museum of AK; Visual Deception II: Angelina Gualdoni Boston, MA; Interstitial, raum29, Berlin, Germany; public persona to contemporary culture and Georgia Tech Ferst Center Contemporary Art, Santa Into the Future, Hyogo Jon Rappleye Held In Place, Light in Carol Schlosberg Gallery, RESTRAINING MOTION, our sense of self. Burgher binds the act and for the Arts, Atlanta, GA / Barbara, CA; Sophont in Prefectural Museum of Art, Art on Paper 2014: The 43rd Hand, Asya Geisberg Apollo Theater, New York, NY Action, di Rosa Museum Japan; Inaugural Exhibition, Exhibition, Weatherspoon Art Gallery, New York, NY performance of drawing to the embodiment and Collection, Napa, CA; New York University, Abu Museum, Greensboro, NC; of desire and the powerful potential of Hiroyuki Hamada Way out West, Art City Dhabi (NYUAD), Saadiyat In Tangled Splendor, Visual Carrie Gundersdorf Hiroyuki Hamada, Bookstein Project, San Francisco, CA Island; True Enough, Mixed Arts Center of New Jersey, Ghost Nature, Gallery interpersonal connection. For both McKenzie Fine Art, New, York, NY Greens, New York, NY Summit, NJ; Hooray for 400, UIC, Chicago, IL; Le and Burgher, language (written and spoken), Hollywood, Mixed Greens fantôme de la nature, La Box, Gallery, New York, NY Bourges, France; Blurring ritual (magical and mundane), and the self the Line, works from the (corpus, mentis, and animae) are intrinsically 2000 collection of Lenore Pereira selfsame. Dave McKenzie and Elijah Burgher Sarah Brenneman and Rich Niles, Mills College Roots Drawing Connections Art Museum, San Francisco, met at Skowhegan in 2011 and reunited at the Through Community, CA; Observer Effect, Gallery 2014 Whitney Biennial. inFUSION Gallery, Memorial 400, UIC, Chicago, IL Sloan Kettering, Brooklyn, NY; Special Guests, SARDINE, Ridley Howard Brooklyn, NY; Boston Blues, Legs, Pools, Drawing Project, Carroll Andréhn-Schiptjenko Gallery, and Sons, Boston, MA Stockholm; Art Basel, Hong Kong, Andréhn-Schiptjenko Anthony Campuzano Gallery, Stockholm; NADA Miami Beach 2013, Koenig and Clinton Churner and Churner, New Gallery, New York, NY York, NY; Kiki Bouba, Sarah Lawrence College, Bronxville, Paul Ramirez Jonas NY; Life Drawing Studio, Under the Same Sun: ICA Philadelphia, UPenn, Art from Latin America Philadelphia, PA; NADA NYC Today, Guggenheim 2014, Adams and Ollman Museum, New York, NY Megan Cump John O'Connor One Minute Film Festival, Classless Society, Tang MASS MoCA, North Adams, Museum, Saratoga Springs, MA; Wrap Around 4, ARENA@ NY; Solo Exhibition, Pierogi suite806, New York, NY Gallery, Brooklyn, NY; The Machine and the John O'Connor (A '00), Love Letters (2013), diptych, 12 x 9 in each panel / The Machine and the Ghost, Ghost, Pierogi Gallery, Scott Ogden (A '96), Untitled (2013), ink and tea on paper, 14 x 10 inches Pierogi Gallery, Brooklyn, NY

32 33 Melissa Meyer Jose Lerma 2004 Elena Bajo Ben Kinsley Jose Sariñana Recent Work, Lennon, Jose Lerma/Chicago Works, Amelia Biewald If I can't dance to it, it's not my Actualize, Ortega y Gasset L.A. Heat, Chinese American Weinberg, Inc., New York, NY; Museum of Contemporary Art, Big Brass Light Opera, revolution, Cantor Fitzgerald Projects, Queens, NY; Museum, Los Angeles, CA VIDEO SCREENING Hooray for Hollywood!, Pavel Chicago, IL; La Bella Crisis, Magnan Metz Gallery, New Gallery Haverford College, PA; Mapping Spaces: Networks Zoubok Gallery, New York, NY Museum of Contemporary York, NY; Seeing The Sky, Vers une Hypothese, Xll Lyon of Knowledge in 17th Century Adam Shecter Art, Detroit, MI; Jose Lerma, The Wassaic Project, NY Biennial For Du Bruissin CAC Landscape Painting, ZKM | New Year, Eleven Rivington, A bi-coastal video screening organized by Wanda Raimundi-Ortiz Andrea Rosen Gallery, New Francheville, Lyon, France; Museum of Contemporary Art; Long Island City, NY the Skowhegan Alliance Video Committee, PorcelaReina #1, Harvey Thomas Burke York, NY; Pangaea: New Art Original Doubt, Plataforma Memoria abierta: La Galería Molly Springfield B. Gantt Center for African from Africa and Latin America, Art for Art's Sake, Frederick Revolver, Lisbon; Elena Bajo: de Comercio, Casa del Lago, showing once at Cabinet in Brooklyn, NY, and Drawing Time, Reading American Art and Culture, Saatchi Gallery, London, UK R. Weisman Museum of Art, With Entheogenic Intent (Burn Mexico City, Mexico; 2014 Time, The Drawing Center, again at Public Fiction in Los Angeles, CA. Charlotte, NC; PorcelaReina Pepperdine University, Malibu, the Witch), 18th Street Arts Pittsburgh Biennial, Miller New York, NY; Positions, #2, Museum of Contemporary Gabriel Martinez CA / Marjorie Barrick Museum, Center, Los Angeles, CA; Gallery, Pittsburgh, PA Galerie Thomas Zander, Art of North Miami, FL; ICA@50: Pleasing Artists University of Nevada, Las Elena Bajo | An Arbitrary Cologne, Germany; LISTS, GuerrilleReina #1, Harvey and Publics Since 1963, Vegas, NV; NOW-ism: Issue, Garcia Galeria, Madrid, Gabriel Martinez Gallery 308, Minneapolis, B. Gantt Center for African Institute of Contemporary Abstraction Today!, Pizzuti Spain; Retroalimentacion, MA Vizyoli/Ronnie Yates, MN; Art=Text=Art, UB American Art and Culture, Art, Philadelphia, PA; Collection, Columbus, OH Sala Arte Joven Comunidad Alabama Song, Houston, TX; Anderson Gallery, Charlotte, NC; GuerrilleReina Sweetest Taboo, Red Arrow Madrid, Spain; The Absence Feast: Radical Hospitality in University at Buffalo, NY #1, Sixth Street Containter Contemporary; Capitulo Bill Cravis of Work, D+T Project Contemporary Art, Blaffer Escalator Man, Franklin Gallery, Miami, FL II, Centro Estatal de las Gallery, Brussels, Belgium Art Museum, Houston, TX Mark Taber Artes, Tecate, México Crossing, Bend, OR Metaphor And Art, Online; Rachel Schuder 2006 Monica Martinez Sol Sistere, Temp Art Michael Scoggins Dave Hardy Home ECOnomics: Come Together: Surviving The Hairy Hand, Churner Julia Brown Sandy, Year 1, Industry City, Space, New York, NY Art Star*, Guest Spot, The Subterfuge, The Gallery Communal Housekeping Reinstitute, Baltimore, and Churner, New York, NY; for the 21st Century, Brooklyn, NY; Homeostasis Aaron T. Stephan Town and Country, John Apart, Rome, Italy; The Lab Pavillon, The Wrong MD; Forest For My Trees, Neighbors, American Wignall Museum of Second-Hand Utopias, Diana Lowenstein Gallery, Davis Gallery, Hudson, Contemporary Art, CA New Digital Art Biennale Decordova Sculpture Park NY; A Chromatic Loss, University Katzen Center, Miami, FL; A Day in the Washington, DC; Moving, Not and Museum, Lincoln, MA; To Life: The Diane Marek Bortolami, New York, NY Emily Mast 2007 Borrow, Cut, Copy and Steal, Moving, McKinney Avenue Made in L.A., Hammer El Anatsui Still from A Woman Runs by Lilly McElroy (A '06) Visiting Artist Series, Cress Contemporary, Dallas, TX Portland Museum of Art, ME Gallery, Chattanooga, TN Gwenessa Lam Museum, Los Angeles, CA; Broken Bridge II, The High Mongrel Histories, Republic Line, New York, NY; Ala, Victoria Fu The Least Important Things, THIS MIGHT NOT BE FOR NOW Katherine Taylor Shinique Smith Gallery, Vancouver, BC, LACMA, Los Angeles, CA; Earth Matters, Smithsonian 2013 Earth Moves: Shifts Canada; Edge State, 2014 Whitney Biennial, National Museum of African MAY 8, 2014 & MAY 15, 2014 Shinique Smith: Bright Matter, Whitney Museum of American ENDE (Like a New Beginning), in Ceramic Art and Design Museum of Fine Arts, Boston, Centre des arts actuels Night Gallery, Los Angeles, CA Art, Washington DC; Gravity National Exhibition, Arvada Skol, Montréal, Canada Art, New York, NY; Cult of and Grace, Des Moines Art This might not be for now: the noncommittal MA; Shinique Smith Mural, Splendor, UC Irvine University Center for the Arts and Rose F. Kennedy Greenway, Kambui Olujimi Center, IA; Gravity and Grace, Nils Karsten (A '02), Measurements (2014), graphite and collage on Art Gallery, CA; Belle relationship or fleeting romance, the shifting Humanities, CO Boston, MA; Arcadian Shaun Leonardo Mnemonikos, Jim Thompson Bass Museum, Miami Beach, One-on-Ones, Harvard paper, 11 x 14 in Captive, Document Space, Art Center, Bangkok, Thailand; FL; New Worlds, Mt. Holyoke cultural media, the liaison with the passing story Clusters, Eli and Edythe Chicago, IL; Belle Captive, 2003 Broad Art Museum, Lansing, University, Cambridge, MA; A Life in Pictures, MIT List College Art Museum, MA; or style. One song seems to waft out of every Noah Klersfeld Radical Presence, Grey Art Simon Preston Gallery, New Visual Arts Center, Boston, Theory Of Se, Axel Vervoordt MI; Mother Hale's Garden, Donald Moffett CA; The Shadows Took York, NY; Cult of Splendor, bodega, drug store, and car stereo in the city for See Change, The Los Angeles Mother Clara Hale Bus Depot Gallery, New York University, NYC Makers: The MAD Shape, Studio Museum in MA; Crossing Brooklyn, Gallery, Hong Kong, China; International Airport (LAX), NY / The Studio Museum University Art Gallery, UC Brooklyn Museum of Art, NY Exhibition of New Works, two short months encapsulating the idea of one (commissioned by MTA, Arts Biennial, Museum of Arts Harlem, New York, NY; Expo Irvine, CA; Crossbar Radical- CA; Four Corners, The Boston for Transit), New York, NY in Harlem, NY; Crossing and Design, New York, NY; Chicago: Leslie Tonkonow Jack Shainman Gallery, brief summer. Politicians and the news machine Society of Architects, Boston, Brooklyn, Brooklyn Museum, Tick Scoop Star, Document, Daniela Rivera New York, NY / Mnuchin Come Together: Surviving Artworks + Projects, Navy Chicago, IL; Eric's Trip, Lisa fluctuate, jumping from one topic to another MA; Rouge, Cheryl Hazan Hong Zhang NY; The Performance Will Sandy, Year 1, Industry City, Shooting Skies, LaMontagne Galleries, New York, NY Pier, Chicago, IL; ChimaTEK Cooley Gallery, New York, NY Gallery, Boston, MA Gallery; The Miami Project Currents: Flow, Fall, Not Be Televised, but the Brooklyn, NY; Unbound: Beta Launch, Smack Mellon making promises, plying us with what is currently Art Fair, Freight + Volume Calm, Curl, Galerie Steph, Audience Will Be Recorded, Contemporary Art After Gallery, Brooklyn, NY most important. Our collective consciousness Gallery, Miami, FL; DUMBO SVA Theater, New York, NY Singapore, Hong Chun; Ink Frida Kahlo, Museum of feels, for an instant, gratification, or is driven to Glow, Brooklyn Bridge and Body, Ink Studio, Beijing Contemporary Art, Chicago, IL 2005 Anchorage, Brooklyn, NY Yashua Klos act, to investigate, to demand and then there is Christopher Patch Why Draw Now?, Carnegie an oversaturation, an overstimulation until the Soundings for Fathoms, Mellon University next big thing. Parallel Art Space, Symposium, Pittsburg, PA Ridgewood, NY; SEA HAG!, Evans Contemporary, Rachel Frank This might not be for now is the contemporary Peterborough, Breathless, Rush Arts myriad of replication and dissemination platforms Ontario, Canada Gallery, New York, NY through which we gain and share information. Alix Pearlstein Heather Hart Our individual memories and cultural ideas of the Monøgram, Samsøn, Boston, The Intuitionists, The Drawing past, of history, are in flux, unstable and soon to MA; The Park, DeCordova Center, New York, NY; Museum, Lincoln, MA; Crossing Brooklyn, The be misremembered, rewritten, edited, amended. Video Container: Touch Brooklyn Museum, NY; There is the often-times rose-tinted nostalgia for Cinema, MoCA North untitled, Kickstarter Gallery, the past, dissatisfaction with the present, and the Miami, FL; Enacting Acting, Brooklyn, NY; ACTION + INOVA Milwaukee, WI OBJECT + EXCHANGE, promise or hope of the future. The Drawing Center, New David Politzer York, NY; Material Memory, Including work by: HDL: Hyper Democratic Aferro Gallery, Newark NJ; Landscapes, Artspace, New Through the Parlour, No Elliot Bassman (A '71) Mores McWreath (A '13) Haven, CT; New Growth, Longer Empty, NY; Oracular Bonnie Begusch (A '11) Christopher Meerdo (A '13) Albright College, Reading, PA Rooftops, Cornish Alumni Sanford Biggers & Rosmarie Daniel Rich Gallery, Seattle, WA Jennifer Zackin (A '98) Padovano (A '10) Systematic Anarchy, Peter Saskia Jorda Julia Brown (A '06) David Politzer (A '04) Blum Gallery, New York, NY Hotshots, High Desert Test Matthew Day Amy Ruhl (A '12) Saya Woolfalk Sites, Crown King, AZ Jackson (A '02) Christopher Post-Humanist Desire, McKendree Key Art Johnson (A '09) Samuels (A '10) MOCA Taipei, Taiwan; Crossing Brooklyn, The Nicholas Johnston (A '13) Pascual Sisto (A '11) ChimaTek™: Hybridity Brooklyn Museum, Brooklyn Visualization Mandala, Asian NY; Groundswell, Olana State Lilly McElroy (A '06) Rodrigo Valenzuela (A '13) Art Museum, San Francisco, Historic Site, Hudson, NY Tricia McLaughlin (A '92) Abbey Williams (A '04) Jose Lerma (A '03), La Bella Crisis (2014), trash and other materials obtained in Detroit (detail), dimensions variable Saya Woolfalk (A '04), Chimera (2013), digital video 00:04:12 and mixed media installation, 13 x 18 x 25 ft, MOCA Taipei

34 35 Katie Herzog Avantika Bawa Suddenly, There: Discovery 2010 Contemporary Arts, Omaha, Altered State Library, Aqua Mapping, Saltworks of the Find, Garis & Hahn Strauss Bourque- NE; Common Spaces, The SkowheganPERFORMS Monte Vista Projects, Gallery, Atlanta, GA; Flood. Gallery, New York, NY LaFrance Kitchen, New York, NY Los Angeles, CA Control, Schneider Museum Strauss Bourque-LaFrance, of Art; Ashland, OR; Mapping Jonathan VanDyke Caitlin Keogh, Pam Lins, Mary Mattingly SkowheganPERFORMS is an annual day of Angela Lorenz Kochi, Pepper House, Oltre l'oblio, 1/9unosunove Sean Raspet, Rachel Uffner On Land, Flanders Gallery, Victorious Secret, Berry galeria, Rome, Italy; Traunitz, performance art held in collaboration with Kochi, India; Ruptures in Gallery, New York, NY Raleigh, NC; Come Together: Brickway Gallery, Dartmouth Arrival: Art in the Wake of Loock Galerie; Krise og en Surviving Sandy, Year 1, Socrates Sculpture Park. College, Hanover, NH; Angela the Komagata Maru, Surrey Krise i en Skuespillerindes Tim Campbell Industry City, Brooklyn, NY; Lorenz at the SMFA, School Art Gallery, Vancouver, BC Liv, Four Boxes Gallery, Seeing the Sky, The Mary Mattingly: Omaha of the Museum of Fine Arts Skive, Denmark; Cordoned Maxon Mills, Wassaic, NY; Flock House Project, Bemis Library, Boston, MA; What Suzanne Broughel Area 4 (Fire Island), Fire Exhibition, Outlet Gallery, Center for Contemporary Artists Study, Steinbach The Wayland Rudd Collection, Island Pines Performance Brooklyn, NY; Flatfile Program, Arts, Omaha, NE Gallery, Phillips Academy, First Floor Gallery, Harare, Art Series, Fire Island, NY Artspace, New Haven, CT Andover, MA; Living in These Zimbabwe / Winkleman Cullen Washington Jr. Bodies, Clifford Gallery, Gallery, New York, NY 2009 Lauren Cohen Abstract America Today, Waterfall Arts, Belfast, ME Lauren Adams Bloomberg New Saatchi Gallery, London, UK Asuka Goto Ornament and Crime, Ortega Contemporaries, Institute Katherine Mangiardi Echo, Globe Gallery, y Gasset Projects, Queens, of Contemporary Scott Patrick Wiener Katherine Mangiardi: Newcastle upon NY, Animalia Agitatus, Art, London, UK All Our Tomorrows and Paintings, The Butler Tyne, England Clarion University, Clarion; Yesterdays, Proof Gallery, Institute of American Sara Eliassen Boston, MA; Panoptic Lydia Greer Clark Hulings Fund, New Art, Youngstown, OH York, NY; BiPolar, School A Blank Slate, International Measures, The Elizabeth Internal Cinema, Mamuta Film Festival Rotterdam, Foundation for the Arts, Art & Media Center, 33, Baltimore, MD; The Linda Molenaar Neighbors, Katzen Museum The Netherlands New York, NY; Distant The Bumbus, Forest Art Art Jerusalem, Israel; Shades Images, Local Positions, of Impact, Worth Ryder at American University, Sarah Hotchkiss Biotope, Darmstadt, Germany Washington; Make Things Elizabeth Foundation for Gallery at University of Folding the Blanket of the Arts, New York, NY; Meredith Nickie California, Berkeley, CA; (Happen), Nathan Cummings Time, Park Life Gallery, Foundation; Rotating Brink v1, Boston Center Primitive Accumulation, Facing West: A Shadow Jessica Kain (A '12), Marpha Village, home of Marpha Foundation for Community + the Arts San Francisco, CA for the Arts, Boston, MA Franconia Sculpture Theatre Opera, Gallery Route History Project, Clermont Park, Shafer, MN; Lodge Foundation, Berryville, VA David Leggett One, Point Reyes, CA Postcards from Sarajevo, Juarez Gallery, Sheyboygan, Jayoung Yoon Matthew Wilson in Your Throat, A X EN ÉO7, Recess, The South Side Whitney Independent Study SkowheganPERFORMS 2014 Keren Benbenisty Evergreen Gallery, Sarajevo, WI; The Franklin, The A 'Womanhouse' or a Gatineau, Québec, Canada John Houck Community Art Center, Program Studio Exhibition, Holding Water, Beyond Paper: Bosnia and Herzegobina Franklin, Chicago, IL Roaming House? 'A Room SEPTEMBER 27, 2014 Fixed Variable, Hauser & Wirth, Chicago, IL; Poems in a room, TEMP Art Space, New York, Cauleen Smith TRACES–The 5th Drawing of One's Own' Today, A.I.R. Magic Pictures, Philadelphia, New York, NY; Murmurs: Caleb Charland Nyeema Morgan NY; In Response: Other SOCRATES SCULPTURE PARK, Dallas Biennial, The Recent Contemporary Biennale, Jerusalem, Israel Gallery, Brooklyn, NY; Fluid: PA; Going to bed angry, 65 From the Basement to the Nyeema Morgan & Mike Essential For Life, Newhouse Primary Structures, The LONG ISLAND CITY, NY MacKinney Art Contemporary, Acquisitions, Los Angeles Ashley Blalock Grand Gallery, Chicago, IL Jewish Museum of New Dallas, TX; Timing Is Backyard, Center for Maine Cloud: Interrogation Fiction, Center for Contemporary County Museum of Art, Los Keeping Up Appearances, Contemporary Art, Rockport, Abrons Art Center, New York, York, NY; Correspondance, Everything, UCSD University Angles, CA; Eternal Om, Art, Staten Island, NY Marisa Mandler Performing Artists: Small Works Gallery, Nevada ME; Piece Work, Portland NY; Come Together: Surviving Covered, NK Galerie, Antwerp, PS Hudson, Catskill, NY; Art Gallery, San Diego, CA; Metro PCS, Los Angeles, CA Museum of Art, Reno, NV Frames per second, Flanders The Shadows Took Shape, Museum of Art, Portland, ME Sandy, Year 1, Industry City, Theodoros Belgium; Art Park, ArtPod, Cortney Andrews (A '14) Brooklyn, NY; The Shadows Zafeiropoulos Gallery, Raleigh, NC Studio Museum in Harlem, Monika Sziladi Nayari Castillo NY; LA Woman, Yesterday, Anthea Behm (A '14) Amy Feldman Took Shape, Studio Museum Quest of Query, The Menace Today, Tomorrow, Forest New York, NY; The Shadows Monika Sziladi: Wide Passing Imaginaries, CIFO Art Stark Types, Annaelle Gallery. 2011 in Harlem, New York, NY; The of the Obvious, tranzit.hu, Lawn Museum, Glendale, CA; Claudia Bitran (A '14) Took Shape, Studio Museum Receivers & Tight Ends, Space, Miami, FL; The artist Stockholm, Sweden; Gray Matt Ager Intuitionists, The Drawing Budapest, Hungary; Quest of WetLand, Penn's Landing, in Harlem, New York, NY Smack Mellon, Brooklyn, are present, Rotor Gallery, Area, Sorry We're Closed, Duck Rabbit, Anat Ebgi, Los Carla Edwards (A '04) Center, New York, NY; Belewe, Query, Scrolling Topographies, Philadelphia, PA; Crossing NY; Emerging Artists in Graz, Austria; ContraPaisaje, Brussels, Belgium; The Angeles, CA; Camel Blues, Teresa Booth Brown (A '88) Kala Art Institute, Berkeley, Deák Erika Gallery, Budapest, Brooklyn, The Brooklyn 2008 Public Collections, Wall El Anexo Contemporáneo, New York Moment, Musée Kinman Gallery, London, CA; The Shadows Took Hungary; Please Participate Museum, NY; Flock House Lex Brown (A '12) Otis Bardwell Space; Aimee Burg, Tamar Caracas, Venezuela; d'art Moderne Saint-Étienne, UK; Wearing Potentiality, You Can't Go Back, Saranac Shape, The Studio Museum Me, Photobiennale “Logos” Project Omaha: A citywide Ettun, Monika Sziladi, Bosi France; Perfume, Jan Paradise Row Gallery, Alex Bradley Cohen (A '14) Art Projects, Spokane, WA Contemporary, New York, NY; in Harlem, New York, NY VIII, Museum of Photography, workshop, Bemis Center for Christopher Domenick (A '12) Kaps, Cologne, Germany / Thessaloniki, Greece London, UK; Chromatic Leak, Blackston Gallery, New York, Mie Olise NAM Project, Milan, Italy Rachel Frank (A '05) NY; Brian Belott, Paul DeMuro, Between the Stratum and Doreen Garner & Aaron Fowler (A '14) Amy Feldman, Galerie the Unstable, Duve Berlin, Zürcher, Paris, France; Higher Germany; Epic Fall 2, Active Carl Marin (A '12) Learning, Lehman College, Space, Brooklyn, NY; Bikuben, Holli McEntegart (A '14) New York, NY; Marquee UMOCA, Salt Lake City, UT Ivan Monforte (A '04) Moon, Thierry Goldberg Gallery, New York, NY Bundith Phunsombatlert Julie Ann Nagle (A '10) Wayfinding: 100 NYC Holly Pitre (A '14) Kyoung Eun Kang Public Sculptures, Flushing Christopher Samuels (A '10) Talking Transition, Duarte Meadows Corona Park/ Square, New York, NY; Queens Museum, NY SKOTE (A '10) Delicate Enchantments, The Binod Shrestha (A '05) New York Art Residency & Jaye Rhee Gravity and Lightness, James Robert Southard (A '12) Studio NARS Foundation, New York, NY; Actions & DOOSAN Art Center, Seoul, Jennifer Sullivan (A '11) with Peter LaBier Intent: Documentations South Korea; A Written Kyle Downs, Nick Doyle, Alex Goss, in Performance, NARS Promise of The Lines Foundation, Brooklyn, NY; (Tentative Title), Centro Sharon Madanes, Irini Miga, Susan para os Assuntos da Arte Metrican, & Willie Stewart (A '14) Transcending Borders, Lawrence Wilson Art Gallery, e Arquitectura (CAAA), Marisa Williamson (A '12) The University of Western Guimaraes, Portugal Claire Zitzow (A '11) Australia, Perth, Australia Richard T. Walker Ji Eun Kim the predicament of always The Construction of Ruins, (as it is), The Contemporary Doosan Gallery, New York, NY Austin, TX / Arizona State University Art Museum, AZ; Anna Kunz Richard T. Walker, James Verge, Munch Gallery, New Cohan Gallery, New York, Avantika Bawa (A '08), Aqua Mapping (Kochi) (2013), silk screen and digital print on paper (unique edition), 22 x 30 in York, NY; Angular Seduction, NY; let this be us, Des Aqua Mapping, Saltworks Gallery, Atlanta, GA, 2014 TSA Gallery, New York, NY; Moines Art Center, IA Richard Walker (A '09), Outside of All Things (2013), two-channel HD video 00:07:51 / Courtesy the artist I Listen To Color, Frank and Carroll/Fletcher London

36 37 Samantha Bittman CA; Everyone WIll Be Here Gabriela Salazar Emre Kocagil Up, Whitstable Biennale, Prerna Bishnoi John Dombroski Christopher Meerdo New Tenets, Paris London Now But Me, Machine This Is Where We Jump: Future Folk, Part II, Whitsable, UK; SPOOLBASE, In a Sea of Other Voices Pyramid Scheme, 204 25th #bruteforcefield, The Hills Hong Kong, Chicago, IL; Project, Los Angeles, CA La Bienal 2013, El Museo Launchpad, Brooklyn, NY Smart Consultants, (with Namrata Mehta, Sindhu St, Brooklyn, NY; PS3 ArtPark, Esthetic Center, Chicago, IL Soft Counting, Greenpoint del Barrio, New York, NY; Aberdeen, Scotland Thirumalaisamy), Stereo 305 W Broadway, Soho, NY; Terminal Gallery, Brooklyn, Clare Grill In Advance of a Storm, Nicolas Mastracchio sound, 3:19 mins, New Three's Company for Eight Fabiola Menchelli NY; Conversations, Morgan Comb, Soloway, Brooklyn, NY The Lighthouse Works, Nicolas Mastracchio, John Zappas Delhi, India; Composition for Performers, Churner and Tejeda Lehman Gallery, New York, Fishers Island, NY Galeria Zavaleta Lab, Figured Spot, Primetime, Temple Speakers, Richmond Churner, New York, NY Fabiola Menchelli, Yautepec, NY; 1234, Andrew Rafacz Maya Hayuk Buenos Aires, Argentina Brooklyn, NY; Lag, Space Town, Bangalore, India México City, México; XVI Gallery, Chicago, IL Hammer Projects: Maya Lauren Silva Gallery, Portland, ME; In All Sarah Hewitt Photography Bienial México, Hayuk, The Hammer Museum, Lauren Silva Solo Show, Ander Mikalson Kinds of Weather, Gallery Congregation, 106 Centro de la Imágen, México Amy Brener Los Angeles, CA; This Wall ZieherSmith, New York, NY Three's Company for Eight Protocol, Gainesville, FL Green, Brooklyn, NY City, México; Agregated Destiny's Fleshies, Could Be Your Life, Museum Performers, Churner and Exposures, George Lawson Knowmoregames, Brooklyn, of Contemporary Canadian Luke Stettner Churner, New York, NY; Score Gallery, San Fransisco, CA NY; Articulated Lair's, Art, Toronto, Canada; Bowery this single monument, The for Two Dinosaurs, Queens Helper, Brooklyn, NY; Wall, Bowery & Houston, New Kitchen, New York, NY; Museum, Queens, NY / Art, Stacy Mohammed Recliners, The Massie York, NY; Urban Art Biennale, time, women, stars, death, Design, and Architecture Folk, Gallery 263, Cambridge, Family Sculpture Courtyard, Museum of Contemporary sleep, flowers, life, eyes, a Museum, Santa Barbara, CA; MA; Los Milagros, FBC MacLaren Art Centre, Art, Charleroi, Belgium; river, dreams, Kate Werble A Narrow Hollow Volume, Gallery, Newton, MA; The Barrie, Ontario, Canada Alles Klar, Die Kunstagentin, Gallery, New York, NY; Errata, Practice, Philadelphia, PA; Art Of Drawing, University Cologne, Germany Vox Populi, Philadelphia, Queens International 2013, of New Hampshire Museum Mike Calway-Fagan PA; Printed Matter, Parallel Queens Museum of Art, NY Dimond Library, Durham, NH SUPERPOSITION: Observing Shara Hughes Events Manifesta 10, Saint Guess You Had To Be There, Shirah Neumann Realities, Trinity Museum, Petersburg, Russia Lavar Munroe New York, NY; Canon Fodder, Museum of Contemporary Art Small Visions, Museums on Grants Town Trickster, Jack Hughes Fine Art Center, GA, Atlanta, GA; Sculptures Jennifer Sullivan the Green, Falmouth, MA; Bell Gallery, London, UK; University of North Dakota, and Works on Paper, Summer Salon, Aucocisco Where Heroes Lay, (E) Big Girl Paintings, Emma Galleries, Portland, ME; Grand Forks, ND; The limit Mikael Andersen Gallery, Gray HQ at Five Car Garage, MERGE Art Fair, Washington, is the sun, Murray State Copenhagen; Sumped Portland Show, Greenhut Santa Monica, CA; Canon Gallery, Portland, ME DC; Cash and Carry, Good University, Murray, KY; Super Pumped Sentiments, TSA Fodder, Hughes Fine Art Children Gallery, New New York, Brooklyn, NY; Other T, NURTUREart, Brooklyn, NY Center, University of North Gabriel Pionkowski Orleans, LA; And Then: Peoples Paintings, Torrence Dakota, Grand Forks, ND Varied Approaches to Ivonne Dippmann Shipman, Brooklyn, NY Context and Counteractions, Hans Hoffman Gallery, Narrative, Marlboro Gallery, Les modes personelles, Katrina Umber Prince George's Community Tel Aviv, Israel Jeremiah Hulsebos- Provincetown Art Museum, Spofford Reds, Charlie James MA; Off The Wall/Fresco College Largo, MD Gallery, Los Angeles, CA Painting, Hudson Guild Jonathan Duff Hall of Khan, Hyde Park Art Dona Nelson Live Amateurs, MINT Gallery, Center, Chicago IL; Solo Maria Walker Gallery, New York, NY; Regarding the Fold, Whitney Biennial 2014, Atlanta, GA; Jon Duff Solo Show; Bare Bones, The [THERE] Keith J. Varardi & Whitney Museum of Art, New Exhibition, MINT Gallery, Franklin, Chicago, IL Maria Walker (curated by Hudson D. Walker Gallery, Provincetown, MA; Warp and York, NY; Outside the Lines, Atlanta, GA; Best In Show, Gabriel Pionkowski A'12), CAMH, Houston, TX; Phigor, MINT Gallery, Atlanta, GA; Meredith James Woof, The Hole, New York, Land Lock, Jack Hanley Hudson D. Walker Gallery, Thomas Erben Gallery, New Mind The Gaps, Sediment Provincetown, MA; Off The NY; Coincidence, Galerie Gallery, New York, NY Hélène Bailly, Paris, France; York, NY; Making Sense: Arts, Richmond, VA; Jon Wall/Fresco Painting, Hudson Rochelle Feinstein, Deborah Duff–Lowest Bidder, Bedford Guild Gallery, New York, NY; Wisconsin Triennial, Madison Michael Menchaca Museum of Contemporary Grant, Iva Gueorguieva, Gallery, Farmville, VA Galeria Sin Fronteras, National Anneliese Schrenk, Maria Dona Nelson, University of Walker, Vol. One, 308at156 David Politzer (A '04), HDL: Hyper Democratic Landscapes (2014), Art, Madison, WI Catherine Fairbanks Museum Of Mexican Art, 3-channel video installation with sound, 0:28:00, dimensions variable South Florida Contemporary Reds, Charlie James Chicago, IL; Estampas De Project Artspace, New York, Naomi Safran-Hon Art Museum, Tampa, FL La Raza, North Carolina NY; Implicit Horizon, Mixed Gallery, Los Angeles, CA of North Dakota, Grand 2014–2044, Marjorie Barrick Hard Times: Paintings, SLAG Museum of Art, NC; Reading Greens, New York, NY Gallery, Brooklyn, NY Ralph Pugay Room, RISD Gelman Gallery, Forks, ND; White Columns Museum, University of Crowdsurfer, Vox Jacqueline Gordon Benefit Exhibition, White Nevada, Las Vegas, NV It Only Happens All of the Providence, RI; Estampas De Mary Walling Blackburn Arlene Shechet Populi, Philadelphia, PA; My Strangest Stranger, UCSD Columns, New York, NY Time, Yerba Buena Center La Raza: Contemporary Prints Amy Flaherty Slip, Sikkema Jenkins Portland Biennial 2014: for the Arts, San Francisco, From the Romo Collection, University Art Gallery, San & Co., New York, NY Disjecta, Portland, OR Diego, CA; Portfolio, Bomb Felipe Castelblanco I Want to Smell Your Hair, New CA; I'm Not Judging You, North Carolina Museum of Olaya Art Center, Newton, MA Art, Raleigh, NC; Galeria Sin Magazine, New York, NY; Barb Smith RELAX (chiarenza & I'm Judging Me, Pro Arts Wrong Place, Urban Arts hauser & co) Gallery, Oakland, CA; Fronteras, National Museum Failing to Levitate, EFA Project Kevin Frances It is a door and a window Space, New York NY Space, Columbus, OH; Sinopale 5, Sinop Filter Resonance, Cult of Mexican Art, Chicago, IL We Paint Houses, Practice The Big Picture Show, that make a room useful, SOIL Gallery, Seattle, WA Biennial 2014, Turkey Exhibitions, San Francisco, Asim Waqif Gallery, Philadelphia, PA; International Print Center, Solo, Galerie Daniel Templon, Frame & Frequency, Sumter New York, NY; VOX Sarah Tortora X: Present Tense, Vox Anna So Young Han Paris, France; Palace of Gallery, Sumter, SC; The Da Capo, OCI Museum, Whitney Houston Biennial Populi, Philadelphia, PA Debris, Marrakech Biennale, Wrong Place, Urban Arts Seoul, Korea 2, Julius Caesar, Chicago, IL Marrakech, Morocco; Solo Space, Columbus, OH; We Paint Houses, Practice Daniel Giles Leila Tschopp Booth, FIAC, Paris, France; Open Office: a project Michael K. Taylor Gallery; The Foreigner, San Optimus primAtive: Research Movimientos Dominantes, Epreuves, Galerie Daneil of United States Artists, Diego Museum of Art, CA Lab, Community Artists' Haroldo Conti Cultural Center, Templon, Paris, France; United States Artists Collective, Houston, TX Buenos Aires, Argentina; Control, Dhaka Art Summit, Headquarters, Chicago, Dhaka, Bangladesh Don Edler Geometría al límite, Museum Future/Past, REVERSE IL; Your Implications Have of Contemporary Art of Quynh Vantu John Zappas (A '12), E E B B E E (2013), pigmented plaster and carved basswood, 28 x 18 x 4 in / In All Gallery, Brooklyn, NY; Three Implications, SLOW Gallery, Katie Wynne DordtYart Werft, Dordrecht Kinds of Weather, Gallery Protocol, Gainesville, FL Buenos Aires, Buenos Avert your gaze and you Painted Objects, Find Chicago, IL; Please Stand Museum, The Netherlands; Aires, Argentina; Ensayo will lose your love!, Box13 and Form Space; I Like By, ACRE TV, Chicago, IL Thresholds: Quynh Vantu, General, Ensayo General, Artspace, Houston, TX; O Florescent Light (I Love The McColl Center for Visual Arts, 2013 Julia Bland Mores McWreath Buenos Aires, Argentina Chaja Hertog & Nir Charlotte, NC; Norrköping AIR, Jonathan Armistead Equations of Sight-Similarity, Bent In, Primetime, Brooklyn, Stone Be Not So, Mass Sun), 80WSE Gallery, New Nadler Gallery, Austin, TX; In All Kinds York, NY; Maspeth World Norrköping, Sweden; Wadden On Selfiness, Mote Gallery, On Stellar Rays, New York, NY; Identity Tourist, The Lindsay Preston Zappas Duo Denken, Zwolle, The Tide 2014, Wadden Sea Columbus, OH / The STUDIO NY; Come Together: Surviving Enemy (online journal); Fresh Hot Dogs, Machine of Weather: A Good Weather of Wheels, Knockdown Netherlands; International Center, Maspeth, NY for creative Inquiry CMU, Sandy, Year 1, Industry City, Goalkeeper, Bryan Ohno Project, Los Angeles, CA; Retrospective, Gallery Film Festival Rotterdam, The John Walter Protocol, Gainesville, FL Pittsburgh PA; Untitled, Solo Brooklyn, NY; Hard As You Gallery, Seattle, WA; VOX Thirds, The Front, New Ash Ferlito Netherlands; INVIDEO2013, Hangwoman, Schwartz chair with wiener, Box13 Can, Right At The Middle, X: Present Tense, VOX Orleans, LA; Lake Effect, International Film Festival, Gallery, London, UK; 2012 Canon Fodder, Hughes Art Space, Houston, TX Asya Geisberg Gallery, New Populi, Philadelphia, PA Sagatuck Center for the Fine Art Center, University Milano; Curta Cinema 2013 Glasshouse, Smart York, NY; Breaking Night, Vox Arts, Sagatuck, MI Christopher Aque | Rio de Janeiro International Consultants, Aberdeen, Murmurs, Regards, Chicago, of North Dakota, Grand Populi, Philadelphia, PA Short Film Festival, Brazil Scotland; LIly & Mim, Smart IL; Canon Fodder, Hughes Forks, ND; Time Capsule Consultants, Aberdeen, Fine Art Center, University Jean Sausele-Knodt (A '83), Coming and Going (2013), oil on board, 45 x 57 in Scotland; Turn My Oyster

38 39 Illinois Arts Council Ontario Arts Council Grants, Fellowships & Awards Christopher Meerdo (A '13) Emerging Artist Grant Residencies Meredith Nickie (A '07) Jacques and Natasha Gelman Foundation Oregon Arts 18th Street Arts Center Berlin Collective Artist DOOSAN Residency Fellowship Commission Joan Los Angeles, CA in Residence Program New York, NY Michael K Taylor (A '12) Shipley Award Meredith Nickie (A '07) Berlin, Germany Ji Eun Kim (A '09) Avantika Bawa (A '08) Gwendolyn Kerber (A '79) Joan Mitchell Andrew Freedman Home Fine Arts Work Center Foundation Oregon Arts Bronx, NY Blue Mountain Center in Provincetown Carolyn Castaño (A '96) Commission Fellowship Michele Brody, (A '96) Blue Mountain Lake, NY Provincetown, MA Mary Temple (A '99) Firelei Baez (A '08) Amy Feldman (A '09) Ralph Pugay (A '13) Artist Research Ellen Lesperance (A '99) Amy Brener (A '11) Alicia Henry (A '90 Laboratory, Fondazione Brush Creek Foundation Alejandro Guzman (A '12) Heather Hart (A '05) Antonio Ratti for the Arts Pollock Krasner Como, Italy Saratoga, WY Heidi Hahn (A '10) Robert Hodge (A '14) Foundation Gabriel Pionkowski (A '12) Jennie C. Jones Brian Alfred (A '99 Shadi Harouni (A '13) Dawn Chandler (A '92) Helsinki International (A '96, F '14) Gwendolyn Kerber (A '79) Art Omi Djerassi Resident Lavar Munroe (A '13) Artist Program Steve Locke (A '02) Ghent, NY Artists Program Suomenlinna Island, Helsinki Glexis Novoa (A '98) Woodside, CA Joanna Malinowska (A '01) Jesus Benavente (A '12) Jack Pavlik (A '12) Lamar Peterson (A '02) Tracy Miller (A '92) Sara Eliassen (A '10) Ellen Lesperance (A '99) Irish Museum of Robert A. Pruitt (A '02) Karyn Olivier (A '00) Jessica Segall (A '10) The Edward F. Ralph Pugay (A '12) Christopher Saucedo (A '88) Modern Art (IMMA) Australia Council for Albee Foundation, Dublin, Ireland Michael K Taylor (A '12) Kay Walkingstick (A '02) the Arts, The Lineage Artist Residency Montauk, NY Mary Temple (A '99) John Fergus Family Rema Hort Mann of Eccentricity Post MFA Fellowship, Tokyo, Japan Anna Kunz (A '09) Key Holder Residency, Foundation Lower East Side Ohio State University Danielle Dean (A '12) Megan Walch (A '96) Institute for Felipe Castelblanco (A '12) Printshop Alison O'Daniel (A '07) Bemis Center for Electronic Arts New York, NY Alfred, NY John Simon Contemporary Arts Shadi Harouni (A '13) Royal Academy of Fine Omaha, NE Jim Morris (A '77) Guggenheim Memorial Arts, London Starr Foundation Kenya (Robinson) (A '14) Lighthouse Works Fellowship for Emerging Fountainhead Residency Fishers Island, NY Tracy Miller (A '92) American Artists Claudia Bitran (A '14) Miami, FL Stephanie Syjuco (A '97) Samantha Bittman (A '11) Gabriela Salazar (A '11) Lauren Adams (A '09), Precarious Prototypes (2014), custom printed textiles / Sondheim Finalists Prize at the Felipe Castelblanco (A '12) Jacolby Satterwhite (A '09) Siobahn Landry (A '11) Paul Ramirez-Jonas (F '00), Another Day (2003), computer generated Walter Museum LaToya Ruby Frazier (A '07) Mike Calway-Fagan (A '11) Michael Scoggins (A '03) NT SC video signal, three identical monitors, dimensions variable / Under Smithsonian Institute, Mauro Giaconi (A '13) Lower Manhattan the Same Sun: Art from Latin America Today, Solomon R. Guggenheim Joyce Foundation Franconia Edra Soto (A '00) Artist Research Heather Hart (A '05) Cultural Council Museum, New York, NY A Blade of Grass Art Matters Denmark Art Center, Fellowship Sculpture Park New York, NY Fabiola Menchelli Tejeda Shafer, MN Fellowship Victoria Fu (A '06) Artist in Residence Kala Institute Julia Brown (A '06) Firelei Baez (A '08) Project Grant (A '13) Mike Calway Fagen (A '11) National Textile Institute The Vermont Brett Cook (A '97) Nyeema Morgan (A '09) Fellowship Award Lucas Blalock (A '09) Islamabad, Pakistan Studio Center Toni Jo Coppa (A '97) Update_5 Biennial, Justin Plakas (A '12) Chris Manzione (A '12) Laudie Jo Reynolds (A '00) Steffani Jemison (A '08) Felipe Castelblanco (A '12) Alejandro Guzman (A '12) Catherine Fairbanks (A '11) Johnson, VT International New Jessica Segall (A '10) Meredith Nickie (A '07) Jody Wood (A '12) Jacolby Satterwhite (A '09) District of Columbia Gordon Hall (A '13) Nina Buxenbaum (A '01) The Laundromat Technological Art Award Stephanie Syjuco (A '97) Kambui Olujimi (A '06) Heather Hart (A '05) Ox-Bow American Academy Commission on the Arts Project: Create JD Beltran (A '88) Zachary Fabri (A '13) Artist Pension Trust, and Humanities Artist Amber Hawk Swanson (A '12) Saugatuck, MI in Rome USA and China Change Fellowship Michael K Taylor (A '12) Jeremiah Hulsebos- Fellowship Program The Walters Art Irvin Morazan (A '92) Spofford (A '11) Dave McKenzie (A '00) Hong Zhang (A '03) Suzanne Broughel (A '08) Tara Pelletier (A '09) Shawn Thornton (A '02) Molly Springfield (A '05) Museum, Sondheim Gwendolyn Kerber (A '79) Corin Hewitt (A '04) Andrew Ross (A '06) Adolph and Esther Louis Comfort Artscape Prize Phats Valley Residency Christian Maycheck (A '08) Foundation for Tiffany Foundation Jacolby Satterwhite (A '09) American Academy Gottlieb Foundation Lauren Adams (A '09) Truro, MA Shawn Thornton (A '02) in Berlin Contemporary Art Steve Locke (A '02) Marilyn Friedman (A '85) Macauley House Emcee C.M. Master Hong Zhang (A '03) Sanford Biggers (A '98) Lorna Ritz (A '68) Shinique Smith (A '03) ZERO 1, American BRIC Media Arts Cauleen Smith (A '07) Arts Incubator for Dawson City, Yukon, Canada of None (A '07) the Philippines Alexandra Feit (A '91) The Wassaic Project Anonymous Was Fellowship New York Foundation Playa Residency Wassaic, NY A Woman Houston Arts Felipe Castelblanco (A '12) Jayoung Yoon (A '09) for the Arts MacDowell Colony Program Tim Campbell (A '10) Beverly Semmes (A '82) Alliance, Established Bundith Phunsombatlert Artist Award Francis Cape (A '89) Peterborough, NH Summer Lake, OR Triangle Arts (A '09) Michael K Taylor (A '12) Tracey Goodman (A '10) Sarah Tortora (A '13) Dawn Chandler (A '92) Asuka Goto (A '08) Association Rauschenberg CultureWorks Letha Wilson (A '09) Marie Walsh Sharpe New York, NY Claire Zitzow (A '11) Space Program Foundation Meredith Nickie (A '07) New York, NY Captiva, FL Jessica Segall (A '10) Erika Ranee (A '93) Jennie C. Jones (A '96) Paul Santoleri (A '91) Edra Soto (A '00) Whitney Independent Lulzim Shtini (A '07) David Leggett (A '10) Study Program Lisa Sigal (A '86) New York, NY Amber Hawk Swanson (A '12) Real Time & Space Danielle Dean (A '12 Randy Wray (A '90) Oakland, CA Marisa Williamson (A '12) Mary Temple (A '99) McColl Center Matthew Wilson (A '10) for Visual Arts Ucross Foundation Woodstock Byrdcliffe Charlotte, NC Sheridan, Wyoming Artist Colony Quynh Vantu (A '12) Teresa Booth Brown (A '88) Woodstock, NY Millay Colony Virginia Center for Julia Bland (A '13) Austerlitz, NY the Creative Arts Yaddo Meredith Nickie (A '07) Amherst, VA Saratoga Springs, NY Michael K Taylor (A '12) Museum of Fine Arts Joan Linder, (A '99) Houston, Core Program James Robert Boston, MA Southard (A '12) Julia Brown (A '06) Christopher Aque (A '12), Touch Residue (2014), acrylic screen print Danielle Dean (A '12) on sandblasted glass, aluminum hardware 24 x 16 1/2 x 1 1/12 in Harold Mendez (A '13) Megan Cump (A '00), Untitled (Perseids) (2013), C-print, Wrap Around 4, 24 x 74 inches

40 41 Stefan Edlis and Eleanor W. Revson and Support Gael Neeson Richard J. Lord 2014 TRUSTEES' & GOVERNORS' WEEKEND Edward Tyler Nahem John A. Robbins Fine Art David Rockefeller Frederick & Diana David and Susan Trustees, Governors, alumni, neighbors, and friends came together Elghanayan Family Thank You! Rockefeller on campus July 18–20 for a celebration of Skowhegan's program. The Foundation in honor Allison L. Rubler of Andrea Crane Thomas and Georgina weekend allowed guests to visit studios and facilities, enjoy shared meals Skowhegan gratefully acknowledges the following donors whose commitment Susan Paul Firestone Russo, Gardner (A '72) by the lake, listen to a lecture by Betye Saar in the Fresco Barn, and to supporting the future of artmaking made Skowhegan's programs possible. Russo & Gardner Helen Frankenthaler F. Thomas Schmidt attend the spirited Costume Ball. Foundation, Inc. Jonathan and Kimberly A – Alumni Gifts received from John H. Friedman Schulhof F – Faculty 01/01/2014 – 12/31/2014 Emily Glasser and Steve Shane in memory Billy Susman of Anita Reiner Susan Goldberger Mr. and Mrs. Peter Jacoby (A '67) L. Sheldon Library Endowment The Blavatnik Family The Greenwich Roger and Jane Goodell Foundation Collection, Ltd. Mark Simon The Looker Family Trust, Mary A. and Thomas F. Donald and Vivian "Looker North" Andrea Crane and Amy and John Griffin Grasselli Endowment Sonnenborn Sam Hoffman Dorothy Lichtenstein Foundation $50,000+ Mr. and Mrs. Burton H. King and Jean Victoria Love Salnikoff Mark Grotjahn (A '95) B. Staniar David Beitzel (A '82) Cummings John Melick Meredith James (A '11) Angela Westwater, Kavi Gupta and Darren Walker Charitable Trust Sperone Westwater Christine Stanton and Donald Moffett (F '04) and The Wolf Kahn and Emily Hauser & Wirth Mitch Wasterlain Mrs. Mildred C. Brinn, Chiara and Ben Edmands Mason Foundation Robert Gober (F '94) Kate Haw Michael Steinberg Tatiana Piankova Larry Gagosian Anna-Maria and Stephen $1,000-$4,999 May & Samuel Rudin Maya Hayuk (A '11) Do-Ho Suh (A '93) Foundation Agnes Gund Family Foundation, Inc. Kellen Foundation as Debra Abell and Cullen Katherine Farley and recommended by Barbara Washington, Jr. (A '10) Steve Henry and Philip Carol Sutton Lewis Mihail Lari and Erica D. and Joseph Shneidman Jerry Speyer Scott Murray A. Samuels and Andrew Gundlach in Diane L. Ackerman David Teiger 01 02 honor of Andrea Crane, Dr. Shoichi Kajima (A '55) Greg and Susie Palm, Elizabeth Sidamon-Eristoff George W. Ahl III Jacqueline Tran The Palm Foundation Victoria Love Salnikoff El Anatsui (F '07) Lucia Kellar August O. Uribe (A '85) and Hunter Lewis & Chiara Edmands Noel Kirnon Louise and Leonard Riggio Sumner Scholarship Jeff Arnstein and Ursula von Rydingsvard Richard T. Prins and The Ronald & Jo Carole Michael Field Stephanie and (F '88) $30,000-$49,999 Endowment Foundation, Lauder Foundation Connie Steensma Inc. in memory of The Baldwin Foundation Jody La Nasa Dorsey Waxter Jan Aronson Lisa and Reuben Richards Sumner Rulon-Miller III Glenn Ligon (F '98) as recommended by Nicholas Lawrence (A '83) Thea Westreich Wagner The Brown Foundation, Alan Wanzenberg Anonymous Libbie J. Masterson Andrew Hamill (A '14) Mr. and Mrs. Peter O. and Ethan Wagner Inc. of Houston Pierre and Tana Matisse Burt Barr (F '08) in honor Lawson-Johnston John (A '90) and Graham and Ann L. Gund $10,000-$19,999 $5,000-$9,999 Foundation of Trisha Brown Barbara Lee in honor Marie Williams Robert L. Looker William and Donna Arcus Foundation Emily and Mitchell Rales Clayton and Amanda of Lucy Lippard Barry and Jan Zubrow Wilson and Eliot C. Nolen Jo Acquavella Mark H.C. Bessire, Mr. and Mrs. Andrés Benchley Lisa Yun Lee Anonymous (2) Mr. and Mrs. Judson Eleanor Acquavella Dejoux Portland Museum of Art Santo Domingo Janet Inskeep Benton Galerie Lelong P. Reis, The Sire John Coleman, The Alex Blavatnik Richard Serra (F '85) Barbara Bertozzi Castelli Damian and Zoya T. Loeb $500-$999 Foundation VIA Agency Colección Patricia John Studzinski, CBE Marianne Boesky Gallery Luhring Augustine Camilo Alvarez The Horace W. Goldsmith Phelps de Cisneros Symington Family Fund John J. Anselmi 03 04 $20,000-$29,999 Grace G. Bowman Peter and Paula Lunder, Foundation Robert and Rae Gilson Eugene V. Thaw The Lunder Foundation Anthony Aziz, Parsons The Barnes & Noble, Inc. The Broad Art Foundation Glenstone Foundation Amy Cappellazzo and Charles Marburg (A '77) New School for Design Joanne Rosen Matthew Marks Donald Baechler (F '94) Christie's Anthony and Celeste Meier Elizabeth C. Baker Michael Clifford and David Meitus and Bowdoin College Robert Levy Angela Westwater Museum of Art James Cohan Gallery Amy L. Mellen Matthew Brannon (F '13) Contemporary Richard and Ronay Melva Bucksbaum and Conservation Ltd. Menschel Raymond Learsy Brammie and Warren Alexander F. Milliken The Florence V. Burden C. Cook Cynthia Ann Miscikowski Foundation at the Mr. and Mrs. Willard Cook Tiffany E. Moller recommendation of Sharon Corwin, Colby Foundation Directors Carrie Moyer (A '95, F '10) Ordway and Jean Burden College Museum of Art Nancy B. Negley (A '73) 05 06 William S. Cottingham Mrs. Iris Cantor Amanda and James Julian and Lucy Colville and Tina Patterson Opinsky (A '77) Anita Contini Daphne Cummings (A '82) The Overbrook Foundation Elizabeth D. Dovydenas DC Moore Gallery The Pace Gallery Tracy DiLeo (A '82) (A '76) Mario J. Palumbo, Jr. and Constance Evans Mark Di Suvero (F '83) Stephen Gargiulo Jeanne Donovan Fisher Anoka Faruqee (A John W. Payson '95, F '10) Rackstraw H. Downes Sheila Pepe (A '94, F '13) (F '75, '81, '02) Katherine Gass Thomas M. Phifer Richard Gluckman Thelma and David Driskell Lindsay Pollock and (A '53, F '76, '78, '04) and Tiffany Bell Andrew S. Zarnett Jason Herrick and in memory of Walter Jonelle Procope and 07 Williams (A '53) Lindsay Smith Fred Terrell Barbara Hoffman Brenda Earl Mr. and Mrs. Thomas 01 Performance by Anna Garner with Martin Kersels (F '10) 02 Rob Looker, Mihail Lari, and Katie Josh and Purdy Eaton Mr. and Mrs. James Sonnenborn in Joseph Parra's studio 03 Jennie C. Jones (A '96) with Bailey Symington and Alan W. Purcell, Jr. E. Hunt Wanzenberg 04 David Beitzel (A '82) and Sheila Pepe (A '94, F '13) 05 Lecture by Betye Saar (F '85) with Alison Saar (F '93) 06 Studio visits 07 Red Farm dinner

42 43 Jack Shainman Gallery Joan E. Branca (A Carol Beckwith (A '64, Susan G. and Kennedy Andrew Ginzel (F '98) and Kari Kaplan Rives (A '82) Marisa Mandler (A '10) 2014 AWARDS DINNER James Goodman Gallery '72) in memory of '66, '67) in honor Crane III Kristin Jones (F '98) Mindi Katzman (A '84) in memory of Nancy Sean Johnson Joseph C. Branca of Noma Copley Alan Crichton (A '82) Leslie A. Golomb (A '72) Chake Kavookjian Sackett Mandler June Kelly Gallery The Andrea and Charles Sarah Bedford (A '97) Megan Cump (A '00) John C. Gonzalez (A '08) Higgison (A '77) Katherine Mangiardi (A '07) Bronfman Philanthropies Co-chairs David Beitzel (A '82) & Darren Walker, Andrea Crane, Eleanor Loraine Kaufman Anthea Behm (A '14) Greg Curry (A '85) Tracey Goodman (A '10) Gwen Kerber (A '79) Iñigo Manglano- at the recommendation Christy Bergland (A '68) Ovalle (F '02) Acquavella Dejoux, and Fred Wilson (F '95) hosted the 2014 Dinner in Foundation of Charles Bronfman, in Erin Curtis (A '10) Philip M. Grausman Water Kerner (A '83) Kenneth F. Koen Michael Berman (A '92) Jacqueline Davidson (A '58) (A '56, '57, F '73) James Kielkopf (A '64) Penelope Harbage honor of Jan Aronson Manzella (A '51) New York City. Awards went to Theaster Gates, Kate D. Levin, Lucy Joyce Kozloff (F '98) Michael Biddle Mary DeWitt (A '85) Mr. Francis Greenburger Patrick Killoran (A '98) in Mr. and Mrs. Michael Monica Martinez (A '06) Lippard (F '79), and Louise & Leonard Riggio, and raised over $900,000. Kyes Insurance Cohen (A '61, '64, F '71) Stephanie Diamond (A '00) J. Conor Grogan memory of Duchamp! Claudia Bitran (A '14) Richard Haas (F '82, '84) Haegeen Kim (A '06) Emily Mast (A '06) and Janine Antoni (F '98) and Stephen Petronio staged a performance for Wendy F. Lang (A Rebecca J. Cook Paul Divone (A '82) Karl Haendel (A '00) '54,'55,'56) Samantha Bittman (A '11) David G. Hacker (A '84) Becky Kinder (A '04) Joshua David and John L. Dombroski (A '13) Jessica May dinner guests. Laura Lobdell (A '99) Stephen Hirsh Lucas Blalock (A '11) Christina Haglid (A '90) Noah Klersfeld (A '03) Anastasia Douka (A '13) Natasha Mayers (A '76) Steven Locke (A '02) Barry A. and Shari Mara Bodis-Wollner (A '07) Jane Hammond (F '92, '05) in memory of Barry James Dowdalls (A '78) Sarah McEneaney (F '05) Michael Ludwig B. Dinaburg Douglas Bosch (A '91) Gail A. Hansberry (A '60) Michaeloff and Anthony Craig Edward Klersfeld Julie L. McGee Catherine MacMahon Lois Dodd (F '79) Sara Bright (A '10) Drennen (A '06) David Hardy (A '04) and Yoshua Klos (A '05) Dave McKenzie (A '00, F '11) Norma B. Marin Kimberly E. Donaldson Suzanne Broughel (A '08) William P. Dubord Abbey Williams (A '04) Candace Knapp (A '69) Emil A. Mellow II (A '78) Virgil M. Marti, Jr. (A '90, F Linda Earle Gayle E. Brown Jennifer Dudley (A '06) in Heather Hart (A '05) '12) and Peter Barberie Jackson Eisenpresser Ashley F. Bryan (A '46, '56) honor of the Class of 2006 Lynne Harwood (A '67) David J. Knoebel (A '72) Josephine A. Merck (A '68, '73) Michael Menchaca (A '11) Benjamin A. Fain (A '08) Ken Buhler (A '76) Christopher Dunbar (A '91) Joshua Haycraft (A '13) Elaine Taylor Krogius (A '53) Frank Meuschke (A '00) Mr. and Mrs. Timothy Al and Ginny Ferrara The Caldbeck Gallery Richard Dupont Connie Hayes (A '89) Anna Kunz (A '09) Melissa Meyer (F '02) O'Hara Karen Hesse Flatow (A '94) Mike Calway-Fagen (A '11) Onda F. D'Urso (A '49) Carol Hendrickson (A '71) John Landewe (A '00) Ander Mikalson (A '12) Paula Cooper Gallery James J. Grogan Polly Carpenter (A '75) Jonathan Ehrenberg (A '11) Alicia Henry (A '90) Barbara Lapcek Susan B. Miller (A '68, '71) Penny Pilkington and Ann S. Hedges (A' 68) Christopher Carroll (A '08) David J. Einstein (A '70) Heritage House Restaurant Annette Lawrence (A '96) Tracy Miller (A '92) 01 Wendy Olsoff Ralph Helmick (A '79) Felipe Castelblanco Angela Ellsworth (A '93) Katie Herzog (A '07) Li-hua Lei (A '98) Nancy Modlin Katz (A '78) Mr. and Mrs. Stephen Elizabeth R. Hilpman Olaya (A '12) Hersha Evans (A '83) Sarah Hewitt (A '13) Dan Levenson (A '09) Ann-Michele Morales Robert Center for Maine Catherine Fairbanks (A '11) Ulrike Heydenreich (A '01) Robert L. Ireland Margaret E. Libby (A '87) (A '97) Tyler Rollins Contemporary Art Marcus Chad Farris (A '97) Suzanne Hodes (A '57, Frank Jackson (A '85) Joan Linder (A '99) Jason Mortara (A '06) Mr. and Mrs. Benjamin Dawn Chandler (A' 92) Ruth Fine (A '61) '58) in memory of M. Rosen Jennie C. Jones Sandy Litchfield (A '07) Michael Muelhaupt (A '13) (A '96, F '14) Katherine Chapman Fleisher Ollman Gallery Marianna Pineda John W. and Carolyn Nan Hall Lombardi (A '88) Lavar Munroe (A '13) Ada and Alex Katz (A Christopher Chiappa (A '97) Robert N. Flynt (A '74, '76) Stephen Hoke (A '73) J. Rosenblum Emalie S. Lorens (A '48) Walter Murch (F '07) '49,'50, F '60, '63, '64, Milano Chow (A '13) Rachel Frank (A '05) Susan F. Homer (A '93) Rhoda Ross (A '86) '67, '71, '75, '95) Allana Clarke (A '14) Jeremiah Hulsebos- Angela Lorenz (F '07) Ilse Murdock (A '12) Christine and Kenneth James Benjamin Sophia Narrett (A '14) Colleen Keegan Class of '95 Franklin (A '94) Spofford (A '11) Whitfield Lovell (A '85, (A '68) Rush, Jr. F '01, '01, '05) Dona Nelson (F '13) Byron Kim (A '86, David Coggins (A '01) Jon R. Friedman (A '69) Anthony J. Iacono (A '13) Sean Ryan (A '03) Tristin Lowe (A '89) Itty Neuhaus (A '89) F '99, '13) Barnett Cohen (A '12) Jane F. Gagne (A '80) Michael L. Jackson (A '79) Cathy A. Sarkowsky (A '93) Dimitar Lukanov (A '95) Heidi Nitze (A '56, '57) Megan Liu Kincheloe Sue A. Collier (A '79) Robert Gainer (A '83) Diana Jensen (A '92) 02 03 Jinnie Seo (A '90) (A '13) Robert MacDonald (A '96) Alison O'Daniel (A '07) Maurice Colton III (A '70) Lilian Garcia-Roig (A '90) Andrew Johnson (A '99) Shinique Smith (A '03) Tony Ligamari (A '83) Sharon Madanes (A '14) Margaux Ogden (A '11) Marella L. Consolini Elise Gardella Courtney A. Jordan (A '05) Katie and Jonah Anissa Mack (A '99, F '11) Town of Madison Helene O'Toole (A '89) Carol H.P. Cooper (A '60) John A. Germain (A '76) James D. Julia Sonnenborn Javier Martinez J. Louise Makary (A '14) Lisa Park Toni Jo Coppa (A '97) Daniel Giles (A '13) Edward and Helena Mrs. Elizabeth Strong Catherine Murphy (A '66) Herbert Parsons (A '64) de Cuevas Heather Cox (A '97) Adu A. Gindy (A '89) Kadunc Catherine Opie (F '10) Mr. and Mrs. Wayne Yoshiko Kanai (A '96) Bruce Pearson (F '01) Thiebaud (F '78) Alix Pearlstein (F '04) and Bill Adams (A '80, F '05) Mr. and Mrs. Thurston Twigg-Smith Mr. and Mrs. Howard Rachofsky Scholarship Grants Myron C. and Carol Warshauer Family Catherine Ross (A '02) Foundation Carole Server Frankel Sarah Workneh Nataliya Slinko (A '10) Matching School Endowed 04 05 Don Zacharia Hunt A. Slonem (A '72) Tuition Scholarships Anonymous Andrew Solomon Boston University Bingham Scholarship William and Nan Stone California Institute Camile Cosby Scholarship $250-$499 Jennifer Sullivan of the Arts Donald and Doris Ellen Altfest (A '02) Carney (A '91) Cornell University Fisher Scholarship Eric Angles (A '03) Bridget and Patrick Wade Maryland Institute Gober-Moffett Scholarship Mary Armstrong (A '77) Allison Weisberg College of Art Ann and Graham Leslie Bathgate Heaney Massachusetts College Gund Scholarship and Andrew Heaney in Up to $250 of Art and Design George Gund Scholarship honor of Eleanor Dejoux Patricia Abbott-Ryan (A '81) Northwestern University Alex Katz Scholarship Paul Beirne Sigmund Abeles Rhode Island School Jacob and Gwendolyn Madeleine Bennett (A '55, '56) of Design Lawrence Scholarship Dike Blair (A '74, F '12) Katherine Alward (A '83) School of the Art Peter Lewis Scholarship 06 07 Holly Block Betsy Alwin (A '01) Institute of Chicago Toby Fund Scholarship Stephen Blossom (A '77) Are You Ready to Party?? The Ohio State University Don F. Turano Scholarship 01 The evening's honorees and presenters 02 Glenn Ligon (F '98), Gayle Brown, and Robert Gober (F '94) M.L (A '08) and J.H. Tyler School of Art 03 Performance by Janine Antoni (F '98) with dancer Nick Sciscione choreographed by Stephen Petronio Maggie and Willard Wallace-Reader's Boepple (A '63) Aronovitz, in honor of Ellie University of California, Digest Scholarship 04 Eliza Myrie (A '10), Jill Pangallo (A '10), and Lisa Yun Lee 05 Margaux Ogden (A '11), Meredith James (A '11), Rothstein, Bat Mitzvah San Diego Jonathan Ehrenberg (A '11), Gabriela Salazar (A '11), and Lucas Blalock (A '11) 06 Linda Earle, Jacolby Astrid M. Bowlby (A '02) W & M Zorach Scholarship Satterwhite (A '09), Erica Ehrenberg, and Jennifer Sullivan (A '11) 07 Ann Gund, Agnes Gund, and Daniel A. Bozhkov Artist & Craftsman Supply University of Florida Mark di Suvero (F '83) / Photography by Benjamin Lozovsky/BFAnyc.com and Christian Grattan (A '90, F '11) Nathaniel Axel (A '11) University of Iowa Herbert W. Babcock (A '67) Katherine Bradford (F '09) If you are interested in learning how to endow a Skowhegan scholarship Paul Banas (A '74) or support a current participant, please contact Katie Grogan at Nicholas Baume [email protected] or 212 529 0505.

44 45 2015 AWARDS DINNER In Memoriam

Co-Chaired by Mihail Lari, Rob Looker, Eleanor Acquavella Dejoux & Chiara Edmands and hosted by Martin Kersels (F '12), the With regret we note the passing of these friends from our Skowhegan community. 2015 Awards Dinnner honored Christopher Wool, Lia Gangitano (A '90), and Estrellita & Daniel Brodsky and raised $825,000. Meredith James (A '11) and Beverly's (A '12) created dramatic installations for the event. Anne Arnold (F '74), Governor 1981–2010 William King (A '48, '51, '52, F '67, '75, Jack Beal (F '70) '77, '82, '89), Governor Emeritus Edgar M. Bronfman, husband Roger Majorowicz (A '57, F '70) of Trustee Jan Aronson Zizi Raymond (A '85), Sculpture Claire C. Burke (A '84) Technician 1989 Charles F. Cajori (A '48, '54), Governor Louis Romero (A '89) 1962–81 and 1988–89 Jane Wilson (F '84), Governor 1981–92 Laurie Hickman Cox (A '84) David Shapiro (A '65) Arthur Danto, (F '89, Paul Mellon Fellow) Susan Sollins, Recipient of Jane Freilicher (F '68, '88) 2008 Governors' Award Steven Griffith (A '74)

Jane Freilicher (F '68, '88), Flowering Pear (1992), color lithograph with hand coloring, 24 3/8 x 26 inches, benefit print to support Skowhegan. 02 03 01 Boards & Staff

BOARD OF TRUSTEES Martha Diamond (F '77, '83) ADVISORY COMMITTEE YEAR-ROUND STAFF Pam Musset, Ann L. Gund, Chair Chitra Ganesh (A '01, F '13) Douglas S. Cramer Christopher Carroll (A '08), Assistant Chef Gregory K. Palm, Guy Goodwin (F '88, '93) Philippe de Montebello Program Coordinator Pam Fuller, Red Farm President Richard Haas (F '82, '84) David Driskell (A '53, F '76, Elise Gardella, Office & Cailee Manzer, Housekeeping 06 Richard T. Prins, Treasurer Jane Hammond (F '92, '05) '78, '04) Board Liaison Andrea Crane, Secretary Daniel Hauser, RELAX (F '13) Kathy Halbreich (A '65) Katie Grogan, Krystal Royce, 05 Housekeeping 04 Jan Aronson Bill Jensen (F '83, '86) John L. Marion Development Manager David Beitzel (A '82) Jennie C. Jones (A '96, F '14) Kynaston McShine William Holmes, Campus Shawn Thornton (A '02), Baker Grace G. Bowman Martin Kersels (F '10) Richard E. Oldenburg Grounds & Maintenance Manager Jon Logan, Mildred C. Brinn, Byron Kim (A '86, F '99, '13) Linda Shearer Food & Residence Chair Emeritus Guillermo Kuitca (F '99, '04) Paige Laino, Program Lowery Sims Assistant Assistant, Van Driver John R. Coleman Tommy Lanigan-Schmidt Eve Payne (F '91, '92, '97, '13) Katie Sonnenborn, Warren C. Cook ALLIANCE Co-Director John Harlow Eleanor Acquavella Dejoux Whitfield Lovell (A '85, Becky Kinder (A '08) Eliza Halmo F '01, '02, '05) Sarah Workneh, Chiara Edmands Co-Chair Co-Director Claire Pedulla Iñigo Manglano-Ovalle 07 08 09 Susan Paul Firestone (A '72) Michael Scoggins (A '03) Mary-Eileen (M.E.) Rose Lambert-Sluder (F '02) Co-Chair Robert Gilson Zadlo, Archives & Rebecca Fredrick 01 Meredith James (A '11) 02 Honoree Lia Gangitano (A '90) and Presenter Virgil Marti (A '90, F '12) 03 Host Martin Kersels (F '12) 04 Daniel Bozhkov (A '90, F '11) 05 Dinner Fabian Marcaccio (F '97) Pasqualina Azzarello (A '08) Mihail Lari Commmunications Joshua Vanadestine Co-Chairs Mihail Lari, Rob Looker, Eleanor Acquavella Dejoux and Chiara Edmands 06 Artwork by Siebren Versteeg (A '04) 07 Installation and afterparty by Beverly's (A '12) Robert L. Looker Marlene McCarty (F '11) Jesus Benavente (A '12) 08 Graham Hamilton with Honorees Estrellita and Daniel Brodsky 09 Christopher Wool, Richard Prince, Lydia Andich, Robert Gober (F '94), Katie Sonnenborn, and Sarah Workneh Suzanne McClelland (F '99) Grounds & Maintenance Photography by Clint Spaulding/PatrickMcMullan.com and Christian Grattan Victoria Love Salnikoff Alan Calpe (A '06) 2014 SUMMER STAFF Dave McKenzie (A '00, Andrea Chung (A '08) Ralph Drouin, Libbie J. Masterson Program Coordinator Grounds Staff F '11) Esteban del Valle (A '11) John Melick Katherine Leisen Kevin Flanagan, Carpenter Wilson Nolen Donald Moffett (F '04) Don Edler (A '12) Paul Pfeiffer (F '05, '10) Alison Saar (F '93) Nobuyuki Siraisi (A '59) Sarah Tortora (A '13) Larry Weintraut III in Carrie Moyer (A '95, F '10) Deans Larry Gray, Grounds Staff honor of Seneca D. Judson P. Reis Zachary Fabri (A '13) Michael Berryhill (A '07) Ashely and Henry Phyfe Betye Saar (F '85, '14) Michael Smith (F '11) Daniel Treado (A '92) Alix Pearlstein (F '04) Peter Jillson, Gabriel Pionkowski (A '12) Yoshie Sakai (A '14) Adrienne Snow Nicole Tschampel (A '01) Weintraut (A '13) Eleanor W. Revson Rachel Frank (A '05) Carmen Winant (A '10) Grounds Staff Alan Wiener (A '89) Alan Wanzenberg Paul Pfeiffer (F '05, '10) Gordon Hall (A '13) Justin Plakas (A '12) Gabriela Salazar (A '11) Ellen M. Soffer (A '81) Anna Tsouhlarakis (A '02) Howardena Pindell (F '80) Fresco Ron Pinkham, Allison K. Wiese (A '99) David Hardy (A '04) Grounds Staff Amy Podmore (A '86) Sara Saltzman (A '05) Kathleen Soles (A '77) Tomoe Tsutsumi (A '10) TRUSTEE EMERITUS David Reed (A '66, F '88) Nicholas Sean Glover (A '03) Jan Postma and Claudia Sbrissa (A '03) Molly Springfield (A '06) Carrie Ungerman (A '89) Meredith Wildes Maya Hayuk (A '11) Peter Campbell, Gardener Cornell (A '64) in John W. Payson Allen Ruppersberg (F '01) Library Jane Panetta Ralph Scarcelli (A '65) Stacy Stark in honor of Juana Valdes (A '95) Noah Klersfeld (A '03) honor of Sigmund Alison Saar (F '93) Meredith Gaglio, Journal Printer Lee F. Potter Marjorie Dee Schwab Bob Gober (F '94) Louisa Van Lear (A '06) Abeles (A '55, '56) BOARD OF GOVERNORS Dan Levenson (A '09) Head Librarian RMI Printing Charlotte Present (A '66) Joan Steinman (A '82) Beverly Semmes (A '82, Katie Mangiardi (A '07) Beverly Semmes Susanna G. Vapnek (A '02) Wayne F. Williams Maria Elena González (F '05), F '01, '05) Elizabeth Mooney, Photography Martin Puryear (F '80, '88) (A '82, F '01, '05) Aaron T. Stephan (A '02) Lilly McElroy (A '06) Tabitha Vevers (A '87) (A '56, '57) Chair Lisa Sigal (A '86, F '06) Archivist Cortney Andrews (A '14) David F. Reed (A '66, F '88) Abigail Shahn (A '59, '61) Luke Stettner (A '10) Eliza Newman-Saul (A '05) Kai Vierstra (A '05) Matthew Wilson (A '10) Anoka Faruqee (A '95, F '10), Media Lab Christopher Carroll (A '08) Matthew T. Rich (A '10) Emalie Shapira Naqeeb Stevens Kiki Smith (F '93) Sandy Walker (A '63) Carmen Winant (A '10) Vice Chair Jill Pangallo (A '10) Christopher Carroll (A '08), Paige Laino Angela Ringo (A '06) Lorens (A '48) Rachel Stevens (A '84) Robert Storr (A '78, F '02) Constance Walsh (A '96) Gerald Wolfe (A '74) Emma Amos (F '86, '97, '06) Sondra Perry (A '13) Media Lab Manager Kathy Leisen Celeste Roberge (A '79) Arlene Shechet (F '12) Barbara Sullivan Marc Swanson (A '00, F '14) Lindsay Walt (A '77) and Eva Wylie (A '07) Janine Antoni (F '98) Meridith Pingree (A '03) Lilly McElroy (A '06), Media Chris Papa (A '14) Marrin Robinson (A '86) Adam Shecter (A '06) Eve Sussman (A '89, F '05) Colin H. Thomson (A '74) Julianne Swartz (A '99, Steven Yazzie (A '06) Donald Baechler (F '94) Birgit Rathsmann (A '04) Associate Magdalen Wong (A '14) Jacque Rochester (A '72) David Shrobe (A '14) Rob Swainston (A '07) John Walter (A '12) F '08) Gordon Yee (A '61) Daniel Bozhkov (A '90, F '11) Gabriela Salazar (A '11) Sculpture Shop Omar Rodriguez- Lulzim Shtini (A '07) Marc Swanson (A Nat Ward William Wegman (F '83, Andrew Yoder (A '81) Matthew Brannon (F '13) '92) Carrie Schneider (A '07) Chris Domenick (A '12), Graham (A '13) Gedi Sibony (A '99) and '00, F '14) Ware-Butler, Inc. Lumber Mary-Eileen Zadlo Becky Sellinger (A '12) Jennifer Monick (A '99) Louis Cameron (A '96) Fred Wilson (F '95) Sculpture Shop Manager Hanneline Røgeberg Mark Taber (A '06) and Building Supply Barbara Zucker (F '84, '87) Adam Shecter (A '06) (A '88, F '09) Gina Siepel (A '08) Francis Cape (A '89, F '08) Food & Residence Service Fabian Tabibian (A '10) Cullen B. Washington, in memory of Patsy Norvell GOVERNOR EMERITUS Fabian Tabibian (A '10) Wendy Rowland (A '67) Lisa Sigal (A '86, F '06) Jr. (A '10) Marie-Antoinette Chiarenza, Waneeta Marquis, Mary Temple (A '99) Anonymous (2) Lois Dodd (F '79) Nicole Tschampel (A '01) Alysa Rowlands (A '91) Amy Sillman (F '00) Marie K. Watt (A '95) RELAX (F '13) Chef and Food Service & Hank Willis Thomas (A '05) Residence Manager Allen Ruppersberg (F '01) Alan Singer (A '73) Montana Torrey (A '06) Brindalyn Webster Mel Chin (F '95) Chen (A '09) Daphne Cummings (A '82)

46 47 48 49