Very Important People 73 X 102 Cm, Edition of 75

Total Page:16

File Type:pdf, Size:1020Kb

Very Important People 73 X 102 Cm, Edition of 75 EOAPROJECTS.COM EOA.PROJECTS GALLERY @EOAPROJECTS 40 ELCHO STREET EOA. #EOAPROJECTS LONDON SW11 4AU PROJECTS Mon- Sat 10:00 - 17:30 Alex Katz, Vivien in Black Hat, 2010, Silkscreen in 34 colors, Very Important People 73 x 102 cm, Edition of 75 Sir Peter Blake, Mel Bochner, Chuck Close, Damien Hirst, Noorah Kareem, Alex Katz, Jeff Koons, Eric Parnes, Mohammed Shammarey and Joe Webb PRIVATE VIEW FRI 6 FEB / 6.30 - 8.30 PM EOA.PROJECTS GALLERY 40 ELCHO STREET LONDON SW11 4AU A Very Important Person (VIP) is a person who is accorded special Mel Bochner’s approach and materials constantly vary; in fact, privileges due to his or her status or importance. The special the artist formally disavowed allegiance to a single material in treatment usually involves separation from common people, and his famous essay titled “the Medium and the Tedium” (2010). a higher level of comfort. Bochner—who has produced paintings, installations, and photography—is noted to be one of the most influential pioneers of Conceptual art, and the organizer of the first Conceptual art ARTISTS exhibition in 1966. A recurring theme in Bochner’s work is the relationship between language and physical space or color. This Sir Peter Blake is perhaps the most recognized and highly is famously demonstrated in his “Measurement” installations regarded artist of the British Pop Art movement. Much of his of the late 1960s, visualizing the exact dimensions of rooms output – such as the sleeve for The Beatles’ ‘Sgt. Pepper’s Lonely and exhibition spaces, and thesaurus-inspired paintings of a Hearts Club Band’ – has achieved iconic status. single word and its synonyms. Bochner formally studied under Blake’s work reflects his fascination with all streams of popular Douglas Wilson and Wilfred Readio, though his eventual style culture, and the beauty to be found in everyday objects and would draw strong influence from the works of Clyfford Still and surroundings. Many of his works feature found printed materials Jean Dubuffet. such as photographs, comic strips or advertising texts, combined with bold geometric patterns and the use of primary colours. The Chuck Close reinvented painting with his monumental portraits, works perfectly capture the effervescent and optimistic ethos rendered with exquisite, exacting realism from photographic of the sixties, but are also strikingly fresh and contemporary. sources. Playing with ideas of scale, color, and form, Close There is also a strain of sentimentality and nostalgia running has become famous for his rigorous, gridded application of throughout his work, with particular focus towards childhood individual color squares, which, although abstract up close, innocence and reminiscence, as can be seen clearly in his recent form unified, highly realistic images from afar. “I think most Alphabet series. Blake is renowned for his connection with the paintings are a record of the decisions that the artist made,” he music industry, having produced iconic album covers for the said. “I just perhaps make them a little clearer than some people Beatles, Paul Weller, The Who, and Oasis. have.” Close’s artificially restrictive painting techniques stem in part from physical limitations—he suffers from an inability from contemporary and historic references. Past projects have to recognize faces, and had a spinal injury in 1988 that left him addressed pop culture, consumerism, corporate life, and violence, largely paralyzed. Close is particularly known for his portraits of as well as the Persian Empire and ancient Mesopotamia. His artists, having depicted Robert Rauschenberg, Cindy Sherman, works also build upon the artist’s experiences as an Iranian- and Richard Serra, among countless others. His work links him American: “I do see the two worlds from both ends—from the East not only with Photorealists but also to Conceptual Art. and from the West,” he says. “I can be found somewhere in there. Damien Hirst Undoubtedly the most acclaimed contemporary Mohammed Shammarey is a self-taught artist; he works with artist of his generation. Genuine star of the YBA (Young British painting, photography, silk-screen printing and sculpture. He Artists) movement, Hirst has always made a point of mixing up has held many solo exhibitions including shows held at his his genres. Artist, entrepreneur and celebrity, he has produced atelier in Baghdad (in 1988, 1991 and 1999); FA Gallery, Kuwait, much of the most spectacular works in recent years and helped 2010, and Word, Object, Motion (with Simeen Farhat), Anya Tish to revolutionize the art market. From Freeze, the artist’s first Gallery, Houston, Texas, in 2010. He has also participated in group exhibition which he organized while still at Goldsmith’s College exhibitions such as Word into Art, British Museum, London, 2006; in 1988, to the prestigious Turner Prize awarded to him in 1995, Dafatir: Contemporary Iraqi Book Art, University of North Texas, from the diamond-encrusted skull (For the Love of God, 2008) to Denton, Texas, travelling exhibition, 2005–2008; Iraqi Artists in the controversial sale of his work at Sotheby’s in the same year, Exile, Station Museum of Contemporary Art, Houston, Texas, Damien Hirst always seeks to subvert the system and thereby 2008; and Modernism and Iraq, Wallach Art Gallery, Columbia create some truly emblematic pieces of art. Inspired by such University, 2009. 2013 - an Exhibition of Works by Mohammed diverse themes as life, death, art, science and medicine Damien Al Shammarey ARTSPACE Dubai. 2012 Anya Tish Gallery Houston Hirst makes use of many varied techniques including installation, Tx Collective Reaction: FotoFest 2014 work is often inspired by sculpture, painting, drawing, etching and silkscreen. literature and poetry, particularly the writings of Rumi, Mahmoud Darwish and the Epic of Gilgamesh. Since 2008, he has lived and Noorah Kareem born 1990 graduated with a diploma from the worked in Houston, Texas. Arts & Skills Institute, Riyadh in 2009. In 2012 Kareem pursued a degree in the field of special Education- Behavioural Disorder Joe Webb (1976-) uses vintage magazines and printed ephemera & Autism, Riyadh. Alumni of the Crossway Foundation Create that he has collected to create hand-made low fi collages, no & Inspire competition 2011. Kareems work had been featured in computer trickery in sight. Webb re-invents the imagery taken Design Magazine, Ayadi Magazine, Al Riyadh newspaper and Al from his collection of printed materials to create simple and Hayat Newspaper and held in private collections in Saudi Arabia, elegant, yet surreal, images that explore love and longing. His the United States and Australia. work is inspired by the collage work of Peter Blake amongst others. To create original editions Webb has stayed true to the Alex Katz is the outstanding protagonist of figurative Painting, texture and feeling of collage by using real collaged elements in and one of the most influential painters in the world. Alex Katz the silkscreens as well as embossing and glazing. was often said to be one of the father of the Pop Art movement, but his style was always independent on the borderline between abstraction and realism. His paintings are the result of a transformation of the three-dimensional word in simplified landscapes and portraits of sophisticated woman on canvas. Katz is well known for featuring his own social milieu often depicting parties, portraits of friends and fellow artists, and most notably, his wife Ada. Katz also worked with collage, printmaking, and set design, increasingly concentrating on these mediums and developing freestanding sculptural cut outs. He later painted large-scale landscapes and continues to work with natural themes in form of large scale flower scenes in his works today. EOA.PROJECTS Jeff Koons playfully tests the boundaries of commerce, celebrity, banality and pleasure. He turns banal commercial or everyday EOA.Projects was established in 2009 as a gallery platform for objects into art icons by using seductive materials, a shift of artists working between the Middle East, Europe and United scale and a contextual displacement. Koons’ large-scale vinyl States. Under the vision of Stephen Stapleton, founder of Edge of “Inflatables”, his enormous chromium stainless steel “Balloon Arabia and The Crossway Foundation, EOA.Projects collaborates Dog” or the giant “Puppy” and “Split Rocker” made of hundreds with artists in building their careers and realising their potential to of flowers all follow this principle. Originally licensed as a an international standard. Through production studios in London commodities broker, in the late 1970ies Koons decided to become and Jeddah, EOA.Projects supports artists in developing new and artist and moved from Wall Street into a factory-like studio in projects including limited edition fine art prints and special SoHo with hundreds of assistants. Since then, he has produced commissions. In 2012, EOA.Projects opened a 400m sq. gallery different series like the Pre-New, a series of domestic objects in in South-West London with a curated programme of exhibitions, strange new configurations, The Equilibrium Series, consisting film-screenings and talks aimed at international audiences. of basketballs floating in distilled water tanks, or the Banality Series culminating with a sculpture of Michael Jackson and his chimpanzee Bubbles. Koons is widely regarded as one of the most important, influential, and controversial contemporary artists. For appointments, a full artist biography and other press enquiries He constantly tests the boundaries between art and commerce, please contact: high culture and mass culture, readymade and art object, by decontextualizing his objects and lifting them to iconic statuses. Mariam M. Hassan He has lifted art out of the enclave of the genius-driven artist Gallery Manager into the realms of nowadays pop and commerce driven culture. +44 (0) 20 7350 1336 [email protected] Eric Parnes is a multimedia artist and considers his art to be Like us on Facebook: EOA.PROJECTS “Neo-Orientalist,” meaning that which delves into the visual Follow us on Twitter: @EOAPROJECTS appropriation and socio-political dynamics between Eastern and Follow us on Instagram: @EOAPROJECTS Western culture.
Recommended publications
  • The Museum of Modern Art for Immediate Release July 1993
    The Museum of Modern Art For Immediate Release July 1993 A PRINT PROJECT BY CHUCK CLOSE July 24 - September 28, 1993 An exhibition presenting American artist Chuck Close's most recent print project, Alex/Reduction Block, opens at The Museum of Modern Art on July 24, 1993. Organized by Andrea Feldman, curatorial assistant, Department of Prints and Illustrated Books, A PRINT PROJECT BY CHUCK CLOSE comprises fifteen large- scale screenprints that depict Close's friend and fellow artist Alex Katz. The screenprints replicate all stages of what was originally a reduction linoleum-cut print. The exhibition, on view through September 28, examines the complex process of printmaking and offers an in-depth view of Close's artistic conception. The reduction linoleum-cut technique requires the artist to use a single block for the entire printing process, in contrast to the conventional method of cutting separate blocks for each color in the print. Close became intrigued by the process after studying prints made by Picasso in the late 1950s. When Close anticipated problems with the paper he had chosen for his reduction linoleum-cut project, he printed a set of the states of the work on mylar, which he later used as templates for the screenprints on view in the exhibition. Ms. Feldman states, "Over the two year period that it took to complete this impressive project, Close ran into many technical problems that he transformed into artistic challenges. Without a flaw, Close maneuvered through the obstacle course that the project presented and created an image of enormous power and intensity.
    [Show full text]
  • Alex Katz on 10 Artists Who Inspire Him
    Search by artist, gallery, etc. Art Alex Katz on 10 Artists Who Inspire Him Alex Katz Nov 1, 2018 2:30 pm Portrait of Alex Katz. Photo by Ander Gillenea/AFP/Getty Images. “A lot of art books are very tiresome to most people,” admitted Alex Katz who, at 91 years young, is one of our most prominent living painters. ere’s nothing tiresome about Looking At Art With Alex Katz, a new volume in which the artist shares relatable, off-the-cuff impressions of dozens of his favorite artists, poets, and creatives, from Fra Angelico to Frank Lloyd Wright. “Everyone gets art on their own level,” he said in a recent interview with Artsy. “If you don’t know a lot about art history and you look at a picture, you’re not seeing the same picture that someone who knows something about art history sees. But that doesn’t mean you receive less from the picture. Art is very multifaceted that way.” Below, we share excerpts from the book that highlight nine eclectic artists who have amazed and inspired Katz over the years. Louise Bourgeois Follow Louise Bourgeois Spider, 1997 Louise Bourgeois Fée Couturière "… Sotheby's: Contemporary Art Day Auction “I rst heard Louise Bourgeois and Louise Nevelson on a Sunday afternoon in 1950, when I had just come to Manhattan. ey spoke in a loft on 10th Street and 4th Avenue. ey seemed arty and quite irresponsible, as they kept talking about the fth, sixth and seventh dimensions. However, when one looks at the body of work by Louise Bourgeois, one cannot help but admire the energy to go out and at the same time to reveal what is inside of her.
    [Show full text]
  • Dissertation
    DISSERTATION Titel der Dissertation Post-Orientalismus Eine soziologische Analyse zu den Dekonstruktions- und Rekonstruktionsprozessen des Orientbildes in der zeitgenössischen visuellen Kunst Verfasserin Dina El-Najjar, Bakk.phil. MA angestrebter akademischer Grad Doktorin der Philosophie (Dr.phil.) Wien, 2014 Studienkennzahl lt. Studienblatt: A 784 122 Dissertationsgebiet lt. Soziologie Studienblatt: Betreuer: Univ.-Prof. Dr. Christoph Reinprecht Danksagung Ich möchte an dieser Stelle Univ.-Prof. Dr. Christoph Reinprecht für die Betreuung und wertvollen Anregungen herzlich danken. Ohne ihn wäre die Dissertation erst gar nicht möglich gewesen. Besonderer Dank gilt meinen geliebten Eltern, die mich in der Verwirklichung meiner Träume unterstützt haben. Für meine Eltern Inhaltsverzeichnis Einleitung.............................................................................................................................................. 6 1. Theoretische Abhandlung ....................................................................................................... 23 1.1. Der Orient: Zur Schöpfungsgeschichte eines westlichen Konzepts .......................................... 23 1.2. Imperialismus-Kolonialismus-Eurozentrismus ......................................................................... 26 1.3. Kritik an Edward Said ............................................................................................................... 31 1.4. Kunst als Widerstandsstrategie: Durch die Augen des Anderen ..............................................
    [Show full text]
  • KS3-KS5 Summer Season 19 May – 23 September 2012
    Teacher Resource Notes – KS3-KS5 Summer Season 19 May – 23 September 2012 Alex Katz: Give Me Tomorrow Alex Katz On The Tate Collection 1928: A Cornish Encounter These notes are designed to support KS3-5 teachers in engaging students as they explore the art work. As well as factual information they provide starting points for discussion, ideas for simple practical activities and suggestions for extended work that could stem from a gallery visit. To book a gallery visit for your group call 01736 796226 or email [email protected]. Season Overview This season Tate St Ives is showing paintings and collages by Alex Katz, plus an eclectic display of works which Katz has chosen from the Tate Collection in Lower Gallery 2. In the Studio there is a one-room archival display 1928: A Cornish Encounter, which documents this important year in the history of St Ives art. The display of Katz's work is a selected survey from the mid 1950s to 2011. Alex Katz is 85 and had his first solo show in New York in 1954. His paintings at Tate St Ives explore themes including family portraits, friends and social relationships, style and the American Dream, flowers, seascapes and beach life. Katz's process involves making small studies from life, which he scales up using the traditional charcoal cartoon and pin- hole 'pouncing' method, then paints the final large scale work in one go, working wet on wet. Katz's paintings can be regarded as an antithesis to his contemporary American Abstract Expressionists; Katz chose to represent the cultural context of New York style, fashion and glamour.
    [Show full text]
  • Exhibition Explores the Inverse of the Landscape in My Room: Artists Paint the Interior 1950-Now Opens May 18, 2018
    Exhibition Explores the Inverse of the Landscape In My Room: Artists Paint the Interior 1950-Now opens May 18, 2018 CHARLOTTESVILLE, Va. – The Fralin Museum of Art at the University of Virginia presents In My Room: Artists Paint the Interior 1950-Now, May 18-Sept. 30, 2018. The exhibition looks at the inverse of the landscape: the interior. Landscape painting, a common genre in western painting, is understood as a window onto the world thanks to artist and theorist Leon Battista Alberti and his ideas about the picture plane known as Alberti’s Window. After the Industrial Revolution, however, modern art erupted with the interior. Notably, modern artists began depicting windows into other rooms instead of painting views of the outside world. “The interior space has an ability to prompt the viewer to ask questions and to view a space with new perspective,” said Matthew McLendon, director and chief curator of the Fralin Museum of Art. “In an untitled work by Alex Katz, for example, a bed in disarray invites the questions whether someone has left in a rush, to where and why? Interior with Doorway by Richard Diebenkorn uses light and shadow in juxtaposition creating a sculptural feel to everyday objects.” Artists continued to paint indoor spaces throughout the 20th century for a variety of psychological, interpersonal and biographical reasons. Architecture, design and the still-life inform the paintings in this exhibition, as does the persistent theme of the artist’s studio. The exhibition raises myriad questions upon which to reflect and will address how representations of interior spaces have changed and evolved over time.
    [Show full text]
  • Marketing Western Luxury Retail Brands in the Middle East
    Marketing Western Luxury Retail Brands In The Middle East HONOR’S CAPSTONE WRITTEN BY: JUDY DAGHESTANI [email protected] Advisor: Richard Linowes Kogod School of Business: Management University Honors in Business, Spring 2013 1 After moving from California to Dubai in high school and then back to Washington D.C. for college I have had the chance to observe both American and Middle Eastern consumer cultures. Through my own observations as well as academic research, I come to believe in general that the Middle Eastern consumer is open to enjoying foreign luxury fashion brands. For an international brand to be successful in the Middle East however, it needs to appeal to the local culture and take into consideration the local religion and values for advertising purposes. Successful brands realize that fostering a global image while pleasing the Middle Eastern local customers is important. For the purposes of this paper, the term Western includes Europe as well as the North American region. Furthermore, the term Middle East is considered a broad term that can be debatable. The Middle East is considered as Algeria, Bahrain, Egypt, Iran, Iraq, Israel, Jordan, Kuwait, Lebanon, Libya, Morocco, Oman, Qatar, Saudi Arabia, Syria, Tunisia, Turkey, United Arab Emirates and Yemen. 1 The term Luxury brands are defined as “goods that the mere use or display of a particular branded product brings the owner prestige apart from any functional utility.” 2 Middle Eastern countries are targeted by multinational luxury brand fashion companies; as so, this market is very lucrative for firms to emerge.3 The Middle East is attractive to luxury international brands despite the possibilities of political uncertainties 1 Glynis Jones.
    [Show full text]
  • Born in Brooklyn, New York, USA in 1927 Lives and Works in New York
    ALEX KATZ Born in Brooklyn, New York, USA in 1927 Lives and works in New York Education 2000 The Cooper Union Annual Artist of the City Award 1994 Cooper Union Art School creates the Alex Katz Visiting Chair in Painting with the endowment provided by the sale of ten paintings donated by the artist 1949-50 Studies at Skowhegan School of Painting and Sculpture, Skowhegan, Maine 1946-49 Studies at the Cooper Union Art School, New York Selected Solo Exhibitions 2021 Voorlinden Museum, Wassenaar (upcoming) 2020 Gladstone Gallery, Roma Alex Katz - Retrospective, Museo Nacional Thyssen-Bornemisza, Madrid Fosun Foundation, Shanghai 2019 Monica De Cardenas, Zuoz Alex Katz: Flowers, Richard Gray Gallery, Chicago Alex Katz / Moby Dick, Colby Museum of Art, Waterville Focus on: Alex Katz, Dallas Museum of Art, Dallas Gavin Brown's Enterprise, New York Alex Katz, Daegu Art Museum, Daegu Red Dancers, Galerie Thaddaeus Ropac, Paris Contemporary Conterpoint / Alex Katz. Water Lilies - series Homage to Monet, 2009-2010, Musée de l'Orangerie, Paris Bigger is Better, Ludwig Museum, Koblenz 2018 Alex Katz, curated by Jacob Proctor, Museum Brandhorst, Munich Artist Rooms, Tate Liverpool, Liverpool Museum Brandhorst, Kunstareal, Munich Brand-New & Terrific: Alex Katz in the 1950s, Neuberger Museum of Art, Purchase, New York Alex Katz: Coca-Cola Girls, Timothy Taylor Gallery, London Alex Katz: Splits, Galeria Javier Lopez & Frances Fer, Madrid Dancers and Models, Lotte Museum of Art, Songpa-gu, Seoul Grass and Trees, Richard Gray Gallery, Chicago Small Paintings,
    [Show full text]
  • Page 01 Nov 05.Indd
    ISO 9001:2008 CERTIFIED NEWSPAPER Monday 5 November 2012 20 Dhul-Hijja 1433 - Volume 17 Number 5509 Price: QR2 Qatar banking Raikkonen sector to grow wins Abu stronger Dhabi GP Business | 18 Sport | 28 www.thepeninsulaqatar.com [email protected] | [email protected] Editorial: 4455 7741 | Advertising: 4455 7837 / 4455 7780 PM in Ethiopia Media Expo Qatar Syrian rebels 2012 opens today DOHA: The second Media, Advertising and Printing Technology Exhibition (Media Expo Qatar 2012) opens today in bid to form at the Doha Exhibition Center. The three-day expo gathers a big number of people represent- ing media organisations world- wide under one roof including satellite channels, print media, govt-in-exile radio and technology provid- ers who share latest advances in media-related technology Doha meet to continue till Thursday worldwide. DOHA: Syria’s splintered yesterday’s meet expect that their Bahrain extends opposition factions that kicked conclave would continue for three off their historic meeting here more days until Thursday and custody of activist yesterday hope to expand that the membership base of the and restructure the Syrian SNC would be expanded from the DUBAI: Bahrain has extended National Council (SNC) with a present 300 to 400 to include all the detention of a leading view to forming a provisional opposition factions. human rights activist arrested government-in-exile. SNC is to be the largest coali- last week for taking part in The SNC, though, faces an tion of the Syrian opposition out- a demonstration in the coun- uphill task in ensuring fair rep- side their country and the Council try by seven days, his lawyer resentation to all Syrian opposi- will be discussing a proposal put said yesterday.
    [Show full text]
  • Chuck Close Art Kaleidoscope Foundation
    CHUCK CLOSE ART KALEIDOSCOPE FOUNDATION/Color/???/116 Mins./Not Rated Featuring: Chuck Close, Brice Marden, Robert Storr, Dorothea Rockburne, Lucas Samaras, Robert Rauschenberg, Philip Glass, Arne Glimcher, Kiki Smith, Elizabeth Murray, Alex Katz, Janet Fish, Kirk Varnedoe. Credits: Produced and directed by Marion Cajori. Directors of photography: Mead Hunt, Ken Kobland, David Leitner. Edited by Cajori, Kobland. Music by Philip Glass, performed b Bruce Levingston. An Art Kaleidoscope Foundation production. Through the famous portrait artist’s subjects, filmmaker Marion Cajori crafts a clever biographical documentary of Chuck Close. Marion Cajori died before completing Chuck Close, her documentary portrait of an artist known for his unique portraits and self-portraits. In what could only have been a conscious nod to her subject, Cajori’s cinematic construct cleverly imitates Close’s signature hieroglyphic boxes, which he paints and superimposes upon a photograph. Abstract artist Brice Marden says in the documentary that with Close’s portraits “you add up all the details and you get the soul,” and the same can be said for Cajori’s film—through a series of vignettes, interviews with Close’s friends and family, the filmmaker reveals the soul of the portraitist. Cajori pursues Close and his work in the same way that someone might approach one of his portraits, which are large canvases of his subject’s heads. She leans in to show Close bringing the brush to the paint, and Close painting an uneven line or a protozoa-like shape on the canvas. Then she steps back to show completed portraits, and the actual faces of Close’s subjects, and sometimes a long shot in the studio where Close, in a wheelchair, is the focal point of the shot.
    [Show full text]
  • Alex Katz Timothy Taylor, London January 15 – 22 February, 2020 Opening Reception: Tuesday 14 January, 6 – 8 Pm
    Alex Katz Timothy Taylor, London January 15 – 22 February, 2020 Opening Reception: Tuesday 14 January, 6 – 8 pm Alex Katz, Ada, 2019. Timothy Taylor is pleased to present an exhibition of recent paintings by American artist Alex Katz (b. 1927). Illustrating the immense power of a craft honed for over seventy years, Katz’s tenth exhibition with the gallery represents a historic return to his most significant themes in the form of impressionistic natural landscapes and masterly depictions of his wife and lifelong muse, Ada Del Moro Katz. After graduating from the Cooper Union in 1949, Katz spent almost ten years searching for a subject and style uniquely his own, resisting the stigma against figuration in the era of Abstract Expressionism. In 1957, he began to paint what he called ‘specific’ portraits, close-up paintings of recognisable people, blending the scale of the New York School with the social realism of Eduard Manet, the bright flatness of Matisse with the saturated color and dramatically cropped faces of American cinema. The catalyst for his new style was his first encounter with his future wife, Ada, the research biologist who would become the subject of his most celebrated paintings. Katz’s images of Ada have definitively entered the canon of twentieth-century art, and she was the subject of the 2006 exhibition Alex Katz Paints Ada at the Jewish Museum, New York. Katz has compared Ada’s irresistible allure to Picasso’s depiction of his muse and lover Dora Maar over the course of their nine-year affair. But unlike Picasso’s tragic representations of his weeping lover, the elusiveness of Ada’s unyielding gaze continues to fascinate the artist half a century later.
    [Show full text]
  • ALEX KATZ Summer in Maine
    ALEX KATZ Summer in Maine febrero - abril de 2013 Coincidiendo con su participación ARCOmadrid, la Galería Javier López presenta una selección de obras recientes del artista norteamericano Alex Katz (Brooklyn, 1927) realizadas este verano durante sus vacaciones en Maine. Tras la excepcional acogida tanto de crítica como de público que recibió la retrospectiva ‘Once in a Lifetime’ con la que se inauguró el nuevo espacio expositivo a finales de 2010, se ofrece una nueva oportunidad de contemplar en Madrid, en un marco inmejorable, las últimas creaciones de uno de los pintores más significativos de su generación. En ‘Summer in Maine’, evocando las estancias estivales del pintor y su círculo, se reúnen ejemplos de dos de los principales géneros de su producción: el retrato y el paisaje. Desde los 60, Katz ha desarrollado un innovador estilo realista que le distingue de sus contemporáneos por su simplicidad de línea, forma y color. Son sujetos recurrentes de sus composiciones, generalmente en lienzos de gran formato, tanto las personas como los paisajes más cercanos al pintor: por un lado, sus familiares y amigos, por otro su entorno más inmediato en el Soho neoyorquino o en los espacios naturales de la zona costera de Maine. En estas últimas obras la economía de la línea y el matizado uso del color nos hablan de la seguridad y claridad de una visión que ha mantenido a lo largo de su carrera. Se trata de imágenes esenciales, luminosas, directas y nítidas con elementos tanto realistas como abstractos, en las que una paleta reducida pero intensa, sensual y atrevida se combina con una pincelada ligera para representar los motivos en una particular perspectiva bidimensional, rechazando así cualquier encasillamiento.
    [Show full text]
  • 5441 Ca Object Representations
    (1) Robin Winters and Christy Rupp at the (2) Arleen Schloss at the opening reception for (3) Anton van Dalen, Two-Headed Monster (4) Dave Sander and Ethan Swan at the opening reception for “Come Closer: Art Around “Come Closer: Art Around the Bowery, 1969– Destroys Community, 1981. Aerosol paint on opening reception for “Come Closer: Art the Bowery, 1969–1989,” New Museum, 1989,” New Museum, New York, September 19, paper, 29 x 23 in (73.7 x 58.4 cm). Installation Around the Bowery, 1969–1989,” New New York, September 19, 2012. Photo: Jesse 2012. Photo: Jesse Untracht-Oakner view: “Come Closer: Art Around the Bowery, Museum, New York, September 19, 2012. Untracht-Oakner 1969–1989,” New Museum, New York, 2012. Photo: Jesse Untracht-Oakner Courtesy the artist. Photo: Jesse Untracht-Oakner Published by When we announced that the New To date, the Bowery Artist Tribute has We are indebted to Hermine and Museum would construct a freestanding conducted over seventy interviews David B. Heller for funding the research, building on a parking lot at 235 Bowery, with artists, curators, and authors who development, and presentation of this one of our first concerns was finding a helped build the creative community archive, and for providing endowment newmuseum.org way to acknowledge the rich history of of the Bowery for the past seventy funds for its future. We are also grateful creative activity in our new neighbor- years. We’ve encountered artists who to a number of individuals who have Editor: Ethan Swan Designer: Chelsea Amato hood. We thought about 222 Bowery, were grateful for the opportunity to tell been instrumental in the research and Copy Editors: Frances Malcolm and Olivia Casa Printed by: Linco William Burroughs’s “Bunker” that shel- their Bowery stories for the first time, coordination of these efforts over the tered Lynda Benglis, John Giorno, Mark and others who weren’t convinced past nine years: Ethan Swan, Eungie Cover: Sylvia Plimack Mangold on the roof of her Grand Rothko, and a dozen more.
    [Show full text]