Program Guide

Total Page:16

File Type:pdf, Size:1020Kb

Program Guide Program Guide Week 50 Sunday December 7th, 2014 5:00 am Korean News - News via satellite from YTN Korea, in Korean, no subtitles. 5:35 am Japanese News - News via satellite from NHK Tokyo in Japanese, no subtitles. 6:10 am Hong Kong News - News via satellite from TVB Hong Kong, in Cantonese, no subtitles. 6:30 am Chinese News - News via satellite from CCTV Beijing, in Mandarin, no subtitles. 7:00 am Hindi News - News via satellite from NDTV India, in Hindi, no subtitles. 7:25 am Italian News - News via satellite from RAI Rome in Italian, no subtitles. 8:05 am Filipino News - News via satellite from ABS-CBN Manila, in Tagalog, no subtitles. 8:40 am French News - News via satellite from FT2 Paris, in French, no subtitles. 9:30 am Greek News - News via satellite from CyBC Cyprus, in Greek, no subtitles. 10:30 am German News - News via satellite from DW Berlin, in German, no subtitles. 11:00 am Spanish News - News via satellite from RTVE Madrid, in Spanish, no subtitles. 12:00 pm Arabic News - News via satellite from DRTV Dubai, in Arabic, no subtitles. 12:30 pm Turkish News - News via satellite from TRT Turkey, in Turkish, no subtitles. 1:00 pm Al Jazeera News - News via satellite from Al Jazeera Satellite Network, Qatar, in English. CC 1:30 pm The Farm Fixer - Mike and Rhonda Nurse - Businessman Nick Hewer is on a mission to help small farms diversify. This time Nick is in County Londonderry, helping Mike and Rhonda Nurse as they attempt to set up an equestrian centre and build self-catering accommodation. Nick is pushing them to open in time for the summer season. However, Mike and Rhonda don't seem to feel the same sense of urgency. With both parties working to different deadlines, can Nick help them reach their goals? (From the UK) (Documentary Series) (Rpt) G CC SBS ONE Program Guide – Week 50 Sunday December 7th, 2014 2:00 pm Speedweek - A comprehensive motor sports program for speed enthusiasts. (Motor Sport) CC 4:00 pm Football Asia - Provides the latest news and updates from the various football leagues across Asia. (Football) (From Singapore, in English) CC 4:30 pm UEFA Champions League 2014-2015 Magazine - Highlights and news from the latest round of the UEFA Champions League. (From Switzerland, in English) (Football) CC 5:00 pm Climbing Great Buildings - Burghley House - The next step in Dr Jonathan Foyle's journey takes him to Burghley House in Lincolnshire. Built to impress Queen Elizabeth I on her many trips around the country, it's the finest example of an Elizabethan house in Britain. With unprecedented access to Burghley, Jonathan - aided by champion climber Lucy Creamer - climbs the building, to reveal the innovations of the Elizabethan builders and craftsmen. (From the UK) (Documentary Series) (Rpt) G CC 5:30 pm Escape From Colditz - Colditz Castle, one of the most notorious prisoner of war camps in Nazi Germany, was supposed to be escape-proof. But in the dark days at the end of World War II, a group of British officers dreamt up the most audacious escape plan in history. In a secret workshop in an attic in the castle they constructed a two-man glider out of bed sheets and floorboards. They were going to fly to freedom from the roof of the castle, but the war ended before they could put their plan into action, so no one knows if it would have worked. Now the Brits are back to finish the job. Cambridge engineer Dr Hugh Hunt leads a team of aeronautics engineers to rebuild the glider in the same attic using the same materials. (From the UK) (Documentary) G CC **Premiere** 6:30 pm SBS World News - Up-to-date reports and analysis of the major national and international news stories of the day in Australia's only world news service. (An SBS Production) CC 7:30 pm Life And Death In The Valley Of The Kings - Death, Burial and the Afterlife - In this episode, Egyptologist Dr Joann Fletcher reveals a strange and mysterious world: the ancient Egyptian afterlife. To the Egyptians, life was just a dress rehearsal for the perfect afterlife they were trying to reach. Joann clambers into rarely visited tombs, explores a treasure trove of long-buried objects and examines spectacular mummies to discover just why the Egyptians spent a fortune preparing for death - and what they hoped to find when they got there. (From the UK, in Arabic and English) (Documentary) (Part 2 of 2) (Rpt) PG CC 8:35 pm Dead Famous DNA - Mark Evans follows the extraordinary trail of relics claimed to come from Adolf Hitler and Eva Braun: bones sold by a KGB defector and hair apparently found on a hairbrush at Hitler's mountain retreat by a US Army intelligence officer at the end of the Second World War. As Mark checks out the provenance, the scientists extract the DNA and reveal an extraordinary result. Mark also meets a Canadian dentist who owns one of John Lennon's teeth and wants to clone the Beatles legend, and tests what's claimed to be a tiny part of Marlon Brando. (Part 3 of 3) (From the UK) (Documentary) PG(A) CC **Final** SBS ONE Program Guide – Week 50 Sunday December 7th, 2014 9:30 pm Movie: Monty Python And The Holy Grail - From the hilarious comedy troupe Monty Python, comes the story of King Arthur and his knights who embark on a low-budget search for the Grail, encountering many very silly obstacles. Written by and starring Graham Chapman, John Cleese, Terry Gilliam, Eric Idle, Terry Jones, and Michael Palin. (From the UK) (Movie) (Comedy) (1975) (Rpt) PG(V) CC 11:10 pm Movie: Made In Hungaria - A rebellious teenager returns to 1967 communist Hungary after living in the USA for five years and brings with him a box of Elvis records and an attitude emphasising music and freedom. Winner of the Audience Award for Best Feature Film at the 2009 Granada International Festival of Young Filmmakers. Directed by Gergely Fonyó and stars Tamás Szabó Kimmel, Iván Fenyö and Tünde Kiss. (From Hungary, in Hungarian and English) (Musical) (2009) (Rpt) M (S,V,L) 1:10 am Movie: Suddenly - When his wife and youngest son are killed in a car accident, Lasse escapes to his summer house with his surviving teenage son to battle the demons of grief. At first, the father and son are barely able to utter the names of their departed loved ones and Lasse falls deep into a suicidal depression. Family and friends attempt to comfort him, yet he finds solace in the care of a stranger. Directed by Johan Brisinger and stars Michael Nyqvist, Anastasios Soulis and Moa Gammel. (From Sweden, in Swedish) (Drama) (2006) (Rpt) M (A,N,L) 3:00 am Movie: Me Too - This touching Spanish drama delves into the life of Daniel, a young man with Down Syndrome. Highly intelligent and largely independent, Daniel doesn't fit the usual stereotype. Outside of his loving family, however, he struggles to find the intimacy he craves. When he develops romantic feelings for a co-worker that are not reciprocated, his frustration builds as the world refuses to see past his condition. Nominated for the Grand Jury Prize at the 2010 Sundance Film Festival. Directed by Antonio Naharro and Álvaro Pastor, and stars Pablo Pineda, Lola Dueñas and Isabel García Lorca. (From Spain, in Spanish) (Drama) (2009) (Rpt) M (L,N,S) 4:50 am Waterbaby - The story of a reckless, grungy wannabe rock-star Marty, who has a moment of purification when he bonds with his baby son in the swimming pool. (Short Film) (Comedy) M(D) SBS ONE Program Guide – Week 50 Monday December 8th, 2014 5:00 am Korean News - News via satellite from YTN Korea, in Korean, no subtitles. 5:35 am Japanese News - News via satellite from NHK Tokyo in Japanese, no subtitles. 6:10 am Hong Kong News - News via satellite from TVB Hong Kong, in Cantonese, no subtitles. 6:30 am Chinese News - News via satellite from CCTV Beijing, in Mandarin, no subtitles. 7:00 am Hindi News - News via satellite from NDTV India, in Hindi, no subtitles. 7:25 am Italian News - News via satellite from RAI Rome in Italian, no subtitles. 8:05 am Filipino News - News via satellite from ABS-CBN Manila, in Tagalog, no subtitles. 8:40 am French News - News via satellite from FT2 Paris, in French, no subtitles. 9:30 am Greek News - News via satellite from CyBC Cyprus, in Greek, no subtitles. 10:30 am German News - News via satellite from DW Berlin, in German, no subtitles. 11:00 am Spanish News - News via satellite from RTVE Madrid, in Spanish, no subtitles. 12:00 pm Arabic News - News via satellite from DRTV Dubai, in Arabic, no subtitles. 12:30 pm Turkish News - News via satellite from TRT Turkey, in Turkish, no subtitles. 1:00 pm Are You Good Or Evil? - What makes us good or evil? It's a simple but deeply unsettling question. One that scientists are now starting to answer. In this program we meet the researchers who have studied some of the most terrifying people behind bars - psychopathic killers. But there was a shock in store for one of these scientists, Professor Jim Fallon, when he discovered that he had the profile of a psychopath. And the reason he didn't turn out to be a killer holds important lessons for all of us. We also meet a man who is using this new understanding to rewrite our ideas of crime and punishment.
Recommended publications
  • An (Auto)Ethnographic Look at Gay Volleyball G
    Duquesne University Duquesne Scholarship Collection Electronic Theses and Dissertations Fall 2011 Gay identity formation: An (auto)ethnographic look at gay volleyball G. Keilan Rickard Follow this and additional works at: https://dsc.duq.edu/etd Recommended Citation Rickard, G. (2011). Gay identity formation: An (auto)ethnographic look at gay volleyball (Doctoral dissertation, Duquesne University). Retrieved from https://dsc.duq.edu/etd/1103 This Immediate Access is brought to you for free and open access by Duquesne Scholarship Collection. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Duquesne Scholarship Collection. For more information, please contact [email protected]. GAY IDENTITY FORMATION: AN (AUTO)ETHNOGRAPHIC LOOK AT GAY VOLLEYBALL A Dissertation Submitted to the McAnulty College and Graduate School of Liberal Arts Duquesne University In partial fulfillment of the requirements for the degree ofDoctor of Philosophy in Clinical Psychology By G. Keilan Rickard December 2011 Copyright by G. Keilan Rickard 2011 GAY IDENTITY FORMATION: AN (AUTO)ETHNOGRAPHIC LOOK AT GAY VOLLEYBALL By G. Keilan Rickard Approved November 18, 2011 ________________________________ ________________________________ Martin J. Packer, Ph.D. Leswin Laubscher, Ph.D. Associate Professor of Psychology Associate Professor of Psychology (Committee Chair) (Committee Member) ________________________________ Susan Goldberg, J.D., Ph.D. Assistant Professor of Psychology (Committee Member) ________________________________ ________________________________ James C. Swindal, Ph.D. Daniel Burston, Ph.D Acting Dean, McAnulty College and Chair, Psychology Department Graduate School of Liberal Arts Associate Professor iii ABSTRACT GAY IDENTITY FORMATION: AN (AUTO)ETHNOGRAPHIC LOOK AT GAY VOLLEYBALL By G. Keilan Rickard December 2011 Dissertation supervised by Martin J.
    [Show full text]
  • FILM 4002 5506 Transgender Cinema Syllabus Winter 2019
    FILM 4002B/5506W: Transgender Cinema Winter 2019 Carleton University, School for the Study of Art and Cultures: Film Studies Last Updated: January 10, 2019 Professor Laura Horak Class Meetings 405 St. Patrick’s Building Thursdays 11:35-4:25 @ SP 400 (613) 520-2600 x4010 [email protected] Office hours: Make an appointment with https://calendly.com/laura-horak Film Studies webpage: https://carleton.ca/filmstudies/ Facebook group: https://www.facebook.com/groups/cufilm/ Kanopy: https://library.carleton.ca/find/databases/kanopy Course Description This course explores the widely varied and inventive world of film and media created by trans, Two-Spirit, nonbinary, intersex, and gender-nonconforming people in the United States and Canada. How have trans people used audiovisual media to create new forms of community, identity, and desire? How have Black trans and Indigenous Two-Spirit people used film to expose and craft ways to collectively survive colonialism, racial capitalism, and the prison industrial complex? What challenges or paradoxes do audiovisual media pose to trans struggles for self-determination and liberation? How has “trans” changed over time and in different places? What is trans cinema? This class will analyze a variety of trans-made feature films, shorts, television shows, YouTube videos, and web series that span modes and genres, including drama, sci-fi, comedy, documentary, experimental, and pornography. We will also compare trans-made media to mainstream representations of trans people. Although the course’s primary focus is on audiovisual media made in the United States and Canada, we will also examine films from Europe, Asia, and Africa.
    [Show full text]
  • Transgender Cinema Winter 2020
    FILM 4002B/WGST 4812D/FILM 5506W/WGST 5902D: Transgender Cinema Winter 2020 Carleton University, School for the Study of Art and Cultures: Film Studies Last Updated: December 9, 2020 Professor Laura Horak Class Meetings 405 St. Patrick’s Building Thursdays 11:35-4:25 @ SP 417 (613) 520-2600 x4010 [email protected] Office hours: Make an appointment with https://calendly.com/laura-horak Film Studies webpage: https://carleton.ca/filmstudies/ Facebook group: https://www.facebook.com/groups/cufilm/ Transgender Media Portal: http://transgendermediaportal.org/ Course Description This course explores the widely varied and inventive world of film and media created by trans, Two Spirit, nonbinary, intersex, and gender-nonconforming people in the United States and Canada. How have trans people used audiovisual media to create new forms of community, identity, and desire? How have Black trans and Indigenous Two-Spirit people used film to expose and craft ways to collectively survive colonialism, racial capitalism, and the prison industrial complex? What challenges or paradoxes do audiovisual media pose to trans struggles for self-determination and liberation? How has “trans” changed over time and in different places? What is trans cinema? This class will analyze a variety of trans-made feature films, shorts, television shows, YouTube videos, and web series that span modes and genres, including drama, sci-fi, comedy, documentary, experimental, and pornography. We will also compare trans-made media to mainstream representations of trans people. Although the course’s primary focus is on audiovisual media made in the United States and Canada, we will also examine films from Europe, Asia, and Africa.
    [Show full text]
  • Transgender Cinema Winter 2020
    FILM 4002B/WGST 4812D/FILM 5506W/WGST 5902D: Transgender Cinema Winter 2020 Carleton University, School for the Study of Art and Cultures: Film Studies Last Updated: December 9, 2020 Professor Laura Horak Class Meetings 405 St. Patrick’s Building Thursdays 11:35-4:25 @ SP 417 (613) 520-2600 x4010 [email protected] Office hours: Make an appointment with https://calendly.com/laura-horak Film Studies webpage: https://carleton.ca/filmstudies/ Facebook group: https://www.facebook.com/groups/cufilm/ Transgender Media Portal: http://transgendermediaportal.org/ Course Description This course explores the widely varied and inventive world of film and media created by trans, Two Spirit, nonbinary, intersex, and gender-nonconforming people in the United States and Canada. How have trans people used audiovisual media to create new forms of community, identity, and desire? How have Black trans and Indigenous Two-Spirit people used film to expose and craft ways to collectively survive colonialism, racial capitalism, and the prison industrial complex? What challenges or paradoxes do audiovisual media pose to trans struggles for self-determination and liberation? How has “trans” changed over time and in different places? What is trans cinema? This class will analyze a variety of trans-made feature films, shorts, television shows, YouTube videos, and web series that span modes and genres, including drama, sci-fi, comedy, documentary, experimental, and pornography. We will also compare trans-made media to mainstream representations of trans people. Although the course’s primary focus is on audiovisual media made in the United States and Canada, we will also examine films from Europe, Asia, and Africa.
    [Show full text]
  • This PDF Contains the Complete Keywords Section of TSQ: Transgender Studies Quarterly, Volume 1, Numbers 1–2
    This PDF contains the complete Keywords section of TSQ: Transgender Studies Quarterly, Volume 1, Numbers 1–2. Downloaded from http://read.dukeupress.edu/tsq/article-pdf/1/1-2/232/485677/19.pdf by guest on 27 September 2021 KEYWORDS Abstract This section includes eighty-six short original essays commissioned for the inaugural issue of TSQ: Transgender Studies Quarterly. Written by emerging academics, community-based writers, and senior scholars, each essay in this special issue, ‘‘Postposttranssexual: Key Concepts for a Twenty- First-Century Transgender Studies,’’ revolves around a particular keyword or concept. Some con- tributions focus on a concept central to transgender studies; others describe a term of art from another discipline or interdisciplinary area and show how it might relate to transgender stud- ies. While far from providing a complete picture of the field, these keywords begin to elucidate a conceptual vocabulary for transgender studies. Some of the submissions offer a deep and resilient resistance to the entire project of mapping the field terminologically; some reveal yet-unrealized critical potentials for the field; some take existing terms from canonical thinkers and develop the significance for transgender studies; some offer overviews of well-known methodologies and demonstrate their applicability within transgender studies; some suggest how transgender issues play out in various fields; and some map the productive tensions between trans studies and other interdisciplines. Abjection ROBERT PHILLIPS Abjection refers to the vague sense of horror that permeates the boundary between the self and the other. In a broader sense, the term refers to the process by which identificatory regimes exclude subjects that they render unintelligible or beyond classification.
    [Show full text]
  • NEWS RELEASE Sentosa Spooktacular: There Will Be No Fort
    NEWS RELEASE Sentosa Spooktacular: There Will be No Fort Siloso Halloween venue for Sentosa Spooktacular transforms into an immersive haunted village, Laddaland One of the many houses featured in haunted village Laddaland in Sentosa Spooktacular 2014 Singapore, October 2014 ― Sentosa Spooktacular returns this Halloween with a renewed, more immersive and integrated experience for visitors, where the boundaries of once Fort Siloso and new haunted village Laddaland will be blurred. This is the result of a returning partnership between Sentosa Leisure Management Pte Ltd and Thai film production studio, GMM Tai Hub Co. Ltd (GTH), as both organisations combine their expertise in destination and production capabilities to deliver the experience of being enveloped in a bone-chilling walkthrough for horror fans. All 40,000 square metres of Fort Siloso will be transformed into a haunted residential zone, and visitors to Sentosa Spooktacular’s Laddaland will venture through basements and houses just as how they would explore a new neighbourhood they just moved into. Visitors will experience an extended walkthrough each lasting about 20 to 30 minutes, and make a prolonged heart-pounding journey as they brace themselves for anticipated twists and turns, as well as sudden shocking moments. Fort Siloso’s combined natural settings, existing artilleries and tunnels present excellent assets to transform into the interior of houses and facility buildings, tracing the journey of spirits and souls who once lived in those houses, and may still lurk in the dark. The transformation of Fort Siloso into Laddaland in Sentosa Spooktacular 2014 is based on GTH’s well-received movie, Laddaland; story has it that a family of four started on a new life journey and moved into Laddaland, ready to settle in a beautiful home they could call their own and live their dreams.
    [Show full text]
  • Banjong Pisanthanakun, Paween Purikitpanya, Yongyoot Thongkongtoon, Parkpoom Wongpoom Studio: GTH Year: 2008
    Title: Phobia/Si Phraeng Directors: Banjong Pisanthanakun, Paween Purikitpanya, Yongyoot Thongkongtoon, Parkpoom Wongpoom Studio: GTH Year: 2008 Phobia is an anthology consisting of four horror films which last between 20 and 25 minutes each. Prior to this collaboration, the four directors were nationally recognized film-makers: Banjong Pisanthanakun and Parkpoom 137 Thai Cinema Wongpoom both co-directed and wrote the box-office hit Shutter (2004); Paween Purikitpanya directed the horror-thriller Body #i9 (2007); while Yongyoot Thongkongtoon was known for popular queer comedies such as The Iron Ladies (2000), The Iron Ladies 2 (2003), and Metrosexual (2006). In Phobia each of the four stories revolve around the violation of social norms through violence, terror,, and fear, with unrelated yet themati- cally connected plots, By focusing on transgressions of social and religio- cultural norms, the stories comment on the dilemmas and anxieties of modern Thai society. In the first episode Happiness, a. young woman Pin (Maneerat Kham- uan) is confined to her apartment after breaking her leg in a car accident. The taxi Pin was riding in overturned after hitting a young man, andthe trapped Pin was forced to stare into the man's eyes as the life drained out of him. Sitting lonely and bored in her apartment after the accident, Pin starts to exchange text messages, beginning a virtual flirt after receiving a message from an unknown man. This finally results in the ghostly crash victim visiting her, who attacks Pin, leading to her falling from her high- rise apartment building and dying. Pin's failure was glancing into the eyes of a dying person, a taboo that was violated involuntarily, but nevertheless punished by the ghost of the deceased.
    [Show full text]
  • Kathoey "In Trend": Emergent Genderscapes, National Anxieties and the Re-Signification of Male-Bodied Effeminacy in Thailand
    UC San Diego UC San Diego Previously Published Works Title Kathoey "In Trend": Emergent Genderscapes, National Anxieties and the Re-Signification of Male-Bodied Effeminacy in Thailand Permalink https://escholarship.org/uc/item/37z423xx Journal ASIAN STUDIES REVIEW, 36(4) ISSN 1035-7823 Author Kaeng, Dredge Byung'chu Publication Date 2012 DOI 10.1080/10357823.2012.741043 Peer reviewed eScholarship.org Powered by the California Digital Library University of California Asian Studies Review December 2012, Vol. 36, pp. 475–494 Kathoey ‘‘In Trend’’: Emergent Genderscapes, National Anxieties and the Re-Signification of Male-Bodied Effeminacy in Thailand1 DREDGE BYUNG’CHU KA¨NG* Emory University Abstract: In Thailand, genderscapes, or the terrain of gender and sexuality, continue to evolve quickly, with male-to-female transgenderisms and effeminate gay identities proliferating alongside masculine ones. The previous coding of kathoey in popular discourse as being traditional is shifting to one that identifies ‘‘kathoeyness’’, or male effeminacy, with modernity. Recent incidents point to a discursive shift based on a purified nostalgia for Thai ‘‘tradition’’, which excises kathoey presence. In this article, I consider how social evaluation and moral legitimacy underscore the contemporary terrain of gender/sexuality and contra- dictory attitudes towards kathoeyness. I describe how the increasing visibility of male effeminacy provokes national anxiety, becomes associated with degeneracy, and is used to excise non-normative gender from recent reconstructions
    [Show full text]
  • Film Series: Blissfully Thai
    News Communications Department 725 Park Avenue New York, NY 10021-5088 AsiaSociety.org Phone 212.327.9271 Email [email protected] Contact: Elaine Merguerian 212.327.9271 or [email protected] Asia Society in association with Cineaste presents: Film Series: Blissfully Thai May 13 – June 17, 2011 Asia Society and Museum, 725 Park Avenue at 70th Street, NYC Tears of the Black Tiger (Magnolia Pictures) Asia Society in association with Cineaste presents a major film series that celebrates the current Thai film renaissance and the emergence of some of the world’s most original cinematic voices since the late 1990s. WhereDirectors Asia and such America as Apichatpong Meet Weerasethakul, Pen-ek Ratanaruang, and Wisit Sasanatieng have put Thai 725 Parkcinema Avenue on th e international map. Thai films are now regular fixtures in major film festivals, garnering New awardsYork, NY around 10021 -the5088 globe, culminating in the riveting Cannes Film Festival Palme d’Or win of Uncle PhoneBoonmee 212.288.6400 Who Can Recall His Past Lives (Apichatpong 2010). Fax 212.517.8315 Where Asia and America Meet www.asiasociety.org―Although these filmmakers share an innovative and kindred spirit, what is really exciting is that they 725 Park Avenue embody very different artistic visions,‖ says La Frances Hui, curator of the series and Senior Program New York, NY 10021-5088 Officer of Cultural Programs at Asia Society. This series includes works made since 2000 by six Phone 212.288.6400 filmmakers, all born in the 60s and 70s, and offers New York audiences a rare opportunity to sample a Fax 212.517.8315diverse group of films from Thailand.
    [Show full text]
  • NEWS RELEASE Sentosa and GMM Tai Hub Co. Ltd Launch First Joint
    NEWS RELEASE Sentosa and GMM Tai Hub Co. Ltd launch first joint residential project, Spooktacular Village - Laddaland Singapore, 4 June 2014 ― Sentosa Leisure Management Pte Ltd and its partner, GMM Tai Hub Co. Ltd, have unveiled plans for an exciting new property development at Sentosa’s Spooktacular Village – Laddaland . This October, all 40,000 square metres of Fort Siloso will be redeveloped into Laddaland , a prime leasehold property, and promises a heart-stopping lifestyle for adrenaline junkies. Situated along the coast of Sentosa, Fort Siloso is known for its rich background; from serving as Singapore’s coastal defence in the 1880s, to being a prison camp during the Japanese Occupation of World War II. Its historical background makes it an ideal location to stage an immersive real-life haunted village experience. Located minutes from mainland Singapore, the Spooktacular Village is easily accessible by the Sentosa Express. Said Mr. Jimmy Wong, Chief Property Agent (and also Events Director), Sentosa Leisure Management Pte Ltd, “The historic site, Fort Siloso, has always had residents come and go since World War 2. It is a unique and ageless property which offers good potential for development. Our partnership with GTH to redevelop the area into Laddaland will feed an insatiable demand for fun and fresh scares.” The premier Thai horror movie maker GTH will be introducing new features to the development. Laddaland will house three features, each providing 20-30 minutes of prolonged horror at any one time. The features are based on GTH’s international horror hits such as Laddaland, Alone, Countdown and their upcoming production, The Swimmers .
    [Show full text]
  • Embodying the Other
    Lund University Eva-Marie Elg Centre for Languages and Literature FIVK01 The Faculties of Humanities and Theology Film Studies Tutor: Olof Hedling 14 January 2016 EMBODYING THE OTHER A CROSS-CULTURAL UNDERSTANDING OF MISREPRESENTATIONAL OPPRESSION CONTENTS Abstract……………………………………………………………………………………………………….1 Introduction: ♦ Theory……………………………………………………………………………………...1 ♦ Purpose & Questions Raised………………………………………………………3 ♦ A Brief History of Otherness………………………………………………………4 ♦ Method: The Transing Communication Model………………………….......8 Transing Communication……………………………………………………………………………10 ♦ The Normative Gaze on the Other: • As a Figure of Comedy, Trivialization…………………………….12 • As Awards Bait, Sensationalization……………………………..…14 • As a Plot Twist, Rationalization……………………………..………17 • As Pathological, Stabilization………………………………………...19 ♦ Queer Films: Scenes from within the Non-Normative Sphere…….20 Further Discussion: ♦ The Homogeneity of Stars………………………………………………………..23 ♦ Representations of the Non-Normative vs Exploitation……………..26 ♦ Post-Transing Communication in a Posthumanist Perspective…..29 ♦ The Non-Normative / Trans Gaze……………………………………………. 36 Conclusion…………………………………………………………………………………………………38 References ♦ Film………………………………………………………………………………………...40 ♦ TV……………………………………………………………………………………….…. 43 ♦ Literature………………………………………………………………………….…….44 ♦ Research Literature & Youtube Sources………………………….………...45 ♦ Internet Sources……………………………………………………….……………..46 ABSTRACT This thesis offers a holistic perspective on the phenomenon of embodying Otherface. It provides
    [Show full text]
  • Sección Informativainformativa
    SECCIÓN INFORMATIVAINFORMATIVA 41 AloneALONE Título original/Original title: Alone. Nacionalidad/Nationality: Tailandia , 2007. Producción/Production: Mingmonkul Sonakul, Yodphet Sudsawad, Yongyoot Thongkongtoon. Dirección/Director: Banjong Pisanthanakun, Parkpoom Wongpoom. Guión/Script: Banjong Pisanthanakun, Parkpoom Wongpoom. Fotografía/Photography: Niramon Ross. Música/Music: Chartchai Pongprapapan. Montaje/Editing: Vijja Kojew, Thammarat Chantarangsri. Interpretación/Cast: Masha Wattanapanich, Withaya Wasukraipaisan. Duración/Runtime: 89 min. VOSE Pim y Ploy son dos hermanas siamesas que han unido sus vidas en todos los sentidos debido al trozo de piel que comparten. Pim no puede vivir así y decide hacerse una operación para separarse, pero sin el consentimiento de Ploy. Pim sobrevive, pero Ploy no. Huyendo de su pasado y de su cargo de conciencia, Pim se muda a Korea donde comienza una nueva vida con un buen esposo. Todo parece armonía y normalidad. Pim and Ploy are two Siamese twins that share everything because of the piece of skin that connects them together. Living a normal life is a thing that Pim has never been able to do, and without Ploy’s consent she has an operation and separates from her sister. Ploy dies and Pim decides to run away from her past and her guilty conscience by moving into Korea. Everything looks normal. BODY SOB Body19 sob 19 Título original/Original title: Gmm tai hub. Nacionalidad/Nationality: Tailandia, 2007. Producción/Production: Jira Maligool, Chenchonnee Soonthornsaratul, Yoonyoot Thongkongtoon. Dirección/Director: Paween Purijitpanya. Guión/Script: Chookiat Sakveerakul, Eakasit Thairaat, Paween Purijitpanya, Wanruedee Pongsittichai. Fotografía/Photography: Khomkrit Chai-Nam. Montaje/Editing: Paween Purijitpanya, Boonsak Wattanawisit, Surawut Tungkarak. Interpretación/Cast: Arak Amornsupasent, Patarawarin Timkul, Plai Poramej, Onjira Laemwilai.
    [Show full text]