Guilty Simpson & Small Professor

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GUILTY SIMPSON & SMALL PROFESSOR Highway Robbery BLACK VINYL REISSUE NEW PRICE KEY SELLING POINTS • The vinyl launch falls on the week of the five year anniversary since Highway Robbery was first released - available for the first time in a classic black vinyl format • Ranked among the top 25 albums of the year in 2013 by HipHopDX. “Guilty Simpson and Small Professor find common ground on ‘Highway Robbery,’ a 10-track album that plays out like a crime drama from an old pulp magazine.” • Upon the album’s initial launch, Highway Robbery was supported by the likes of Complex, XXL, Hip-Hop Wired, The Boombox, Okayplayer, Ambrosia for Heads, DJBooth, HipHopDX, 2DOPEBOYZ, Nah Right, OnSMASH, and more • Small Professor is the collaborating producer on the forthcoming posthumous LP, 86 Witness, from the late Sean Price, due out later this year DESCRIPTION ARTIST: Guilty Simpson & Small Professor Coalmine Records is pleased to re-release Guilty Simpson and Small TITLE: Highway Robbery Professor’s highly acclaimed collaborative LP, Highway Robbery, on CATALOG: L-CM052 classic black vinyl. LABEL: Coalmine Records GENRE: Hip-Hop BARCODE: 659123053314 Weighing in at 11 tracks, which includes the vinyl-only bonus track of Zilla FORMAT: LP Rocca’s Remix of “Go,” the album places the listener in a seemingly post HOME MARKET: Detroit/Philadelphia apocalyptic Detroit where the mentality is feast or famine. The LP plays RELEASE: 9/28/2018 as one long narrative of Guilty’s day-to-day survival in Detroit’s concrete LIST PRICE: $17.98 / CH jungle, all set to the backdrop of Small Professor’s ominous, percussion CASE QTY: 50/10 heavy production. TRACKLISTING (Click Tracks In Blue To Preview Audio) Featuring guest appearances from Detroit’s Boldy James, AG (of 1. Take Your Power (Intro) D.I.T.C.), Elucid, and Castle, with both Statik Selektah and DJ Revolution 2. Get That Pay (Scooby Mix) handling the Technic 1200s. 3. I’m The City (feat. Boldy James & Statik Selektah) 4. Blap (Interlude) 5. It’s Nuthin (feat. AG) 6. On the Run (feat. DJ Revolution) 7. Go (feat. Castle & Elucid) 8. Come Get Me (Outro) 9. Get That Pay (OG Mix) 10. The Easiest Way (Remix) PROUDLY DISTRIBUTED BY FAT BEATS DISTRIBUTION | 8930 ETON AVE. CANOGA PARK, CA 91304 | DISTRIBUTION.FATBEATS.COM.

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Brink, D.H. Van Den 1.Pdf
Daan van den Brink s4369106 16 Aug. 2018 MA Creative Industries Rap Record for Sale - Sampling practice and commodification in Madlib Invazion. Cover image: Trouble Knows Me, Trouble Knows Me. Los Angeles: Madlib Invazion. (MMS-027), 2015. Daan van den Brink (s4369106) Email: [email protected] Rap Record for Sale – Sampling practice and commodification in Madlib Invazion. MA Thesis Creative Industries. Date of submission: 6 Aug. 2018 Supervisor: dr. Vincent Meelberg Email: [email protected] Abstract. Within our capitalistic society, much if not all the music we consume is to be regarded as commodities. Musical products are subject to numerous processes, rules and regulations, one of which being copyright. Essentially, copyright enables the musical product as commodity, and as David Hesmondhalgh puts it, has become the main means of commodifying culture. A musical practice that is particularly at odds with copyright is sampling, which makes use of previously recorded material through recombination and re-contextualisation. For the use of samples, a proper copyright license must be in place, whether the sample-based song is being monetized on or released for free. However, hip hop producers often do not comply in licensing the use of copyrighted material in their music, which challenges not only the copyright regime, but also copyright as a means of commodification. Over the years, copyright has become an extensive set of rights, resulting in the criminalization of unlicensed use of samples, but not in prevention, as technological advancements have made sampling a more widespread and accessible practice. Within this thesis, the sample-based work of Madlib as released on his Madlib Invazion label is used as a case study to map the current copyright regime, the costs of licensing and the risks of unlicensed sampling.
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