SPRING 2016 Author's Titles Catalogue
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
46-49 Alumni Books
ALUMNI BOOKS PROFILES AND REVIEWS guys, and historical figures Neal Stephenson’s new (Alan Turing, Douglas novel, Anathem, charts the MacArthur, Isaac Newton, adventures of a group of and Louis XIV, to name hyperintellectual monks out a few). to save their world from an Stephenson’s new extraplanetary menace. novel, Anathem (William Morrow, 2008), is his most ambitious project yet: it seeks to completely reshape the history of scientific and philosophical thought. Set 4,000 years in the future on a planet called Arbre, the novel chronicles the adventures of a cadre of hyperintellectual monks who must save their world from an extraplanetary menace. With Snow Crash, Stephenson (CAS’81) was writing alongside the young upstarts of sci-fi (they call it cyberpunk for a reason), but with Anathem, he is vying for a position among spec-fic’s old guard: Asimov, Clarke, Heinlein, and Huxley. Stephenson spoke with Bostonia about his work. Devin Hahn I understand that you started writing about halfway through your undergrad A Voice from the Future /// career. Yeah. I had tried to write some short Speculative fi ction writer stories much earlier, because the conventional wisdom is that the way Neal Stephenson talks about his you get into writing is by starting with little stuff and then working your way new book, his infl uences, and why up to novels. So I tried to write a couple of short stories, and they just didn’t go he can’t write short. By Devin Hahn anywhere. So based on that I thought that maybe being a writer just wasn’t in the cards for me. -
The Altering Eye Contemporary International Cinema to Access Digital Resources Including: Blog Posts Videos Online Appendices
Robert Phillip Kolker The Altering Eye Contemporary International Cinema To access digital resources including: blog posts videos online appendices and to purchase copies of this book in: hardback paperback ebook editions Go to: https://www.openbookpublishers.com/product/8 Open Book Publishers is a non-profit independent initiative. We rely on sales and donations to continue publishing high-quality academic works. Robert Kolker is Emeritus Professor of English at the University of Maryland and Lecturer in Media Studies at the University of Virginia. His works include A Cinema of Loneliness: Penn, Stone, Kubrick, Scorsese, Spielberg Altman; Bernardo Bertolucci; Wim Wenders (with Peter Beicken); Film, Form and Culture; Media Studies: An Introduction; editor of Alfred Hitchcock’s Psycho: A Casebook; Stanley Kubrick’s 2001: A Space Odyssey: New Essays and The Oxford Handbook of Film and Media Studies. http://www.virginia.edu/mediastudies/people/adjunct.html Robert Phillip Kolker THE ALTERING EYE Contemporary International Cinema Revised edition with a new preface and an updated bibliography Cambridge 2009 Published by 40 Devonshire Road, Cambridge, CB1 2BL, United Kingdom http://www.openbookpublishers.com First edition published in 1983 by Oxford University Press. © 2009 Robert Phillip Kolker Some rights are reserved. This book is made available under the Cre- ative Commons Attribution-Non-Commercial 2.0 UK: England & Wales Licence. This licence allows for copying any part of the work for personal and non-commercial use, providing author -
Bombay Talkies
A Cinematic Imagination: Josef Wirsching and The Bombay Talkies Debashree Mukherjee Encounters, Exile, Belonging The story of how Josef Wirsching came to work in Bombay is fascinating and full of meandering details. In brief, it’s a story of creative confluence and, well, serendipity … the right people with the right ideas getting together at the right time. Thus, the theme of encounters – cultural, personal, intermedial – is key to understanding Josef Wirsching’s career and its significance. Born in Munich in 1903, Wirsching experienced all the cultural ferment of the interwar years. Cinema was still a fledgling art form at the time, and was radically influenced by Munich’s robust theatre and photography scene. For example, the Ostermayr brothers (Franz, Peter, Ottmarr) ran a photography studio, studied acting, and worked at Max Reinhardt’s Kammertheater before they turned wholeheartedly to filmmaking. Josef Wirsching himself was slated to take over his father’s costume and set design studios, but had a career epiphany when he was gifted a still camera on his 16th birthday. Against initial family resistance, Josef enrolled in a prestigious 1 industrial arts school to study photography and subsequently joined Weiss-Blau-Film as an apprentice photographer. By the early 1920s, Peter Ostermayr’s Emelka film company had 51 Projects / Processes become a greatly desired destination for young people wanting to make a name in cinema. Josef Wirsching joined Emelka at this time, as did another young man named Alfred Hitchcock. Back in India, at the turn of the century, Indian artists were actively trying to forge an aesthetic language that could be simultaneously nationalist as well as modern. -
GSC Films: S-Z
GSC Films: S-Z Saboteur 1942 Alfred Hitchcock 3.0 Robert Cummings, Patricia Lane as not so charismatic love interest, Otto Kruger as rather dull villain (although something of prefigure of James Mason’s very suave villain in ‘NNW’), Norman Lloyd who makes impression as rather melancholy saboteur, especially when he is hanging by his sleeve in Statue of Liberty sequence. One of lesser Hitchcock products, done on loan out from Selznick for Universal. Suffers from lackluster cast (Cummings does not have acting weight to make us care for his character or to make us believe that he is going to all that trouble to find the real saboteur), and an often inconsistent story line that provides opportunity for interesting set pieces – the circus freaks, the high society fund-raising dance; and of course the final famous Statue of Liberty sequence (vertigo impression with the two characters perched high on the finger of the statue, the suspense generated by the slow tearing of the sleeve seam, and the scary fall when the sleeve tears off – Lloyd rotating slowly and screaming as he recedes from Cummings’ view). Many scenes are obviously done on the cheap – anything with the trucks, the home of Kruger, riding a taxi through New York. Some of the scenes are very flat – the kindly blind hermit (riff on the hermit in ‘Frankenstein?’), Kruger’s affection for his grandchild around the swimming pool in his Highway 395 ranch home, the meeting with the bad guys in the Soda City scene next to Hoover Dam. The encounter with the circus freaks (Siamese twins who don’t get along, the bearded lady whose beard is in curlers, the militaristic midget who wants to turn the couple in, etc.) is amusing and piquant (perhaps the scene was written by Dorothy Parker?), but it doesn’t seem to relate to anything. -
Postmodern Orientalism. William Gibson, Cyberpunk and Japan
Copyright is owned by the Author of the thesis. Permission is given for a copy to be downloaded by an individual for the purpose of research and private study only. The thesis may not be reproduced elsewhere without the permission of the Author. POSTMODERN ORIENTALISM William Gibson, Cyberpunk and Japan A thesis presented in fulfillment of the requirements for the degree of Doctor of Philosophy in English at Massey University, Albany, New Zealand Leonard Patrick Sanders 2008 ABSTRACT Taking the works of William Gibson as its point of focus, this thesis considers cyberpunk’s expansion from an emphatically literary moment in the mid 1980s into a broader multimedia cultural phenomenon. It examines the representation of racial differences, and the formulation of global economic spaces and flows which structure the reception and production of cultural practices. These developments are construed in relation to ongoing debates around Japan’s identity and otherness in terms of both deviations from and congruities with the West (notably America). To account for these developments, this thesis adopts a theoretical framework informed by both postmodernism as the “cultural dominant” of late capitalism (Jameson), and orientalism, those discursive structures which produce the reified polarities of East versus West (Said). Cyberpunk thus exhibits the characteristics of an orientalised postmodernism, as it imagines a world in which multinational corporations characterised as Japanese zaibatsu control global economies, and the excess of accumulated garbage is figured in the trope of gomi. It is also postmodernised orientalism, in its nostalgic reconstruction of scenes from the residue of imperialism, its deployment of figures of “cross-ethnic representation” (Chow) like the Eurasian, and its expressions of a purely fantasmatic experience of the Orient, as in the evocation of cyberspace. -
Images ©Dan Frievalt Dan Frievalt Helps Clients Feel Dazzling
All images ©Dan Frievalt Dan Frievalt helps clients feel dazzling BY STEPHANIE BOOZER an Frievalt is a photographer and in many ways, a creative jack- of-all-trades—a hybrid film director, art director, costume designer, storyteller, graphic artist. Oh, and maybe a kind of therapist as well:Female portrait clients often leave his studio with a more confident swagger than they entered with. His high-fashion, stylized photographs of women, which he markets as Be{u}tiful You sessions, are like vignettes from an indie art film in which the corseted heroines could be femme fatales from a darkly romantic thriller. This is Frievalt’s take on female empowerment. “I needed something different and unique but that still had a boudoir-type feel. Not everyone wants a wall portrait of herself Din lingerie,” says Frievalt from his studio in De Pere, Wis., on the outskirts of Green Bay. CREATIVE COSTUMERY It’s not all vamped up Victorian themes. Frievelt has captured women in brash ’80s punk- inspired frocks, elegant sequined and silk gowns, and conceptual couture bits of fabric juxtaposed in front of beautifully decayed urban backgrounds. The client’s individual tastes inspire the theme, and Frievalt’s vivid imagination takes it from there. To help make those visions reality, Frievalt partnered with a friend, a model and fashion designer who goes by the name Twig Noir, to conjure up and create clothing and acces- sories for the studio. Her steampunk-influenced style jives with Frievalt’s moody, theatrical sensibility. “She sews all this amazing stuff, buys and repur- poses clothes, and turns them into something else,” says Frievalt. -
UNIT 4 CINEMA the Cinema, Like the Detective Story, Makes It Possible To
UNIT 4 CINEMA The cinema, like the detective story, makes it possible to experience without danger all the excitement, passion and desirousness which must be repressed in a humanitarian ordering of life. Carl Jung Before you start doing the main activities of this unit, brush up on active vocabulary to the topic. Exercise 1. Answer t:e following questions: 1. Do you like watching films? Why? / Why not? How often do you… a) go to the cinema, b) rent DVDs, c) buy DVDs, d) watch films on TV? 2. What’s your favourite film? Why do you like it? Who stars in it? Who directed it? How many times have you seen it? Does it hold any special memories for you? Can you tell the plot in thirty seconds? What genre(s) of films do you a) love, b) hate? Why 3. Have you got a video camera? What do you use it for? Why do people make home movies? Which is more special, a home movie or a photo? Why? 4. Would you like to work in the film industry? Why? / Why not? Which job(s) do you think are the most rewarding? Why? Do you prefer to watch films made in your country, or Hollywood movies? Why? 5. Have you ever downloaded a film from the internet – either legally or illegally? How do you prefer to watch films, and why? Have you ever watched a film on… a) a plasma TV, b) a very large IMAX screen, c) an iPod? Compare these experiences to watching films on a normal TV. -
Dvds Just a Tiny Bit of Comfort 007, 4-4-2009
Michael Giltz: DVDs: Just A Tiny Bit Of Comfort, 007 BIG NEWS: Madonna | Britney Spears | American Idol | Lindsay Lohan | More... LOG IN | SIGN UP APRIL 9, 2009 HOME POLITICS MEDIA BUSINESS ENTERTAINMENT LIVING STYLE GREEN WORLD CHICAGO COMEDY 23/6 VIDEO BLOGGER INDEX ARCHIVE Twitter: Follow Us Get Email Alerts Make HuffPost Your HomePage Stevie Nicks Rails Against More in Entertainment: Rowling Quits Gay Porn Idol Dead At 62 Technology: It's "Ruined Our Children" Charity... Britney's Smoky Concert... Springsteen divorce case... BIO Get Email Michael Giltz Alerts Freelance writer and raconteur Become a Bloggers' Posted April 8, 2009 | 02:49 PM (EST) Fan Index DVDs: Just A Tiny Bit Of Comfort, 007 Read More: Animatyion, Anthony Hopkins, Bolt, Daniel Craig, Dvds, James Bond, Movies, Quantum Of Solace, Twilight, Wong Kar Wai, Entertainment News The last few weekends, I've been watching as a 12 Be the First to Popular Stories on HuffPost Submit year old boy works his way through my James This Story to Digg Bond DVDs, something every young kid should David Weiner Passover do on spring break when they're growing up. So I Facts: 6 Things You Get Breaking News Alerts Didn't Know About feel as ready as ever to tackle the newest Bond, Passover Quantum of Solace ($39.99 on BluRay and For most Americans, never spam $34.98 for regular DVD; MGM). Passover is that time once a year when... Share Print I think Daniel Craig is an excellent Bond, but felt Liam Neeson And Casino Royale was a bit overpraised. -
Adult Titles
Adult Titles London Book Fair 2018 kt literary, llc. THE GLAMOUR THIEVES Book #1 in the Blue Unicorn trilogy by Don Allmon Riptide Publishing, August 2017 “A cyberpunk sensibility, intense action, and flagrant sensuality make a potent mix in Allmon’s swoonworthy debut erotic romance.” – Publishers Weekly, starred review Rainbow Awards Finalist for Best Gay Debut, Best Gay Book and Best Gay Paranormal Romance JT is an orc on the way up. He’s got his own boutique robotics shop, high- end clientele, and deep-pocketed investors. He’s even mentoring an orc teen who reminds him a bit too much of himself back in the day. Then Austin shows up, and the elf’s got the same hard body and silver tongue as he did two years ago when they used to be friends and might have been more. He’s also got a stolen car to bribe JT to saying yes to one last scheme: stealing the virtual intelligence called Blue Unicorn. Soon JT’s up to his tusks in trouble, and it ain’t just zombies and Chinese triads threatening to tear his new life apart. Austin wants a second chance with JT—this time as more than just a friend—and even the Blue Unicorn is trying to play matchmaker Don recently completed a Mastter of Arts in English Literature from the University of Kansas. By day he works in IT support and by night he writes fiction. He loves comic books, folk tales, pulp, noir and horror. Paranormal Romance World Rights Sold Translation Rights: KT Literary Audio Rights: KT Literary Dramatic Rights: KT Literary Books Available kt literary, llc. -
Modernity and Material Culture in Bengali Cinema, 1947-1975
Western University Scholarship@Western Electronic Thesis and Dissertation Repository 4-20-2011 12:00 AM Alternative Be/longing: Modernity and Material Culture in Bengali Cinema, 1947-1975 Suvadip Sinha University of Western Ontario Supervisor Nandi Bhatia The University of Western Ontario Graduate Program in English A thesis submitted in partial fulfillment of the equirr ements for the degree in Doctor of Philosophy © Suvadip Sinha 2011 Follow this and additional works at: https://ir.lib.uwo.ca/etd Part of the Comparative Literature Commons, Other English Language and Literature Commons, Other Film and Media Studies Commons, Race, Ethnicity and Post-Colonial Studies Commons, South and Southeast Asian Languages and Societies Commons, and the Visual Studies Commons Recommended Citation Sinha, Suvadip, "Alternative Be/longing: Modernity and Material Culture in Bengali Cinema, 1947-1975" (2011). Electronic Thesis and Dissertation Repository. 137. https://ir.lib.uwo.ca/etd/137 This Dissertation/Thesis is brought to you for free and open access by Scholarship@Western. It has been accepted for inclusion in Electronic Thesis and Dissertation Repository by an authorized administrator of Scholarship@Western. For more information, please contact [email protected]. Alternative Be/longing: Modernity and Material Culture in Bengali Cinema, 1947-1975 (Spine Title: Alternative Be/longing) (Thesis format: Monograph) by Suvadip Sinha Graduate Program in English A thesis submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy The School of Graduate and Postdoctoral Studies The University of Western Ontario London, Ontario, Canada © Suvadip Sinha 2011 THE UNIVERSITY OF WESTERN ONTARIO School of Graduate and Postdoctoral Studies CERTIFICATE OF EXAMINATION Supervisor Examiners _____________________ _ ________________________ Dr. -
Oregon State University L'auteur Ou L'artiste: Hitchcock and The
Oregon State University L’Auteur ou l’Artiste: Hitchcock and the Presence of Portraits Clara J. Fulkerson Studies in Film: Hitchcock (FILM 452) Professor Jon Lewis Presented May 18, 2018 Abstract This research paper, “L’auteur ou l’artiste?”, examines the films of Alfred Hitchcock and their importance amongst the canon of cinema. In an analysis of his three film periods (British, Early Hollywood, and Late Hollywood), the aim of this research is to uncover the significance of the consistent inclusion of portraits throughout his films. Recognized as an auteur amongst cinephiles, Hitchcock has been deemed the “Master of Suspense”. Through specifically observing the looming and significant portraits in the films “The Lodger” (1927), “Rebecca” (1940), and “Vertigo” (1958), it becomes apparent that the unnerving presence of art, particularly portraits, is one of the main factors of Hitchcock’s mastery. The interviews between Hitchcock and François Truffaut will be applied to this claim, as well as Tania Modleski’s “The Women Who Knew Too Much: Hitchcock and Feminist Theory“, Aaron Rich’s “The Dark Galleries: A Museum Guide to Painted Portraits in Film Noir, Gothic Melodramas, and Ghost Stories of the 1940s and 1950s”, and various other scholarly articles cited within the paper. While Hitchcock’s creative implement of portraits help define him as an auteur, it also contributes to the established precedence for any future horror or suspense films, as well as demonstrates a filmmaker’s ability to omit a unique and creative rhetoric. - Clara Fulkerson L’auteur ou l'artiste? Introduction Filmmaking may depict itself as inherently escapist, providing a portal into a universe made up of moving pictures where all the heroes are beautiful. -
Ace in the Hole (Billy Wilder, 1951) Prescient Satire on News Manipulation, with Kirk Douglas As a Washed-Up Hack Making the Most of a Story That Falls Into His Lap
1,000 Films To See Before You Die | The Guardian Ace in the Hole (Billy Wilder, 1951) Prescient satire on news manipulation, with Kirk Douglas as a washed-up hack making the most of a story that falls into his lap. One of Wilder's nastiest, most cynical efforts, who can say he wasn't actually soft-pedalling? He certainly thought it was the best film he'd ever made. Ace Ventura: Pet Detective (Tom Shadyac, 1994) A goofy detective turns town upside-down in search of a missing dolphin - any old plot would have done for oven-ready megastar Jim Carrey. A ski-jump hairdo, a zillion impersonations, making his bum "talk" - Ace Ventura showcases Jim Carrey's near-rapturous gifts for physical comedy long before he became encumbered by notions of serious acting. An Actor's Revenge (Kon Ichikawa, 1963) Prolific Japanese director Ichikawa scored a bulls-eye with this beautifully stylized potboiler that took its cues from traditional Kabuki theatre. It's all ballasted by a terrific double performance from Kazuo Hasegawa both as the female-impersonator who has sworn vengeance for the death of his parents, and the raucous thief who helps him. The Addiction (Abel Ferrara, 1995) Ferrara's comic-horror vision of modern urban vampires is an underrated masterpiece, full- throatedly bizarre and offensive. The vampire takes blood from the innocent mortal and creates another vampire, condemned to an eternity of addiction and despair. Ferrara's mob movie The Funeral, released at the same time, had a similar vision of violence and humiliation. The Adjuster (Atom Egoyan, 1991) An insurance adjuster and his film-censor wife-who both have boundary issues when it comes to their work-catch the attention of a voyeuristic couple, with bizarre consequences for all involved.