FALL 2006 Georgia O’Keeffe: Color and Conservation October 1–December 31 G e o r g i a O’Keeffe

C OLO R A N D C ONS e r VAT ION

O c t o b e r 1 — December 31, 2006

Be inspired by the art of an American master.

This fall, the Memorial Art Gallery is one of only three venues nationwide for a major Georgia O’Keeffe exhibition organized by the Mississippi Museum of Art, Jackson. It’s your opportunity to see 27 rarely-seen oil paintings and pastels—among them landscapes, flowers, still-lifes and abstractions—from all periods of O’Keeffe’s prodigious career.

It’s the first O’Keeffe exhibition ever in Rochester, where it will also include photographs of O’Keeffe on loan from House International Museum of Photography and Film. It’s also the first exhibition ever to focus on O’Keeffe’s painstaking choice of color, her studio methods and her involvement in conservation issues.

Don’t miss the last stop for this extraordinary show.

Presenting Sponsor: Supporting Sponsors: Media Sponsor:

Riedman  Foundation

Additional support provided by State Assemblyman Joseph D. Morelle and New York State Senator Joseph E. Robach

Above: Georgia O’Keeffe, Cup of Silver Ginger (1939). Baltimore Museum of Art, Gift of Cary Ross. © Georgia O’Keeffe Museum. Facing page: Georgia O’Keeffe, In the Patio VIII (1950). Georgia O’Keeffe Museum, Santa Fe, NM. Gift of The Burnett Foundation and The Georgia O’Keeffe Foundation. © Georgia O’Keeffe Museum. Georgia O’Keeffe, Corn No. 2 (1924). Collection of Georgia O’Keeffe Museum, Santa Fe, NM. Gift of The Burnett Foundation and The Georgia O’Keeffe Foundation. © Georgia O’Keeffe Museum. Georgia O’Keeffe, Black Mesa Landscape/Out Back of Marie’s II (1930). Collection of Georgia O’Keeffe Museum, Santa Fe, NM. Gift of The Burnett Foundation. © Georgia O’Keeffe Museum. Special hours 10/1-12/31 Groups Tuesday–Friday noon–5 pm and Group tours, day packages and meal until 9 pm Thursday; Saturday and packages are available Tuesday–Sunday. Sunday 10 am–5 pm. Closed Mondays, Contact Donna DeFord, 473-7720, ext. Thanksgiving and Christmas Day. 3058 ([email protected]).

Reserve now! School Tours Georgia O’Keeffe: Color and Docent-led tours are available Tuesday– Conservation is sure to be a sellout, and Friday, 9 am–noon; $5 per person advance tickets are strongly recom- includes exhibition admission.Contact mended. To eliminate lines, all tickets Mary Ann Monley, 473-7720, ext. 3070 are issued for a specific date and time. ([email protected]).

Member tickets Public Programs Supporter Family members may request Lectures two free tickets and Supporter Individuals • Sunday, Oct. 1, 2 pm: Sarah Whitaker one free ticket. All members may purchase Peters, co-curator of Color and two discounted tickets at $10 each. For Conservation and co-author of the information on enhanced benefits at Friend exhibition catalog level and above, call 473-7720, ext. 3018. • Thursday, Nov. 2, 7 pm: Judith C. Walsh, O’Keeffe Color and Conservation catalog Members may purchase additional essayist and associate professor of paper tickets at general admission prices: conservation, Buffalo State College adults $15, seniors and students $10, chil- dren 6–18 $5; five & under free. Thursday Especially for Educators evenings 5–9 pm reduced prices of $10, Wednesday, Oct. 11, 4:30–7 pm, $30 $7 and $3 respectively. All prices include (reservations 473-7720, ext. 3072) museum admission, admission to My America (October 24–December 24) Family Art Activity and audioguides* for both shows. Thursdays, Oct.12–Dec.14 (no session Nov. 23), 3–6 pm, free admission: “O’K Where to buy to Play” Drop-in Sessions: Be inspired by

Tickets may be purchased duringalway use onmuseum white background (no exceptions). O’Keeffe, then stop by the Creative hours at the Gallery’s Admission Desk (in- Workshop for hands-on fun. person sales only). Tickets are COLORSalso - CMYK avail- Blue – C:100 M:57 Y:0 K:38 Yellow – C:0 M:17 Y:80 K:0 start – 0% yellow midpoint – 25% able online at ticketmaster.comend – 100% yellow and at Writers Respond to O’Keeffe at Ticketmaster outlets including Macy’s/ Sunday, Dec. 10, 2 pm Kaufmann’s stores. To charge tickets by offered in collaboration with Writers & Books phone, call (585) 232-1900. Convenience Art Classes for Adults and Teens charges apply to phone and online sales. To learn about studio classes that explore Please note that member discounts apply the art of Georgia O’Keeffe and her hus- only to in-person sales at MAG. band, photographer Alfred Stieglitz, visit * O’Keeffe audioguide sponsored by the City of mag.rochester.edu/creativeworkshop or Rochester and Preferred Care, with additional support from International Art Acquisitions. call 473-7720, ext. 3056.

Gift Shop O’Keeffe Café Shop at the Gallery Store during all Treat yourself to southwestern specialties at public hours. The Store will also be the O’Keeffe Café or sample Cutler’s tradi- open for holiday shopping Mondays, tional menu. Enjoy lunch Tuesday–Sunday, December 4, 11 and 18, 11 am–4 pm. 11 am–3 pm and dinner Thursday–Saturday, And starting October 1, choose exhibition- 5–8 pm. Also stop by for coffee and dessert, related items in the O’Keeffe Shop. snacks and cocktails Thursday–Saturday, 3– 5 pm. For reservations call 473-6380. Catalog In addition to essays and full-color reproductions of all the works on view, the exhibition catalog documents for the first time the fascinating correspondence between O’Keeffe and conservator Caroline Keck. $34.95 at the Gallery Store. 2 MYOCTOBER 24 – DECEMBER 24, 2006 AMERICA ART FROM THE JEWISH MUSEUM COLLECTION, 1900 –1955

In the first decades of the 20th century, American Jewish artists enjoyed unprecedented freedoms, even as they faced harsh economic and political realities.

My America speaks to the individualism of these artists as they reacted to their worlds—past and present, social and political, Jewish and secular—and as they claimed this country as their own. Through paintings, prints, photo- graphs and sculptures, this major traveling exhibition explores the reactions of a diverse group of artists during a period of social, political and intellectual upheaval.

The 73 works are by such noted artists as Alfred Stieglitz, Ben Shahn, Raphael Soyer, Morris Louis, Theresa Bernstein and Weegee (Arthur Fellig). Some of these artists were born in the US, some came under the influence of European avant- garde influences while studying abroad, and still others were immigrants, particularly from Eastern Europe.

My America is divided into five sections titled “Becoming American,” “Striving for Social Justice,” “Picturing Ourselves,” “Reacting to Tragedy” and “Moving Toward Abstraction.”

ABOVE: Ben Shahn, New York (1947). The Jewish Museum (Purchase: Oscar and Regina Gruss Charitable and Educational Foundation Fund, 1996-23). © Estate of Ben Shahn/Licensed by VAGA, New York, NY.

FACING PAGE, FROM TOP: Raphael Soyer, Dancing Lesson (1926). The Jewish Museum (Promised gift of the Renee and Chaim Gross Foundation). © Estate of Raphael Soyer. Courtesy of Forum Gallery, NY. Photo by Jonathan Morris-Ebbs. Weegee, Max is rushing in the morning bagels to a restaurant on Second Avenue for the morning trade (c. 1940). The Jewish Museum (Purchase: Joan B. and Richard L. Barovick Family Foundation and Bunny and Jim Weinberg Gifts.) © Weegee / International Center of Photography / Getty Images. Morris Louis, Marcella and Joe Went Walking (1950). The Jewish Museum (Gift of Ruth Bocour in memory of Leonard Bocour). © 1950 Morris Louis. Photo by John Parnell.

Share Your Family’s Story

People from all over the world have come to call Rochester “home.” Some of us are new to this area, and some of our families have been here for generations. Yet regardless of nationality, or where we started from, we all have a story that brought us here.

My America features a study area where you can share your family’s story. You’re invited to make photocopies of family photographs, letters and memorabilia; write a few sentences of explanation; and add your page to one of the scrapbooks in the exhibition.

You may also share your story by email. Send your digital image with a short description to [email protected]. HOURS & ADMISSION My America is open Tuesday–Friday noon–5 pm and until 9 Thursday; Saturday and Sunday 10 am–5 pm. Closed Mondays and Thanksgiving Day.

General admission $7; college students with ID and senior citizens, $5; children 6–18, $2; Thursdays 5–9 pm, $2. Free to members, UR students, and children 5 & under. All admissions include audiotour.

Your ticket to Georgia O’Keeffe: Color and Conservation also admits you to My America, but please note that special ticket prices apply (previous page).

Exhibition Party Sunday, October 22, 6–9 pm

Preview My America and enjoy live music by the Blue Avengers, Bob Sneider Trio and Love & Knishes. Tickets are $15, available at the door or in advance at (service charge applies); MAG members can get free or discounted tickets. For recorded information call 473-7720, ext. 3510. Please note that Georgia O’Keeffe: Color and Conservation will not be open during this party. Party sponsored by the Rochester Red Wings and the .

Lecture Thursday, October 26, 7 pm

Hear an illustrated lecture by Joan Rosenbaum, Helen Goldsmith Menschel Director of The Jewish Museum. Free with Gallery admission.

Especially for Educators Monday, November 6, 4–6:30 pm Join Gallery educators for exhibition tours, slide presentations, refreshments and classroom materials. The cost is $30. To register, call Kerry Donovan, 473-7720, ext. 3072 or email [email protected].

My America Family Day Sunday, November 19, noon–4 pm

Enjoy art activities, tours, storytelling and music performances. Admission is free to MAG members and children 5 and under; all others $1. Family Day sponsored by Mr. and Mrs. Harold S. Feinbloom and the Jewish Community Federation of Greater Rochester.

Video Wednesdays and Saturdays, October 25–December 23, 2 pm (no showing November 18)

“Ben-Zion: In Search of Oneself.” See a 23-minute video on Ben-Zion (1897–1987), a Ukrainian-born Expressionist featured in My America.

Community Connection: Jewish Book Festival October 29–November 5 Jewish Community Center (jccrochester.org)

CREDITS This exhibition was organized by The Jewish Museum, New York. In Rochester, it is underwritten by New York State Assemblyman Joseph D. Morelle, Mr. and Mrs. Harold S. Feinbloom and Dr. Seymour I. Schwartz. Additional support is provided by Laurence and Karen Kessler, Dennis Kessler and Andrea Miller, and the Jewish Community Federation of Greater Rochester. 4 Also on view this fall Coming in 2007

Romanticism and Anxious Objects: Willie Cole’s Favorite Brands the Politics of Taste January 21–March 11, 2007 Through October 15, Lockhart Gallery (Opening Party January 20) Yearning for the natural world. longing for Best known for his assemblages, the past and emotional intensity—all are mixed media sculptures and prints, characteristics of European Romanticism, a Willie Cole transforms such everyday general term encompassing many artistic artifacts as irons, blow dryers, high- movements of the late 18th and 19th cen- heeled shoes, lawn jockeys and bicycle turies. This exhibition includes such varied parts into powerful and iconic art works. Cole frequently takes works as picturesque landscapes by Turner, eastward-looking western objects and “Africanizes” them, using forms and motifs works by Delacroix and the tortured inner visions of Goya. derived from tribal art. The results, rich with metaphorical mean- This exhibition is sponsored by Eastman Company. ing, meld the social, political, and cultural perspectives of the urban African American experience. Calling Every Man, Woman and Child: Organized by the Montclair Art Museum with support from the State of American World War I Posters New Jersey, Department of Treasury; Agnes Gund and Daniel Shapiro; the Andy Warhol Foundation for the Visual Arts; Altria Group, Inc.; Ruth and October 27–January 21, Lockhart Gallery William True; Merrill Lynch; the Cowles Charitable Trust; the New Jersey The US government called upon the power State Council on the Arts/Department of State, a Partner Agency of the National Endowment for the Arts; and by funds from the Judith Targan of the poster to mobilize the country for Endowment Fund for Museum Publications of the Montclair Art Museum. entry into the Great War. Playing on cultural roles of gender and family and utilizing the Natura Morta: Still-Life Painting power of symbols and personification, the and the Medici Collections posters of the First World War are striking April 1–May 27, 2007 (Opening Party March 31) works of art and propaganda. Merchants, bankers, rulers, Dedicated to David Hochstein (1892–1918), violin prodigy after whom patrons of the arts and sci- Hochstein School was named; killed at the Battle of the Argonne. ences, and extraordinary col- Protected for Eternity: The Coffins of Pa-debehu-Aset lectors—the Medicis domi- nated the political and cul- Dorothy McBride Gill Discovery Center tural life of Florence from the This interactive exhibit for all ages show- 15th to the mid–18th centu- cases a rare pair of lavishly decorated nest- ries. This exhibition features 40 sumptuous still-life paintings, or ing coffins that once held the mummy of natura morta, collected or commissioned by Medici rulers from an Egyptian official. Learn how the coffins Cosimo II to the last Grand Duke of Tuscany. A companion show, were restored, write your name in hiero- After Lifes: Drawings by Shimon Okshteyn, gives the still life a glyphs and follow the fascinating process of mummification. different, often amusing, decidedly contemporary spin. Made possible by funding from Dan and Dorothy Gill. Additional support Organized by Contemporanea Progetti, Florence, Italy, in collaboration with provided by the Museum Loan Network, a program administered by MIT's The Trust for Museum Exhibitions, Washington, DC. Sponsored in Rochester Office of the Arts, funded by the John S. and James L. Knight Foundation and by the Gouvernet Arts Fund of Rochester Area Community Foundation, The The Pew Charitable Trusts; and by grants from the National Endowment for Gallery Council, and with public funding secured by NYS Senator James S. the Arts, NY Council for the Humanities and Davenport-Hatch Foundation, Inc. Alesi. Additional support provided by Michael and Joanna Grosodonia.

Italian Baroque Organ Rochester- Exhibition Herdle Fountain Court June 17–September 9, 2007 When the only full-size antique (Opening Party June 16) Italian organ in North America was Every two years, hundreds of artists installed at MAG in summer 2005, compete for space and cash awards in it was national news. A year later, the organ—on permanent what has become one of the most pres- loan from the —has become an inte- tigious shows in the region. Like the gral part of Rochester’s musical life. Monthly showcase recitals, Rochester Biennial, with which it alter- as well as student recitals every Sunday at 1 pm and 3 pm, show nates, the Rochester-Finger Lakes off the magnificent sound of the instrument. Surrounded by Exhibition showcases recent work by emerging and established Baroque paintings and sculpture, it’s a feast for the eyes as artists from upstate New York. But unlike the Biennial (an invita- well. For a concert schedule visit mag.rochester.edu. tional), each work in Finger Lakes is selected by outside jurors.

At left, from top: Francisco Goya y Lucientes, To Rise and to Fall (1799). Poster by James Montgomery Flagg (1917). Gift of Dr. and Mrs. E. Henry Keutmann. Inner coffin of Pa-debehu-Aset (4th c. bce). Marion Stratton Gould Fund. Herdle Fountain Court photo by Andy Olenick.

At right, from top: Willie Cole, Wind Mask East (1990). Blow dryers. Courtesy of Alexander and Bonin, NY. Giovanna Garzoni, Ceramic Bowl with Pears and Morning Glories (1651–62). Campione d’Italia, Private Collection, Silvano Lodi. G & A Grocery (Demolished), Vicksburg, MS, by Edgar G. Praus of LeRoy, one of nine award winners at the 2005 Rochester-Finger Lakes Exhibition. 5 New Catalog Offers Tour of American Collection

The Gallery has just pub- in the 1760s; the most recent lished the first-ever catalog is a 2001 work on paper by of its acclaimed American Lorna Simpson. The earliest collection. Seeing America: to come into the collection Painting and Sculpture from is a painting by Jonas Lie the Collection of the Memorial which was one of the first Art Gallery of the University works acquired by the new of Rochester examines 83 Memorial Art Gallery in objects and 1913; the newest acquisition their con- is the mid-19th century view nections to of the which American appears on the cover. history, cul- “This publication underscores ture, litera- the quality and the breadth of ture and About the printing Seeing America is underwritten by our collection of American the Gallery Council of the MAG in politics. art,” says director Grant Seeing America was designed honor of Director Grant Holcomb’s The essays, by MAG scholars Holcomb. “We are delighted by Kathryn D’Amanda of 20 years of service. Additional sup- MillRace Design Associates. port is provided by the Henry Luce and outside authorities, to be able to share these trea- Foundation, the Herbert W. Vanden explore works by some of sures with a wider audience.” It was printed on acid-free Brul Fund, the Thomas and Marion America’s best-known artists, recycled paper by Rochester- Hawks Memorial Fund, the Elizabeth F. Cheney Foundation, the National among them Thomas Cole, based Monroe Litho, which in Endowment for the Arts, and by gifts Winslow Homer, , 2004 became only the seventh in memory of Florence Macomber, George Bellows, Georgia graphics communications firm Eleanor McQuilkin and Eleanor Searl. In-kind support is provided O’Keeffe, Jacob Lawrence to be certified by the nonprof- by MillRace Design Associates and and Andy Warhol. it Forestry Stewardship Monroe Litho. Council (FSC). The company For editor-in-chief Marjorie The catalog is dedicated to Grant Searl, the Gallery’s chief cura- made headlines again in June Holcomb and to the memory of two tor, Seeing America represents 2006 with the announcement women who were instrumental in that 100% of its electricity building the collection—Gertrude a tour of the collection: “The Herdle Moore (director 1922–1962) tour ranges from Colonial Where to buy will come from clean, renew- and Isabel Herdle (chief curator able, wind-generated sources. 1932–1972). times to the 21st century, The 336-page, coffee-table from Maine to Florida to the size book is available in the far west, from mighty histori- Gallery Store in hardcover Above, from left (all works shown in detail): Douglas Warner cal subjects to intimate Gorsline, Bar Scene (1942). Courtesy Musée Gorsline, Bussy-le- ($65) or softcover ($40). Grand, France. Unknown artist, Portrait of Colonel Nathaniel byways, from august figures Rochester (before 1831). Kathleen McEnery Cunningham, and events to the humblest Online catalog Woman in an Ermine Collar (1909). and most anonymous.” To see an online version of Left: Jacob Lawrence, Summer Street Scene in Harlem (1948). Marion Stratton Gould Fund. The earliest work, by John Seeing America, visit mag. Singleton Copley, was painted Far left: Cover detail of George Harvey, Pittsford on the Erie rochester.edu/seeingAmerica. Canal (1837). Gift of the Margaret M. McDonald Memorial Fund.

Gifts of Art 1/1–8/31/06

Dawn’s Landscape XL, wood Oil paintings by Michele anniversary as director, by sculpture by Louise Nevelson* Pace del Campidolgio, Jean- Richard Brush and the Maurice (right), and works on paper by Honoré Fragonard, Angelica and Maxine Forman Fund. Terry Frost, Yun-Fei Ji, David Kauffmann, François Leriche, Peruvian Fragment of a Mantle Row and Dewitt Godfrey: Jean-Baptiste Monnoyer, Odilon with Dancers, 300–100 bce: anonymous donor. Redon, Hubert Robert, Gaspar bequest of Isabel C. Herdle. Verbrugghen, Elizabeth Vigée- Tall Case Clock by Simon Native American pot and Willard: bequest of Jean Craig. Lebrun, Benjamin West and Worthington Whittredge: Dr. plate by Maria Martinez: Chinese bowl, 1368–1644 ce: & Mrs. James Aquavella.* bequest of Phyllis Clark. in honor of Lynda McCurdy Angna Enters, drawing by Hotra by her loving family. Two bronze soldiers’ heads by Augustus Saint-Gaudens John Sloan: Grant Holcomb in 24 paintings and works on (article page 8): in honor memory of Helen Farr Sloan. paper by artists including Kathy Calderwood and Alfonsis of Grant Holcomb’s 20th Robert Marx, John C. Menihan, Dargis: bequest of Sylvia Davis. * partial gifts 6 Charitable Giving: Robert L. and Mary L. Sproull

once studied with Dorothy interesting, dynamic place. We Glaser at the Creative like to help along an institution Workshop—before being that has so much going for it.” UR’s first lady got in the way. Enriching the community Even in retirement, the cou- ple stays so busy that she The Gallery is not the only finds it hard to paint every organization benefitting day. In August, they had just from the couple’s generosity. returned from a Colorado They’ve done much for Deep conference and were gearing Springs, the California work up for a visit from children study college where Robert and grandchildren. But when Sproull spent two years at the she does paint, Mary Sproull height of the Great Depression. has a willing accomplice in And in 2003, in the latest her husband, who crafts the of many gifts to UR, they endowed a discretionary fund E ugene K owaluk frames for her work. to be used by the dean of arts, In May 2005, Robert and Mary Sproull were photographed At the Gallery, the Sproulls at the dedication of UR’s Robert L. Sproull Center for Ultra sciences and engineering. In High Intensity Laser Research. belong to the Director’s recognition, the deanship was Circle, and Mary Sproull is named in their honor. a long-time member of the If not for Robert L. Sproull, Recruited by the University “Together, the Sproulls UR president emeritus, MAG of Rochester, Sproull became Gallery Council. In addition to their annual support, the embody so many important might have a much different vice president and provost in social, intellectual and look today. 1968 and president in 1970; couple recently established an endowment that will cultural values,” says Grant That’s because in the early from 1974 until his retirement benefit future exhibitions Holcomb. “Certainly, leader- 1980s president Sproull in 1984, he also served as CEO. and related programming. ship, dedication, creativity wanted to see better use made Entire articles have been and philanthropy come of Cutler Union, the former written about Sproull’s many “We take great pride in show- immediately to mind. This women’s student union on board appointments and con- ing the Gallery to visitors,” community has truly been the Gallery grounds. He initi- sultancies with the likes of the says Sproull, who credits enriched by their many con- ated a dialogue between the National Academy of Sciences, director Grant Holcomb for tributions over the years.” Eastman School, which was the Department of Energy and turning MAG into “a very using the building intermit- the Department of Defense. tently, and the Gallery, for These days, he has a new which it would be an integral passion: the Environmental MAG Tapped for Fall Honors part of the 1987 expansion. Literacy Council, a 10-year- The dialogue ended happily: old, DC-based nonprofit that Today, Cutler Union houses critiques high school science In October, the Memorial Art future. The Arts Awards is an administrative offices, the texts. (Sproull knows some- Gallery will receive one of this opportunity for us to show Creative Workshop, Cutler’s thing about textbooks; the year’s arts awards from the our appreciation to these Restaurant and income-pro- classic Modern Physics, which Arts & Cultural Council for outstanding leaders.” ducing rental spaces for a he co-authored, was the first Greater Rochester. The highly Others being honored are greatly expanded museum. book entered into UR’s new competitive honor, to be pre- Riedman Foundation (busi- barcoding system in 1980.) sented at the 23rd annual Arts ness/foundation), Bush Mango Academic years Award Luncheon, is for out- Drum & Dance (cultural Supporting the arts It wasn’t Sproull’s first standing achievement in the organization), Thomas experience with a museum But art is also very much arts by a cultural organization. Warfield (individual), Ellen expansion. He was a physics a part of Sproull’s life. His “Leadership in the arts takes Stoll Walsh (literary artist), professor at his alma mater, Pittsford home, he’s the first many forms,” says Sarah E. Lynne Feldman (visual artist), Cornell University, when that to tell you, contains more art Lentini, president and CEO of and Stanley H. Witmeyer, NYS institution appointed him vice books than science texts. That’s the Arts & Cultural Council. Department of Transportation president for academic affairs; due in large part to his wife, “Many artists and cultural (special citation). he was heavily involved when Mary, an artist whose vibrant organizations that make their For information about the Arts Cornell hired international landscapes hang on the walls. home here are known both Awards Luncheon, which takes superstar I. M. Pei to design “I’ve been painting for a long, inside and outside of Rochester. place Tuesday, October 24 at the its campus art museum. long time,” says Mary, who They do incredible work on Rochester Riverside Convention Center, visit www.artsrochester. behalf of our community that org or call 473-4000. is vital to a strong economic 7 IMLS Grant Aids Collections Annual Campaign Soars

MAG has been selected to New York State school Each fall, MAG members are Second was a hard-working receive a prestigious Museums curricula, and the use asked to consider making an team of campaign solicitors. for America award from the of new technology to annual gift over and above Special thanks go to Ned Institute of Museum and provide educator and their membership support, to Adams, Emille Allen, Pete Library Services (IMLS). public access to the Gallery’s help the Board of Managers Brown, Mary Buchan, Jim educational materials. close the gap between operat- Durfee, Sam Guerreri, The $76,503 ing expenses and revenues. Charlotte Herrera, Peggy grant was The nation’s largest federal Hubbard, Bob Hursh, Mary awarded in funding program for muse- And each year, the members Koegel, Stan Konopko, one of three ums, IMLS this year chose respond. But in 2005–06, the Theresa Mazzullo, John categories, 177 institutions of all types— response surprised even those Parke, Chris Pulleyn, Mike “Sustaining from art to zoo—to share who know how generous the Sisson, Laura Swett, Mike Cultural nearly $17 million Museums Gallery family can be. Traphagan and Dave Vigren. Heritage,” for America awards. Four At year’s end on June 30, and is ear- hundred and forty-eight the campaign had brought Last of all was a redesigned marked for collections man- museums nationwide—urban in $213,455—22% more campaign brochure, complete agement and digitization of and rural, large and small— than the goal of $175,000 with FAQs, which was mailed the Asian, European, Meso­ competed for the awards, and $50,000 more than to all members in fall 2005. american, Native American requesting over $41.7 million. the previous year. “It’s always a challenge to raise The recipients will match the and African collections. Three factors unrestricted gifts,” says director federal funds with an addi- The two-year project will contributed to of Gallery advancement Joe tional $29,774,193. include research and docu- the success. Carney. “We’re grateful to Dick mentation for 250 major Twenty-five grants went to First was a Brush and to the many volun- works, the addition of museums in New York State. challenge to teers who were integral to the

1,525 images to the collections Rochester’s Strong Museum G raham G ary increase annual success of this effort. With their database and website, the also received an award. giving, issued to his fellow help, we raised the highest total development of educational Left: Bodhisattva Guanyin on Board members by long-time since launching an unrestricted materials geared toward the Mt. Potala, Chinese, Southern Gallery benefactor Richard annual appeal in 2003.” Song Dynasty (early 13th c.). F. Brush (pictured).

Around the MAG: Celebrating 20 Years

On May 15, 2006, Grant Holcomb Following toasts, showed up at the dinner and a gentle for what he thought was a routine “roast,” chief curator meeting with president . Marjorie Searl But then Seligman’s wife, Friederike, unveiled a major appeared and the couple insisted on new acquisition hon- accompanying Holcomb back to the oring the director. Gallery “to see a new acquisition.” Surprise! Joel The acquisition— If Holcomb wasn’t suspicious, he should Seligman delivers a pair of bronze the guest of honor. have been. Waiting inside the Vanden heads by 19th-century American master Augustus Saint- Brul Pavilion were more than 150 staff and Board members Gaudens—was a gift of Richard F. Brush and the Maurice and spouses, ready to celebrate his 20th anniversary as and Maxine Forman Fund. Studies for the famed Gallery director. Shaw Memorial in Boston, the bronzes depict Also on hand were African American soldiers from the Civil War Holcomb’s wife, Siobhan, regiment immortalized in the movie and four of his five chil- Glory. They’re currently on view in dren from points east and the first-floor Concourse Gallery. west. (Eldest daughter Holcomb also receive a com­ Kim, who would soon give memorative gift from staff and friends—a poem, birth to Holcomb’s first composed in his honor by William Heyen, which Holcomb poses with (from left) son Greg, wife Siobhan, daughter Devon, grandchild, was unable will be printed on a broadside by Robert Marx. son Dylan and daughter Maryn. to travel cross country.) Event photos by Brandon Vick.

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In Review: 2004-2006 In Review: 2004-2006

A Extreme Materials, organized by the Memorial C In May 2006, Grant Holcomb (arms E Opening in July 2004, the first Rochester G An unusual partnership with the University I In July 2005, seven-year-old Johnny Art Gallery, was the surprise hit of the 2005-06 folded) arrives for a surprise celebra- Biennial reaffirmed the Gallery’s longstanding of Rochester resulted in an ongoing program Carney acted out a scene in front of a slide season. Over the show’s two-month run, more tion of his 20th year as Gallery director. commitment to contemporary regional art. The titled “The Art of Observation.” Designed by of Stuart Davis’s Landscape with Garage than 27,000 people came to see art created from Surrounding him are (from left) MAG new exhibition, featuring work by six invited MAG director of education Susan Daiss and Lights. The occasion was a workshop led by such unorthodox substances as garden hoses, Board president Stan Konopko, UR artists, now alternates summers with the venera- Stephanie Brown Clark, an MD-PhD, the MAG staff members at Rush-Henrietta’s pencil shavings, fish skins, carrots, rubber tires, president Joel Seligman, Board member ble Rochester-Finger Lakes Exhibition. Among program helps URMC medical students learn Fyle Elementary School. eggshells, smog—even a 1960 Cadillac (above). Friederike Seligman, daughter Devon the featured works was Judith Olson Gregory’s to read visual cues by close examination of Holcomb and son Greg Holcomb. haunting installation Grace. works of art. And the program continues to J Tony Award-winning choreographer B Summer 2005 saw the arrival at MAG of grow: above, Daiss leads a special session for Garth Fagan brought his dancers to MAG the only full-size antique Italian organ in North D Family Days were a chance for all F As it approached its mid-century, Clothesline new business students at the Simon School. in November 2004. The lecture-performance America. The Baroque instrument, from the col- ages to learn about cultures and religions still reigned as Rochester’s oldest and largest arts was one of many programs celebrating lection of the Eastman School of Music, was per- around the world. In 2004–06, the long- and crafts festival—and MAG’s biggest fund- H At the Creative Workshop, more than The Walter O. Evans Collection of African manently installed in the Herdle Fountain Court, running series included celebrations of raiser. The 48th Festival, in September 2004, 3,000 adults, children and teens a year American Art, a major traveling exhibition. where it is surrounded by Baroque masterworks. Black history, Hispanic heritage and Asian attacted 30,000 visitors; the 49th, 25,000. choose from some 350 courses. Above, Shown above is the organ’s inaugural concert— Pacific American heritage. All featured Both years, M&T Bank continued its long- visitors to the Workshop’s December 2004 a gala performance of Monteverdi’s Vespers. music and dance, cultural displays, story- standing support. Open House got a demonstration from telling and hands-on art activities such as ceramics instructor Shelly Green Stoler. Japanese calligraphy (shown).

Photos by Richard P. Wersinger (A, F), Joe Blackburn (B), Brandon Vick (C, J), Gary Graham (D), James M. Via (E), Annette Dragon (G), Matthew Guarnera (H), Will Yurman / Democrat and Chronicle (I).

79 5,835 * individual and corporate members * as of 6/30/06

470,201 visitors welcomed ‘04–05: 228,281 ‘05–06: 241,920

36,333 h schoolchildren and adults H g toured the Gallery ‘04–05: 19,991 ‘05–06: 16,342

105,763 ** hours contributed by ‘04–05: 1,331 volunteers ‘05–06: 1,416 volunteers ** Please note that beginning in 2005–06 the Gallery implemented a new, formula- based system for calculating volunteer hours. i j

In Review: 2004-2006 In Review: 2004-2006

A Extreme Materials, organized by the Memorial C In May 2006, Grant Holcomb (arms E Opening in July 2004, the first Rochester G An unusual partnership with the University I In July 2005, seven-year-old Johnny Art Gallery, was the surprise hit of the 2005-06 folded) arrives for a surprise celebra- Biennial reaffirmed the Gallery’s longstanding of Rochester resulted in an ongoing program Carney acted out a scene in front of a slide season. Over the show’s two-month run, more tion of his 20th year as Gallery director. commitment to contemporary regional art. The titled “The Art of Observation.” Designed by of Stuart Davis’s Landscape with Garage than 27,000 people came to see art created from Surrounding him are (from left) MAG new exhibition, featuring work by six invited MAG director of education Susan Daiss and Lights. The occasion was a workshop led by such unorthodox substances as garden hoses, Board president Stan Konopko, UR artists, now alternates summers with the venera- Stephanie Brown Clark, an MD-PhD, the MAG staff members at Rush-Henrietta’s pencil shavings, fish skins, carrots, rubber tires, president Joel Seligman, Board member ble Rochester-Finger Lakes Exhibition. Among program helps URMC medical students learn Fyle Elementary School. eggshells, smog—even a 1960 Cadillac (above). Friederike Seligman, daughter Devon the featured works was Judith Olson Gregory’s to read visual cues by close examination of Holcomb and son Greg Holcomb. haunting installation Grace. works of art. And the program continues to J Tony Award-winning choreographer B Summer 2005 saw the arrival at MAG of grow: above, Daiss leads a special session for Garth Fagan brought his dancers to MAG the only full-size antique Italian organ in North D Family Days were a chance for all F As it approached its mid-century, Clothesline new business students at the Simon School. in November 2004. The lecture-performance America. The Baroque instrument, from the col- ages to learn about cultures and religions still reigned as Rochester’s oldest and largest arts was one of many programs celebrating lection of the Eastman School of Music, was per- around the world. In 2004–06, the long- and crafts festival—and MAG’s biggest fund- H At the Creative Workshop, more than The Walter O. Evans Collection of African manently installed in the Herdle Fountain Court, running series included celebrations of raiser. The 48th Festival, in September 2004, 3,000 adults, children and teens a year American Art, a major traveling exhibition. where it is surrounded by Baroque masterworks. Black history, Hispanic heritage and Asian attacted 30,000 visitors; the 49th, 25,000. choose from some 350 courses. Above, Shown above is the organ’s inaugural concert— Pacific American heritage. All featured Both years, M&T Bank continued its long- visitors to the Workshop’s December 2004 a gala performance of Monteverdi’s Vespers. music and dance, cultural displays, story- standing support. Open House got a demonstration from telling and hands-on art activities such as ceramics instructor Shelly Green Stoler. Japanese calligraphy (shown).

108 4

Financial Summary fiscal years ended 6/30/05 and 6/30/06

Revenues 2004–05 $4,275,636 Revenues 2005–06 $4,443,640 *

Endowment 24.8% Membership/gifts 43.2% Endowment 24.5% Membership/gifts 43%

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Earned Earned income 17% Government 5.3% income 18% Government 5.1%

University of Rochester 9.7% University of Rochester 9.4 %

EXPENSes 2004–05 $4,273,189 expenses 2005–06 $4,441,282 *

FACILITIES 30.9% ADMINISTRATION 18.7% FACILITIES 28.4% ADMINISTRATION 17%

Technology 3.4%

Technology 3%

• • • •

• •

• • • •

• •

advancement/ advancement/ EDUCATION 12.1% EDUCATION 10.8% membership 20.3% membership 21.7%

CURATORIAL/EXHIBITIONS 15% CURATORIAL/EXHIBITIONS 18.7%

This financial summary and the preceding two pages are extracted from the Gallery’s 2004–06 Biennial Report. A copy of this Report will be mailed in late November to Patron members and above. It will also be available online December 1 at mag.rochester.edu, or upon request by calling 473-7720, ext. 3015.

* unaudited figures 11 Board of Managers Elects Officers, New Members

After graduation the couple with MAG. He and Peggy Holcomb. “He was a member moved to Rochester, where served as United Way annual of our Board at that time, and their two daughters were chairs in 2005, raising how fortunate we are to have born, and quickly got $35.5 million and exceeding him return to service. Tom is involved in the community. goal. “Rochester has a a highly respected member of Tom went to work for the wonderful tradition of the business community and, old Lincoln Rochester Trust community involvement with Peggy, has made signifi- Company and earned his and philanthropy,” he says. cant contributions to Rochester. MBA at the Simon School, “He’ll certainly enhance the Symbiotic relationship and Peggy came from the ‘Hubbard Legacy’ during his United Way to MAG, where Hubbard has good things to tenure as president.” say about Gallery staff, as

G raham G ary she would serve 16 years. Hubbard’s next job was at well. “Working Spotlight on… Alling & Cory, where he with people who are passionate Samuel T. Hubbard Jr. would eventually serve 12 years as president and CEO. about their work You might say that business and about the runs in Tom Hubbard’s blood. Then in 1999, he went to Genesee Corporation, parent institution makes A native Rochesterian whose it much more roots go back six generations, company of Genesee Brewery. A year later he led a partner- stimulating for the Hubbard’s ancestors include volunteer. And this Thomas B. Dunn, the 19th- ship that bought out the brewery and renamed it High allows volunteers, century inventor of Sen-Sen in turn, to bring breath freshener, as well as the Falls, where he continues as chairman and CEO. energy and enthu- founders of Taylor Instruments. siasm to the job. But MAG’s new Board presi- With Hubbard at the helm, It’s a symbiotic dent is not only a business- High Falls was a major spon- relationship that man. He’s also a passionate sor of Edgar Degas: Figures in enables us to do supporter of his home town— Motion, and before that (as good things with which he describes as “a Genesee Brewery), sponsor for limited resources.” several seasons of Alive at the wonderful place to live”— The feeling and its cultural diversity. MAG. “We’re serious about being contributing members is mutual. Ironically, Hubbard’s road to of this community,” he says. “I’ve known Tom the Gallery started in Ohio. It “It helps our sales, of course, Hubbard since was there, as an undergrad at but our support also helps to I first arrived Denison University, that he met make this area a special place in Rochester in his wife, Peggy, an art lover to live and work.” 1985,” says extraordinaire and a future director Grant MAG development director. Hubbard’s community involvement doesn’t stop

Get a sneak preview of the first-ever catalog of MAG’s American collection at In addition to president Hubbard (article above), the Board of Managers elected mag.rochester.edu/seeingAmerica, these officers fo 2006–07: 1st vice president Andrew Gallina, secretary Mary M. then stop by the Gallery Store to Koegel, treasurer Ronald Paprocki and chair Stanley D. Konopko. purchase your copy. Seeing America is The Board also welcomed five new members (above, from left): fully illustrated, coffee-table size, and • Kathy Cleary, director of marketing, City Blue Imaging Services (joined 1/06) yours for only $65 (softcover $40). • Joanna Grosodonia, school and community volunteer • Sydney Licht, artist

• Elaine Gallina Spaull, executive director, The Center for Youth Always 10% off to members.

• Laura Swett, president, Incentive Resources, Inc.; past president, the Gallery Council Above: Details from Seeing America; identification key on p. 336. Gary Graham board as MAG’sas boardmembership Vanwards,on came Bramer after long Not be. to prove propheticthese words would how know she did Little here.” work to want VanJudith Bramer Friends Old Faces, New Include Leaders Council Council Welcomes TreasureWelcomes Council Hunters even would She job. paying a into experience her parlayed she level, national and state local, the at Association Heart American the with teered later,volun years having few a And administration. public in minor a and munications com in major a with College Marist from degree her earned she children, raisingfour her localthe newspaper. While of staff editorial the on was dad her where Poughkeepsie, Vanin up grew Bramer Rochester to Moving Council. Gallery the of president as ever than harder she’sbut workforce,working the fromretired have may She face. familiar a again VanMAG, is to Bramer visit first that after years Fifteen back. her drawing kept Joseph’sVilla,Gallery the St. at director development become to on moved she after holdfrom 1991 to1995. Even manager,positiona shewould Spotlight on… Spotlight herself, “I herself, to said she doors, Gallery the through walked Bramer VanJudie time first The

- - - - Memorial Art Gallery.”Art Memorial the benefitting be they’ll Council, the helping be just won’tthey that involved gets who anyone to clear it make to like “I’d says, she all, Council’sAbove focus. the defining and base membership the expanding include tenure two-year VanBramer’sher for goals sionsand the Fine Craft Show. conces food Clothesline the Tuesday’sTreasures (below), fund-raisers— Council back-to-back three include These oversee. to upon called she’sactivities been already of number the considering Gallery,the That’sfor good says. she retired,” I when energies my apply and sions pas my follow to wanted “I president. as running ground the er—Vanhit has Bramer treasurshe’sas jobs, served other 1995—among since Council the of member A MadamPresident downstate.) remain children, grand eight her of contingent a and children, two other (Her settled. had children her Rochester,of two where for headed and market, the on house her put resignation, her in handed She friends. and coworkers her stunned that something taker—did risk she’sa says not who Van1990, in Bramer— Then AHA’soffice. Poughkeepsie of director executive as years happy 10 serve tually working committee. working Bravermanand her hard Ann chair event to go Gallery.the Kudos for $14,000 than more raised which event, annual the for clinic Itwas the first appraisal Tuesday’sfor Treasures. hand on was Cottone Sam dealer antiques July,In Geneseo

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Gary Graham istrative treasurer; and treasurer; istrative Swiskey Marie Rose president; left), at (article Curnutt Nancy Sullivan Kristen for Council Gallery the Leading Parrinello president; Klein Connie pictured: Not and Shellman row) (Second ment. Clockwise from upper left: Exhibitors include Linda Huey,Linda include Exhibitors Hagenbring,Starrleft: upper from Clockwise Linda Magi, Katherine Gullo, Uli Koch & Aasta Torsen,Kremer.Aasta Martin & Kochand Uli Gullo, Katherine Magi, Linda Saturday Anne Robotham Anne *A vailable at the Admission Desk or by calling 473-7720, ext. 3014. ext. 473-7720, calling by or Desk Admission the at vailable Fin , nominating; , Carol Morse Carol , membership. , Friday, 7–9 pm Tickets$35* Friday, pm 7–9 Candace DeMuynck Candace Show and Sale and Show , docent representative; docent , 1 PreviewParty , recording secretary;recording , 0–

, art tours; art , e 5 Craf

Sabine Murphy Sabine & , programs; , , second vice president. vice second , Nov. Anastasia Markson Anastasia 6th Annual 6th , corresponding secretary; and secretary; corresponding ,

Cristina Schlageter Cristina 2006 Sponsoredby Sunday Bev Pickering Bev TeddyCarr

10–12 ‚ 06–07 are (front row): (front are 06–07 Christina Howard Christina 1 , projects treasurer;projects , 1–4 Admission $6 Admission 1–4 t , hospitality; , Judith VanJudith Bramer Sandy Koon Sandy

Show , past president; past , , public relations; public , , volunteer place volunteer , , membership; , Wendy , first vice first , , admin , Diane

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- Tribute Fund 9/1/05–7/31/06

In memory of Martin P. Merrill: To honor a friend or family In memory of Sandra Dreyfuss: In honor of Grant Holcomb’s Marcia Blacklin, Education member or commemorate a Mr. & Mrs. George M. Angle, 20th anniversary as director: Department Staff. special occasion, send your Judith B. Arnoff, Mr. & Mrs. Joseph Mr. & Mrs. Edward F. Adams, gift to MAG Tribute Fund, 500 V. Carr, Dr. & Mrs. J. Richard Andrea J. Allen, Mr. & Mrs. In memory of Mary R. Orwen: University Ave. Rochester, NY Ciccone, Drs. Frank & Margaret Frank W. Allen, Mr. & Mrs. Jack Leaf Drake, Jim & Ginny Hall, 14607. Please include your Colgan, Dr. & Mrs. John J. E. Baker, Marcia Blacklin, Grant Holcomb, Sharon G. Imswiler, name and address, as well as Condemi, Dr. Bruce F. Corsello, Richard F. Brush, Mr. & Mrs. Bruce & Dolly Klee, Mr. & Mrs. the name and address of the Dr. & Mrs. Albert B. Craig, Docents John Burgstrom, Mr. & Mrs. Valentin H. Rabe, Mr. & Mrs. J. person honored. of MAG, Dr. Eric M. Dreyfuss, David Cook, Mr. & Mrs. Richard Robert Maney, Ebba W. McArt. Daniel J. Edelman, Mr. & Mrs. Culbert, Mr. & Mrs. John Daiss, Unless otherwise designated, Harold S. Feinbloom, Heidi Mr. & Mrs. John F. D’Amanda, In memory of Dr. Frederick H. gifts will be used towards art Friederich, Mr. & Mrs. Roger B. Heidi Friederich, Mr. & Mrs. Pough: Curatorial Department. acquisitions and conservation. Friedlander, Mr. & Mrs. Irving E. Thomas Garland, Colleen Griffin- In honor of Ruth Richardson: For more information call Germanow, June & Warren Glaser, Underhill & Paul Underhill, Mr. & Kim L. Petrucci. 473-7720, ext. 3015. Eleanor G. Goldsmith, Dr. & Mrs. Frank S. Grosso, Kim & Mrs. Marvin Goldstein, Judy & Steven Hallatt, Marlene Hamann- In memory of Haskell Rosenberg: Scott Hinrichs, Grant Holcomb, Whitmore, Dr. & Mrs. H. Raul Grant Holcomb. In memory of Constance E. Dr. & Mrs. Harold Kanthor, Peggy Herrera, William & Nancy In memory of Susan Goldstein Aquavella: Mr. & Mrs. George Kelly, Judy & Dick Klaskin, Mr. & Holowka, Mr. & Mrs. Peter J. Sands: M. Angle, Grant Holcomb. Mrs. James K. Koon, Dr. & Mrs. Hotra, Chrysa Katsampes, John Dr. Hannah J. Solky. In memory of Nancy Bates: Hobart A. Lerner, Lenore & King, Mr. & Mrs. Thomas W. In honor of Susan E. Schilling: Grant & Siobhan Holcomb. Marshall Lesser, Linda Levine, Knapp, Daniel L. Knerr, Rebecca Douglas Howard & Thomas Eleanor S. Lewin, Marianne Kraai, Miriam Lebowitz, Mr. & Cassada. In memory of Sybil Beach: Lubar & Rae Stone, Dr. & Mrs. Mrs. Richard A. Leta, Sandra Grant Holcomb, Nancy R. Turner. Arthur J. Moss, Eileen & Jim Hawks Lloyd, Mr. & Mrs. Dennis In honor of Herb & Natalie Newmark, Thomas & Maureen J. Lorei, Larissa Masny, Mary & Schwartz’s 50th anniversary: In honor of Pooh Bennett’s birth- Mr. & Mrs. Lester Eber. day: Grant & Siobhan Holcomb. North, Dr. & Mrs. Bernard J. Ron Mathews, Nancy Lee Panner, Joanne Prives, Carol G. Norwood, Mr. & Mrs. Richard D. In memory of E. J. Searl: Mr. & In memory of Dr. Robert Rosenberg, Dr. & Mrs. Eric C. Nurse, Gary & Randi Offen, Mrs. John E. Dickinson, Mr. & L. Berg: Lisa A. Brubaker, Santo, Jane M. Schuster, Joan & William Rice & Mary Ann Monley, Mrs. Stockton B. Wood. Grant Holcomb, Richard & Arthur Segal, Dr. & Mrs. David B. Ruth B. Richardson, Scott & Shirley Wersinger. Shuttleworth, Mr. & Mrs. Albert Marjorie Searl, Monica & Richard In honor of Marjorie Searl and Simon III, Joan Simon, Mr. & Simpson, Debra Smith, Nancy R. the publication of Seeing America: In memory of Martin F. Grant & Siobhan Holcomb. Birmingham: Grant Holcomb. Mrs. Gregory E. Skeates, Mr. & Turner, Chiyo Ueyama, Donald C. Mrs. Richard H. Skuse, Dr. Hannah Vanarsdall, Marie & Jim Via, In honor of UR president Joel In memory of Evelyn M. Boon: J. Solky, Mr. & Mrs. David J. Richard & Shirley Wersinger. Seligman & Dr. Friederike Brian Mulholland & Joan States, Nancy Swett, Marion L. In honor of Jay T. Holmes & Seligman: Grant Holcomb. Mulholland Dee, Carolyn & George Swierkos, Dr. & Mrs. Robert H. Teresa Jones: Grant Holcomb, Hubers, Dr. & Mrs. Pierce Webb. Tichell, Joanne Viener, Mr. & In honor of Wendy Shellman: Thomas Riley & Barbara Kelley. Grant Holcomb. In honor of Mr. & Mrs. G. Mrs. David C. Vilas, Dr. & Mrs. Sheldon Brayer’s 50th anniver- Sidney S. Weinstein. In memory of Bob Kriss: In honor of Dr. Hannah J. Dr. & Mrs. Eugene D. Salesin. sary: Dr. & Mrs. Leo R. Landhuis, In honor of Pam Foye: Solky: Drs. Patricia Temple & Liz & Eric Rennert, William Rice Grant Holcomb. In honor of Annette D. Lee: Steven Gabbe. & Mary Ann Monley, Mr. & Mrs. Mr. & Mrs. Hanon Berger. In honor of Natalie B. Stewart: Daniel H. Robbins. In honor of Heidi Friederich: Nancy T. Foster, Grant & In memory of Bill Lee: Mr. & Mrs. Richard Stewart. In memory of Ruth Brody: Siobhan Holcomb. Grant Holcomb. In honor of Mr. & Mrs. Dennis Mr. & Mrs. Marvin L. Beck. In honor of Mr. & Mrs. In honor of Mr. & Mrs. James J. Sugumele: Grant Holcomb. In memory of Frederick S. Andrew R. Gallina: C. MacKenzie: Mr. & Mrs. In memory of Helen Suhr: Brown: Marilyn Kayser Grant Holcomb. Thomas H. Evans, Rabbi Moshe Mary Jean C. Weld. & Dr. Seymour Schwartz. & Naomi Frankel, Jennifer E. In memory of Yvonne Gaudriot: In memory of Alan Underberg: In honor of Teddy Carr: Gorenc, Grant & Siobhan Mr. & Mrs. Herbert J. Schwartz. Mr. & Mrs. Wayne D. Wisbaum. Grant Holcomb. Holcomb, Mr. & Mrs. Martin In honor of Mr. & Mrs. Irving Kennedy, Blair Mackenzie, Mr. In honor of Marie Via: In honor of Kathy & Mark E. Germanow: Mr. & Mrs. & Mrs. Malcolm I. MacKenzie, Grant Holcomb. Cleary: Patricia C. Cleary, Hanon Berger. Megan L. MacKenzie, Mr. & Stephanie Haynes, Marilyn Mrs. Paul G. MacKenzie, In memory of Annette Waldman: In memory of Leon Germanow: Scott & Nicholas Marrone, Karen Nakogee, Mr. & Mrs. Grant Holcomb. Joyce Underberg, Marilyn Kayser Gustavo & Ellen Paz-Pujalt, Mr. Peter Phillips, Symantec. & Mrs. James G. Strasenburgh. & Dr. Seymour I. Schwartz. In memory of Robert Wegman: In memory of Florence D. Heidi Friederich. In memory of Thomas & In memory of Sylvan Cole: Macomber: Anonymous. Mr. & Mrs. Frank W. Allen, Marion Hawks: Grant Holcomb. In honor of Alice M. Zissler: In memory of Betty Saum March: Docents of MAG, Dr. & Mrs. Nancy Buckett, Grant Holcomb. In memory of Mary H.H. Mr. & Mrs. David B. Patt & family. Arthur G. Tweet. In memory of Edward Crone: Hayden: Mr. & Mrs. George Grant Holcomb. M. Angle, Grant Holcomb, In honor of Theresa Mazzullo: In memory of Jennifer, Nancy R. Turner. ESL Federal Credit Union, Marjorie & Jimmy Zrebiec: In memory of Sidney B. Cutler: Charlotte & Raul Herrera. Heidi & Tim Tyler. Barbara L. Frank. In honor of Charlotte & Raul Herrera: Scott & Marjorie Searl. In memory of Basil Megna: In memory of Joseph Daatselaar: Joseph & Camille Megna, Rochester Art Club. Dr. G. Porter Perham. 14 mag.rochester.edu

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Museum hours: Wednesday Special Needs: Director’s Gallery Council . . . 3014 through Sunday 11–5 and Audiotour is compatible with Gallery Store–sales . . . 3057 until 9 pm Thursdays. Closed hearing aids and has features Gallery Store–office . 3050 Mondays, Tuesdays and major for visually-impaired users. holidays. For extended hours The Herdle Fountain Court is Library ...... 3022 during Georgia O’Keeffe: equipped with audio systems MAGazine . . . . . 3020 Color and Conservation, for the hearing impaired; Membership office . . 3018 turn to page 2. Please note headsets may be obtained Public relations . . . . . 3021 that museum offices are from an usher or security Teacher Center ...... 3022 open Monday–Friday during guard prior to performance

C utler ’ s R estaurant Tours & volunteers . . . 3070 regular business hours. time. The auditorium is Cutler’s Restaurant/ equipped with an induction The Gallery is supported primarily Admission: $7; students with O’Keeffe Café: Open for loop system. ID and senior citizens, $5; by its members, the University of lunch Tuesday–Sunday and To reserve a loop for other Rochester and public funds from children 6–18, $2. Reduced dinner Thursday–Saturday. areas, arrange for an inter- Monroe County and the New York general admission, $2, Also serving coffee, dessert, preter or schedule touch State Council on the Arts. Thursdays from 5 to 9. Free cocktails and snacks Thursday– tours for the blind, email Reduced admission Thursday 5–9 is to members, UR students, Saturday, 3–5 pm. 473-6380. [email protected]. made possible by the Democrat and and children five and under. edu or call 473-7720, ext. Chronicle/Gannett Foundation, with For admission prices during Art Library/Teacher Center: additional support from ExxonMobil Georgia O’Keeffe: Color and Open to the public for browsing 3027 (TTY, 473-6152). Chemical Company, Thomson West and Monroe County. Conservation, turn to page 2. and to MAG members, teach-  The Gallery is accessible to ers, and UR students and staff the handicapped through the Support for the Gallery’s 2006-07 Director’s Audiotour: for borrowing. For hours visit University Ave. entrance. school programs is provided by Director Grant Holcomb has mag.rochester.edu/library. Dominion, Bank of America, and chosen 26 favorite works for How to reach us: Call 473- the Mary W. Clark Trust. Additional this Acoustiguide tour of the Join Us! You can join MAG, 7720 and enter the extension support is provided by the Fred Gallery. Free with admission. renew your membership, pur- below or “O” for the operator. and Floy Willmott Foundation, Mr. and Mrs. Thomas F. Judson Jr., chase a gift membership or Admission desk . ext. 3058 Gallery Store: Open Tuesday make a donation online. the estate of Estelle B. Goldman through Saturday 11–5; Advancement office. . . 3035 and an anonymous donor for the Visit mag.rochester.edu/join. McPherson Director of Education. Sunday noon–5. Also open for ARTiculate/MAGazine 3020 holiday shopping from 11–4 Room Rentals: MAG is the Clothesline inquiries . . 3006 Director’s Audiotour was made pos- Mondays, Dec. 4, 11 and 18. perfect setting for meetings, sible by a generous gift from Robert Corporate members . 3028 For extended hours during conferences and special and Joanne Gianniny and contribu- events. For details, call the Creative Workshop . . . 3056 tions from donors to the 2003 Annual Georgia O’Keeffe: Color and Campaign. Additional support was Conservation, turn to page 2. Gallery, ext. 3006. Curatorial department . 3054 provided by Jay Advertising and Director’s office . . . 3003 School or Group Tours The Studios at Linden Oaks. Creative Workshop: Education department . 3027 Offering year-round classes To schedule, contact Mary MAGazine is made possible by the Ann Monley at 473-7720, Events/space rental . 3006 Gallery Council. Special thanks for for adults, teens and children design services to Leslie Van Auken of 1 ext. 3070 (mmonley Exhibitions department 3076 as young as 2 ⁄2. See our online Van Auken Margolis & Associates, catalog at mag.rochester.edu/ @mag.rochester.edu). Exhibition parties* . . . 3510 Kathryn D’Amanda of MillRace creativeworkshop. Design Associates, and Bill Buckett. *recorded information

500 UNIVERSITY AVE., ROCHESTER, NY 14607-1415 (585) 473-7720 TTY 473-6152 FAX 473-6266 MAGazine is made possible by MAG.ROCHESTER.EDU The Gallery Council, a volunteer organization dedicated Cover: Georgia O’Keeffe, In the Patio (1950). Georgia to raising funds for MAG. O’Keeffe Museum, Santa Fe, NM. Gift of The Burnett Foundation and The Georgia O’Keeffe Foundation. © Georgia O’Keeffe Museum.