THE CONTEST BETWEEN APOLLO and MARSYAS • a SUPERNOVA on ANCIENT COINS - PART 4 Visit
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MYTHOLOGY MAY 2018 Detail of Copy After Arpino's Perseus and Andromeda
HOMESCHOOL THIRD THURSDAYS MYTHOLOGY MAY 2018 Detail of Copy after Arpino's Perseus and Andromeda Workshop of Giuseppe Cesari (Italian), 1602-03. Oil on canvas. Bequest of John Ringling, 1936. Creature Creation Today, we challenge you to create your own mythological creature out of Crayola’s Model Magic! Open your packet of Model Magic and begin creating. If you need inspiration, take a look at the back of this sheet. MYTHOLOGICAL Try to incorporate basic features of animals – eyes, mouths, legs, etc.- while also combining part of CREATURES different creatures. Some works of art that we are featuring for Once you’ve finished sculpting, today’s Homeschool Third Thursday include come up with a unique name for creatures like the sea monster. Many of these your creature. Does your creature mythological creatures consist of various human have any special powers or and animal parts combined into a single creature- abilities? for example, a centaur has the body of a horse and the torso of a man. Other times the creatures come entirely from the imagination, like the sea monster shown above. Some of these creatures also have supernatural powers, some good and some evil. Mythological Creatures: Continued Greco-Roman mythology features many types of mythological creatures. Here are some ideas to get your project started! Sphinxes are wise, riddle- loving creatures with bodies of lions and heads of women. Greek hero Perseus rides a flying horse named Pegasus. Sphinx Centaurs are Greco- Pegasus Roman mythological creatures with torsos of men and legs of horses. Satyrs are creatures with the torsos of men and the legs of goats. -
A Story of Five Amazons Brunilde S
Bryn Mawr College Scholarship, Research, and Creative Work at Bryn Mawr College Classical and Near Eastern Archaeology Faculty Classical and Near Eastern Archaeology Research and Scholarship 1974 A Story of Five Amazons Brunilde S. Ridgway Bryn Mawr College, [email protected] Let us know how access to this document benefits ouy . Follow this and additional works at: http://repository.brynmawr.edu/arch_pubs Part of the Classical Archaeology and Art History Commons, and the History of Art, Architecture, and Archaeology Commons Custom Citation Ridgway, Brunilde S. 1974. A Story of Five Amazons. American Journal of Archaeology 78:1-17. This paper is posted at Scholarship, Research, and Creative Work at Bryn Mawr College. http://repository.brynmawr.edu/arch_pubs/79 For more information, please contact [email protected]. A Story of Five Amazons* BRUNILDE SISMONDO RIDGWAY PLATES 1-4 THEANCIENT SOURCE dam a sua quisqueiudicassent. Haec est Polycliti, In a well-knownpassage of his book on bronze proximaab ea Phidiae, tertia Cresilae,quarta Cy- sculpturePliny tells us the story of a competition donis, quinta Phradmonis." among five artists for the statue of an Amazon This texthas been variously interpreted, emended, (Pliny NH 34.53): "Venereautem et in certamen and supplementedby trying to identifyeach statue laudatissimi,quamquam diversis aetatibusgeniti, mentionedby Pliny among the typesextant in our quoniamfecerunt Amazonas, quae cum in templo museums. It may thereforebe useful to review Dianae Ephesiaedicarentur, placuit eligi probatis- brieflythe basicpoints made by the passage,before simam ipsorum artificum, qui praesenteserant examining the sculpturalcandidates. iudicio,cum apparuitearn esse quam omnes secun- i) The Competition.The mention of a contest * The following works will be quoted in abbreviated form: von Bothmer D. -
Public Construction, Labor, and Society at Middle Republican Rome, 390-168 B.C
University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 2012 Men at Work: Public Construction, Labor, and Society at Middle Republican Rome, 390-168 B.C. Seth G. Bernard University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the Ancient History, Greek and Roman through Late Antiquity Commons, and the History of Art, Architecture, and Archaeology Commons Recommended Citation Bernard, Seth G., "Men at Work: Public Construction, Labor, and Society at Middle Republican Rome, 390-168 B.C." (2012). Publicly Accessible Penn Dissertations. 492. https://repository.upenn.edu/edissertations/492 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/492 For more information, please contact [email protected]. Men at Work: Public Construction, Labor, and Society at Middle Republican Rome, 390-168 B.C. Abstract MEN AT WORK: PUBLIC CONSTRUCTION, LABOR, AND SOCIETY AT MID-REPUBLICAN ROME, 390-168 B.C. Seth G. Bernard C. Brian Rose, Supervisor of Dissertation This dissertation investigates how Rome organized and paid for the considerable amount of labor that went into the physical transformation of the Middle Republican city. In particular, it considers the role played by the cost of public construction in the socioeconomic history of the period, here defined as 390 to 168 B.C. During the Middle Republic period, Rome expanded its dominion first over Italy and then over the Mediterranean. As it developed into the political and economic capital of its world, the city itself went through transformative change, recognizable in a great deal of new public infrastructure. -
On the Months (De Mensibus) (Lewiston, 2013)
John Lydus On the Months (De mensibus) Translated with introduction and annotations by Mischa Hooker 2nd edition (2017) ii TABLE OF CONTENTS Abbreviations .......................................................................................... iv Introduction .............................................................................................. v On the Months: Book 1 ............................................................................... 1 On the Months: Book 2 ............................................................................ 17 On the Months: Book 3 ............................................................................ 33 On the Months: Book 4 January ......................................................................................... 55 February ....................................................................................... 76 March ............................................................................................. 85 April ............................................................................................ 109 May ............................................................................................. 123 June ............................................................................................ 134 July ............................................................................................. 140 August ........................................................................................ 147 September ................................................................................ -
Marsyas in the Garden?
http://www.diva-portal.org This is the published version of a paper published in Opuscula: Annual of the Swedish Institutes at Athens and Rome. Citation for the original published paper (version of record): Habetzeder, J. (2010) Marsyas in the garden?: Small-scale sculptures referring to the Marsyas in the forum Opuscula: Annual of the Swedish Institutes at Athens and Rome, 3: 163-178 https://doi.org/10.30549/opathrom-03-07 Access to the published version may require subscription. N.B. When citing this work, cite the original published paper. Permanent link to this version: http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-274654 MARSYAS IN THE GARDEN? • JULIA HABETZEDER • 163 JULIA HABETZEDER Marsyas in the garden? Small-scale sculptures referring to the Marsyas in the forum Abstract antiquities bought in Rome in the eighteenth century by While studying a small-scale sculpture in the collections of the the Swedish king Gustav III. This collection belongs today Nationalmuseum in Stockholm, I noticed that it belongs to a pre- to the Nationalmuseum in Stockholm. It is currently being viously unrecognized sculpture type. The type depicts a paunchy, thoroughly published and a number of articles on the col- bearded satyr who stands with one arm raised. To my knowledge, four lection have previously appeared in Opuscula Romana and replicas exist. By means of stylistic comparison, they can be dated to 3 the late second to early third centuries AD. Due to their scale and ren- Opuscula. dering they are likely to have been freestanding decorative elements in A second reason why the sculpture type has not previ- Roman villas or gardens. -
The Story of Marsyas (MAHR-See-Uhs)
PLT PreK8_Act1-20_FRZ 11/1/05 12:11 PM Page 30 StStududenent tPage The Story of Marsyas (MAHR-see-uhs) One day,the goddess Athena found picked the flute up, liked the look of man could better it.Next, it was the beautiful, long thighbone of a it, and decided to keep it.In time, he Apollo’sturn.Though his music was deer.Itwas a pleasing object, and grew fond of the flute and learned as good as Marsyass’ in every way,it she wanted to make something both to play itso well that whoever was not better.And so the Muses attractive and useful from it.She heard him said thatnot even Apollo were unable to declare either of soon decided what she would make could play so beautifully.How was them the winner. and began to work on the bone with unlucky Marsyas to know thatthe greatcare and art. She cutoff both curse of Athena hung over him? He By now Apollo was boiling with rage. ends,cleaned it outwell inside, and had never been one to boast, But He was determined to be revenged then drilled holes down its length. now he began to tell everyone that on the satyr who had belittled Finally,she fashioned a handsome he could make music even better him—by means fair or foul. mouthpiece at the top. When she than golden-haired Apollo. had finished, she placed the mouth- “Very well,” he snarled, “now we piece between her lips and began to It was not long beforethe great god shall play with our instruments blow,placing her fingers up and of music appeared beforethe upside down!” down on the holes. -
Talismans Against Tsunamis: Apollonius of Tyana and the Stelai of the Herakleion in Gades (VA 5.5) Manuel Álvarez Martí-Aguilar
Talismans against Tsunamis: Apollonius of Tyana and the stelai of the Herakleion in Gades (VA 5.5) Manuel Álvarez Martí-Aguilar HE HERAKLEION IN GADES was a religious centre famous throughout the ancient world.1 According to T the local accounts collected by Posidonius of Apamea and transmitted by Strabo (3.5.5–6), the origin of the sanctuary dated back to the time of the city’s foundation by colonists from Tyre, which is currently dated to the ninth century B.C.2 The sanctuary was dedicated to Melqart, the most important god of the metropolis and the new colony, who is identified in 1 Among the extensive bibliography, the most notable are A. García y Bellido, “Hércules Gaditanus,” ArchEsp 36 (1963) 70–153; D. van Berchem, “Sanctuaires d’Hercule-Melqart. Contribution à l’étude de l’expansion phénicienne en Méditerranée,” Syria 44 (1967) 80–87; J. M. Blázquez, “El Herakleion Gaditano, un templo semita en Occidente,” in Imagen y mito. Estudios sobre religiones mediterráneas e ibéricas (Madrid 1977) 17–28; C. Bonnet, Melqart. Cultes et mythes de l’Héraclès tyrien en Méditerranée (Leuven/Namur 1988) 203–229; A. T. Fear, “A Journey to the End of the World,” in J. Elsner and I. Rutherford (eds.), Pilgrimage in Graeco-Roman and Early Christian Antiquity (Oxford 2005) 319–331; M. C. Marín, “Les contacts entre Phéniciens et Grecs dans le territoire de Gadir et leur formulation religieuse,” in S. Ribichini et al. (eds.), La questione delle influenze vicino-orientali sulla religione greca (Rome 2001) 315–331; M. C. Marín and A. -
Staging Morality: Studies in the Lex Iulia De Adulteriis of 18 BCE
Staging Morality: Studies in the Lex Iulia de Adulteriis of 18 BCE by Mary Alana Deminion B.A., University of Victoria, 2007 B.A., University of Ottawa, 2001 A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS in the Department of Greek and Roman Studies Mary Alana Deminion University of Victoria All rights reserved. This thesis may not be reproduced in whole or in part, by photocopy or other means, without the permission of the author. ii Supervisory Committee Staging Morality: Studies in the Lex Iulia de Adulteriis of 18 BCE by Mary Alana Deminion B.A., University of Victoria, 2007 B.A., University of Ottawa, 2001 Dr. Gregory D. Rowe, Supervisor (Department of Greek and Roman Studies) Dr. Cedric A. J. Littlewood, Departmental Member (Department of Greek and Roman Studies) iii Abstract Supervisory Committee Dr. Gregory D. Rowe, Supervisor (Department of Greek and Roman Studies) Dr. Cedric A. J. Littlewood, Departmental Member (Department of Greek and Roman Studies) The lex Iulia de adulteriis of 18 BCE, which for the first time made adultery a criminal offence and created a standing court, was touted by the Augustan regime as a return to the moral customs of the Republican past. However, the new reform in fact represented a significant shift away from the traditional authority of the Roman paterfamilias to punish transgressions privately at his discretion and towards the legal power of the emperor and Senate to define and regulate morality on a public scale. Using a variety of primary source evidence, I explore the provisions of the adultery law and place the resulting criminal trials within the context of public staging of the Roman aristocracy. -
The Monastic Life According to Saint Nilus
Durham E-Theses The monastic life according to saint Nilus Kornarakis, Constantine J. How to cite: Kornarakis, Constantine J. (1991) The monastic life according to saint Nilus, Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/6198/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk THE MONASTIC LIFE ACCORDING TO SAINT NILUS By CONSTANTINE J. KORNARAKIS Graduate of Theology of the University of Athens The copyright of this thesis rests with the author. No quotation from it should be published without his prior written consent and information derived from it should be acknowledged. 1991 MA Dissertation Sumbitted to the Faculty of Arts, Department of Theology Durham University ABSTRACT THE MONASTIC LIFE ACCORDING TO SAINT NILUS By C. J. Kornarakis The present dissertation comprises an introductory section and four main chapters. The introductory section deals with the life of St Nilus, focusing especially on the problem of his historical identity which has been debated since the closing years of the last century, i.e. -
The Roman Republic S
P1: IML/SPH P2: IML/SPH QC: IML/SPH T1: IML CB598-FM CB598-Flower-v3 August 26, 2003 18:47 The Cambridge Companion to THE ROMAN REPUBLIC S Edited by Harriet I. Flower Princeton University iii P1: IML/SPH P2: IML/SPH QC: IML/SPH T1: IML CB598-FM CB598-Flower-v3 August 26, 2003 18:47 published by the press syndicate of the university of cambridge The Pitt Building, Trumpington Street, Cambridge, United Kingdom cambridge university press The Edinburgh Building, Cambridge cb2 2ru,UK 40 West 20th Street, New York, ny 10011-4211, USA 477 Williamstown Road, Port Melbourne, vic 3207, Australia Ruiz de Alarcon´ 13, 28014 Madrid, Spain Dock House, The Waterfront, Cape Town 8001, South Africa http://www.cambridge.org C Cambridge University Press 2004 This book is in copyright. Subject to statutory exception and to the provisions of relevant collective licensing agreements, no reproduction of any part may take place without the written permission of Cambridge University Press. First published 2004 Printed in the United States of America Typeface Bembo 11/13 pt. System LATEX 2ε [tb] A catalog record for this book is available from the British Library. Library of Congress Cataloging in Publication Data The Cambridge Companion to the Roman Republic / edited by Harriet I. Flower. p. cm. Includes bibliographical references and index. isbn 0-521-80794-8 – isbn 0-521-00390-3 (pb.) 1. Rome – History – Republic, 510–30 b.c. I. Flower, Harriet I. dg235.c36 2003 937.02 – dc21 2003048572 isbn 0 521 80794 8 hardback isbn 0 521 00390 3 paperback iv P1: IML/SPH P2: IML/SPH QC: IML/SPH T1: IML CB598-FM CB598-Flower-v3 August 26, 2003 18:47 Contents S List of Illustrations and Maps page vii List of Contributors ix Preface xv Introduction 1 HARRIET I. -
6 the God Liber and the Republican Notions of Libertas in the Late Roman Republic
6 The god Liber and the Republican Notions of Libertas in the late Roman Republic I This essay focuses on the Roman god Liber and its relation with the notion of libertas in the first century BC. A very powerful, and prima facie convincing, explanation of this relation is, in the words of one of the most authoritative scholars in the field, that ‘by name and by nature, Liber is the god of freedom … Though many explanations were offered by ancient sources to account for his name, the simplest and most obvious was an ideological one: Liber a libertate. Political freedom, libertas, was the defining quality of the Roman Republic, achieved by the expulsion of Tarquin and under threat ever after,’ and which found its divinisation in Liber.1 a notable exception Raaflaub 2000 in Hansen birthday, 257. Il punto non e’ sbagliato, ma richiede revision. Non si tratat della political liberty di provocatio. However, when analysing the evidence at our disposal, it is possible to observe that Liber is conceived as enacting different forms of liberation: Liber frees the individual from worries and fears, frees the soul from the constraints of a mortal body, and frees the semen, both male and female, in sexual union.2 As Anthony Corbeill brilliantly put it, Liber was conceived as fulfilling the role of both the Realiser and the Liberator.3 Building on recent works that move away from a linear development of Liber in Rome as an Italic deity of subversive traits, gradually tamed in the third and second century BC through a process of Hellenisation, and considering -
Theogony Translated by Hugh G
Hesiod: Theogony translated by Hugh G. Evelyn-White (1914) [Note: the letters ll refer to lines.) (ll. 1-25) From the Heliconian Muses let us begin to sing, who hold the great and holy mount of Helicon, and dance on soft feet about the deep-blue spring and the altar of the almighty son of Cronos, and, when they have washed their tender bodies in Permessus or in the Horse's Spring or Olmeius, make their fair, lovely dances upon highest Helicon and move with vigorous feet. Thence they arise and go abroad by night, veiled in thick mist, and utter their song with lovely voice, praising Zeus the aegis- holder and queenly Hera of Argos who walks on golden sandals and the daughter of Zeus the aegis-holder bright-eyed Athene, and Phoebus Apollo, and Artemis who delights in arrows, and Poseidon the earth-holder who shakes the earth, and reverend Themis and quick-glancing Aphrodite, and Hebe with the crown of gold, and fair Dione, Leto, Iapetus, and Cronos the crafty counsellor, Eos and great Helius and bright Selene, Earth too, and great Oceanus, and dark Night, and the holy race of all the other deathless ones that are for ever. And one day they taught Hesiod glorious song while he was shepherding his lambs under holy Helicon, and this word first the goddesses said to me -- the Muses of Olympus, daughters of Zeus who holds the aegis: (ll. 26-28) `Shepherds of the wilderness, wretched things of shame, mere bellies, we know how to speak many false things as though they were true; but we know, when we will, to utter true things.' (ll.