2021 UNLIKELY HEROES Sapp Edit
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Sanibei Officials Want IWA Franchisee! with City ^Zontaganza .Razzle-Dazzles
•.• «^^«;^,^, ,,_. 5 new subscribers this week Since 1961 Still firslon Sanibei and Captiva islands VOL. 34, NO. 9 TUESDAY, FEB. 28, 1995 2 SECTIONS, 36 PAGES 50 CENTS Show Biz As It Wuz By Frank Wagner Leonard Sillman and 'New Faces of 1968' During the summer of 1967, Marsha and I had driven to the Goodspeed Opera House in Moodis, Conn., to see a summer stock package of Leonard Sillman's "New Faces" (scheduled for Broadway in 1968). Leonard was one of those well known Broadway names most always associated with revues, especially his New Faces series. The most famous edition and the one that launched the greatest number of new Broadway personali- ties was "New Faces of 1952." In the company Photo by Kathleen Blasa were such potential star-personalities as Alice Parade participants Ghostley, Eartha Kitt, Paul Lynde, Ronny Sanibei Mayor Waily Kain and his wife, Joan, were two of the special participants at the recent Edison Graham, Carol Lawrence and Robert Clary Pageant of UgbtParade In downtown Fort Myers. ' ,. It was always rumored that the profits from this production were used to buy his town house in the East 70s. This stylish edifice became his residence, production offices and an extra apart- ment for rental income. Sanibei officials want In the business it was a well known fact Leonard had for some time been trying to raise enough money to put on a 1968 edition. He had IWA franchisee! with city done literally hundreds of backers auditions that By Steve Ruediger expires this summer. It was a 30-year franchise. -
Research Guide to Holocaust-Related Holdings at Library and Archives Canada
Research guide to Holocaust-related holdings at Library and Archives Canada August 2013 Library and Archives Canada Table of Contents INTRODUCTION...................................................................................................... 4 LAC’S MANDATE ..................................................................................................... 5 CONDUCTING RESEARCH AT LAC ............................................................................ 5 HOW TO USE THIS GUIDE ........................................................................................................................................ 5 HOW TO USE LAC’S ONLINE SEARCH TOOLS ......................................................................................................... 5 LANGUAGE OF MATERIAL.......................................................................................................................................... 6 ACCESS CONDITIONS ............................................................................................................................................... 6 Government of Canada records ................................................................................................................ 7 Private records ................................................................................................................................................ 7 NAZI PERSECUTION OF THE JEWISH BEFORE THE SECOND WORLD WAR............... 7 GOVERNMENT AND PRIME MINISTERIAL RECORDS................................................................................................ -
She's a Playwright! P.M
Rhode Island College Digital Commons @ RIC What's News? Newspapers 4-22-1985 What's News @ Rhode Island College Rhode Island College Follow this and additional works at: https://digitalcommons.ric.edu/whats_news Recommended Citation Rhode Island College, "What's News @ Rhode Island College" (1985). What's News?. 295. https://digitalcommons.ric.edu/whats_news/295 This Book is brought to you for free and open access by the Newspapers at Digital Commons @ RIC. It has been accepted for inclusion in What's News? by an authorized administrator of Digital Commons @ RIC. For more information, please contact [email protected]. History club brings Robert Clary: Holocaust survivor• and TV star here Robert Clary, known internationally to 16 children, Clary began performing quit e Clar y and the rest of his famil.y were television viewers for his role as LeBeau in early in life. He was singing profes sionally placed in a cattle car with I 00 other French the comedy series about prisoners of war, throughout Paris at age 12. Jews and traveled for three days and two Hogan's Heroes, is a survivor of a much When the Nazis invaded France in 1940 nights before reaching the first of four grimmer sort of German prison camp . cha nges that were to alter his life forever camps in which he was held prisoner dur Clary spent the years from 1942 when he began . ing the war. was 16 until 1945 in German concentration In 1942 the Germans came for him and Because he was young and . strong he was camps. -
The Last Laugh
THE LAST LAUGH A Tangerine Entertainment Production A film by Ferne Pearlstein Featuring: Mel Brooks, Carl Reiner, Sarah Silverman, Robert Clary, Rob Reiner, Susie Essman, Harry Shearer, Jeffrey Ross, Alan Zweibel, Gilbert Gottfried, Judy Gold, Larry Charles, David Steinberg, Abraham Foxman, Lisa Lampanelli, David Cross, Roz Weinman, Klara Firestone, Elly Gross, Deb Filler, Etgar Keret, Shalom Auslander, Jake Ehrenreich, Hanala Sagal and Renee Firestone Directed, Photographed and Edited by: Ferne Pearlstein Written by: Ferne Pearlstein and Robert Edwards Produced by: Ferne Pearlstein and Robert Edwards, Amy Hobby and Anne Hubbell, Jan Warner 2016 / USA / Color / Documentary / 85 minutes / English For clips, images, and press materials, please visit our DropBox: http://bit.ly/1V7DYcq U.S. Sales Contacts Publicity Contacts [email protected] / 212 625-1410 [email protected] Dan Braun / Submarine Janice Roland / Falco Ink Int’l Sales Contacts [email protected] [email protected] / 212 625-1410 Shannon Treusch / Falco Ink Amy Hobby / Tangerine Entertainment THE LAST LAUGH “The Holocaust itself is not funny. There's nothing funny about it. But survival, and what it takes to survive, there can be humor in that.” -Rob Reiner, Director “I am…privy to many of the films that are released on a yearly basis about the Holocaust. I cannot think of one project that has taken the approach of THE LAST LAUGH. THE LAST LAUGH dispels the notion that there is nothing new to say or to reveal on the subject because this aspect of survival is one that very few have explored in print and no one that I know of has examined in a feature documentary.” -Richard Tank, Executive Director at the Simon Wiesenthal Center SHORT SYNOPSIS THE LAST LAUGH is a feature documentary about what is taboo for humor, seen through the lens of the Holocaust and other seemingly off-limits topics, in a society that prizes free speech. -
Newsbulletin Vol. 14, No. 1
Salve Regina University Digital Commons @ Salve Regina Newsbulletin Archives and Special Collections 10-7-1983 Newsbulletin vol. 14, no. 1 Salve Regina College Follow this and additional works at: https://digitalcommons.salve.edu/newsbulletin Part of the Education Commons Recommended Citation Salve Regina College, "Newsbulletin vol. 14, no. 1" (1983). Newsbulletin. 325. https://digitalcommons.salve.edu/newsbulletin/325 This News Article is brought to you for free and open access by the Archives and Special Collections at Digital Commons @ Salve Regina. It has been accepted for inclusion in Newsbulletin by an authorized administrator of Digital Commons @ Salve Regina. For more information, please contact [email protected]. Office of Public Relations Salve Regina The Newport College Newport, Rhode Island 02840 Published for the Colleg_e Community on a weekly basis by the Office of Public Relations. Deadline Tuesday, NOON. VOLUME 14 NUMBER 1 October 7, 1983 This issue of Salve Regina's Newsbulletin welcomes everyone back to Salve for the 1983-1984 academic year. There will be a few changes in format beginning with the next issue. The Newsbulletin will be published for the College community on a bi-weekly basis by the Office of Public Relations. We hope to give the bulletin a new look. Future issues will be released on the first and third Fridays of every month with the deadline being on the previous Friday. Department chairmen will be receiving request forms for in formation. These will allow faculty to submit announcements, events and other campus news they would li'ke to see appear in the Newsbulletin. Remember - the deadline for submitting information for the next issue is 11:30 a.m. -
Remembering World War II: an Analysis of British and American Portrayals of the War in Television and Film Renee Thiele Abstract Methods Future Work
Remembering World War II: An Analysis of British and American Portrayals of the War in Television and Film Renee Thiele Abstract Methods Future Work How do American and British society view World War II through the lens of media? • Film and television portrayals of World War II 1. Analyze a wider range of film and television examples • British and American cinematic perspective • Realizing that WWII portrayals are multi-faceted 2. Determine if the American cinema or the British cinemas was more • Interpretations of World War II • WWII portrayals offer different points of view, intent/objectives, and truth in fiction. historically accurate • Foyle’s War Analyzing films for themes, emphasized material, and historical truthfulness • Battle of Britain • 3. Expand the research focus to include other cinematic cultures • Hogan’s Heroes 4. Conduct surveys to see what messages and themes various audience • Schindler’s List • Historical value Conclusions members are pulling from the selected media • Messages/themes 5. Examine the media to see which portrayals are skewed the most by bias FOYLE’S WAR: Introduction • Historical authenticity with consulting Foyle’s War—very References Foyle’s War: historically grounded picture historian (Imperial War Museum) Primary Sources: • Feasible basis of crime in Britain of World War II PBS British television series (2002-2015) “Article 1—No Title.” The Manchester Guardian (1901-1959), Mar 28, 1941. • http://ezproxy.liberty.edu/login?qurl=https%3A%2F%2Fwww.proquest.com%2Fhistorical- • Additional war front (Homefront): May 1940- January 1947 • True depiction of Britain newspapers%2Farticle-1-no-title%2Fdocview%2F484985757%2Fse- 2%3Faccountid%3D12085. • Sacrifices of war Clary, Robert. -
Holocaust Fiction/Non-Fiction
Holocaust Fiction/Non-Fiction Sorted by Call Number / Author. 341.4 ALT Altman, Linda Jacobs. Impact of the Holocaust. Berkeley Heights, N.J. : Enslow Publishers, 2004. This book discusses the urgency to establish a Jewish homeland and the need for a worldwide human rights policy. 362.87 AXE Axelrod, Toby. Rescuers defying the Nazis : non-Jewish teens who rescued Jews. New York : Rosen Publishing, 1998. This book relates the stories of courageous non-Jewish teenagers who rescued Jews from the Nazis. 741.5 HEU Heuvel, Eric, 1960-. A family secret. 1st American ed. New York : Farrar Straus Giroux, 2009. While searching his Dutch grandmother's attic for yard sale items, Jeroen finds a scrapbook which leads Gran to tell of her experiences as a girl living in Amsterdam during the Holocaust, when her father was a Nazi sympathizer and Esther, her Jewish best friend, disappeared. In graphic novel format. 741.5 HEU Heuvel, Eric, 1960-. The search. 1st American ed. New York : Farrar, Straus, Giroux Books, 2009. After recounting her experience as a Jewish girl living in Amsterdam during the Holocaust, Esther, helped by her grandson, embarks on a search to discover what happened to her parents before they died in a concentration camp. 920 AYE Ayer, Eleanor H. Parallel journeys. 1st Aladdin Paperbacks ed. New York : Aladdin Paperbacks, 2000, c1995. An account of World War II in Germany as told from the viewpoints of a former Nazi soldier and a Jewish Holocaust survivor. 920 GRE Greenfeld, Howard. After the Holocaust. 1st ed. New York : Greenwillow Books, c2001. Tells the stories of eight young survivors of the Holocaust, focusing on their experiences after the war, and includes excerpts from interviews, and personal and archival photographs. -
Patterns of Cooperation, Collaboration and Betrayal: Jews, Germans and Poles in Occupied Poland During World War II1
July 2008 Patterns of Cooperation, Collaboration and Betrayal: Jews, Germans and Poles in Occupied Poland during World War II1 Mark Paul Collaboration with the Germans in occupied Poland is a topic that has not been adequately explored by historians.2 Holocaust literature has dwelled almost exclusively on the conduct of Poles toward Jews and has often arrived at sweeping and unjustified conclusions. At the same time, with a few notable exceptions such as Isaiah Trunk3 and Raul Hilberg,4 whose findings confirmed what Hannah Arendt had written about 1 This is a much expanded work in progress which builds on a brief overview that appeared in the collective work The Story of Two Shtetls, Brańsk and Ejszyszki: An Overview of Polish-Jewish Relations in Northeastern Poland during World War II (Toronto and Chicago: The Polish Educational Foundation in North America, 1998), Part Two, 231–40. The examples cited are far from exhaustive and represent only a selection of documentary sources in the author’s possession. 2 Tadeusz Piotrowski has done some pioneering work in this area in his Poland’s Holocaust: Ethnic Strife, Collaboration with Occupying Forces, and Genocide in the Second Republic, 1918–1947 (Jefferson, North Carolina: McFarland, 1998). Chapters 3 and 4 of this important study deal with Jewish and Polish collaboration respectively. Piotrowski’s methodology, which looks at the behaviour of the various nationalities inhabiting interwar Poland, rather than focusing on just one of them of the isolation, provides context that is sorely lacking in other works. For an earlier treatment see Richard C. Lukas, The Forgotten Holocaust: The Poles under German Occupation, 1939–1944 (Lexington: The University Press of Kentucky, 1986), chapter 4. -
Sgt. Bilko, M*A*S*H and the Heyday of U.S
TV/Series 10 | 2016 Guerres en séries (II) “‘War… What Is It Good For?’ Laughter and Ratings”: Sgt. Bilko, M*A*S*H and the Heyday of U.S. Military Sitcoms (1955-75) Dennis Tredy Electronic version URL: http://journals.openedition.org/tvseries/1764 DOI: 10.4000/tvseries.1764 ISSN: 2266-0909 Publisher GRIC - Groupe de recherche Identités et Cultures Electronic reference Dennis Tredy, « “‘War… What Is It Good For?’ Laughter and Ratings”: Sgt. Bilko, M*A*S*H and the Heyday of U.S. Military Sitcoms (1955-75) », TV/Series [Online], 10 | 2016, Online since 01 December 2016, connection on 05 May 2019. URL : http://journals.openedition.org/tvseries/1764 ; DOI : 10.4000/ tvseries.1764 This text was automatically generated on 5 May 2019. TV/Series est mis à disposition selon les termes de la licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modification 4.0 International. “‘War… What Is It Good For?’ Laughter and Ratings”: Sgt. Bilko, M*A*S*H and t... 1 “‘War… What Is It Good For?’ Laughter and Ratings”: Sgt. Bilko, M*A*S*H and the Heyday of U.S. Military Sitcoms (1955-75) Dennis Tredy 1 If the title of this paper quotes part of the refrain from Edwin Starr’s 1970 protest song, “War,” the song’s next line, proclaiming that war is good for “absolutely nothing” seems inaccurate, at least in terms of successful television sitcoms of from the 1950s to the 1970s. In fact, while Starr’s song was still an anti-Vietnam War battle cry, ground- breaking television programs like M*A*S*H (CBS, 1972-1983) were using laughter and tongue-in-cheek treatment of the horrors of war to provide a somewhat more palatable expression of the growing anti-war sentiment to American audiences. -
THE LAST LAUGH” TRT: 01:27:54:14 PRODUCER: Tangerine Entertainment
TRANSCRIPTION TITLE: “THE LAST LAUGH” TRT: 01:27:54:14 PRODUCER: Tangerine Entertainment TIME CODE SPEAKER DIALOGUE 01:00:00.00 FILM START FILM START 01:00:05.00 TANGERINE LOGO TANGERINE LOGO START 01:00:14.13 EPIGRAPH EPIGRAPH START (Whoever has cried enough, laughs. – Heinrich Mann) 01:00:10.19 TITLE CARD “THE LAST LAUGH” TITLE CARD 01:01:20.19 RENEE FIRESTONE You have some coffee? 01:01:22.05 KLARA FIRESTONE … Yeah I thought we’d just have a quick bite before we leave, but this place is this is so filthy I don’t want to lay anything down … I brought a little bit of goodies for us but my hands are not that clean… 01:01:35.16 RENEE FIRESTONE That's okay… 01:01:36.09 KLARA FIRESTONE So if you want the napkin… 01:01:52.06 RENEE FIRESTONE I don't need it. 01:01:39.08 KLARA FIRESTONE So use this napkin, okay? 01:01:46.20 RENEE FIRESTONE Auschwitz wasn't cleaner than this! 01:01:48.18 KLARA FIRESTONE I knew you'd say that. 01:01:55.09 GILBERT Two Jews have been sent to assassinate GOTTFRIED Hitler… 01:02:00.03 ROB REINER This is during the war. They've gotten some intelligence as to where Hitler might be… 01:02:05.08 GILBERT They’re standing outside his home… GOTTFRIED 01:02:07.11 ROB REINER They're hiding, they’re waiting for Hitler. Eight o'clock comes, go no Hitler. “THE LAST LAUGH” 1 01:02:12.08 GILBERT An hour goes by, he's not home yet… GOTTFRIED 01:02:14.23 ROB REINER Where’s Hitler? 01:02:15.13 GILBERT Then another two hours go by, he’s not home GOTTFRIED yet… 01:02:18.14 ROB REINER Now it's 8:30 and he still doesn't show up, and one Jew turns to the other and says: 01:02:22.19 GILBERT Gee, I hope nothing happened to him! GOTTFRIED 01:02:26.11 MEL BROOKS So what is this supposed to be? Crossing lines? Being in bad taste? So should I start the interview with… (places comb to his lip, mimicking Hitler’s mustache) Heil Hitler! Is that good? OK. -
Bibliography
BIBLIOGRAPHY I. Archives United States Holocaust Memorial Museum Archives: Record Group 02, “Survivor Testimonies” Baumrin, Zvi. “A Short Autobiography.” RG-02.145; Acc. 1994.A.0143. Beer, Susan. “To Auschwitz and Back: An Odyssey.” RG-02*144; Acc. 1994.A.073. Berman, Gizel. “The Three Lives of Gizel Berman.” RG-02.157; Acc. 1994.A.0235. Bohm, Rose Eizikovic. “Remember Never to Forget Memoir.” RG-02.207; Acc. 1996. A.333. Büchler, Jehoshua Robert. “The Expulsion Testimony.” RG-02.102 (1994.A.160). Ferera, Rosa. RG-02.002*11; Acc. 1991.A.0089. Feuer, Katarina Bloch. “Diary Nearly 50 Years Later.” RG-02.209; Acc. 1994.A.150. Gross, Eva. “Prisoner 409.” RG-02.111; Acc. 1994.A.202. Gundel, Kay. “Reborn: Memoirs of a Camp Survivor, 1947–1986.” RG-02.004*01; Acc. 1986.019. Herstik, Rose. RG-02.002*03. Hilton, Rita Kerner. “My Story.” RG-02.164; Acc. 1994.A.0274. Hoffman, Regina Godinger. “A Void in My Heart.” RG-02.152; Acc. 1994.A.0237. Kahn, Regina. RG-02.002*04; Acc. 1991.A.0089. Kalman, Judith. RG-02.002*10. Krausz, Anna Heyden. RG-02.002*10. Machtinger, Sophie. “Recollections from My Life’s Experiences.” Trans. Douglas Kouril. RG-02.012*01. Pollak, Zofia. RG-02.002*22. Rajchman, Chiel M. RG-02.137; Acc. 1994.A.138. Sachs, Gisela Adamski. “Unpublished Testimony.” RG-02.002*08. Spiegel, Pearl. RG-02.002*04; Acc. 1991.A.0089. Weisberger, Madga Willinger. “I Shall Never Forget.” RG-02.002*05. Zavatzky, Jenny. RG-02.002*27; Acc. -
16 Freuen in Di Ghettos: Leib Spizman, Ed
Noten INLEIDING: STRIJDBIJLEN 16 Freuen in di Ghettos: Leib Spizman, ed. Women in the Ghettos (New York: Pioneer Women’s Organization, 1946). Women in the Ghettos is a compilation of recollections, letters, and poems by and about Jewish women resisters, mainly from the Polish Labor Zionist movement, and includes excerpts of longer works. The text is in Yiddish and is intended for American Jews, though much of its content was originally published in Hebrew. The editor, Leib Spizman, escaped occupied Poland for Japan and then New York, where he became a historian of Labor Zionism. 18 Wat als Joodse verzetsdaad ‘telt’: For discussion on the definition of “resistance,” see, for instance: Brana Gurewitsch, ed. Mothers, Sisters, Resisters: Oral Histories of Women Who Survived the Holocaust (Tuscaloosa: University of Alabama Press, 1998), 221–22; Yehudit Kol- Inbar, “ ‘Not Even for Three Lines in History’: Jewish Women Underground Members and Partisans During the Holocaust,” in A Companion to Women’s Military History, ed. Barton Hacker and Margaret Vining (Leiden, Neth.: Brill, 2012), 513–46; Yitchak Mais, “Jewish Life in the Shadow of Destruction,” and Eva Fogelman, “On Blaming the Victim,” in Daring to Resist: Jewish Defiance in the Holocaust, ed. Yitzchak Mais (New York: Museum of Jewish Heritage, 2007), exhibition catalogue, 18–25 and 134–37; Dalia Ofer and Lenore J. Weitzman, “Resistance and Rescue,” in Women in the Holocaust, ed. Dalia Ofer and Lenore J. Weitzman (New Haven, CT: Yale University Press, 1998), 171–74; Gunnar S. Paulsson, Secret City: The Hidden Jews of Warsaw 1940–1945 (New Haven, CT: Yale University Press, 2003), 7–15; Joan Ringelheim, “Women and the Holocaust: A Reconsideration of Research,” in Different Voices: Women and the Holocaust, ed.