Dynaudio Emit M30 Loudspeakers
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Folio 90 July - Dec 2013
FOLIO 90 JULY - DEC 2013 ASIA FOCUS MAPPING MAYMELBOURNE 18 - JULY 31 multiculturalarts.com.au Agung Gunawan, Shadows on the Wall A Celebration of Melbourne Ska Tony Yap Sinit Tsegay, Jill Morgan and Anbessa Gebrehiwot, Sydney EDITORIAL In the expression of diverse cultures through Art we This is the first time the partners have come together Island Festival (Java/Bali/Indonesia) held in June 2013, who performed with Sydney’s Ali and Yama Sarshar enable people to feel connected and represented, and to collaborate in such a unique way. Ping Pong has stimulated and driven by Tony Yap (Australia/Malaysia) collaborating with Morganics and Bobby Singh. Art enables us to learn about each other in creative gathered high caliber, skilled artists from different parts and Agung Gunawan (Indonesia). MAV plans to link and expressive ways that contributes to greater of the globe to exchange ideas and create new artworks Mapping Melbourne to these two ‘sister’ festivals and Another key partnership initiative is the MAV & understanding and respect. that can greatly enrich the dialogue between countries. create an opportunity for dynamic and ongoing cultural Melbourne Theatre Company (MTC’s) Ambassadors In Australia (Melbourne) Ping Pong involves Australian exchange with Asia. Our collaborative work with TYC was program MTC CONNECT which was announced by Multicultural Arts Victoria continually demonstrates artist Greg Creek and Colombia-based artist Jorge Julián a finalist in the recent Australia Arts in Asia Awards. Brett Sheehy at Hamer Hall at the launch of MTC’s 2014 through our work that culturally diverse art creatively Aristizábal who have worked over two months to create program on September the 17th. -
2013 ANNUAL REPORT PATRONS Hon
2013 ANNUAL REPORT PATRONS Hon. John Cain Rt. Hon. Malcolm Fraser AC CH GCL PC BOARD Chairman Stefan Romaniw OAM Deputy Chair Natalia Moravski Deputy Chair Dr Geraldine Kennett Treasurer Dr Brad Potter Secretary Ronald Koo Members Marcello D’Amico Prof Ruth Rentschler OAM Kay Nattrass Hilary Bucumi Karen Toohey Miriam Suss OAM Katie McLeish Finance, Risk & Audit Subcommittee Dr Brad Potter Brad Price Dr Geraldine Kennett Hung Nguyen Constitution Subcommittee Natalia Moravski Ronald Koo Jill Morgan AM Philanthropy & Fundraising Subcommittee Miriam Suss OAM Kay Nattrass Jill Morgan AM Kat Vane Tempest STAFF Chief Executive Officer Jill Morgan AM Artistic Program Managers Anita Larkin Paul Petran Finance, Office & ICT Manager Hung Nguyen An Thuy Mai Marketing & Development Claudia Escobar Fundraising & Philanthropy Kat Vane Tempest Admin, Publicity & Design Deshani Wickremasinghe Adriana Bernardo Social Enterprise & Events Meg Larkin Events & Operations Andrea Makris Kate Hayes Project Officers Jess Fairfax Anne Harkin Trinidad Estay Project Officer Youth Sukdeep Singh Sarah Williams Krystal Wani Rebecca March Project Officer Hubs Ekaterini Floratos Emerge Cultural Hubs Trainee Aysa Hajtamiri Video & Multimedia Sebastian Avila Consulting Curator Damian Smith International Marketing Internship Claudia Cazeres (Mexico) Rilda Amalia (Indonesia) Marketing Internships Man Luo Robyn Gawenda Josh Littmann Accounting Internships Steny Lukose Lan Nguyen Work Experience Jinuka Binaragama John Nguyen Andoni Laguna- Albert Manav Gogoi VOLUNTEERS & PLACEMENTS -
Dynaudio Emit M30 Loudspeakers
ON TEST DYNAUDIO EMIT M30 LOUDSPEAKERS ynaudio has come a house—and largely by hand—in Denmark. the same time using just a single piece of long way since it fi rst Peel the front grille from a Dynaudio loud- MSP, and also ensures that the cone is rein- came into being in speaker and you’ll immediately recognise it’s forced close to where it meets the voice-coil Skandeborg, Denmark, made by Dynaudio, even if there’s no man- former, a technique that improves both the in 1976, where it was ufacturer’s badge in sight. The fi rst giveaway frequency response and the phase response of founded by Ejvind is the use of a magnesium silicate polymer the driver. Skaaning and Gerhard (MSP) material for the bass and midrange As for that voice coil, Dynaudio uses some Richter, but despite improvements in mate- cones and the second is the unique manner of the largest-diameter voice coils in the busi- Drials and manufacturing technologies—and by which the very large dust-cap is attached ness (relative to cone size), with the coil on that the company is now owned by Chinese to those cones, via a series of tabs rather than even the smallest cones measuring 75mm in giant GoerTek Inc.—Dynaudio products are the usual continuous plastic weld. diameter rather than the 25–30mm diameter still very much and very uniquely Danish—in This ‘tab’ technique was developed by coils used by most other driver manufac- fact we’re reliably informed that despite Go- Mark Thorup, of Dynaudio. -
Cabaret Festival 2009.Pdf
★ A d e l a i d e Fe s t i v a l C e n t r e’s ret bAdelaidea Cabaret Festival Ca 5 ~ 20 June 2009 adelaidefestivalcentre.com.au BOOK AT 131 246 ★ ★ ★ e s t i v a A d e l a i d e F l C e n t r e’s ret bAdelaidea Cabaret Festival Ca 5 ~ 20 June 2009 You are cordially invited to the ninth In its ninth year, the Adelaide Cabaret Festival Come to cabaret for fun, the excitement Adelaide Cabaret Festival and David keeps getting brighter and brasher and has of live entertainment and the engaging Campbell’s first as Artistic Director. well and truly established itself as Australia’s interplay between performer and audience. This year’s Festival promises to be one foremost celebration of this urbane art form. Artists interpret life as they see it and of the brightest so far. The Festival’s new Artistic Director - Adelaide so touch each of our hearts and minds. New Artistic Director David Campbell and born and raised entertainer and impresario, A humanity shared is the essence of cabaret. Associate Producer Lisa Campbell have David Campbell - has assembled a diverse The Adelaide Cabaret Festival is the best and brought together a stunning range of line-up of renowned cabaret performers, as biggest cabaret festival in the world. Our new international and local performances that well as a selection of exciting fresh talents. artistic director has scaled the heights of the for two weeks in June, will paint the A source of comforting warmth in Adelaide’s international stage of cabaret and musical old town red. -
Delusory Decolonization in a Syrian-American's Mind
#4.1 2013 ISSN 2161-0010 PLAZA: DIALOGUES IN LANGUAGE AND LITERATURE Atassi, Sami H. “Delusory Decolonization in a Syrian-American’s Mind.” Plaza: Dialogues in Language and Literature 4.1 (Fall 2013): 97-114. PDF. Sami H. Atassi Delusory Decolonization in a Syrian-American’s Mind When I first started writing this, I wasn’t happy with my words or myself. I am still not happy with them. Over and over, I wanted to start all over again—a fresh start. But the same keys were tapped, the same words projected on the screen. So I started all over again, and still got nowhere, digging deeper in the same holes. I wanted to detonate the holes and uncover a mine of gold, or maybe more explosives, anything other than the same thing. I needed new information and needed to trash what was old and useless. But then I realized I was echoing the London of AD 2540: “Ending is better than mending” (Huxley 49). End what I have produced? End what has caused me to feel? How could that even be? This is my meditation on accepting what we assume should be ending. Nothing ends, even beyond the end. And nothing ever is beyond the original idea; the moment the idea is manifested is the moment it ends by its summation. Hence, to end something is as delusory as actualizing and immutable ideal. The theory and stories that follow should be read with absorption and criticism. Allow the words and ideas to colonize your mind. I have no answer to offer, but only the experiences my mind has taken and morphed. -
LOREN KATE [email protected] | +61 406 784 157
LOREN KATE [email protected] | +61 406 784 157 “Don’t see just another girl with an acoustic guitar. Loren’s music has a rare emotional depth and a subtle rarefied beauty. I saw her make an absolutely packed church cry at Fairbridge Festival. To me, Loren Kate is an exciting and serious artist. – Harry James Angus (The Cat Empire, Jackson Jackson) When Loren Kate finished secondary school, she set out in search of adventure. Armed with only a guitar, a backpack and a few dollars in her pocket, she jumped on a train and travelled 800km to Byron Bay on the NSW North Coast. In this bustling coastal town, Loren Kate began busking and learning more about music from the local street folk. It wasn’t long before the crowds began to gather to listen to her stories. Loren Kate is now an award-winning songwriter and has performed as a headline artist at festivals across Australia. She has performed at: • WOMADelaide (SA) • National Folk Festival (ACT) • Woodford Folk Festival (QLD) • Mullum Music Festival (NSW) • Nannup Music Festival (WA) • FairBridge Music Festival (WA) • Fluerieu Folk Festival (SA) • Bello Winter Music Festival (NSW) • Maldon Folk Festival (VIC) + more! Loren Kate’s music has enjoyed much praise across the country, with extensive airplay on ABC Radio National’s Inside Sleeve and Triple J’s Roots n’ All. Her EP, ‘Til Night Meets the Sun’ topped the AMRAP AIRIT charts for four weeks running and she has been the recipient of a number of awards and accolades including: WINNER - Best Music/Score Fluerieu Film Festival 2021 FINALIST