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Roy William Neill Ç”Μå½± ĸ²È¡Œ (Ť§Å…¨)
Roy William Neill 电影 串行 (大全) The Mother Instinct https://zh.listvote.com/lists/film/movies/the-mother-instinct-16679688/actors Murder Will Out https://zh.listvote.com/lists/film/movies/murder-will-out-6937688/actors Everything Happens https://zh.listvote.com/lists/film/movies/everything-happens-to-me-5418001/actors to Me Something Different https://zh.listvote.com/lists/film/movies/something-different-7560089/actors Vanity's Price https://zh.listvote.com/lists/film/movies/vanity%27s-price-3795274/actors Percy https://zh.listvote.com/lists/film/movies/percy-50280807/actors His Brother's Keeper https://zh.listvote.com/lists/film/movies/his-brother%27s-keeper-89186663/actors The Good Old Days https://zh.listvote.com/lists/film/movies/the-good-old-days-7737261/actors Marriage in Transit https://zh.listvote.com/lists/film/movies/marriage-in-transit-6772875/actors Greater Than a https://zh.listvote.com/lists/film/movies/greater-than-a-crown-3776159/actors Crown The Fighting https://zh.listvote.com/lists/film/movies/the-fighting-buckaroo-58814737/actors Buckaroo Marriage https://zh.listvote.com/lists/film/movies/marriage-56275171/actors A Man Four-Square https://zh.listvote.com/lists/film/movies/a-man-four-square-56703332/actors Simply Terrific https://zh.listvote.com/lists/film/movies/simply-terrific-20814756/actors The Olympic Hero https://zh.listvote.com/lists/film/movies/the-olympic-hero-56703330/actors Green Eyes https://zh.listvote.com/lists/film/movies/green-eyes-18915003/actors Flare-Up Sal https://zh.listvote.com/lists/film/movies/flare-up-sal-3746388/actors -
UCLA FESTIVAL of PRESERVATION MARCH 3 to MARCH 27, 2011
UCLA FESTIVAL of PRESERVATION MARCH 3 to MARCH 27, 2011 i UCLA FESTIVAL of PRESERVATION MARCH 3 to MARCH 27, 2011 FESTIVAL SPONSOR Additional programming support provided, in part, by The Hollywood Foreign Press Association ii 1 FROM THE DIRECTOR As director of UCLA Film & Television Archive, it is my great pleasure to Mysel has completed several projects, including Cry Danger (1951), a introduce the 2011 UCLA Festival of Preservation. As in past years, we have recently rediscovered little gem of a noir, starring Dick Powell as an unjustly worked to put together a program that reflects the broad and deep efforts convicted ex-con trying to clear his name, opposite femme fatale Rhonda of UCLA Film & Television Archive to preserve and restore our national mov- Fleming, and featuring some great Bunker Hill locations long lost to the Los ing image heritage. Angeles wrecking ball. An even darker film noir, Kiss Tomorrow Goodbye (1950), stars James Cagney as a violent gangster (in fact, his last great This year’s UCLA Festival of Preservation again presents a wonderful cross- gangster role) whose id is more monstrous than almost anything since Little section of American film history and genres, silent masterpieces, fictional Caesar. Add crooked cops and a world in which no one can be trusted, and shorts, full-length documentaries and television works. Our Festival opens you have a perfect film noir tale. with Robert Altman’s Come Back to the 5 & Dime, Jimmy Dean, Jimmy Dean (1982). This restoration is the first fruit of a new project to preserve Our newsreel preservationist, Jeff Bickel, presents his restoration of John and restore the artistic legacy of Mr. -
The Museum of Modern Art Department of Film
The Museum of Modern Art Department of Film 11 West 53 Street, New York, N.Y. 10019 Tel: 212-708-9400 Cable: MODERNART Telex: 62370 MODART THE ARTS FOR TELEVISION an exhibition organized by The Museum of Contemporary Art, Los Angeles and the Stedelijk Museum, Amsterdam THE ARTS FOR TELEVISION is the first major museum exhibition to examine television as a form for contemporary art : television as a gallery or theater or alternative space, even television as art . An international selection of artworks made for broadcast, the exhibi- tion documents the crossovers and collaborations that take place on this new television, between and among dancers, musicians, play- wrights, actors, authors, poets, and visual and video artists . And it investigates the artists' own investigation of one medium -- be it dance or music or literature -- through another . It examines the transformations video makes and the possibilities it allows . These provocative uses of television time and technology are organized in THE ARTS FOR TELEVISION according to the medium transformed by the electronic image ; the six categories are Dance for Television, Music for Television, Theatre for Television, Literature for Television, The Video Image (works that address video as a visual art, that make reference to the traditional visual arts and to seeing itself), and Not Necessarily Television (works that address the usual content of TV, and transform it) . The ARTS FOR TELEVISION also presents another level of collaboration in artists' television . It documents the involvement of television stations in Europe and America with art and artists' video . It recognizes their commitment and acknowledges the risks they take in allowing artists the opportunity to realize works of art . -
Film Noir Database
www.kingofthepeds.com © P.S. Marshall (2021) Film Noir Database This database has been created by author, P.S. Marshall, who has watched every single one of the movies below. The latest update of the database will be available on my website: www.kingofthepeds.com The following abbreviations are added after the titles and year of some movies: AFN – Alternative/Associated to/Noirish Film Noir BFN – British Film Noir COL – Film Noir in colour FFN – French Film Noir NN – Neo Noir PFN – Polish Film Noir www.kingofthepeds.com © P.S. Marshall (2021) TITLE DIRECTOR Actor 1 Actor 2 Actor 3 Actor 4 13 East Street (1952) AFN ROBERT S. BAKER Patrick Holt, Sandra Dorne Sonia Holm Robert Ayres 13 Rue Madeleine (1947) HENRY HATHAWAY James Cagney Annabella Richard Conte Frank Latimore 36 Hours (1953) BFN MONTGOMERY TULLY Dan Duryea Elsie Albiin Gudrun Ure Eric Pohlmann 5 Against the House (1955) PHIL KARLSON Guy Madison Kim Novak Brian Keith Alvy Moore 5 Steps to Danger (1957) HENRY S. KESLER Ruth Ronan Sterling Hayden Werner Kemperer Richard Gaines 711 Ocean Drive (1950) JOSEPH M. NEWMAN Edmond O'Brien Joanne Dru Otto Kruger Barry Kelley 99 River Street (1953) PHIL KARLSON John Payne Evelyn Keyes Brad Dexter Frank Faylen A Blueprint for Murder (1953) ANDREW L. STONE Joseph Cotten Jean Peters Gary Merrill Catherine McLeod A Bullet for Joey (1955) LEWIS ALLEN Edward G. Robinson George Raft Audrey Totter George Dolenz A Bullet is Waiting (1954) COL JOHN FARROW Rory Calhoun Jean Simmons Stephen McNally Brian Aherne A Cry in the Night (1956) FRANK TUTTLE Edmond O'Brien Brian Donlevy Natalie Wood Raymond Burr A Dangerous Profession (1949) TED TETZLAFF George Raft Ella Raines Pat O'Brien Bill Williams A Double Life (1947) GEORGE CUKOR Ronald Colman Edmond O'Brien Signe Hasso Shelley Winters A Kiss Before Dying (1956) COL GERD OSWALD Robert Wagner Jeffrey Hunter Virginia Leith Joanne Woodward A Lady Without Passport (1950) JOSEPH H. -
A Holmes and Doyle Bibliography
A Holmes and Doyle Bibliography Volume 7 Audio/Visual Materials Alphabetical Listing Compiled by Timothy J. Johnson Minneapolis High Coffee Press 2018 A Holmes & Doyle Bibliography Vol. 7, Audio/Visual Materials, Alphabetical Listing INTRODUCTION This bibliography is a work in progress. It attempts to update Ronald B. De Waal’s comprehensive bibliography, The Universal Sherlock Holmes, but does not claim to be exhaustive in content. New works are continually discovered and added to this bibliography. Readers and researchers are invited to suggest additional content. This volume contains an alphabetical listing of audio-visual materials. Coverage of this material begins around 1994, the final year covered by De Waal's bibliography, but may not yet be totally up-to-date (given the ongoing nature of this bibliography). It is hoped that other titles will be added at a later date. The first volume in this supplement focuses on monographic and serial titles, arranged alphabetically by author or main entry. The second volume presents the exact same information arranged by subject. The third volume focuses on the periodical literature of Doyle and Holmes, listing individual articles alphabetically. The fourth volume includes "core" or "primary" citations from the periodical literature. The fifth volume includes "passing" or "secondary" references to Doyle or Holmes in the periodical literature. The sixth volume organizes the periodical literature according to De Waal's original categories. As the bibliography expands, additional annotations will be provided in order to give the researcher a better idea on the exact Holmesian or Doylean reference contained in each article. The compiler wishes to thank Peter E. -
Dancing Lady Robert Z. Leonard M-G-M USA 1933 16Mm 5/6/1972
Listed Screening Season Title Director Studio Country Year Format runtime Date Notes Dancing Lady Robert Z. Leonard M-G-M USA 1933 16mm 5/6/1972 The first screening ever! 11/25/1972 Per Trib article from 11/23/1972, "our meeting this Saturday will be our last until after the Holidays" Go Into Your Dance Archie Mayo Warner Bros. USA 1935 16mm 1/18/1975 per Chuck Schaden's Nostalgia Newsletter 1/1975 Sunny Side Up David Butler Fox Film Corp. USA 1929 16mm 1/25/1975 per Chuck Schaden's Nostalgia Newsletter 1/1975 Shall We Dance Mark Sandrich RKO USA 1937 16mm 2/1/1975 per Chuck Schaden's Nostalgia Newsletter 1/1975 You'll Never Get Rich Sidney Lanfield Columbia USA 1941 16mm 2/8/1975 per Chuck Schaden's Nostalgia Newsletter 2/1975 - subbed in for A Night at the Opera Stand-In Tay Garnett United Artists USA 1937 16mm 2/15/1975 per Chuck Schaden's Nostalgia Newsletter 2/1975 - subbed in for No Man Of Her Own Now And Forever Henry Hathaway Paramount USA 1934 16mm 2/22/1975 per Chuck Schaden's Nostalgia Newsletter 2/1975 Spy Smasher Returns William Witney Republic USA 1942 16mm 3/1/1975 per Chuck Schaden's Nostalgia Newsletter 3/1975 - subbed in for Sing You Sinners White Woman Stuart Walker Paramount USA 1933 16mm 3/8/1975 per Chuck Schaden's Nostalgia Newsletter 1/1975 Broadway Gondolier Lloyd Bacon Warner Bros. USA 1935 16mm 3/15/1975 per Chuck Schaden's Nostalgia Newsletter 4/1975 Argentine Nights Albert S. -
Columbia Pictures: Portrait of a Studio
University of Kentucky UKnowledge Film and Media Studies Arts and Humanities 1992 Columbia Pictures: Portrait of a Studio Bernard F. Dick Click here to let us know how access to this document benefits ou.y Thanks to the University of Kentucky Libraries and the University Press of Kentucky, this book is freely available to current faculty, students, and staff at the University of Kentucky. Find other University of Kentucky Books at uknowledge.uky.edu/upk. For more information, please contact UKnowledge at [email protected]. Recommended Citation Dick, Bernard F., "Columbia Pictures: Portrait of a Studio" (1992). Film and Media Studies. 8. https://uknowledge.uky.edu/upk_film_and_media_studies/8 COLUMBIA PICTURES This page intentionally left blank COLUMBIA PICTURES Portrait of a Studio BERNARD F. DICK Editor THE UNIVERSITY PRESS OF KENTUCKY Copyright © 1992 by The University Press of Kentucky Paperback edition 2010 Scholarly publisher for the Commonwealth, serving Bellarmine University, Berea College, Centre College of Kentucky, Eastern Kentucky University, The Filson Historical Society, Georgetown College, Kentucky Historical Society, Kentucky State University, Morehead State University, Murray State University, Northern Kentucky University, Transylvania University, University of Kentucky, University of Louisville, and Western Kentucky University. All rights reserved. Editorial and Sales Offices: The University Press of Kentucky 663 South Limestone Street, Lexington, Kentucky 40508-4008 www.kentuckypress.com Cataloging-in-Publication Data for the hardcover edition is available from the Library of Congress ISBN 978-0-8131-3019-4 (pbk: alk. paper) This book is printed on acid-free recycled paper meeting the requirements of the American National Standard for Permanence in Paper for Printed Library Materials. -
UCLA FESTIVAL of PRESERVATION
UCLA FESTIVAL of PRESERVATION 2017 UCLA FESTIVAL of PRESERVATION 03.03.17–03.27.17 1 FROM THE DIRECTOR Putting on this year’s Festival of Preservation was unexpectedly challenging due, ences was found in Prague then repatriated to UCLA for this restoration. This in part, to UCLA Film & Television Archive’s move to a new preservation facility may be the first public screening of this film in this country, probably since its in Santa Clarita at the end of 2015. Our Festival nevertheless still represents the original release. Archive's efforts to preserve and restore our national moving image heritage. As in past years, we have put together a mix of classic Hollywood and independent As in past years, we are proud to present new restorations of a number of film features, documentaries, and television work, reflecting the Archive’s many stel- noirs, not just from Hollywood, but also from Latin America. The Argentine lar collections of film and video material. film, Los tallos amargos (Fernando Ayala, 1956), features noirish cinematography and a surrealistic dream sequence straight out of German expressionism, while We open the Festival with Ernst Lubitsch’s Trouble in Paradise (1932), one of the John Alton, the master cameraman of Hollywood noir, shot He Walked by Night most sophisticated and complex adult comedies ever made in the old studio sys- (Alfred L. Werker, Anthony Mann, 1948), a crime drama shot on the streets of Los tem. Lubitsch is, in fact, a master of the double entendre, nowhere more clearly Angeles. John Reinhardt, whose low budget noirs are masterpieces of narrative than in this pre-Code romantic comedy that parodies every other romantic economy, directed another classic, Open Secret (1948). -
Script Images & Sound Reference
THE GAME IS ON!: THE ADVENTURE OF THE GIRL WITH THE LIGHT BLUE HAIR – ANNOTATED SCRIPT IMAGES & SOUND REFERENCE 1.1 Exterior: Red Bus crossing From: Temple Island Collections Ltd v. New English Teas Ltd & another [2012] Westminster Bridge EWPCC 1 The opening sequence references the images at the heart of the litigation in Temple Island Collections reproduced below. The image on the left is the claimant’s work; the image on the right is the infringing copy. For further discussion see Case File #1: The Red Bus. 1.2 Once upon a time, in a fictional land From: Fables (comic), Issue 1 (2002), by Bill Willingham called London … This long-running and extraordinarily successful comic begins: ‘Once upon a time, in a fictional land called New York City …’ 1.3 Once upon a time, in a fictional land On-screen Text (design) From: The X-Files (1993-) called London … 221B Baker Street, The way in which the text appears on screen, accompanied by the sound of a NW1 6XE typewriter, mimics The X-Files, the long-running science fiction TV series. 1.4 Exterior: 221B Baker Street, NW1 6XE The external street scene is based on 221B Baker Street from the BBC Sherlock series; the actual location is North Gower Street, London. 1 THE GAME IS ON!: THE ADVENTURE OF THE GIRL WITH THE LIGHT BLUE HAIR – ANNOTATED 1.5 Gower’s (name) We changed the name of Speedy’s (from the BBC’s Sherlock) to Gower’s, referring to both the actual location of the street (North Gower Street) and the 2006 Gowers Review of Intellectual Property. -
UCLA FESTIVAL of PRESERVATION
UCLA FESTIVAL of PRESERVATION 2019 FROM THE DIRECTOR This year for the first time, we decided to organize our UCLA Festival of Preservation We begin Friday morning with a delightful early 1930s musical comedy, My Lips as a weekend event, instead of one spread out over a whole month, as in previous Betray (John G. Blystone, 1933), starring Germany’s most popular actress, Lilian iterations. We believe this will give the biennial event more of a festival character, but of Harvey, who was one of the few non-Jewish German actors to turn her back on course this is a grand experiment. We welcome your feedback on the new format. the Third Reich and immigrate to America. Harvey plays a commoner in a mythical As a result of this format change, our festival is slightly smaller than in past years, European kingdom who is in love with a prince; an old story, but Harvey is absolutely but still representative of the broad and deep efforts of UCLA Film & Television charming. Another comedy highlight will be Sunday's Laurel and Hardy program, Archive to preserve and restore our moving image heritage. We have tried to put featuring Perfect Day (1929), the restoration of which was funded by our incredibly together a mix of main stream classic Hollywood, independent features, successful UCLA Spark crowdfunding campaign last year. documentaries, and television work, reflecting the Archive’s many stellar collections of film and video material. Continuing our efforts, begun in 2017 to preserve classic Spanish-language films for our retrospective “Recuerdos de un cine en español: Latin American Cinema We officially open the UCLA Festival of Preservation 2019 on Friday evening in Los Angeles, 1930-1960,” we have finally finished the restoration of Enamorada with Frank Borzage’s The Mortal Storm (1940), one of the few Hollywood anti- (Emilio Fernández, 1946), a version of The Taming of the Shrew that may be the Nazi melodramas made before America’s entrance into World War II. -
AFI PREVIEW Is Published by the BSJTUPDSBUJD#BTLFSWJMMFGBNJMZTDVSTF BTQFDUSBMIPVOEUIBUTUBMLTJUTTDJPOT American Film Institute
ISSUE 59 AFI SILVER THEATRE AND CULTURAL CENTER NOVEMBER 8, 2012– JANUARY 5, 2013 AFI In this issue: EUROPEAN UNION Lyle Talbot, “The Entertainer” Sherlock Holmes and the Cinema FILM SHOWCASE Tarzan Centennial Ang Lee November 9–20 Wes Anderson Holiday Classics Pictured: Laura Linney and Bill Murray in Roger Michell's HYDE PARK ON HUDSON, part of the AFI European Union Film Showcase AFI.com/Silver Contents Sherlock Holmes and the Cinema November 21 – December 18 Sherlock Holmes and the Cinema ...............2 Holiday Classics ........................................4 The game is afoot! This year marks the 125th anniversary of the first appearance of the World’s Greatest Detective, Sherlock Holmes. Arthur Conan Doyle’s enduring creation first starred in “A Study AFI European Union Film Showcase ............6 in Scarlet,” published in Beeton's Christmas Annual, November 1887. Conan Doyle would go on to Tarzan Centennial ...................................12 feature Holmes in four novels and more than 50 short stories, but he could not have guessed at the endless stage, screen and television adaptations that would follow—indeed, Holmes is popularly Lyle Talbot, "The Entertainer" ..................13 thought to be the most widely portrayed fictional character in movie history (more than 250 Special Engagements .............................14 listings appear on IMDb.com). AFI Silver presents a wide-ranging overview of Sherlock in the cinema—including a generous selection of the screen’s most iconic Sherlock, Basil Rathbone. Calendar ...............................................15 © The Sherlock Holmes Museum The Whimsical World of Wes Anderson, The All films in this series feature characters based on the creations of Sir Arthur Conan Doyle. Films of Ang Lee, Opera & Ballet in Cinema, AFI Member passes will be accepted at all screenings in the Sherlock Holmes series. -
The Annotated Script of the Adventure of the Six Detectives
THE GAME IS ON!: THE ADVENTURE OF THE SIX DETECTIVES – ANNOTATED SCRIPT IMAGES & SOUND REFERENCE 2.1 Once upon a time in a fictional land From: Fables (comic), Issue 1 (2002), by Bill Willingham. called London … This long-running and extraordinarily successful comic begins: ‘Once upon a time, in a fictional land called New York City …’ 2.2 Once upon a time in a fictional land On-screen Text (design) From: The X-Files (1993-) called London … 221B Baker Street, The way in which the text appears on screen, accompanied by the sound of a NW1 6XE typewriter, mimics The X-Files, the long-running science fiction TV series. 2.3 Exterior: London Skyline From: Skyfall (2012, dir. Sam Mendes) 2.4 John (J): Sherlock! We’ve received a The Postman The postman references The Invisible Man, a short story from The Innocence of letter, in this day and age. How Father Brown by G.K. Chesterton, in which the villain disguises himself as a curious … postman to hide in plain sight from those around him. The villain of The Scarlet Claw (1944, dir. Roy William Neill) discussed below (see 2.16), also pretends to be a postman, one of various disguises he adopts throughout the film. On an unrelated note, Chesterton’s story was first published in 1911, the same year in which the first consolidated Copyright Act in the UK was passed. 1 THE GAME IS ON!: THE ADVENTURE OF THE SIX DETECTIVES – ANNOTATED 2.5 The Postman’s Tunic (design) The tunic style coat adopted for the design of the postman’s uniform also dates to the same period (c.1911).