DOCSLIB.ORG

Maxim Vengerov

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Maxim Vengerov SEASON OPENING GALA MAXIM VENGEROV TUESDAY 28 FEBRUARY 2017 CONCERT PROGRAM Broadcast Partner Supported by Marc Besen AC and Eva Besen AO WELCOME A message from the Governor A message from tonight’s supporters It is with great pleasure that I welcome We are absolutely delighted to welcome you to the Opening Gala of another you to the opening of the Melbourne season of the enchanting music of the Symphony Orchestra’s 2017 season. Melbourne Symphony Orchestra (MSO). This season the MSO will treat us to a As Australia’s oldest professional marvellous feast of music-making that orchestra, established in 1906, the MSO will showcase a remarkable range of engages 2.5 million people each year orchestral repertoire. We’re excited to through its live performances, recordings, see the talented MSO musicians joined by broadcasts and digital streaming. a huge line up of guest artists, including tonight’s superstar Maxim Vengerov. As its Patron, I am proud of the MSO for its breadth of programming, its It is an honour to witness one of the commitment to music education and its world’s greatest violinists here in diversity across Victoria, as well as its Melbourne to open the season in style. representation of us on the global stage. We look forward to seeing you at many I wish the MSO the very best for the more concerts throughout the year. year ahead. Marc Besen AC The Honourable Linda Dessau AC and Eva Besen AO Governor of Victoria A message from the Minister A message from our Chairman We are fortunate to have such a world- As a Melburnian I am extremely class orchestra here in Melbourne. proud of our world class orchestra. The Australian Government is proud of I am excited that tonight the its ongoing support of the Melbourne extraordinary virtuoso Maxim Vengerov Symphony Orchestra, and commends will grace our city's stage for this very the generosity of its supporters in special season opening event. The MSO’s the community. I congratulate the 2017 season is filled with superstar talent Orchestra and wish you well for and repertoire and I cannot wait to your performance tonight. I have no experience the variety of performances doubt that the audience will be just in the year ahead. as captivated by your music as the We truly are lucky to have such a versatile Sultan was with Scheherazade’s orchestra that can deliver world class stories. To quote The Arabian Nights, performances for everyone to enjoy, from from which Rimsky-Korsakov drew the classroom to the glorious surrounds his inspiration, you will ‘beguile the of Hamer Hall. waking hour of our night’. I wish Sophie and the MSO the best of It’s going to be a wonderful season. luck for a tremendous 2017 season. Senator The Hon Mitch Fifield Michael Ullmer Minister for the Arts Chairman, Melbourne Symphony Orchestra 2 ARTISTS Melbourne Symphony Orchestra Conductor Benjamin Northey Violin/Conductor Maxim Vengerov REPERTOIRE Tchaikovsky Violin Concerto in D INTERVAL Rimsky-Korsakov Scheherazade Please note this performance will be recorded and broadcast on Foxtel Arts Running time 1 hour and 40 minutes including a 20-minute interval. 3 BENJAMIN NORTHEY CONDUCTOR Since returning to Australia from Arnaldo Cohen, KD Lang, Kurt Elling, Europe in 2006, Benjamin Northey Tim Minchin, Barry Humphries, Slava has rapidly emerged as one of the Grigoryan and Emma Matthews. nation’s leading musical figures. In Australia, Northey has made his Since 2011, he has held the position of mark through his many critically Associate Conductor of the Melbourne acclaimed appearances as a guest Symphony Orchestra and, in 2015, conductor with all the Australian state he became Chief Conductor of the symphony orchestras as well as opera Christchurch Symphony Orchestra. productions including Don Giovanni 2015/2016 engagements included and Così fan tutte for Opera Australia. returns to all the major Australian Recordings include several orchestral orchestras, the HKPO, the NZSO releases for ABC Classics with the and Turandot for Opera Australia. Melbourne, Sydney, Tasmanian, Adelaide and West Australian Northey studied with John Hopkins Symphony Orchestras. at the University of Melbourne Conservatorium of Music and then Northey is the recipient of numerous with Jorma Panula and Leif Segerstam awards including the 2010 Melbourne at Finland’s prestigious Sibelius Prize Outstanding Musician Award, Academy where he was accepted the Brian Stacey Memorial Award, the as the highest placed applicant in Nelly Apt Scholarship and the 2007 2002. He has appeared with the Limelight Magazine Best Newcomer London Philharmonic Orchestra, Award. Northey is an Honorary Mozarteum Orchestra Salzburg, Fellow of the University of Melbourne Hong Kong Philharmonic, National Conservatorium where he is also a Symphony Orchestra of Colombia, lecturer in conducting. He currently New Zealand Symphony Orchestra, lives in Melbourne with his wife (the Auckland Philharmonia and the accomplished French Horn player Southbank Sinfonia of London. Joanne Montesano) and their children. He has collaborated with acclaimed Image courtesy Matt Irwin. artists including Julian Rachlin, Alban Gerhardt, Marc-Andre Hamelin, 4 MAXIM VENGEROV VIOLIN/CONDUCTOR One of the world’s finest musicians performed an artist residency at the and most in-demand soloists, Grammy Barbican Centre in London. That season award-winning violinist Maxim he also took up a position as artist-in- Vengerov also enjoys international residence with the Oxford Philharmonic. acclaim as a conductor. This season’s engagements include Born in 1974, he began his career guest conducting engagements as a solo violinist at the age of five, with the RTÉ National Symphony won the Wieniawski and Carl Flesch Orchestra in Dublin and Munich international competitions at ages Philharmonic, a European tour with 10 and 15 respectively, studied with the Toronto Symphony Orchestra, and Galina Tourchaninova and Zakhar Bron, performances at the Park concerts made his first recording at the age of with the New York Philharmonic in 10, and went on to record extensively New York and Shanghai. In Australia for labels including Melodia, Teldec he performs a gala concert with the and EMI, earning Grammy and Sydney Symphony Orchestra and takes Gramophone artist of the year awards. up the position of Artist-in-Residence of the Queensland Symphony Orchestra. In 2007 he followed in the footsteps of his mentor, the late Mstislav A passionate educator, Maxim Rostropovich, and turned his attention Vengerov has held various teaching to conducting, and in 2010 was positions around the world and is appointed the first chief conductor currently Ambassador and visiting of the Gstaad Festival Orchestra. Professor of the International Menuhin In 2014 he graduated with a Diploma of Music Academy in Switzerland (IMMA) Excellence from the Moscow Institute and Polonsky Visiting Professor of of Ippolitov-Ivanov with Yuri Simonov Violin at the Royal College of Music in and, having enrolled in a further two- London. In 1997 he became the first year program of opera conducting, classical musician to be appointed is scheduled to conduct his first International Goodwill Ambassador performances of Eugene Onegin by UNICEF. in Brisbane and Moscow in 2017. He plays the ex-Kreutzer Stradivarius In 2013 the annual Vengerov Festival (1727). was launched in Tokyo and he Image courtesy B Ealovega. 5 PROGRAM NOTES PETER ILYICH TCHAIKOVSKY In December 1881 Adolph Brodsky (1840-1893) premiered the concerto at a Vienna Philharmonic concert under Hans Violin Concerto in D, Op.35 Richter. The Viennese critics, always Allegro moderato fairly conservative, were almost Canzonetta (Andante) – universal in their condemnation of Finale (Allegro vivacissimo) the work. Maxim Vengerov Violin However Brodsky was not dissuaded Benjamin Northey Conductor and remained the work’s most fervent champion. Auer eventually overcame Tchaikovsky’s Violin Concerto is his opposition to the concerto and a distinguished member of that played it to great acclaim. company of musical masterpieces After a scene-setting introduction and that survived a traumatic debut to the soloist’s announcement of the main become one of the most beloved themes, the temperature of the first works of its kind. It could almost be movement rises considerably, with described as a love letter, written the solo part becoming much more in 1878 whilst the composer was on virtuosic and the orchestral writing holiday in Switzerland with his brother increasingly colourful. There is a Modest and the violinist Josef Kotek, magnificently varied cadenza for Tchaikovsky’s pupil at the Moscow the soloist. Conservatory. At some point in their friendship, according to biographer Kotek felt Tchaikovsky’s original slow Alexander Poznansky, Tchaikovsky movement was too insubstantial and and Kotek became lovers. sentimental, and the composer agreed, replacing it with the Canzonetta. Kotek’s inspiration and advice were The Finale follows on without a crucial in the concerto’s composition break, and immediately the soloist and he was originally to have been its has a dazzling, short cadenza, which dedicatee; but Tchaikovsky, concerned leads straight into the movement’s at the gossip this would cause in vigorous main theme, a short, folk- Moscow, instead dedicated it to like dance tune. The second theme, Leopold Auer, a renowned performer introduced over a bagpipe-like drone and teacher whose pupils would on the strings, is a temporary lyrical include Jascha Heifetz. However Auer resting-place in the movement’s claimed that the work was technically wild infectiousness. impossible and structurally weak, and Abridged from a note © Phillip Sametz refused to learn it. Then Kotek decided The Melbourne Symphony Orchestra, with soloist not to play it either. Lionel Lawson and conductor George Szell, was the first of the Australian state orchestras to perform this work, on 21 May 1938. The Orchestra’s most recent performance took place in March 2016, with Sir Andrew Davis and soloist Ray Chen.
Load more

Recommended publications
  • Kammerorchester Des Symphonieorchesters Des BR
    Kammerorchester des Symphonieorchesters des BR The Chamber Orchestra of the Bavarian Radio Symphony Orchestra was founded by Radoslaw Szulc and Karl Wagner in 2000 to mark the 50th anniversary of the symphony orchestra. Thus emerged a flexible collective of virtuosic players dedicated to cultivating the chamber music ideal. As primus inter pares Radoslaw Szulc oversees the ensemble’s artistic direction. The ensemble has been hailed by the Sueddeutsche Zeitung ”…from the start a first-rate orchestra with its own character. Their sophisticated playing has differentiated structures of communication as well as musical verve…they give special attention to a full sound and achieve the aspired ideal with utmost instrumental precision.” TV and CD productions quickly followed, starting with Tchaikovsky´s works for string orchestra. The chamber orchestra became known early on for its homogenous and lush string sound. They appear frequently in the major musical centers of Europe as well as at international festivals. The chamber orchestra developed a close friendship with Hélène Grimaud and Frank Peter Zimmermann. In 2011 Mozart´s piano concertos in F Major KV 459 and in A Major KV 488 featuring Hélène Grimaud were released by Deutsche Grammophon and became number one on the US Classic Charts. In 2014 the chamber orchestra began recording all of the Mozart violin concertos with Frank Peter Zimmermann; even before completion of the project in 2015 the first part of the recordings appeared in the Classic Charts. The orchestra has also recorded several Bach violin concertos featuring Lisa Batiashvili for Deutsche Grammophon. The chamber orchestra frequently collaborates with other famous soloists such as Lang Lang, Julia Fischer, Mischa Maisky, Sabine Meyer, Pinchas Zukerman, Diana Damrau, Igor Levit, Vadim Repin, Janine Jansen und Maxim Vengerov.
    [Show full text]
  • Vilde FRANG Violino
    Vilde FRANG violino Notata giovanissima per la sua espressività e completo dominio tecnico, Vilde Frang è considerata la più interessante violinista della sua generazione da quando dodicenne è stata invitata da Mariss Jansons a suonare con la Oslo Philharmonic Orchestra. Dopo il suo debutto con la London Philharmonic Orchestra è stata immediatamente rinvitata dall’orchestra per un concerto con Vladimir Jurowski alla Royal Festival Hall nel 2009, seguito da un recital a Wigmore Hall. Nel 2012 le è stato assegnato il prestigioso Credit Suisse Young Artists Award e nel mese di settembre è stata invitata al Festival di Lucerna con i Wiener Philharmoniker diretti da Bernard Haitink. Tra le maggiori orchestre internazionali con cui collabora spiccano la Symphonieorchester des Bayerischen Rundfunks, la Mahler Chamber Orchestra, la Philharmonia Orchestra, l’Academy of St. Martin-in-the-Fields, le orchestre di Houston e Atlanta. Vilde Frang è invitata come solista e in ensemble da camera ai Festival di Schleswig- Holstein, Mecklenburg-Vorpommern, Rheingau, Gstaad, Verbier e Lucerna. Collabora abitualmente con Gidon Kremer, Yuri Bashmet, Martha Argerich, Julian Rachlin, Leif Ove Andsnes e Maxim Vengerov; insieme a Anne-Sophie Mutter e la Camerata Salzburg è stata in tournée in Europa e negli USA suonando il Doppio Concerto di Bach. Nella prossima stagione terrà numerosi recital in duo con il pianista Michail Lifits, toccando Londra, Monaco, Zurigo, New York, Boston e varie città italiane. Il suo debutto discografico con EMI nel 2010 è stato premiato dall’Edison Klassik Award e dal Classic BRIT Award. Il disco con programma solistico è stato altrettanto acclamato, selezionato come "Editor's Choice" da Classic FM Magazine e premiato con il Diapason d'Or e l’Echo Klassik Award.
    [Show full text]
  • Amaryllis Fleming Concert Hall Maxim Vengerov Conductor Roberto Ruisi Violin Maria Gîlicel Violin Line Faber Violin RCM Symphony Orchestra
    ORCHESTRAL MASTERCLASS WITH MAXIM VENGEROV Thursday 28 June 2018 7pm | Amaryllis Fleming Concert Hall Maxim Vengerov conductor Roberto Ruisi violin Maria Gîlicel violin Line Faber violin RCM Symphony Orchestra ORCHESTRAL MASTERCLASS WITH MAXIM VENGEROV Thursday 28 June 2018, 7pm | Amaryllis Fleming Concert Hall Maxim Vengerov conductor Roberto Ruisi violin (movement i) Maria Gîlicel violin (movement ii) Line Faber violin (movement iii) RCM Symphony Orchestra Beethoven Violin Concerto in D major op 61 (1770–1827) i Allegro ma non troppo INTERVAL ii Larghetto iii Rondo. Allegro RCM Polonsky Visiting Professor of Violin Maxim Vengerov returns to the College for another highly anticipated masterclass. One of the greats of the repertoire, RCM violinists and the RCM Symphony Orchestra explore Beethoven’s Violin Concerto. This masterclass will be live streamed to www.rcm.ac.uk/live. Beethoven Violin Concerto in D major op 61 Although Beethoven completed only one concerto for violin, he certainly began work on another. All that survives of the earlier attempt is the opening section of a first movement in C major, but the condition of manuscript is such that it is entirely possible that the rest once existed, but has since been lost. The fragment probably dates from the early 1790s and reveals a confident treatment of the soloist, and a penchant for the upper reaches of the instrument’s range that anticipates one of the notable features of the masterpiece that was to follow more than a decade later. The exact circumstances of the D major Concerto’s commissioning are not known, but it was evidently written for Franz Clement, a very distinguished Viennese conductor (notably at the Theater an der Wien) and violinist.
    [Show full text]
  • Vilde Frang, Violin
    VILDE FRANG, VIOLIN Vilde is the recipient of the 2012 Credit Suisse Young Artists Award and will perform with the Vienna Philharmonic and Bernard Haitink at the Lucerne Summer Music Festival in September 2012. Noted particularly for her superb musical expression, as well as her well- developed virtuosity and musicality, Vilde Frang has established herself as one of the leading young violinists of her generation since she was engaged by Mariss Jansons at the age of twelve to debut with Oslo Philharmonic Orchestra. Highlights among her recent and forthcoming engagements include performances with Mahler Chamber Orchestra, Kremerata Baltica, Academy of St. Martin in the Fields, BBC Symphony, Symphonieorchester des Bayerischen Rundfunks, Konzerthausorchester Berlin, HR- Sinfonieorchester Frankfurt, Tonhalle-Orchester Zurich, Russian National Orchestra, Rotterdam Philharmonic, the NHK Symphony in Tokyo and Orchestre Philharmonique de Monte-Carlo, with conductors including Ivan Fischer, Paavo Järvi, Vladimir Ashkenazy, Mariss Jansons, David Zinman, Vassily Sinaisky, Esa-Pekka Salonen and Gianandrea Noseda. She appears as a recitalist and chamber musician at festivals in Schleswig- Holstein, Mecklenburg-Vorpommern, Rheingau, Lockenhaus, Gstaad, Verbier and Lucerne. Amongst her collaborators were Gidon Kremer, Yuri Bashmet, Martha Argerich, Julian Rachlin, Leif Ove Andsnes and Maxim Vengerov, and together with Anne-Sophie Mutter she has toured in Europe and the US, playing Bach's Double Concerto with Camerata Salzburg. After her 2007 debut with London Philharmonic Orchestra, Vilde was immediately re-engaged for a concert with the orchestra and Vladimir Nordic Artists Management / Denmark VAT number: DK29514143 http://nordicartistsmanagement.com Jurowski at the Royal Festival Hall in the 2009 season, followed by a recital at Wigmore Hall.
    [Show full text]
  • A Lost Art Or a Tradition Continued? a Thesis Submitted In
    CALIFORNIA STATE UNIVERSITY, NORTHRIDGE The Old Greats of the Violin: A Lost Art or a Tradition Continued? A thesis submitted in partial fulfillment of the requirements For the degree of Master of Music in Music in Performance By Daniel Grab May 2016 The thesis of Daniel Grab is approved: _________________________ __________ Dr. Liviu Marinescu Date _________________________ __________ Dr. Lorenz Gamma Date _________________________ __________ Dr. Diane Roscetti, Chair Date California State University Northridge ii Table of Contents Signature Page ii Abstract iv Introduction: Unmasking the Stereotype 1 Section 1: Proposing a Methodology 3 Section 2: The Old 6 Section 3: The New 14 Conclusion: Are the Best Years Really Behind Us? 18 Bibliography 23 Figure 1 24 Figure 2 25 iii Abstract The Old Greats of the Violin: A Lost Art or a Tradition Continued? By Daniel Grab Master of Music in Music, Performance The purpose of this research project is to examine the widespread notion among classical musicians that while there are many high level technical players today, their artistry and most specifically their individuality is not on the level of the “old greats”. The main questions at stake are: Is there merit to this pervasive idea and if so what is behind this trend? Is this viewpoint partially a perspective-based illusion much like the idea held by each aging generation since the dawn of humanity supposing that the newer generation is less capable, not as special, lacking depth, etc. This project will focus on eight interpretations of Mendelssohn violin concerto as sources; four by violinists born around the turn of the century, and four by violinists currently concertizing today.
    [Show full text]
  • 2019-2020 Season Brochure
    2 CELEBRATING 40 YEARS OF DEBUTS AND DISCOVERIES CELEBRATING 40 YEARS OF DEBUTS AND DISCOVERIES Dear Friends: It’s with great pride and deep gratitude that we share with you our 40th Season of debuts and discoveries, as well as some of the extraordinary musicians who’ve helped the Vancouver Recital Society earn its international reputation for excellence through their outstanding performances over the past 39 years. For this 40th Anniversary Season brochure, we’re violinists Nikki and Timmy— with Angela Cheng at changing things up a little: instead of including the piano and a work commissioned especially for quotes about the artists on our roster, we’ve asked them by Marc-André Hamelin. the musicians to write something about the VRS. While there are so many wonderful artists with whom The truth is, in order to do what we do, we’re obliged we are proud to have been associated over the years, to spend a lot of time talking about ourselves… this there are some, in particular, that we felt simply had time, we’ve turned it over to the musicians, letting to be a part of this special anniversary season. them share their VRS experiences and perspectives. We can’t imagine celebrating a milestone such as this We weren’t soliciting praise — merely asking what an without cellist and you can imagine appearance on our series means or has meant to Steven Isserlis… our excitement at the prospect of pianists them. We’ve been truly humbled by the comments Paul Lewis and performing together (piano that came our way; you can read them as you flip Steven Osborne four hands!).
    [Show full text]
  • Maxim Vengerov
    Maxim Vengerov Universally hailed as one of the world’s finest musicians, and often referred to as the greatest living string player in the world today, Grammy award winner Maxim Vengerov also enjoys international acclaim as a conductor and is one of the most in-demand soloists. Born in 1974, he began his career as a solo violinist at the age of five, won the Wieniawski and Carl Flesch international competitions at ages 10 and 15 respectively, studied with Galina Tourchaninova and Zakhar Bron, made his first recording at the age of 10, and went on to record extensively for high-profile labels including Melodia, Teldec and EMI, earning among others, Grammy and Gramophone artist of the year awards. In 2007 he followed in the footsteps of his mentor, the late Mstislav Rostropovich, and turned his attention to conducting and in 2010 was appointed the first chief conductor of the Gstaad Festival Orchestra. June 2014 saw Mr Vengerov graduate with a Diploma of Excellence from the Moscow Institute of Ippolitov-Ivanov with professor Yuri Simonov and he has since finished a further 2-year program of opera conducting. In the last few seasons Maxim Vengerov has performed as soloist and/or conductor with all major orchestras, including the New York Philharmonic, Berlin Philharmonic, London Symphony Orchestra, BBC Symphony Orchestra, Mariinsky Theatre Orchestra, Chicago, Montreal and Toronto Symphony Orchestras and toured extensively around the world in Recital. Highlights of 18/19 saw Mr Vengerov opening the season of the Orchestra Filarmonica della Scala with Maestro Chailly, a Residence with Monte Carlo Philharmonic and the Philharmonie in Paris.
    [Show full text]
  • Maxim Vengerov
    Maxim Vengerov Widely regarded as one of the world’s most dynamic artists, Maxim Vengerov has performed sold out concerts with the world’s most eminent orchestras in every major city in the world. Steeped in the celebrated Russian tradition of music making, Maestro enjoys international acclaim as a musician of the highest order, tireless in his search for new means of creative expression. Having reached the pinnacle of the musical world as an instrumentalist, Vengerov followed in the footsteps of his mentor, the late Mstislav Rostropovich and turned his attention to conducting, bringing his sensitivity and keen musicianship to the podium. Maestro took his first conducting classes from Professor Vag Papian, who himself studied with the legendary Ilya Musin in St. Petersburg. At the invitation of Valery Gergiev, Maestro Vengerov has conducted the Mariinsky Theatre Orchestra, earning accolades both from the critics and the public. Over the past few seasons, he has developed close relationships with Verbier Festival Orchestra, Bergen Philharmonic, Sinfonietta Cracovia, et al. Maestro Vengerov’s Carnegie Hall debut as a conductor, which took place during the 2007 Verbier Festival Orchestra tour of North America, received critical acclaim. “The musicians responded magnetically to him”, wrote Vivien Schweitzer of The New York Times . There are many exciting projects in store for the next two seasons, including a North American tour (Toronto Symphony Orchestra, Montreal Symphony Orchestra), European tours with the Gstaad Festival Orchestra and the Prague Philharmonic Orchestra as well as a conducting début with the Tampere Philharmonic. Maestro Vengerov will return to Moscow Philharmonic and the Oslo Philharmonic Orchestra.
    [Show full text]
  • Maxim Vengerov
    Maxim Vengerov Monday 16 April 2018 7.30pm, Hall Brahms Violin Sonata No 1 in G major Brahms Violin Sonata No 2 in A major interval 20 minutes Brahms Scherzo in C minor (from the ‘F–A–E’ Sonata) Brahms Violin Sonata No 3 in D minor Maxim Vengerov violin Polina Osetinskaya piano Benjamin Ealovega Part of Barbican Presents 2017–18 We appreciate that it’s not always possible to prevent coughing during a performance. But, for the sake of other audience members and the artists, if you feel the need to cough or sneeze, please stifle it with a handkerchief. Programme produced by Harriet Smith; printed by Trade Winds Colour Printers Ltd; advertising by Cabbell (tel 020 3603 7930) Please turn off watch alarms, phones, pagers etc during the performance. Taking photographs, capturing images or using recording devices during a performance is strictly prohibited. If anything limits your enjoyment please let us know The City of London during your visit. Additional feedback can be given Corporation is the founder and online, as well as via feedback forms or the pods principal funder of located around the foyers. the Barbican Centre Welcome Tonight we welcome back to the Barbican until he was in his forties before writing Hall one of the greatest violinists of the his First Violin Sonata, so mighty was present day: Maxim Vengerov. He is Beethoven’s achievement in the genre. He renowned particularly for his luscious had by this point already got the Violin sound, courtesy of his 1727 Stradivari, Concerto under his belt and his ease with and that will undoubtedly be put to the instrument is everywhere apparent.
    [Show full text]
  • Maxim Vengerov to Release New Recordings Exclusively on Streaming Service IDAGIO
    Maxim Vengerov to release new recordings exclusively on streaming service IDAGIO Violinist becomes IDAGIO Ambassador to promote new ways of listening to classical music in the digital age BERLIN, 27 January 2020 — Renowned violinist Maxim Vengerov has chosen leading classical music streaming service IDAGIO to exclusively release his newest recordings. Vengerov at the same time becomes IDAGIO Ambassador. The first album is now ​ available to IDAGIO listeners worldwide, featuring a new recording of Tchaikovsky's Violin Concerto with conductor Myung-Whun Chung and the Orchestre Philharmonique de Radio France, coupled with works by Saint-Säens and Ravel. A second release, featuring a live recital from Carnegie Hall, will be available on 4 February 2020. Following Maxim Vengerov’s Royal Albert Hall concert on June 12, further recordings will be released to mark his 40 years on the stage. IDAGIO will release and promote exclusive recordings from Maxim Vengerov to listeners worldwide via its audio streaming service. With more partnerships and an extended Ambassador Program for solo artists and orchestras planned for 2020, IDAGIO intends to give classical music artists more decision-making power in how their music is released, distributed and promoted. Maxim Vengerov: “This is a new chapter in my recording life. I have specifically selected IDAGIO as a partner going forward because of the high audio quality they offer their subscribers, as well as their remarkably comprehensive and easy to navigate catalogue. IDAGIO is a pioneer in classical music and offers experiences no other streaming service can compete with. IDAGIO is a platform that allows sharing and can broaden anyone’s interest in classical music, whatever the degree of knowledge.” Till Janczukowicz, CEO and Founder of IDAGIO: “Maxim Vengerov is one of the most extraordinary artists of our time.
    [Show full text]
  • THE SHANGHAI SYMPHONY ORCHESTRA – CELEBRATES ITS 140Th ANNIVERSARY with WORLD TOUR and NEW RECORDING
    ASIA’S OLDEST SYMPHONY ORCHESTRA – THE SHANGHAI SYMPHONY ORCHESTRA – CELEBRATES ITS 140th ANNIVERSARY WITH WORLD TOUR AND NEW RECORDING Wolftrap Festival | Ravinia Festival | Edinburgh International Festival | Lucerne Festival | Grafenegg Festival | Amsterdam Concertgebouw | BBC Proms 14 August – 1 September 2019 ‘Gateways’ released on Deutsche Grammophon on 28 June Long Yu | Shanghai Symphony Orchestra | Maxim Vengerov Pre-release track available as of today – Kreisler: Tambourin Chinois Op. 3 Shanghai Symphony Orchestra (SSO), Asia’s oldest symphony orchestra, celebrates its 140th anniversary with a three-week world tour and a new album Gateways on Deutsche Grammophon. For their tour with Music Director Long Yu, who celebrates his 10th season with the Orchestra, the SSO are joined by three world-class soloists; Alisa Weilerstein (cello), Frank-Peter Zimmerman (violin) and Eric Lu (piano). The tour runs from 14 August to 1 September, during which the Orchestra makes its debuts at the BBC Proms, Edinburgh International Festival, Wolftrap Festival and Ravinia Festival in addition to return visits to Lucerne Festival, Grafenegg Festival and Amsterdam’s Concertgebouw. The Shanghai Symphony Orchestra, founded in 1879 as the Shanghai Public Band, was the first orchestra in China to widely introduce symphonic music to Chinese audiences, cultivating Chinese talents and performing Chinese orchestral works. The Orchestra’s impressive hall – Shanghai Symphony Hall – was built in 2014 by leading architect Arata Isozaki, who was recently awarded the 2019 Pritzker Architecture Prize. Striving to promote and build cultural exchanges between East and West as part of its “Music Connecting Worlds” ethos, the SSO performs Wu Xing (The Five Elements) by leading Chinese composer Qigang Chen, throughout its tour.
    [Show full text]
  • Maxim Vengerov Celebrates 40 Years on Stage at the Royal Albert Hall and Partners with IDAGIO to Release Exclusive Recordings
    Maxim Vengerov celebrates 40 years on stage at the Royal Albert Hall and partners with IDAGIO to release exclusive recordings Friday 12 June 2020, 19:30 Royal Albert Hall, London Maxim Vengerov: 40 Years on Stage Beethoven, Shostakovich & Sarasate Martha Argerich piano Mischa Maisky cello Students from the Royal College of Music Oxford Philharmonic Orchestra Marios Papdopoulos conductor “one of the most brilliant violinists you'll ever hear” The Washington Post World-renowned virtuoso violinist Maxim Vengerov marks 40 Years on Stage in 2020 with a Gala Performance at the Royal Albert Hall, with guests Martha Argerich and Mischa Maisky joining the violinist in Beethoven’s Triple Concerto. Leading up to his celebratory concert, the multi award-winning violinist will release new recordings exclusively on IDAGIO, in a new partnership announced with the classical streaming service. Maxim Vengerov said: “I am thrilled to be celebrating this special occasion with my friends and marking this year with a new chapter in my recording life. IDAGIO is a pioneer in classical music and offers an experience and sound quality like no other streaming service. I am very excited about this new partnership with IDAGIO.” On 12 June 2020, Maxim Vengerov celebrates 40 Years on Stage in a grand Gala Performance at the Royal Albert Hall, where he performs Beethoven’s Triple Concerto alongside the dazzling line-up of Martha Argerich and Mischa Maisky, with Marios Papadopoulos conducting the Oxford Philharmonic Orchestra. Vengerov pairs the Triple Concerto with Shostakovich’s Violin Concerto no. 1 and Sarasate’s lively Navarra, joined by students from the neighbouring Royal College of Music, where he is Polonsky Visiting Professor of Violin.
    [Show full text]