FAMOUS ARTISTS SERIES

1959-1960

The Boston Symphony Orchestra

Charles Munch, Conductor

LINCOLN AUDITORIUM

TUESDAY, OCTOBER 20, 1959 . .

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(2) PROGRAM NOTES

SUITE from "THE TENDER LAND"

By Aaron Copland

The opera "The Tender Land" was commissioned by Richard Rodgers and Oscar Hammerstein II on the occasion of the 30th anniversary of the League of

Composers, and composed between 1952 and 1954. The text is by Horace Everett. The opera had its first performance by the New York City Opera Company under the dircetion of Thomas Schippers at the New York City Center, April 1, 1954. It was performed by the opera department of the Berkshire Music Center at

Tanglewood on August 2 and 3, 1954, and (revised from a two into a three-act opera) by the Oberlin Conservatory on May 20 and 21, 1955. Two choruses from "The Tender Land" were performed at the benefit concert, "Tanglewood on

Parade," on August 8, 1957, the composer . Choral portions were pre- sented at Brandeis University, again under the composer's direction, June 8, 1957.

The suite requires 3 flutes and piccolo, oboe and English horn, 2 clarinets and bass clarinet, 2 bassoons, 4 horns, 3 trumpets, 3 trombones and tuba, timpani, harp, piano and strings.

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(3) PROGRAM NOTES "SCHELOMO" ("Solomon") Hebrew Rhapsody for » Violoncello and Orchestra By Born at Geneva, Switzerland, July 24, 1880 Ernest Bloch composed his "Schelomo" early in 1916 at his home in Geneva. The Rhapsody had its first performance at a concert of the So- ciety of Friends of Music in Carnegie Hall, New York, Hans Kindler soloist, Syracuse May 13, 1917. The first performance by the Boston Symphony Orchestra Cor. Warren and Harrison Sts. was on April 13, 1923, Jean Bedetti, 'cellist; the most recent, January 27, 1939, Gregor Piatigorsky, 'cellist. Palm Beach, Florida The piece is scored for 3 flutes and piccolo, 2 oboes, English horn, 2 clar- Now Located inets and bass clarinet, 2 bassoons Biltmore Hotel and contra-bassoon, 4 horns, 3 trum-

( Continued on page 6)

Tues., Nov. 10 BETTE DAVIS, GARY MERRILL "The World of Carl Sandburg" Thurs., Nov. 12 GLENN GOULD, Pianist Mon., Nov. 23 MARIA TALLCHIEF and ANDRE EGLEVSKY, and The ROCHESTER CIVIC ORCHESTRA Thurs., Dec. 17 RICHARD TUCKER, Tenor Sat., Feb .20 The TAMBURITZANS

Tues., April 5 SEGOVIA, Guitarist

Extra Events (Not on Series) Wed., March 16 VIENNA ON PARADE Tues., March 22 The New York CITY CENTER OPERA CO. performing "The Ballad of Baby Doe"

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PROGRAM NOTES The Colossal Canadian !

(Continued from page 4) GLENN GOULD pets, 3 trombones, tuba, timpani, snare pianist drum, bass drum, tambourin, cymbals, Thursday, November 12th tam-tam, celesta, 2 harps and strings. The score was published in 1918. A vivid and sympathetic description of "Schelomo" was contributed by Guida M. Gatti to La Critica Musicale. Written as long ago as 1920, it has never been superseded, and is here quoted in the translation of Theodore Baker: "The Hebrew rhapsody for solo violoncello with orchestra bears the name of the great king Schelomo (Solomon). In this, without taking thought for development and formal consistency, without the fetters of a text requiring interpretation, he has given free course to his fancy; the multiplex figure of the founder of the Great Temple lent itself, after setting it upon a lofty throne, and chiseling its lineaments, to the creation of a Tickets, $3.60, $3.00, $2.40, $1.80 (Continued on page 14) Famous Artists, GR 1-0462

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(8) E

FAMOUS ARTISTS SERIES Murray Bernthal, producer

presents

the

Boston Symphony Orchestra

CHARLES MUNCH, Music Director

Richard Burgix, Associate Conductor

PROGRAM

I. The Tender Land Copland

Orchestral suite from the opera

Party Scene and Finale

Program continued on page 11

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(10) PROGRAM CONTINUED

II. SCHF.LOMO Block

Hebrew rhapsody for ' and orchestra

Soloist, Samuel Mayes

Samuel Mayes joined this orchestra in 1948 as principal 'cellist. He has appeared as solo 'cellist in Strauss' Don Quixote, the Brahms Double Con- certo, Kabalevsky's Concerto and others.

Program continued on page 13

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(12) PROGRAM CONTINUED

III. Symphony No. 2, D Major Brahms

Allegro non troppo

Adagio non troppo

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Allegro con spirito

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PROGRAM NOTES FLICK - ORRICK (Continued from page 6) TRAVEL SERVICE phantasmagorical entourage of per- James Philip, mgr. sons and scenes in rapid and kaleido- scopic succession. The violoncello, with Professional consultation on its ample breadth of phrasing, now CRUISES melodic and with moments of superb lyricism, now declamatory and with RESORTS robustly dramatic lights and shades, EUROPE (including Music lends itself to a reincarnation of Solo- and Theater Festivals) mon in all his glory, surrounded by THE ORIENT and his thousand wives and concubines, with his multitude of slaves and war- ROUND the WORLD riors behind him. His voice resounds DOMESTIC TOURS in the devotional silence, and the sen- STUDENT TOURS tences of his wisdom sink into the heart as the seed into a fertile soil: Official representatives of 'Vanity of vanities, saith the Preacher, All Major Air Lines and all is vanity. What profit hath a man of all his labor which he taketh under Steamship Lines the sun ? One generation passeth away, and another generation cometh: FLICK - ORRICK

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PROGRAM NOTES

SYMPHONY No. 2, in D MAJOR, Op. 73 By

Born in Hamburg, May 7, 1833; died in Vienna, April 3, 1897

The Second Symphony was composed in 1877, and first performed in Vienna on December 30 of the same year. A performance followed at Leipzig on January 10, 1878, Brahms conducting. Joachim conducted it at the Rhine Festival in Dusseldorf, and the composer led the symphony in his native Hamburg, in the same year. France first heard it at a popular concert in Paris, November 21, 1880. The first American performance was given by Theodore Thomas in New York, October 3, 1878. The Harvard Musical Association introduced it to Boston on January 9, 1879. It was then that John S. Dwight committed himself to the much quoted opinion that "Sterndale Bennett could have written a better symphony." Georg Henschel included this symphony in the orchestra's first season (Feb., 1882). The most recent performances were on April 18-19, 1958, when Richard Burgin conducted. Program Notes by John N. Burk

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