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2016-October Pipelines October 2016 Volume 97 Issue 1 IN THIS ISSUE DEAN’S NOTES Dean’s Notes… pg 1 By Edward Alan Moore, DMA - Dean ([email protected]) -------------------------------------------------------------------------------------- The Musical Road to our 65th Dear Colleagues, Wedding Anniversary… pg 2 October is Here. ScHools are bacK in session. Concert Celebrating the Sainte- CHoirs Have resumed reHearsals. Arts organizations Clotilde Tradition… pg 3 around the region Have launcHed new seasons of concerts. So many options…so little time! Directory Updates… pg 4 In this issue of Pipelines and througH our paid Email Blasts, we see there are lots of concerts and Substitute List… pg 4 events going on involving the membersHip of the PittsburgH AGO CHapter. October Meeting: Dr. Brenda Please Keep sHaring those events, and please continue to attend and Portman… pg 5 support your fellow cHapter members as you can. Speaking of attending and supporting events, one of the jewels in OAS Opener… pg 5 the crown of the PittsburgH AGO CHapter is the Organ Artists Series of Pittsburgh. The 38th Season of OAS opens on October 16 at 3:00 PM with Upcoming Events… pg 6 a concert by David Higgs from the Eastman ScHool of Music. THe concert is Job Openings… pg 7 at East Liberty Presbyterian CHurcH. More information about this concert can be found on page 5. The OAS has continued to present Thirty-Eight seasons of some of our profession’s finest artists in concert to audiences throughout the greater Contact the editor: Pittsburgh area. [email protected] THis is not only significant, it is remarKable! OAS is a great source of pride for our cHapter, but not one that sHould be taken for granted. Support for OAS begins with our cHapter, but cannot end there. THese Online at: www.pitago.org concerts are not Here just for our own personal enjoyment; they are Here to sHare with the greater community. To that end, I invite you to bring a guest, or two, or more with you to the concert on October 16. Maybe someone wHo is already a lover of Facebook: www.facebook.com/pittsburghago organ music, or maybe someone wHo Has never attended an organ concert. THis is the second season wHere OAS is offering FREE admission to all students! If you Have students, or Know of some wHo migHt be interested, the price is rigHt! FREE THe concerts I attended as a student are still fresH in memory and played an important role in my musical formation. I Hope to see you at the OAS concert on October 16, and to welcome you bacK to East Liberty for our monthly dinner and meeting on October 24. Page 1 of 8 Pipelines October 2016 THE MUSICAL ROAD TO OUR 65TH WEDDING ANNIVERSARY By Wilberta Naden PicKett, SMM, CH.M For the first part of this article, see September 2016 Pipelines, where Wilberta and John met. I Had spent so mucH time planning music for our "perfect" wedding that I decided to write my master's thesis on "Music for the CHristian Wedding Service," all 200 pages, many of wHicH JoHn typed because He Had access to an electric typewriter. He spent a final all-nigHter to get it done, and then Hopped a train to NYC so He could deliver it to me personally by the deadline. My thesis advisor pronounced it "the best formatted of all the class theses." I never would Have earned my degree in 1952 without His Help. In 1957, I presented a program on "Music for the CHurcH Wedding" at the AGO, then Region V, Convention in MilwauKee, Wisconsin, complete with two model weddings - one for a small cHurcH and one for a larger one with a cHoir, followed by a reception and display of music. My talK to the assembled "guests" was even editorialized in the MilwauKee Journal and the Toledo Blade - in a jesting negative tone for suggesting "appropriate" sacred music. Again turning the tables on convention, and ahead of His time, JoHn urged me to get a job wHerever I could, that He, as an accountant, could get a job anywHere. I was Hired as full time Minister of Music at Reid Memorial United Presbyterian CHurcH, RicHmond, IN (featured on the cover of the Organ Historical Society's national convention booK in 2007) with a HooK & Hastings pipe organ and five cHoirs. Providentially JoHn's former co-worKer in nearby Muncie, IN Had moved to RicHmond, and Hired Him to be Senior Accountant for AVCO Corp's Crosley Division, maker of SHelvador refrigerators. THe cHurcH got a bonus with a tenor wHo could read music and stay in tune - and I Had a trusted advisor. IMAGE 1 ORGAN AT REID MEMORIAL UNITED From there I Have already written for you about the Guilders PRESBYTERIAN CHURCH, IMAGE W.T. VAN PELT WHo Guided Me in that first and ensuing cHurcH jobs. Just as important to me, thougH, was the encouragement and support that JoHn gave me. WHen cHildren came along (five in all, eacH two years apart), JoHn Helped take care of them on Sundays and at bedtime. He tooK them grocery shopping on Saturdays to give me a break. After three years of worKing, I tooK a break for a few years. WHen we moved to Cleveland in 1960 I felt lonely not Knowing anybody and I felt overwHelmed by so many cHildren in our small House and in the neigHborHood. JoHn encouraged me to take a job as organist only in a small cHurcH, getting me out of the House to practice and feeding my musical soul, a boon to my morale. In the meantime the cHildren were growing up, and I was getting bacK in musical sHape for PittsburgH. So Here we landed in 1965 wHen JoHn was transferred, and if you've been reading my saga this past year, you Know the rest of the story. I Have appreciated all the Guilders wHo Have guided me in my career. But it Has been JoHn's supportive and steady presence in my life that Has made it possible to combine being a cHurcH musician with being a devoted and loved wife and mother. We now Have thirteen grandcHildren, six great-grand- cHildren, and two more on the way. We recently Had two anniversary parties - one given by and for friends Here at Longwood, and the other given by our cHildren with relatives from all over the country coming "bacK Home again in Indiana." From there most of our own family went on to a family camp at ElKHart Lake, Wisconsin, run by JoHn's alma mater, Indiana University wHere we were again feted at the annual Adult Dinner, planned by our cHildren. We often say that early "Dance of Death" launcHed our "Dance of Life." It Has been a great 65 years. THanKs to you, JoHn, and THanKs be to God! Page 2 of 8 Pipelines October 2016 CONCERT CELEBRATING THE SAINTE-CLOTILDE TRADITION By Holly S. Lord, daugHter of Dr. Robert SutHerland Lord A concert program entitled “THe Sainte-Clotilde Tradition: A Living Legacy” will be presented at the Heinz Memorial CHapel on Sunday, October 30, at 3 p.m. THe program will include worKs of the three organist- composers wHo embody THe Sainte-Clotilde Tradition—César FrancK, CHarles Tournemire, and Jean Langlais— titular organists at the Basilica of Sainte-Clotilde in Paris for a total of 115 years. THe concert commemorates the second anniversary of the death of Dr. Robert Sutherland Lord, University Organist (1962-2006), and the 25th anniversary of the death of Jean Langlais (1907-91), the final bearer of the tradition. Organists for the concert will be Steven AnisKo, Robert Blevins, and Dr. Douglas Himes, all protégés of Dr. Lord, with special guest Marie-Louise Langlais, widow of Jean Langlais. THe concert is open to the public at no cHarge. THe Sainte-Clotilde Tradition is one of the most important traditions of organ performance, composition, improvisation, and pedagogy in the History of the instrument. THe tradition was named by Robert Lord, wHo became one of its leading international authorities. Dr. Lord began studying with Jean Langlais in Paris in 1958, a mentorsHip that spanned 33 years until the death of the master in 1991. THe bequest of Dr. Lord’s collection of scHolarly materials and recorded performances to the University of PittsburgH ArcHives created a major repository that is used by researcHers from around the world. IMAGE 2 ROBERT SUTHERLAND LORD The four organists for the commemorative concert all Have deep (LEFT) AND JEAN LANGLAIS IN PITTSBURGH IN 1976 connections to THe Sainte-Clotilde Tradition. Special guest Marie-Louise Langlais is internationally renowned as an organist, musicologist, teacHer, and recording artist. SHe Has Held positions as Professor of Organ and Improvisation at the National Regional Conservatory of Marseilles, the ScHola Cantorum in Paris, and the National Regional Conservatory of Paris, and Has served on numerous international juries for organ competitions througHout the world. SHe also served as Assistant Organist at the Basilica of Sainte-Clotilde with Her Husband, on wHose life and music sHe is the leading international authority. SHe is currently in residence as DistinguisHed Visiting Professor of Organ at the Oberlin Conservatory of Music. THe other three organists for the concert studied music of THe Sainte-Clotilde Tradition under the tutelage of Dr. Lord: Steven AnisKo (1992-2013), Robert Blevins (1978-80), Douglas Himes (1970-81). Mr. AnisKo and Dr. Himes served with Dr. Lord as Assistant University Organists in the Heinz Memorial CHapel. Dr. Himes also studied with Jean Langlais and performed by invitation at Ste.-Clotilde.
Recommended publications
  • Tuesday, February 12
    The Organizer — — February — 2008 A G O Monthly Newsletter The Atlanta Chapter L O G O AMERICAN GUILD of ORGANISTS The Organizer FEBRUARY 2008 _________________________________________________________________________________________________________________ Dr. Ann Labounsky has earned TUESDAY, FEBRUARY 12 an enviable international reputation as Ann Labounsky, organist Atlanta a virtuoso performer and improvisor at the organ, and particularly, as a leading “Life and Music of Jean Langlais” Chapter Officers American disciple of Jean Langlais. Dean From 1962 to 1964 Ann Labounsky PEACHTREE CHRISTIAN CHURCH Michael Morgan lived and studied in Paris as a recipient 150 Peachtree Street NE at Spring of a Fulbright Grant. As an organ Atlanta, Georgia Sub-Dean 404.876.5535 James Mellichamp student of André Marchal and Jean Langlais, she immersed herself in the Host: Herb Buffington Secretary French organ tradition; she studied Betty Williford 6:00 pm Punch Bowl most of Langlais’s compositions with Treasurer the composer, and played them for him 6:30 pm Dinner & Meeting Charlene Ponder on the organ at Sainte-Clotilde. In 1964, 8:00 pm Recital while she was Langlais’s student at the Registrar Schola Cantorum, she earned the Dinner Reservations ($12) Michael Morris due by 2/7/08 Diplôme de Virtuosité with mention Newsletter Editor maximum in both performance and improvisation. Additional study was Charles Redmon Ann Labounsky’s early training was under the with Suzanne Chaisemartin and Marcel direction of Paul J. Sifler and John LaMontaine Chaplain Dupré. She was awarded the diploma in New York City. She was awarded a Bachelor Rev. Dr. John Beyers with the highest honors at the organ of Music degree from the Eastman School of Auditor competition at the Soissons Cathedral.
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  • Jean Langlais Remembered
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  • Organ Recital by Stephen Tharp 2011 International Performer of the Year Award
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  • Jean LANGLAIS Remembered
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  • Jean Langlais Remembered
    Years of Improvement !CHAPTER!2!! !!Years!!of!!Improvement!(193041935)!! ! ! The Amis de l’Orgue competition - Lessons with Tournemire Fresh from the Conservatory, 23 years old, Jean Langlais had no idea that he would participate in a great movement to renew the twentieth century French School of the organ. To be sure, the pioneers (Franck, Widor, Guilmant, Dupré, Vierne, Tournemire, Marchal) had fought to change a 19th century situation compromised by the mediocrity of its taste and its organ technique. By the quality of their compositions, improvisations, and performances, these pioneers won over a public until then sparse and lukewarm, for whom the organ was too often synonymous with the noise at the end of the Mass. The main task remained: to release the organ from the circles in which it was confined, which meant first of all, from the closed circle of the church. In 1930, the French School of the organ already shone and the young generation, that of Duruflé, Messiaen, Alain, Langlais, and Litaize, supported by their elders, was soon to play a leading role. This road to success was facilitated by the 1927 formation of the organization called “Les Amis de l’Orgue” (Friends of the Organ), founded by Count Bérenger de Miramon Fitz-James and the young organist-musicologist Norbert Dufourcq, with the encouragement and support of musicians such as Widor, d’Indy, Pierné, Vierne, Tournemire, Dupré, and Marchal. Its goals were to bring together and assist organists, particularly the youngest ones. Already in 1924, the musicologist Jean Huré, who had started a monthly journal named L’Orgue et les organistes, was complaining both about the public and musicians in fairly strong language: The organ is little known by our composers; it is little known to the musical public.
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  • Aug 09 Pp. 22-25 .Indd 22 7/10/09 10:51:27 AM André Isoir Repairing His Eighteenth-Century Barrel Organ (1980)
    André Isoir: An Eclectic French Organist Carolyn Shuster Fournier ital music-making is the heartbeat Vthat animates André Isoir. Honorary organist at the church of Saint-Germain- des-Prés in Paris, Chevalier of Arts and Letters and recipient of the National Order of Merit, André Isoir has received the highest distinctions as an interna- tional concert and recording artist, with a vast repertoire and more than sixty re- cordings to his name. An eminent pro- fessor, he has taught over 900 organists from all over the world. A Renaissance man, he is also a composer who has made many transcriptions. Fascinated by organ building, he has been a consultant for numerous organ restorations and has served as a corresponding member of both the French Historical Monuments Commission (1970–85) and the Com- mission of Unclassifi ed Historical Monu- ments from (1980–84). Initial inspiration André Isoir was born on July 20, 1935 Rolande Falcinelli’s organ class at the Paris Conservatory in 1960. From left to in Saint-Dizier (in Haute-Marne, near right: Francis Chapelet, André François, André Isoir, Yves Devernay, Jean Wallet, Reims). He played the bugle in the city Marie-Thérèse Michaux (Besson), Xavier Darasse, Rolande Falcinelli, Christian band. At age fourteen, his life was trans- Manen, James Caussade (seated), Pierre Jorre de Saint Jorre formed when he heard J. S. Bach’s Pre- lude and Fugue in A Minor, BWV 543, played on the organ in the chapel of his school. He immediately fell in love with this instrument. For the next two years, he studied on this organ with a Salesian priest and accompanied on the harmo- Geneviève de La Salle and Édouard nium a church choir led by his father, Souberbielle, with Michel Jollivet and an amateur musician.
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  • Organ Recital Program June 7, 10 2012
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