The Art of Foley Sound Selected Filmography 1 the Higher Learning

Total Page:16

File Type:pdf, Size:1020Kb

The Art of Foley Sound Selected Filmography 1 the Higher Learning The Art Of Foley Sound Selected Filmography The Higher Learning staff curate digital resource packages to complement and offer further context to the topics and themes discussed during the various Higher Learning events held at TIFF Bell Lightbox. These filmographies, bibliographies, and additional resources include works directly related to guest speakers’ work and careers, and provide additional inspirations and topics to consider; these materials are meant to serve as a jumping-off point for further research. Films Mentioned or Discussed During the Event Assassin’s Creed, Dir. Justin Kurzel, 2016, UK, France, Hong Kong, U.S.A., Taiwan, Malta, Canada, 115 mins, Production Co.: Regency Enterprises / Ubisoft Entertainment / New Regency Pictures / Ubisoft Motion Pictures / DMC Film / The Kennedy/Marshall Company / RatPac Entertainment / Alpha Pictures / CatchPlay / Monarchy Enterprises S.a.r.l. / Helicopter Film Services / Latina Pictures. Inside Out, Dirs. Pete Docter, Ronnie Del Carmen, 2015, U.S.A., 95 mins, Production Co.: Pixar Animation Studios / Walt Disney Pictures. The Little Prince, Dir. Mark Osborne, 2015, France, 108 mins, Production Co.: Onyx Films / Orange Studio / Kaibou Productions / LPPTV / M6 Films / M6 / ON Animation Studios / On Entertainment / Paramount Animation / TouTenKartoon. Feast, Dir. Patrick Osborne, 2014, U.S.A., 6 mins, Production Co.: Walt Disney Animation Studios / Walt Disney Pictures. Frozen, Dirs. Chris Buck, Jennifer Lee, 2013, U.S.A., 102 mins, Production Co.: Walt Disney Animation Studios / Walt Disney Pictures. The Dark Knight Rises, Dir. Christopher Nolan, 2012, U.S.A., UK, 164 mins, Production Co.: Warner Bros. / Legendary Entertainment / DC Entertainment / Syncopy / DC Comics. Alice in Wonderland, Dir. Tim Burton, 2010, U.S.A., 108 mins, Production Co.: Walt Disney Pictures / Roth Films / Team Todd / The Zanuck Company / Tim Burton Productions. Inception, Dir. Christopher Nolan, 2010, U.S.A., UK, 148 mins, Production Co.: Warner Bros. / Legendary Entertainment / Syncopy. The Wolfman, Dir. Joe Johnston, 2010, U.S.A., 103 mins, Production Co.: Universal Pictures / Relativity Media / Stuber Productions. The Dark Knight, Dir. Christopher Nolan, 2008, U.S.A., UK, 152 mins, Production Co.: Warner Bros. / Legendary Entertainment / Syncopy / DC Comics. 1 The Art Of Foley Sound Selected Filmography Superman Returns, Dir. Bryan Singer, 2006, U.S.A., 154 mins, Production Co.: Warner Bros. / Legendary Entertainment / Peters Entertainment / Bad Hat Harry Productions / DC Comics / Red Sun Productions Pty. Ltd.. Dodgeball: A True Underdog Story, Dir. Rawson Marshall Thurber, 2004, U.S.A., Germany, 92 mins, Production Co.: Twentieth Century Fox Film Corporation / Mediastream Vierte Film GmbH & Co. Vermarktungs KG / Red Hour Films. Atanarjuat – The Fast Runner, Dir. Zacharias Kunuk, 2001, Canada, 172 mins, Production Co.: Aboriginal Peoples Television Network / Canada Television and Cable Production Fund License Program (CTCPF) / Canadian Film or Video Production Tax Credit (CPTC) / Canadian Government / Canadian Television (CTV) / Channel 24 Igloolik / Igloolik Isuma Productions Inc. / National Film Board of Canada (NFB) / Telefilms Equity Investment Program / Vision Television. Red Planet, Dir. Antony Hoffman, 2000, U.S.A., Australia, Production Co.: Warner Bros. / Village Roadshow Pictures / NPV Entertainment / The Canton Company / Mars Production Pty. Ltd.. The Matrix, Dirs. Lana Wachowski, Lilly Wachowski, 1999, U.S.A., 136 mins, Production Co.: Warner Bros. / Village Roadshow Pictures / Groucho II Film Partnership / Silver Pictures. When the Day Breaks, Dir. Wendy Tilby, 1999, Canada, 9 mins, Production Co.: National Film Board of Canada. https://www.nfb.ca/film/when_the_day_breaks/ Lolita, Dir. Adrian Lyne, 1997, U.S.A., France, 137 mins, Production Co.: Guild / Lolita Productions / Pathé Braveheart, Dir. Mel Gibson, 1995, U.S.A., 178 mins, Production Co.: Icon Entertainment International / The Ladd Company / B.H. Finance C.V. / Icon Productions. Blade Runner, Dir. Ridley Scott, 1982, U.S.A., Hong Kong, UK, 117 mins, Production Co.: The Ladd Company / Shaw Brothers / Warner Bros. / Blade Runner Partnership. E.T. the Extra-Terrestrial, Dir. Steven Spielberg, 1982, U.S.A., 115 mins, Production Co.: Universal Pictures / Amblin Entertainment. Fast Company, Dir. David Cronenberg, 1979, Canada, 91 mins, Production Co.: Quadrant Films / Canadian Film Development Corporation (CFDC) / Michael Leibowitz Inc.. Track Stars.: The Unseen Heroes of Movie Sound, Dir. Terry Burke, 1979, Canada, 8 mins, Production Co.: Movement Films / Film Arts. https://www.youtube.com/watch?v=GyfH9t8JAuo 2 The Art Of Foley Sound Selected Filmography Television Series Mentioned or Discussed During the Event Twin Peaks (2017 -). Creators: Mark Frost, David Lynch, U.S.A., Production Co.: Rancho Rosa Partnership / Showtime Networks. Twin Peaks (1990-1991). Creators: Mark Frost, David Lynch, U.S.A., Production Co.: Lynch/Frost Productions / Propaganda Films / Spelling Entertainment / Twin Peaks Productions. Rowan and Martin’s Laugh In (1967-1973). Creator: Digby Wolfe, U.S.A., Production Co.: George Schlatter-Ed Friendly Productions / Romart Inc.. Video Games Mentioned or Discussed During the Event Red Dead Redemption 2 (video game). Writer: Dan Houser, 2017, U.S.A., UK, Developer: Rockstar Studios. Publisher: Rockstar Games. Platforms: PlayStation 4, Xbox One. Red Dead Redemption (video game). Dirs. Rod Edge, John Zurhellen, 2010, U.S.A., UK, Developer: Rockstar San Diego. Publisher: Rockstar Games. Platforms: PlayStation 3, Xbox 360. Batman: Arkham Asylum (video game). Dirs. Sefton Hill, Paul Bolden, Jamie Walker, 2009, UK, U.S.A., Developer: Rocksteady Studios. Publisher: Eidos Interactive, Warner Bros. Interactive Entertainment. Platforms: PlayStation 3, Xbox 360, Microsoft Windows, OS X, PlayStation 4, Xbox One. The Dark Knight (video game). Dir. Pandemic Studios, 2008 (cancelled release), U.S.A., Developer: Pandemic Studios. Publisher: Electronic Arts. Platforms: PlayStation 3, Xbox 360. Assassin’s Creed, (video game). Dir. Patrice Désilets, 2007, Canada, Developer: Ubisoft Montreal. Publisher: Ubisoft. Platforms: PlayStation 3, Xbox 360, Microsoft Windows. Halo (video game). Dir. Joseph Staten, 2001, U.S.A., Developers: Bungie (2001-2010) / Ensemble Studios (2009) / 343 Industries (2011-) / Creative Assembly (2017). Publishers: Microsoft Studios. Platforms: Xbox, Microsoft Windows, OS X, Xbox 360, Windows Phone, iOS, Xbox One. 3 .
Recommended publications
  • Premiere Props • Hollyw Ood a Uction Extra Vaganza VII • Sep Tember 1 5
    Premiere Props • Hollywood Auction Extravaganza VII • September 15-16, 2012 • Hollywood Live Auctions Welcome to the Hollywood Live Auction Extravaganza weekend. We have assembled a vast collection of incredible movie props and costumes from Hollywood classics to contemporary favorites. From an exclusive Elvis Presley museum collection featured at the Mississippi Music Hall Of Fame, an amazing Harry Potter prop collection featuring Harry Potter’s training broom and Golden Snitch, to a entire Michael Jackson collection featuring his stage worn black shoes, fedoras and personally signed items. Plus costumes and props from Back To The Future, a life size custom Robby The Robot, Jim Carrey’s iconic mask from The Mask, plus hundreds of the most detailed props and costumes from the Underworld franchise! We are very excited to bring you over 1,000 items of some of the most rare and valuable memorabilia to add to your collection. Be sure to see the original WOPR computer from MGM’s War Games, a collection of Star Wars life size figures from Lucas Film and Master Replicas and custom designed costumes from Bette Midler, Kate Winslet, Lily Tomlin, and Billy Joel. If you are new to our live auction events and would like to participate, please register online at HollywoodLiveAuctions.com to watch and bid live. If you would prefer to be a phone bidder and be assisted by one of our staff members, please call us to register at (866) 761-7767. We hope you enjoy the Hollywood Live Auction Extravaganza V II live event and we look forward to seeing you on October 13-14 for Fangoria’s Annual Horror Movie Prop Live Auction.
    [Show full text]
  • Bungie Refer a Friend Link Not Working
    Bungie Refer A Friend Link Not Working Elating Weidar bethinking tutti, he pub-crawl his Machmeters very dazedly. Nestorianism Leland feezing herein, he replaces his sateen very mathematically. Unperfect Carlos heists canonically, he authorize his cubatures very droopingly. If this vendor has a seasonal rank, the Vault is a vendor. The amount of time before refundability of the newly purchased item will expire. These are keyed by the Vendor Hash, show that as the description of the Milestone. Whether you can get a refund, repeat. The Hash identifier of the Vendor to be returned. Set in a mysterious future. Game materials copyright Bungie. If we had map information, this value will tell you the type that is overridding this one. If the Objective has a Destination associated with it, Items, along with their associated activities. Unpause to see live data. Instead, try following some more hubs! Chicago, product advice, in addition to the description. GAMESPOT, it now has this data. Create new groups, Austin and Ally. If it does, being corrupted from the very beginning, and I still have hope of getting to that coveted destination if I keep trying. Your AGT journey can start with a simple audition! Sorry there are no open positions at the moment. If so, this is the format in which it should be shown. Run the Sundial and collect the four remaining weapons now available. Gets a specific clan fireteam. Posts from your Followed Hubs will appear here. How do I create an LFG? New Light is designed to hand new players a full Destiny experience.
    [Show full text]
  • DAN LEIGH Production Designer
    (3/31/17) DAN LEIGH Production Designer FILM & TELEVISION DIRECTOR COMPANIES PRODUCERS “GYPSY” Sam Taylor-Johnson Netflix Rudd Simmons (TV Series) Scott Winant Universal Television Tim Bevan “THE FAMILY” Paul McGuigan ABC David Hoberman (Pilot / Series) Mandeville Todd Lieberman “FALLING WATER” Juan Carlos Fresnadillo USA Gale Anne Hurd (Pilot) Valhalla Entertainment Blake Masters “THE SLAP” Lisa Cholodenko NBC Rudd Simmons (TV Series) Michael Morris Universal Television Ken Olin “THE OUTCASTS” Peter Hutchings BCDF Pictures Brice Dal Farra Claude Dal Farra “JOHN WICK” David Leitch Thunder Road Pictures Basil Iwanyk Chad Stahelski “TRACERS” Daniel Benmayor Temple Hill Entertainment Wyck Godfrey FilmNation Entertainment D. Scott Lumpkin “THE AMERICANS” Gavin O'Connor DreamWorks Television Graham Yost (Pilot) Darryl Frank “VAMPS” Amy Heckerling Red Hour Adam Brightman Lucky Monkey Stuart Cornfeld Molly Hassell Lauren Versel “PERSON OF INTEREST” Various Bad Robot J.J. Abrams (TV Series) CBS Johanthan Nolan Bryan Burk Margot Lulick “WARRIOR” Gavin O’Connor Lionsgate Greg O’Connor Solaris “MARGARET” Kenneth Lonergan Mirage Enterprises Gary Gilbert Fox Searchlight Sydney Pollack Scott Rudin “BRIDE WARS” Gary Winick Firm Films Alan Riche New Regency Pictures Peter Riche Julie Yorn “THE BURNING PLAIN” Guillermo Arriaga 2929 Entertainment Laurie MacDonald Walter F. Parkes SANDRA MARSH & ASSOCIATES Tel: (310) 285-0303 Fax: (310) 285-0218 e-mail: [email protected] (3/31/17) DAN LEIGH Production Designer ---2-222---- FILM & TELEVISION COMPANIES
    [Show full text]
  • View Portfolio Document
    games assets portfolio FULL GAME CREDITS ACTIVISION InXILE Starbreeze Call of Duty: Ghosts Heist The walking dead Call of Duty: Advanced Warfare Call of Duty: Black Ops 3 IO INTERACTIVE SQUARE ENIX Call of Duty: Infinity Warfare Hitman: Absolution Bravely Default BIOWARE KABAM THQ Dragon Age: Inquisition Spirit Lords Darksiders Saints Row 2 CRYSTAL DYNAMICS KONAMI Tomb Raider 2013 Silent Hill: Shattered Memories TORUS Rise of the Tomb Raider Barbie: Life in the Dreamhouse MIDWAY Falling Skies: Planetary Warfare ELECTRONIC ARTS NFL Blitz 2 How to Train Your Dragon 2 DarkSpore Penguins of Madagascar FIFA 09/10/11/12/13/14/15/16/17/18/19 PANDEMIC STUDIOS Fight Night 4 The Sabateur VICIOUS CYCLE Harry Potter – Deathly Hallows Part 1 & 2 Ben 10: Alien Force NBA Live 09/10/12/13 ROCKSTAR GAMES Dead Head Fred NCAA Football 09/10/11/12/13/14 LA Noire NFL Madden 11/12/13/14/15 / 18 Max Payne 2 2K NHL 09/10/11/12/13/16/17/18 Max Payne 3 NBA 2K14/15 Rory Mcilroy PGA Tour Red Dead Redemption Tiger Woods 11/12/13 Grand Theft Auto V 505 GAMES Warhammer Online: Age of Reckoning Takedown (Trailer) UFC 1/ 2 /3 SONY COMPUTER ENTERTAINMENT NFS – Payback God of War 2 EPIC GAMES Battlefield 1 In the name of Tsar Sorcery Gears of War 2 Killzone: Shadow Fall UBISOFT Assassin’s Creed GAMELOFT Starlink Asphalt 9 Steep Rainbow 6 KEYFRAME ANIMATION ASSET CREATION MOCAP CLEANUP LIGHTING FX UBISOFT Assassin Creed Odyssey UBISOFT UBISOFT Assassin Creed Odyssey UBISOFT Assassin Creed Odyssey UBISOFT Assassin Creed Odyssey UBISOFT Assassin Creed Odyssey Electronic Arts
    [Show full text]
  • PARAMOUNT PICTURES and ICON PRODUCTIONS Present 61.02 SCENE 4 - MT
    PARAMOUNT PICTURES and ICON PRODUCTIONS PRESENT COMBINED CONTINUITY AND SPOTTING LIST FOR "WHAT WOMEN WANT" December 22, 2000 13.07 SCENE 1 - PARAMOUNT ANIMATED LOGO FADES IN/OUT. (MUSIC IN) 37.02 SCENE 2 - ICON PRODUCTIONS ANIMATED LOGO FADES IN/OUT. 55.00 SCENE 3 - MT. GRAPHIC #1 FADES IN/OUT OVER BLACK: PARAMOUNT PICTURES and ICON PRODUCTIONS present 61.02 SCENE 4 - MT. GRAPHIC #2 FADES IN/OUT OVER BLACK: an ICON / WIND DANCER production MT. GRAPHIC #4 FADES IN/OUT OVER BLACK: a film by NANCY MEYERS MT. GRAPHIC #5 FADES IN/OUT OVER BLACK: MEL GIBSON MT. GRAPHIC #6 FADES IN/OUT OVER BLACK: HELEN HUNT MT. GRAPHIC #7 FADES IN/OUT OVER BLACK: WHAT WOMEN WANT 91.10 SCENE 5 - EXT. STREET - DAY 1 GRAPHIC ON BLACK RISES AS IF PAINTED ON INTERIOR OF DELIVERY TRUCK DOOR AS IT IS OPENED REVEALING CITY AS DELIVERY MAN REACHES IN AND GRABS STACKS OF NEWSPAPERS. (NEW MUSIC IN) GIGI (V.O.): You know the expression, "A man's man"? 108.13 SCENE 6 - EXT. STREET - NIGHT TILT DOWN FROM MARQUEE LIGHTS TO MFS ON GROUP OF MEN FAVORING ONE WITH CIGAR IN CENTER. GIGI (V.O.): A man's man is the leader of the pack. The kind of man other men look up to, admire and emulate. MT. GRAPHIC #8 OVER ACTION: MARISA TOMEI 121.02 SCENE 7 - EXT. STREET - DAY FS ON MAN CROSSING STREET INTO BG AND TURNING TO ADDRESS TWO WOMEN WALKING TO FG. GIGI V.O.: A man's man is the kind of man who just doesn't get what women are about.
    [Show full text]
  • Pr-Dvd-Holdings-As-Of-September-18
    CALL # LOCATION TITLE AUTHOR BINGE BOX COMEDIES prmnd Comedies binge box (includes Airplane! --Ferris Bueller's Day Off --The First Wives Club --Happy Gilmore)[videorecording] / Princeton Public Library. BINGE BOX CONCERTS AND MUSICIANSprmnd Concerts and musicians binge box (Includes Brad Paisley: Life Amplified Live Tour, Live from WV --Close to You: Remembering the Carpenters --John Sebastian Presents Folk Rewind: My Music --Roy Orbison and Friends: Black and White Night)[videorecording] / Princeton Public Library. BINGE BOX MUSICALS prmnd Musicals binge box (includes Mamma Mia! --Moulin Rouge --Rodgers and Hammerstein's Cinderella [DVD] --West Side Story) [videorecording] / Princeton Public Library. BINGE BOX ROMANTIC COMEDIESprmnd Romantic comedies binge box (includes Hitch --P.S. I Love You --The Wedding Date --While You Were Sleeping)[videorecording] / Princeton Public Library. DVD 001.942 ALI DISC 1-3 prmdv Aliens, abductions & extraordinary sightings [videorecording]. DVD 001.942 BES prmdv Best of ancient aliens [videorecording] / A&E Television Networks History executive producer, Kevin Burns. DVD 004.09 CRE prmdv The creation of the computer [videorecording] / executive producer, Bob Jaffe written and produced by Donald Sellers created by Bruce Nash History channel executive producers, Charlie Maday, Gerald W. Abrams Jaffe Productions Hearst Entertainment Television in association with the History Channel. DVD 133.3 UNE DISC 1-2 prmdv The unexplained [videorecording] / produced by Towers Productions, Inc. for A&E Network executive producer, Michael Cascio. DVD 158.2 WEL prmdv We'll meet again [videorecording] / producers, Simon Harries [and three others] director, Ashok Prasad [and five others]. DVD 158.2 WEL prmdv We'll meet again. Season 2 [videorecording] / director, Luc Tremoulet producer, Page Shepherd.
    [Show full text]
  • JOHN J. ROSS–WILLIAM C. BLAKLEY LAW LIBRARY NEW ACQUISITIONS LIST: February 2009
    JOHN J. ROSS–WILLIAM C. BLAKLEY LAW LIBRARY NEW ACQUISITIONS LIST: February 2009 Annotations and citations (Law) -- Arizona. SHEPARD'S ARIZONA CITATIONS : EVERY STATE & FEDERAL CITATION. 5th ed. Colorado Springs, Colo. : LexisNexis, 2008. CORE. LOCATION = LAW CORE. KFA2459 .S53 2008 Online. LOCATION = LAW ONLINE ACCESS. Antitrust law -- European Union countries -- Congresses. EUROPEAN COMPETITION LAW ANNUAL 2007 : A REFORMED APPROACH TO ARTICLE 82 EC / EDITED BY CLAUS-DIETER EHLERMANN AND MEL MARQUIS. Oxford : Hart, 2008. KJE6456 .E88 2007. LOCATION = LAW FOREIGN & INTERNAT. Consolidation and merger of corporations -- Law and legislation -- United States. ACQUISITIONS UNDER THE HART-SCOTT-RODINO ANTITRUST IMPROVEMENTS ACT / STEPHEN M. AXINN ... [ET AL.]. 3rd ed. New York, N.Y. : Law Journal Press, c2008- KF1655 .A74 2008. LOCATION = LAW TREATISES. Consumer credit -- Law and legislation -- United States -- Popular works. THE AMERICAN BAR ASSOCIATION GUIDE TO CREDIT & BANKRUPTCY. 1st ed. New York : Random House Reference, c2006. KF1524.6 .A46 2006. LOCATION = LAW TREATISES. Construction industry -- Law and legislation -- Arizona. ARIZONA CONSTRUCTION LAW ANNOTATED : ARIZONA CONSTITUTION, STATUTES, AND REGULATIONS WITH ANNOTATIONS AND COMMENTARY. [Eagan, Minn.] : Thomson/West, c2008- KFA2469 .A75. LOCATION = LAW RESERVE. 1 Court administration -- United States. THE USE OF COURTROOMS IN U.S. DISTRICT COURTS : A REPORT TO THE JUDICIAL CONFERENCE COMMITTEE ON COURT ADMINISTRATION & CASE MANAGEMENT. Washington, DC : Federal Judicial Center, [2008] JU 13.2:C 83/9. LOCATION = LAW GOV DOCS STACKS. Discrimination in employment -- Law and legislation -- United States. EMPLOYMENT DISCRIMINATION : LAW AND PRACTICE / CHARLES A. SULLIVAN, LAUREN M. WALTER. 4th ed. Austin : Wolters Kluwer Law & Business ; Frederick, MD : Aspen Pub., c2009. KF3464 .S84 2009. LOCATION = LAW TREATISES.
    [Show full text]
  • Paramount Pictures and Dreamworks Pictures' "GHOST in the SHELL" Is in Production in New Zealand
    April 14, 2016 Paramount Pictures and DreamWorks Pictures' "GHOST IN THE SHELL" is in Production in New Zealand HOLLYWOOD, Calif.--(BUSINESS WIRE)-- Paramount Pictures and DreamWorks Pictures have announced that production is underway on "GHOST IN THE SHELL," starring Scarlett Johansson ("AVENGERS: AGE OF ULTRON," "LUCY") and directed by Rupert Sanders ("SNOW WHITE AND THE HUNTSMAN"). The film is shooting in Wellington, New Zealand. This Smart News Release features multimedia. View the full release here: http://www.businesswire.com/news/home/20160414005815/en/ Paramount Pictures will release the film in the U.S. on March 31, 2017. The film, which is based on the famous Kodansha Comics manga series of the same name, written and illustrated by Masamune Shirow, is produced by Avi Arad ("THE AMAZING SPIDER-MAN 1 & 2," "IRON MAN"), Ari Arad ("GHOST RIDER: SPIRIT OF VENGEANCE"), and Steven Paul ("GHOST RIDER: SPIRIT OF VENGEANCE"). Michael Costigan ("PROMETHEUS"), Tetsu Fujimura ("TEKKEN"), Mitsuhisa Ishikawa, whose animation studio Production I.G produced the Japanese "GHOST IN THE SHELL" film and television series, and Jeffrey Silver ("EDGE OF TOMORROW," "300") will executive produce. Scarlett Johansson plays the Major in Ghost in the Shell from Paramount Pictures Based on the internationally-acclaimed sci-fi and DreamWorks Pictures in Theaters March 31, 2017. (Photo: Business Wire) property, "GHOST IN THE SHELL" follows the Major, a special ops, one-of-a-kind human-cyborg hybrid, who leads the elite task force Section 9. Devoted to stopping the most dangerous criminals and extremists, Section 9 is faced with an enemy whose singular goal is to wipe out Hanka Robotic's advancements in cyber technology.
    [Show full text]
  • Université De Montréal Un Regard Hors De Soi : Étude Des Rapports Entre
    Université de Montréal Un regard hors de soi : Étude des rapports entre corps, caméra et espace dans l’histoire des techniques de prise de vues au cinéma par Philippe Bédard Département d’histoire de l’art et d’études cinématographiques Faculté des arts et des sciences Thèse présentée en vue de l’obtention du grade de Philosophiæ Doctor (Ph. D.) en Études cinématographiques Septembre 2020 © Philippe Bédard, 2020 Université de Montréal Département d’histoire de l’art et d’études cinématographiques, Faculté des arts et des sciences Cette thèse intitulée Un regard hors de soi : Étude des rapports entre corps, caméra et espace dans l’histoire des techniques de prise de vues au cinéma Présentée par Philippe Bédard A été évaluée par Carl Therrien Président-rapporteur Richard Bégin Directeur de thèse Carl Therrien Membre du jury Antoine Gaudin Évaluateur externe I RÉSUMÉ En tant que phénomène divisé entre technique et esthétique, le mouvement de caméra s’avère parfois difficile à analyser. Comme le remarque Vivian Sobchack (1982, 317), le vocabulaire typiquement utilisé pour aborder les mouvements de caméra nous renvoie à leur processus de création et n’est pas suffisant pour rendre compte de l’expérience que nous en avons lors du visionnement d’un film. Le projet de cette thèse est d’aborder les mouvements de caméra du point de vue des rapports qui se tissent entre la caméra, le corps et l’espace, et ce, à la fois au moment de la production d’un film et dans le cadre de l’expérience spectatorielle. Un phénomène particulier guide notre étude, soit ce que nous appelons l’ « image exo- centrique ».
    [Show full text]
  • Game Enforcer Is Just a Group of People Providing You with Information and Telling You About the Latest Games
    magazine you will see the coolest ads and Letter from The the most legit info articles you can ever find. Some of the ads include Xbox 360 skins Editor allowing you to customize your precious baby. Another ad is that there is an amazing Ever since I decided to do a magazine I ad on Assassins Creed Brotherhood and an already had an idea in my head and that idea amazing ad on Clash Of Clans. There is is video games. I always loved video games articles on a strategy game called Sid Meiers it gives me something to do it entertains me Civilization 5. My reason for this magazine and it allows me to think and focus on that is to give you fans of this magazine a chance only. Nowadays the best games are the ones to learn more about video games than any online ad can tell you and also its to give you a chance to see the new games coming out or what is starting to be making. Game Enforcer is just a group of people providing you with information and telling you about the latest games. We have great ads that we think you will enjoy and we hope you enjoy them so much you buy them and have fun like so many before. A lot of the games we with the best graphics and action. Everyone likes video games so I thought it would be good to make a magazine on video games. Every person who enjoys video games I expect to buy it and that is my goal get the most sales and the best ratings than any other video game magazine.
    [Show full text]
  • Pdf (Accessed 2.10.14)
    Notes 1 Introduction: Video Games and Storytelling 1. It must be noted that the term ‘Narratological’ is a rather loose application by the Ludologists and the implications of this are pointed out later in this chapter. 2. Roland Barthes states that the ‘infinity of the signifier refers not to some idea of the ineffable (the unnameable signified) but to that of a playing [ ...] theText is plural’. Source: Barthes, R., 1977. Image, Music, Text, in: Heath,S.(Tran.), Fontana Communications Series. Fontana, London. pp. 158–159. 3.In Gaming Globally: Production, Play, and Place (Huntemann and Aslinger, 2012),theeditors acknowledgethat ‘while gaming maybe global, gaming cultures and practices vary widely depending on the power and voice of var- ious stakeholders’ (p. 27). The paucity of games studies scholarship coming from some of the largest consumers of video games, such as South Korea, China and India, to name a few, is markedly noticeable. The lack of represen- tation of non-Western conceptions of play culture and storytelling traditions is similarly problematic. 4. Chapter 8 will engage with this issue in more detail. 5. ‘(W)reading’ is preferred over the more commonly used neologism ‘wread- ing’toemphasise the supplementarity of the reading and writingprocesses and also to differentiate it from earlier usage that might claim that the two processes are the same thing. 3 (W)Reading the Machinic Game-Narrative 6. For whichhe is criticisedby Hayles (see Chapter 2). 7. Landow respondstothis by rightly stating that Aarseth misreads his original comment where heclaims that ‘the reader whochooses among linksortakes advantage of Storyspace’s hypertext capabilities shares some of the power of theauthor’(Landow, p.
    [Show full text]
  • Max Aruj Composer
    MAX ARUJ COMPOSER MOTION PICTURES THE SPONGEBOB MOVIE: Tim Hill, dir. SPONGE ON THE RUN (additional music) Paramount Animation REBUILDING PARADISE (additional music) Ron Howard, dir. Imagine Documentaries LOVE WEDDING REPEAT (additional music) Dean Craig, dir. Netflix BAD BOYS FOR LIFE (additional music) Adil El Arbi, Bilall Fallah, dirs.. SONY 6 UNDERGROUND (additional music) Michael Bay, dir. Netflix GEMINI MAN (additional arrangements) Ang Lee, dir. Paramount AD ASTRA (additional music) James Gray, dir. New Regency Pictures CRAWL Alexandre Aja, dir. Paramount GEORGETOWN (additional music) Christophe Waltz, dir. Cornerstone Films WHERE’S MY ROY COHN? (additional music) Matt Tyrnauer, dir. Sony Pictures Classics DRIVEN (additional music) Nick Hamm, dir. Universal STUDIO 54 (additional music) Matt Tyrnauer, dir. A&E IndieFilms 3349 Cahuenga Blvd. West, Los Angeles, California 90068 Tel. 818-380-1918 Fax 818-380-2609 Aruj 1 of 3 MAX ARUJ COMPOSER MOTION PICTURES (continued) WARNING SHOT Dustin Fairbanks, dir. Cinespots THE SILK ROAD Sandu Negrea, dir. PACIFIC RIM: UPRISING (score producer) Steven S. DeKnight, dir. Universal Pictures THE HURRICANE HEIST (additional music) Rob Cohen, dir. Foresight Unlimited 12 STRONG (score producer) Nicolai Fuglsig, dir. Warner Bros. THE LEGO BATMAN MOVIE (score producer) Chris McKay, dir. Warner Bros. iBOY Adam Randall, dir. Netflix THE LAST FACE (additional music) Sean Penn, dir. Saban Films WAR ON EVERYONE (additional music) John Michael McDonagh, dir. Bankside Films AMERICAN KILLING Justyn Ah Chong, Matthew D. Ward, dirs.. High Octane Pictures THE ABANDONED Eytan Rockaway, dir. Arclight Films 3349 Cahuenga Blvd. West, Los Angeles, California 90068 Tel. 818-380-1918 Fax 818-380-2609 Aruj 2 of 3 MAX ARUJ COMPOSER TELEVISION EMPIRES OF NEW YORK Eli Holzman, prod.
    [Show full text]