The Housewarming Project & Sirius Quartet
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Where to Study Jazz 2019
STUDENT MUSIC GUIDE Where To Study Jazz 2019 JAZZ MEETS CUTTING- EDGE TECHNOLOGY 5 SUPERB SCHOOLS IN SMALLER CITIES NEW ERA AT THE NEW SCHOOL IN NYC NYO JAZZ SPOTLIGHTS YOUNG TALENT Plus: Detailed Listings for 250 Schools! OCTOBER 2018 DOWNBEAT 71 There are numerous jazz ensembles, including a big band, at the University of Central Florida in Orlando. (Photo: Tony Firriolo) Cool perspective: The musicians in NYO Jazz enjoyed the view from onstage at Carnegie Hall. TODD ROSENBERG FIND YOUR FIT FEATURES f you want to pursue a career in jazz, this about programs you might want to check out. 74 THE NEW SCHOOL Iguide is the next step in your journey. Our As you begin researching jazz studies pro- The NYC institution continues to evolve annual Student Music Guide provides essen- grams, keep in mind that the goal is to find one 102 NYO JAZZ tial information on the world of jazz education. that fits your individual needs. Be sure to visit the Youthful ambassadors for jazz At the heart of the guide are detailed listings websites of schools that interest you. We’ve com- of jazz programs at 250 schools. Our listings are piled the most recent information we could gath- 120 FIVE GEMS organized by region, including an International er at press time, but some information might have Excellent jazz programs located in small or medium-size towns section. Throughout the listings, you’ll notice changed, so contact a school representative to get that some schools’ names have a colored banner. detailed, up-to-date information on admissions, 148 HIGH-TECH ED Those schools have placed advertisements in this enrollment, scholarships and campus life. -
Beethoven's 250 Anniversary
PIANO MAGAZINE WINTER 2020–2021 | VOL 12 | NO 5 CELEBRATING TH BEETHOVEN’S 250 ANNIVERSARY AND MUSICAL INNOVATORS WINTER 2020–2021 Anne-Marie Commissioning Stories McDermott: Composition & Celebrating | VOL 12 | NO 5 $12.99 VOL of Pianists’ Creativity Artist, Leader, Innovator Underrepresented Composers CLAVIERCOMPANION.COM / a magazine for people who are passionate about the piano PIANO MAGAZINE PUBLISHER The Frances Clark Center for Keyboard Pedagogy EDITOR-IN-CHIEF / CHIEF CONTENT DIRECTOR WHAT YOU’LL Pamela D. Pike FIND INSIDE SENIOR EDITOR / DIRECTOR OF DIGITAL CONTENT Andrea McAlister • SENIOR EDITORS Steve Betts RESOURCES TO SUPPORT Craig Sale OUR COMMUNITY IN COLUMN EDITORS MUSICAL ENGAGEMENT Linda Christensen, Technology & ADVOCACY Vanessa Cornett, Healthy Playing, Healthy Teaching Barbara Kreader Skalinder, Teaching • Artina McCain, Diversity, Equity, and Inclusion Nicholas Phillips, Recordings COVERAGE OF THE Suzanne Schons, Books, Materials, and Music NEWEST TRENDS & IDEAS Helen Smith Tarchalski, Keyboard Kids IN PERFORMANCE Jerry Wong, International Richard Zimdars, Poetry Corner AND PEDAGOGY EXECUTIVE DIRECTOR & CEO • Jennifer Snow PRACTICAL SOLUTIONS DESIGN & PRODUCTION FOR PIANO TEACHING studio Chartreuse & LEARNING PROFILES COPY EDITORS Rebecca Bellelo • Kristen Holland Shear THOUGHT-PROVOKING DIGITAL OPERATIONS Shana Kirk IDEAS FROM A RANGE OF CONTRIBUTORS ADVERTISING COORDINATOR Anna Beth Rucker • CUSTOMER SUPPORT Morgan Kline REVIEWS OF THE LATEST MUSIC, RECORDINGS, CIRCULATION The Frances Clark Center for Keyboard Pedagogy BOOKS, TECHNOLOGY, & EDUCATIONAL EDITORIAL BOARD Nancy Bachus PRODUCTS Alejandro Cremashi Barbara Fast Rebecca Grooms Johnson Scott McBride Smith Winter Issue 2020-2021 Vol 12 No 5 / 1 CONTENTS Anne-Marie McDermott: ARTIST, LEADER, INNOVATOR by Andrea McAlister 12 Photo: Group lesson at NSMS (1960s) EXPLORE LEARN TEACH 9 EDITOR’S LETTER 32 THE GIFT OF NEW 36 BECOMING WEAVERS: Pamela D. -
Western Invitational Jazz Festival 2013–14 Season Saturday 15 March 2014 484Th–486Th Concerts Dorothy U
34th Annual Western Invitational Jazz Festival 2013–14 Season Saturday 15 March 2014 484th–486th Concerts Dorothy U. Dalton Center BILLY DREWES, Saxophone, Guest Artist SCHEDULE OF EVENTS Big Bands Combos 8:00 Kalamazoo Central High School 8:20 Byron Center High School Jazz Lab 8:40 West Michigan Home School 8:40 Loy Norrix High School 9:00 Mishawaka High School 9:00 Black River – “Truth” 9:20 Reeths-Puffer High School 9:20 Byron Center I 9:40 Grandwille High School 9:40 West Michigan Home School 10:00 WMU Jazz Lab Band 10:00 Northview 10:30 Byron Center High School Jazz Band 10:30 Community 5 10:50 Black River High School 10:50 Community 4 11:10 Ripon High School 11:10 Grandville 11:30 Comstock Park High School 11:30 Northside 11:50 Mona Shores High School BREAK 12:40 Mona Shores 1:00 Stevenson High School 1:00 Byron Center II 1:20 Northside High School 1:20 Community 3 1:40 East Kentwood High School 1:40 Community 2 2:00 Lincholn Way High School 2:00 Waterford Kettering 2:20 Northview High School 2:20 Stevenson 2:40 Byron Center Jazz Orchestra 2:40 Community 1 3:15 WMU Advanced Jazz Combo (Rehearsal B) 4:00 Clinic with guest artist Billy Drewes and the Western Jazz Quartet (Recital Hall) 5:00 Announcement of Outstanding Band and Combo Awards and Individual Citations BREAK 7:30 Evening Concert featuring an Outstanding Band and Combo from the Festival and Billy Drewes with the WMU Jazz Orchestra If the fire alarm sounds, please exit the building immediately. -
Jeremy Siskind Bios for Download
Jeremy Siskind, Short Biography Pianist-composer JEREMY SISKIND is “a genuine visionary” (Indianapolis Star) who “seems to defy all boundaries” (JazzInk) with music “rich in texture and nuance” (Downbeat). A top finisher in several national and international jazz piano competitions, Siskind is a two-time laureate of the American Pianists Association and the winner of the Nottingham International Jazz Piano Competition. Since making his professional debut juxtaposing Debussy’s Etudes with jazz standards at Carnegie Hall’s Weill Hall, Siskind has established himself as one of the nation’s most innovative and virtuosic modern pianists. Jeremy Siskind, Full Biography Pianist-composer JEREMY SISKIND is “a genuine visionary” (Indianapolis Star) who “seems to defy all boundaries” (JazzInk) with music “rich in texture and nuance” (Downbeat). A top finisher in several national and international jazz piano competitions, Siskind is a two-time laureate of the American Pianists Association and the winner of the Nottingham International Jazz Piano Competition. Since making his professional debut juxtaposing Debussy’s Etudes with jazz standards at Carnegie Hall’s Weill Hall, Siskind has established himself as one of the nation’s most innovative and virtuosic modern pianists. Siskind’s multifaceted career often finds him combining musical styles and breaking aesthetic norms. As the leader of “The Housewarming Project,” Siskind has not only created “a shining example of chamber jazz” (Downbeat) whose albums often land on critics’ “best of the year” lists. He’s also established himself as a pioneer of the in-home concert movement by presenting well over 100 in-home concerts in 26 states. In 2020, the Housewarming Project was a winner of a $30,000 grant from Chamber Music America's New Jazz Works program (supported by the Doris Duke Foundation). -
Dead Zone Back to the Beach I Scored! the 250 Greatest
Volume 10, Number 4 Original Music Soundtracks for Movies and Television FAN MADE MONSTER! Elfman Goes Wonky Exclusive interview on Charlie and Corpse Bride, too! Dead Zone Klimek and Heil meet Romero Back to the Beach John Williams’ Jaws at 30 I Scored! Confessions of a fi rst-time fi lm composer The 250 Greatest AFI’s Film Score Nominees New Feature: Composer’s Corner PLUS: Dozens of CD & DVD Reviews $7.95 U.S. • $8.95 Canada �������������������������������������������� ����������������������� ���������������������� contents ���������������������� �������� ����� ��������� �������� ������ ���� ���������������������������� ������������������������� ��������������� �������������������������������������������������� ����� ��� ��������� ����������� ���� ������������ ������������������������������������������������� ����������������������������������������������� ��������������������� �������������������� ���������������������������������������������� ����������� ����������� ���������� �������� ������������������������������� ���������������������������������� ������������������������������������������ ������������������������������������� ����� ������������������������������������������ ��������������������������������������� ������������������������������� �������������������������� ���������� ���������������������������� ��������������������������������� �������������� ��������������������������������������������� ������������������������� �������������������������������������������� ������������������������������ �������������������������� -
MC Residency Schedule Winter 2019
MFA in Music Composition Winter 2019 RESIDENCY SCHEDULE February 10-16, 2019 MFA in Music Composition – Winter 2019 Residency Schedule: Page 1 of 16 MFA Program Offices: Carol Beatty, Program Director, College Hall 401B; 802-828-8610; email: [email protected] Sarah Madru, Assistant Director, College Hall 401C; 802-828-8534; email: [email protected] Winter 2019 Residency Site: https://sites.google.com/vcfa.edu/mcresidency/home Title IX Coordinators: David Markow, Vice President for Student Services—College Hall 101, Office: 802-828-8535, Cell: 802-793-8245, [email protected] Jericho Parms, Director of Alumni Affairs & Diversity Initiatives—College Hall 302, Office: 802-828-8840, Cell: 917- 613-0962, [email protected] Faculty Meeting Spaces: Rick Baitz—College Hall 418 Andy Jaffe—College Hall 205 John Mallia—Noble Lounge Don DiNicola—College Hall 416 Carla Kihlstedt—Noble Annex 2 Diane Moser—Noble Reading Room Michael Early—College Hall 402 Ravi Krishnaswami—Noble John Fitz Rogers—Noble Annex 1 Jonathan Bailey Holland—n/a Conference Room Roger Zahab—College Hall 413 IT: The network password is: SushiDog Live streamed events at: vcfa.edu/livestream Rehearsals: See separate schedule of ensembles-in-residence rehearsals (pages 14-16). Rehearsals are open to observers. VCFA Bookstore: The VCFA Store is located on the first floor of College Hall. Cash, personal checks, and credit cards are welcome. Hours are: Saturday, February 9 from 12:00pm to 4:30pm Sunday, February 10—Friday, February 15 from 8:30am to 4:30pm Saturday, February 16 from 8:30am to 7:00pm VCFA Library: Staffed library hours are: Sunday, February 10—Friday, February 15 from 8:00am to 7:00pm Saturday, February 16 from 8:00am to 5:00pm You can also access the library during off-hours by calling Campus Relations at 802-828-8888. -
Music Department
Instructional Programs 2017-2018 Self-Study Three-Year Program Review Template Music Department Fine Arts Division Statement of Collaboration The program faculty listed below collaborated in an open and forthright dialogue to prepare this Self Study. Statements included herein accurately reflect the conclusions and opinions by consensus of the program faculty involved in the self-study. Participants in the Self-Study Bruce Babad Aram Barsamian Nicola Bertoni Markus Burger Mario Gonzalez Dr. Joseph Jewell Arian Khaefi Dr. Monica Lee Jim Linahon Dr. David Lopez Dr. Anthony Mazzaferro Dr. Bruce Miller Dr. Katharin Rundus Michael Scott Jamie Shew Jeremy Siskind Chad Willis Dr. Gregory Woll Form Revision by Program Review Committee – Approved September 14, 2017 Page 1 of 52 Authorization After the document is complete, it must be signed by the Principal Author, the Department Coordinator, and the Dean prior to submission to the Program Review Committee. Anthony Mazzaferro Printed name of Principal Author Signature Title Date Anthony Mazzaferro Printed name of Department Coordinator Signature Title Date John Tebay Printed name of Dean Signature Title Date Form Revision by Program Review Committee – Approved September 14, 2017 Page 2 of 52 1.0 Mission and Goals The College’s Mission, Vision, Core Values and Goals drive all college activities. The Program Review committee would like to understand the connection of your program to the College’s Mission, Vision, Core Values and Goals. Summarize how your program supports each area. Mission: The Music Department faculty at Fullerton College considers the first two years of college to be the most important. It is during that time that students establish work habits, values, and attitudes that continue for a lifetime. -
Tom Nazziola (Composer) Website: Phone: 917-280-5011 E-Mail: [email protected]
Tom Nazziola (Composer) Website: www.tomnazziola.com Phone: 917-280-5011 E-mail: [email protected] Grants / Commissions / Awards: • Commissioned by Rutgers University Percussion Department to create three new works for percussion ensemble (2015 - 2018). • Minnesota Orchestra Composer Institute Honorable Mention status: Night Unfolding (2017). • Winner of the 2016 Percussive Arts Society Composition Contest for Large Percussion Ensemble (2016). • Commissioned by Cantori New York (under the direction of Mark Shapiro) to create a choral work for upcoming tour in Europe as well as a New York City premier in the fall of (2013). • Commissioned by the Brooklyn Center for the Performing Arts to create a new score for the 1920 film “The Golem.” (2007). • Received a commission from the New Jersey Youth Symphony to create a new orchestral work - Beneath the Sea (2006). • Received a commission from VocalEssence and the American Composer’s Forum to create a new choral work for the 2004-2005 concert season. • Recipient of the Cerf Award in Music at Brooklyn College for outstanding achievements in music (2004 and 2005). • Recipient of the Julia Schwabe Award at Brooklyn College for outstanding achievements in music (2004). • Co-Recipient of the Oppenheim Toy Portfolio Gold Seal Award 2002 for performing on both Disney’s Baby Vivaldi and Baby Beethoven CD (2002). • Received a commission from the Museum of the Moving Image (NYC) to score Charlie Chaplin’s silent film “The Gold Rush” which premiered May 6th, 1999 at the Director's Guild of America in Manhattan (1998). Live Performances of Original Work: • World premiere of “Spiral Dance” (sextet) by Rutgers Saxophone Ensemble (2018). -
Network Notebook
Network Notebook Summer Quarter 2017 (July - September) A World of Services for Our Affiliates We make great radio as affordable as possible: • Our production costs are primarily covered by our arts partners and outside funding, not from our affiliates, marketing or sales. • Affiliation fees only apply when a station takes three or more programs. The actual affiliation fee is based on a station’s market share. Affiliates are not charged fees for the selection of WFMT Radio Network programs on the Public Radio Exchange (PRX). • The cost of our Beethoven and Jazz Network overnight services is based on a sliding scale, depending on the number of hours you use (the more hours you use, the lower the hourly rate). We also offer reduced Beethoven and Jazz Network rates for HD broadcast. Through PRX, you can schedule any hour of the Beethoven or Jazz Network throughout the day and the files are delivered a week in advance for maximum flexibility. We provide highly skilled technical support: • Programs are available through the Public Radio Exchange (PRX). PRX delivers files to you days in advance so you can schedule them for broadcast at your convenience. We provide technical support in conjunction with PRX to answer all your distribution questions. In cases of emergency or for use as an alternate distribution platform, we also offer an FTP (File Transfer Protocol), which is kept up to date with all of our series and specials. We keep you informed about our shows and help you promote them to your listeners: • Affiliates receive our quarterly Network Notebook with all our program offerings, and our regular online WFMT Radio Network Newsletter, with news updates, previews of upcoming shows and more. -
726708601225-Itunes-Booklet.Pdf
RICK BAITZ INTO LIGHT RICK BAITZ INTO LIGHT 1. CHTHONIC DANCES FOR STRING QUARTET (2011, REVISED 2016) Recorded June, 2016 at Dubway Studios, New York City; Stephen Kurpis, engineer. Edited and mixed by Rick Baitz. Gratitude to New Music usa, which, in its earlier incarnation as the American Music Center, helped fund Chthonic Dances through its Composer Assistance Program. All music mastered by Ryan Streber at Oktaven Audio. Album art and design by Matthew Monk. 2. HALL OF MIRRORS FOR PERCUSSION QUARTET & Special thanks to Reed Robins, Scott ELECTRONICS (2015) Hampton, Jonathan Duckett, Peter Cressy, Ed Bilous, Mary Rowell and Brian Shankar Commissioned by The Juilliard School’s Center For Integration Adler. Thanks also to Philip Blackburn and in the Arts. Includes mbiras, windwands, surdo, nipple gongs, Innova Recordings, and to David Cossin, dumbek, temple blocks, caxixi, cowbell, tamtams, talking drum, Mick Rossi, Ryan Streber, and Matthew triangle and tabla, with live electronic processing and pre-record- Monk. And thank you to all the extraor- dinary musicians who played on this album. ed sounds. Recorded April 2015 & Nov. 2016, Rick Baitz Music, And finally, everlasting thanks to Penny New York City; Nathan Prilliman & Rick Baitz, engineers. Wang Baitz. This album is dedicated to you. Edited and mixed by Rick Baitz. Innova Director: Philip Blackburn Operations Director: Chris Campbell 3. INTO LIGHT FOR CLARINET, VIOLA & PIANO (1984) Publicist: Tim Igel Innova is supported by an endowment from Recorded June, 2017 at Oktaven Audio, Mount Vernon, ny. the McKnight Foundation. Engineered, edited and mixed by Ryan Streber. RICK BAITZ INTO LIGHT 1. -
Winter 2015-16
Winter 2015-16 Join Us Monday, Dec 7th for the 2015 WMJS Holiday Party! 1000 Oaks Country Club - 4100 Thousand Oaks Dr. - just off 5 Mile Rd Party from 6-9:30 pm, with a plated dinner served at 7:00 pm Music provided by the Grand Rapids Jazz Orchestra And to help with your holiday shopping we will have a SILENT AUCTION!! Reservation form on page 15 An All-Volunteer Organization Since 1986 Vol. 30 No.6 616-490-9506 www.wmichjazz.org [email protected] April 18th November 16th Sunny Wilkinson Quartet February 15th facebook.com/ Robin Connell & Paul Brewer Monday Night Jazz Mike Frost Project Monday Night Jazz WestMIJazzSociety Monday Night Jazz IN THIS ISSUE 2 Highlights MNJ 3 Upcoming MNJ March 21st The Rick Hick Band Jan 12th John Gist Jan 26th 4-6 New Vintage Series Monday Night Jazz New Vintage Jazz Edye Evans Hyde New Vintage Jazz 7-11 Highlights of JIP 13-14 November Jazz Dec 1 Terry Lower Schedules with Walter White New Vintage Jazz 15 Holiday Party Reservation Form Dec 15th Grupo Aye New Vintage Jazz Monday Night Jazz at the Guest House MNJ concerts are held at the Guest House, 634 Stocking, NW. Tickets are sold at the door and there is a cash bar. $10 for members, $15 for non-members, the price includes a main dish, a salad and bread. Opening the series on September 21st to a sold out audience was Patty Gayle & the Mark Kahny Quartet. One special moment of the evening was a duet between Patty singing “Autumn Leaves” and Mark Kahny singing “When October Goes”. -
Concert Program
The City of Tomorrow TUESDAY, 2/12, 8 PM The City of Tomorrow & Anna’s Ghost WEDNESDAY, 2/13, 8 PM Anna’s Ghost & invoke THURSDAY, 2/14, 8 PM Anna’s Ghost & invoke FRIDAY, 2/15, 2 PM invoke SATURDAY, 2/16, 2 PM The City of Tomorrow Elise Blatchford, flute Rane Moore, clarinets Stuart Breczinski, oboe and English horn Nanci Belmont, bassoon Leander Star, French horn Anna’s Ghost Brian Shankar Adler, percussion Ken Thomson, saxophone and clarinet Red Wierenga, piano, accordion, and rise Jim Whitney, bass invoke Nick Montopoli, violin and banjo Zachariah Matteson, violin Karl Mitze, viola and mandolin Geoff Manyin, cello The City of Tomorrow The City of Tomorrow is a woodwind quintet with a fearless aes- thetic and a commitment to 21st-century music. Gold medalists of the 2011 Fischoff National Chamber Music Competition, the ensemble has been presented in New York at the DiMenna Center, Trinity Wall Street, Spectrum, and at IN\TER/SECT, co-presented by Bryant Park and Chamber Music America. Their U.S. tours have included prestigious festi- vals and series, including the Dame Myra Hess Memorial Series in Chi- cago, the Great Lakes Chamber Music Festival in Michigan, and Red Note New Music Festival in Illinois. The quintet’s work has also been supported by residencies at the Banff Center for Arts & Creativity and the Avaloch Farm Music Institute. Their 2018-19 season includes residencies at Tufts University in Boston and the Vermont College of Fine Art. Praised by the Cleveland Plain Dealer for her “superb command of color and nuance,” Elise Blatchford is the Assistant Professor of Flute at the Uni- versity of Memphis Scheidt School of Music and interim Principal Flute of the Memphis Symphony Orchestra.