SOUTH SHORE ART CENTER Courses & Workshops

Fall 2012

See Our Classes at Hingham Community Center p: 781.383.2787 > f: 781.383.2964 > www.ssac.org Register at least 10 days before the class begins! | SSAC Fall 2012 1 Exhibition/Event Calendar Calendar/Contents South Shore Art Center’s mission is to enrich the communities south of Boston by fostering an understanding and appreciation of the through exhibitions and education. September 14–Nov 4 Bancroft Gallery: Women 360 Welcome Day, evening and weekend courses and workshops are offered for students of all 14 OPENING RECEPTION, 6–8 PM abilities in all media. Dillon Gallery: Inner Nature—Karen Cass, Barbara Hillier, Dianne E. Miller, Diana Barker Price, Eileen Rotty PLEASE NOTE: Courses offered at Hingham Community Center are on page 14, all others take place in our Cohasset Facility. Faculty Feature: Sarah Roche

Beginners October Interested in an art class, but uncertain where to begin? 27 The Witches’ Ball at the River Club, Scituate

Courses recommended for beginners include Basic #300, Digital November Photography #371, Clay Work #351, Beginner /Colored #309. 1 Patron Dinner—6:30 Bancroft Gallery—Tina Sutton, Guest Speaker

Workshops 9–Dec 23 Bancroft Gallery: See our workshops on page 10–14. National Show Regarding the Third Dimension: Actual or Illusion? Juror: Camilo Alvarez, Director Samson, Boston, MA Children’s Classes 9 Opening Reception, 6–8 PM Students must be 4½ years old. See pages 15–17 for courses and workshops for Dillon Gallery: Simple Gifts—Small Works by Gallery Artists elementary, middle and high school students. Faculty Feature: Mary Callahan Studio Art Foundation Program January 2013 For students looking for a formalized program of study, the Art Center offers guidance and a recommended course track, culminating in a Certificate in Studio Art Foundation. 11–Feb 17 Bancroft Gallery: Secrets: SSAC Gallery Artists – Juror Ed Stitt 11 OPENING RECEPTION, 6–8 PM Please call us if you need any assistance in choosing the right class for you! Dillon Gallery: Visual Poetry: Collage & Abstraction 781-383-2787 • www.ssac.org Marion Carlson, Elizabeth Lilly, Joe Norris, Stephanie Roberts-Camello, Regina Thomas, Mary Wilkas Cover: Students in Ann Conte’s ceramics class Faculty Feature: Laurinda O’Connor

Visit our website at www.ssac.org for details on current exhibitions, courses and workshops, membership, special events, Gallery Artists, and contribution opportunities.

Table of Contents Adult Courses & Workshops...... 4–12 JO N Hingham Community Center Courses...... 13 SOUTH SHORE ART CENTERi Gallery Rental Information...... 14 enjoy meeting artists and friends at openings: Faculty Roster...... 16 September 14–November 4, 2012, Opening Reception: Sept. 14, 6–8pm Women 360 in the Bancroft Gallery Children/Teens Courses & Workshops...... 17–19 Inner Nature in the Dillon Gallery Gallery Artists ...... 20–21 November 9–December 23, 2012, Opening Reception: Nov. 9, 6–8pm Community Outreach Programs...... 22–23 Regarding the Third Dimenson: Actual or Illusion? Bancroft Gallery Contributing Members • Donors • Sponsors • Business Members...... 25–27 Simple Gifts—Small Works by Gallery Artists Dillon Gallery Art Center Directory...... 28 Registration Information...... 30–31 2 Call 781 383 2787 to Register | Register online—www.ssac.org Register at least 10 days before the class begins! | SSAC Fall 2012 3 Adult Courses & Workshops& Courses Adult What you need to know ... • Materials are included for Children/ 302 Atelier Teen Courses and Workshops unless Drawing and Painting Donna Rossetti-Bailey • Please register early to avoid disap- noted. Students must provide their own This course for the intermediate and pointment. You may register online at materials for Adult Courses and Work- experienced pastel artist will provide five o r k s h p www.ssac.org, call 781 383 2787 to reg- shops and will be sent a materials list Classes listed are held at our Co- hours of uninterrupted studio and plein upon registration if required. hasset facility unless the number is air painting time each week. Each session W ister by phone with a credit card or see registration page for mail-in information. preceded by an H. H classes are held will include instruction, one-on-one easel & Tuition includes a $25 non-returnable • An asterisk (*) following a course at our Hingham Community Center time, critiques, and lots of information registration fee. number denotes a course eligible for one location. exchanges. All students will be encour- Massachusetts College of Art undergrad- aged to express their own personal style • Young adults, 15 years and older, are uate credit for $125 additional fee. 300 Basic Drawing and imagery. We will have fun, laugh and

C o u r s e welcome to enroll in most adult courses Judy Rossman learn from one another in this extended with the permission of the instructor. The ability to draw is not inherited, it is a class. We will work outside when weather learned skill. That ability is directly related permits. Some materials provided. Bring to one’s observational skills. Being able your lunch. (No class September 26 and A d u l t to see the basic structure of all objects is November 21) the first step (similar to reading music). 9/19–12/5 Wednesday 9:00–2:00 Through a series of exercises, assign- $350M $390NM 10 classes ments, and homework, students will (includes additional materials fee) Studio Art Foundation Program strengthen their observational and draw- South Shore Art Center offers a program for students looking to formalize their art ing skills. Composition, value studies, studies. Upon completion of a specially designed curriculum, SSAC will award stu- line, texture and color will broaden their dents a Certificate in Studio Art Foundation. Participants in the program will have understanding of the drawing process. ongoing support of Art Center faculty to evaluate work and assist in course selection. This class can accommodate both begin- Certificate Students will have priority registration and be assisted in creating a portfo- ner and intermediate levels in a support- lio of work from their selected courses for presentation and exhibition. They also will ive environment with lots of one-on-one have the opportunity to exhibit at SSAC in Certificate Student shows. Courses must be instruction. Continuing students welcome. completed within three years of registration. Registration fee for this program is $50. 9/21–11/9 Friday am10:30–1:30 Contact 781 383 2787 for more information. $205M $245NM 8 classes

First year focus: 301 No Fear Drawing Rita Berkowitz Basic Drawing Techniques 303 Drawing for Painting in the Basic Drawing (48 hours minimum) Marion Carlson Classical Tradition Color Theory (10 hours minimum) You can draw! Each week, a principle Evelina Brozgul Intro to Painting (24 hours minimum Oil, Acrylic, or Watercolor) and element of design will be introduced. In this intensive still life class you will Visual Design (24 hours) Through a series of exercises this hands– learn to draw “exactly what you see” on approach will give you the tools to from life and will progress to being able Second year focus: have a successful drawing. You will learn to draw without inhibitions or fears. The about the function and creative applica- goal of the class is to train your eye Drawing II (24 hours minimum) tion of line, texture, value, contrast, nega- to see, not just look at what is being Art History (12 hours) tive space and more in this supportive observed, and respond with clarity of Painting Elective (24 hours minimum) two-hour class. expression and a refined sense of form. Elective choice (24 hours) (No class October 8 and November 11) You will receive assignments that will train 9/24–11/26 Monday pm 6:30–8:30 your eye and hand coordination and de- Elective courses: $145M $185NM 8 classes velop an intelligent and strong classical technique often forgotten by contempo- Advanced Drawing (24 hours) See page 14 for Drawing, rary artists. Finally you will examine how Printmaking (24 hours) Painting & Collage Classes value relates to color and how drawing Photography (16 hours) in Hingham at the Hingham is an essential part of classical painting. 3D Ceramics (24 hours) Community Center (No class November 23) Visiting Art Workshops (18 hours minimum) 9/21–11/30 Friday am 9:00–12:00 Register early! $255M $295NM 10 classes

4 Call 781 383 2787 to Register | Register online—www.ssac.org Register at least 10 days before the class begins! | SSAC Fall 2012 5 Adult Courses & Workshops& Courses Adult 304 Pastel Painting Thursdays: 310* Beginner/Intermediate 323 Painting and Drawing the Figure 325 Acrylic Painting and the Focus on Values Watercolor Valerie Vitali Expressive Image Anne Heywood Mary Callahan The class will base the study of the figure Erik Bunker Join a fun and educational class focusing Designed for all levels of the watercol- on contemporary traditions examining This course is designed to explore the on one of the most important elements of orist, this course will first provide the both realism and abstraction and focus many ways acrylic painting techniques painting: Values (darks, lights, and me- fundamentals and then explore the many each week on a contemporary master contribute to the realization of more dium lights). Pastel painting demonstra- techniques of watercolor. Work from and their mode of depicting the figure in personal expressive imagery. The rela- tions and instruction will hone in on how still life set-ups, photos or from your art. Anatomy will be discussed but will not tionship of color and composition will be to see, interpret, and use values to make imagination. Emphasis will be on color be the focus. The human form as it occu- studied from direct observation to abstract your best work. The first class starts with and design, with the goal of creating an pies space, sitting, standing and reclining. interpretations of form. However, the main a still life demonstration (bring your own organized emotional statement. In addition, classes will be dedicated to focus will be on encouraging students to still life items to paint your personal mas- (No class November 22) consideration of clothing as drapery and discover their own artistic voice through terpiece!). There is plenty of one-on-one 9/20–11/29 Thursday am 9:00–12:00 objects around the figure which contrib- the study of composition, color, and tech- guidance given at your easel each week, $255M $295NM 10 classes ute to composition. The needs of students nique. will lead the discussion of discoveries and Adult Courses & Workshops and the option to choose your own paint- 9/18–11/20 Tuesday pm 6:00–9:00 growth as classes proceed. ing subject for each session, independent 317 Small Works in Watercolor $255M $295NM 10 classes of the chosen topic. Final week concludes Lilly Cleveland (Includes model fee) with a pre-class “pizza social” and a This course is designed to maximize the 9/21–11/9 Friday am 10:00–1:00 night of creative pastel painting. Bring small format. Create journals and small $255M $295NM 8 classes your own painting reference materials; works on watercolor or other papers. We suggested painting materials list provided will explore values and shapes mono- 328 Oil Painting—Process and upon registration. (No class October 4) chromatically and in full color. Small Self Discovery 9/20–11/15 Thursday pm 6:30–9:30 works done on the run culminate in our Evelina Brozgul $205M $245NM 8 classes best work. The thumbnail sketch is an In this course for beginning and interme- integral part of how we think about creat- diate students, you will develop funda- 305 Botanical Painting: ing a painting and can be more compel- mental painting skills and sound tech- Fall Flowers and Fruit ling than the scaled up version. Open the nique while exploring the potential for Sarah Roche possibilities of your expression. Explore self-expression through the medium of oil Celebrate the colors of the Fall, recording pencil, charcoal, watercolor, and inks. painting. Studio exercises include direct their vivid and vibrant palette. In this six- New materials are welcome! (No class on observation and personal response to still week course, you will learn how to realis- October 8, 22 and November 12) life, as well as instruction for painting the tically record your chosen subject matter 10/1–12/10 Monday pm 1:00–4:00 human figure. Students will be introduced Media Saturation, Erik Bunker in pencil and watercolor. Students will $205M $245NM 8 classes to traditional painting processes, from be instructed in the various processes of stretching and priming canvas, painting creating botanical art works with clearly in layers and glazing the final image in 327 “Alla Prima” Still Life defined instruction, demonstrations, and exploring painterly techniques. A major Dianne Panarelli Miller individual attention. All levels of experi- focus of this course will be articulating This class will begin with an informative ence are welcome. (No class October 8) ideas about form with a clarity of expres- demonstration to help students see how 9/24–11/5 Monday am 9:30–12:30 sion based on harmonious color relation- to begin a painting. The instructor will $175M $215NM 6 classes ships and an understanding of human work with students on an individual basis proportion and spatial organization. to help them improve at their own speed. Students will work outside—weather 309 Beginner Pastels & Colored Students will receive individual attention at every level of their ability. permitting—or work from still life set ups. Pencil Drawing Mini Course Dianne will blend the discipline of Aca- Ruthe Sholler 9/18–11/20 Tuesday am 9:30–12:30 $255M $295NM 10 classes demic Traditional Methods with the free- This is a class for beginners with a pas- dom of “Alla Prima” (all in one sitting) to sion for discovery. Students will learn help students learn the fundamentals to a variety of techniques using pastels, create a painting that is structurally sound colored and mixed media. They in color, composition and technique. will then adapt these techniques in the Whether you are a beginner or advanced creation of colorful, dynamic works of art. artist you will benefit from this class. (No There will be weekly informational sheets class Oct 1, Oct 8, Nov 12) supplied by the instructor, to be used for Register early! 9/24–12/3 Monday am 9:30–12:30 discussion and reference materials. $205M $245NM 8 classes 9/18–10/16 Tuesday am 9:00–12:00 The Tuesday Offering, Ruthe Sholler $165M6 Call $205NM 781 383 2787 5 to classes Register | Register online—www.ssac.org Register at least 10 days before the class begins! | SSAC Fall 2012 7 Adult Courses & Workshops& Courses Adult 329 Paint the Portrait with Dianne 341 Advanced Monoprinting 352 Potter’s Wheel & More Dianne Panarelli Miller Printmaking Esther Maschio Jeanne Wiley “If you want to discover something that Monoprinting can be a highly experimen- This ceramic class will cover wheel other people haven’t, you need to do tal medium for creating strikingly unique techniques as well as slab, coil and things the wrong way. Initiate a failure by 340 Beginning/Intermediate/Advanced works of art. An indirect process, typically handbuilding. Glaze applications will be doing something very silly, unthinkable, Monoprinting imagery is created on a Plexiglas plate demonstrated and independent projects naughty, and dangerous...” (Sir James Esther Maschio and then transferred by means of an are welcomed in this very supportive Dyson), and if you want to improve your Learn something new to stretch your etching press to archival paper. Brayers class. Open to all students. (No class drawing skills, this is the class for you! imagination. Monoprinting is the most and brushes are the primary tools used. November 21) This course will study the head, using accessible and experimental of any of the Methods and techniques include: addi- 9/19–11/28 Wednesday pm 6:30–9:30 a live model. We will draw or paint the visual arts. Technique and process are tive, subtractive, mixing inks, roll-ups, $310M $350NM 10 classes portrait in a controlled setting using char- taught by means of sequential demon- viscosity, transparencies, color layering, (includes materials and firing fee) coals or oils. Enjoy the camaraderie and strations starting with basic lessons. An multiple plate printing, plate registration, feedback from a fun group while Dianne indirect process, imagery is applied to a color theory simplified, trace drawing, paints with you. We will share informa- Plexiglas surface then transferred to archi- collage, chine colle and more. Students Adult Courses & Workshops tion of the academics and talk about val paper by means of an etching press. will work with instructor to define goals values, composition and technique in a Students will learn about mixing inks, and then set a plan to begin work. In simple, easy language. With a disciplined roll-ups, viscosity, color theory simplified, this dynamic and energetic studio en- focus, we will work together to help each additive, subtractive, trace drawing, trans- vironment, exploration and growth are student keep their painting moving in the fers, blind embossing and chine colle emphasized at the individual and group right direction. Both beginners and ad- among others. Individual attention is level. (No class Oct 8 and Nov 12) vanced artists will benefit from this class. given during each class and group expe- 9/24–12/10 Monday 9:00–2:00 (No class September 26, October 3, and rience and interaction with other students $330M $365NM 10 classes November 21) all combine to create a stimulating atmo- (includes $15 materials fee for inks) 9/19–11/28 Wednesday pm 6:30–9:30 sphere with lots of room for meaningful Jeanne Wiley $265M $305NM 8 classes and fascinating learning curves. Students (Includes model fee) at all levels of experience are welcome. 353 Sculpting with Paper Clay (No class Oct 8 and Nov 12) Ceramics & Mixed Media Ann Conte 9/24–12/10 Monday pm 6:00–9:00 Paper clay is clay that has been mixed $260M $295NM 10 classes with paper pulp. Its properties allow an (includes $20 materials fee) 351 Clay Work innovative method of using clay which Sheilagh Flynn would not be possible with a regular clay This course includes instruction in body. It’s easy to use, extremely strong wheelthrowing and handbuilding tech- in its unfired stage and easy to repair at niques. We will start where you are: begin- any stage in the process. When fired, it is ners will learn how to center clay, make much lighter than conventional clay and small bowls and cups: advanced students is useful for wall installations and delicate will explore more complicated forms in- sculptural forms. Students will explore cluding lidded jars and teapots. The class handbuilding and sculptural techniques will also investigate different surface/deco- that will go beyond traditional clay rating techniques such as slips, scrafitto, boundaries. Previous ceramic experience paper resist, carving and glazes. helpful. (No class November 22) 9/18–11/20 Tuesday pm 6:30–9:30 9/20–11/29 Thursday pm 6:30–9:30 $310M $350NM 10 classes $310M $350NM 10 classes Attention Teachers! South Shore Art (includes materials and firing fee) (includes materials and firing fee) Center is approved by the Massachusetts Department of Education as a provider of Professional Development Points. We are pleased to provide a certificate of completion for any of our adult courses or workshops. Financial Aid Available

8 Call 781 383 2787 to Register | Register online—www.ssac.org Register at least 10 days before the class begins! | SSAC Fall 2012 9 Adult Courses & Workshops& Courses Adult 373 Lightroom 427 Painting in an Hour Photography Tim Waite WORKSHOPS Nancy Colella Learn how to maximize your digital pho- The practice of creating a painting from tography workflow with Adobe Photoshop start to finish in one hour teaches you 371 Basic Digital Photography— Lightroom. In this workshop you will 401 Drawn to Drapery how to think more spontaneously and Start to Finish learn how to import and manage your Lisa Knox produce more lively and intuitive work. Tim Waite digital photographs, as well as how to This 2-day workshop is based on the It helps simplify the process and you are Learn how to maximize the digital cam- improve photos, in both color and black theories of George Bridgman from the able to “say a lot with a little”. Generous, era. Students will learn the fundamentals & white. Applying preset filters will be Art Students League in New York. Learn quick, well-placed strokes will give you of exposure by taking advantage of the discussed and demonstrated as well as how seemingly random arrangements of fresher, simpler and more effective paint- features and functionality specific to their how to make your photographs “pop” fabric can be easily identified into simple, ings. Through a series of quick exercises own digital camera. This course will focus using Lightroom’s array of image modi- recognizable categories. The techniques in- and demo’s we will discover how to on the technical aspects of digital pho- fication tools, such as tone curves. An troduced have many applications, from still build a painting from start to finish in an tography, including image file formats, understanding of digital photography and life to figurative work and can be incorpo- hour or less, with an emphasis on strong lens selection, the light metering, and de- your camera’s RAW image file format are rated into multiple media. Demonstrations composition and using the correct values. Adult Courses & Workshops veloping your own digital workflow. You required. A laptop with the latest version and carefully structured exercises will be Students will work from simple still life will build on your abilities week-to-week of Lightroom that you can bring to the executed in soft pastel to provide students set-ups and photographs, using a limited through various assignments created workshop is recommended but not neces- with the opportunity to work with light and palette and large brushes. At the end of to reinforce the topics you’ve learned. sary. A laptop or desktop that you can shade on toned paper. All levels welcome. each session, the class will share their Students should bring their cameras and bring to the workshop, with Lightroom There will be a one hour break for lunch. work and thoughts. A working knowl- manuals to class. Digital SLR cameras installed, is required. For more detailed 11/16–11/17 Fri & Sat 10:00–4:00 edge of the materials would be helpful, required. For more detailed information, information, please visit www.timwait- $200M $240NM 2 classes although that will be covered. Acrylic please visit www.timwaitephoto.com ephoto.com/lightroom painters are welcome, but I have limited 9/18–11/6 Tuesday pm 7:00–9:00 9/19–11/7 Wednesday pm 7:00–9:00 experience with that medium $205M $245NM 8 classes $205M–$245NM 8 classes 10/20–10/21 Sat & Sun 9:30-3:30 $155M $195NM 372 Creative Photography 391 Visual Art Potpourri—Where did Tim Waite & Stephanie Grenadier those genres come from? 440 Solar Plate Etching: Part 1 This course will explore the creative side Tony Pilla Late Start Esther Maschio 2 Sessions of digital photography and will comple- In a series of lecture/discussions we will Solar plate is one of the exciting newer ment the technical aspects covered in be looking at a variety of subjects, themes technologies that make etching low- 371—Basic Digital Photography. In- and issues relevant to the development tech and safer to use than traditional tended to help you consider new ways of the main genre types in the visual arts methods. This is a photo-etch process. of capturing and processing your digital of Western culture. Discussion will focus Lisa Knox Plates are created by UV light (using an photographs, we’ll cover image compo- on the evolution of various thematic exposure box) and developed with water sition and development, in an effort to genres such as landscape painting, still 415 Chinese Brush Painting Tuesday rather than chemicals. Both plates and expand your creative vision. Each student life, and portraiture from their beginnings Workshop: Bamboo, Plum prints can be made within one hour and should be proficient in the use of their as subjects of interest, in various stylistic Blossom, and Myna Bird multiple prints can be made from a single digital camera (DSLR or compact) and manifestations, and as cultural contribu- Qingxiong Ma plate. In day 1, you will create an intaglio have access to and some basic under- tions. In addition, art works that had a With techniques directly related to Chi- image using your own art work or sketch standing of one or more photo ma- significant socio-historical impact as well nese calligraphy, this course will introduce as a starting point. In day 2 a relief print nipulation applications, such as Adobe as art works that were precedent setting the basics of Chinese brush painting. will be produced, again with your art Photoshop or Adobe Lightroom. Each in the history of art will be presented. Students will explore birds and flowers work as an image base. Inking and print- student should also be able to devote 3 This series of classes will include a variety with a combination of Chinese brush ing will be done each day as part of the to 4 hours each week to working on the of examples from different time periods painting and Western techniques. Using learning process. This is an opportunity weekly project. For more detailed infor- each week to illustrate the form and con- freehand brushwork, the emphasis will be to express your creative self in a new and mation, please visit www.timwaitephoto. tent presented for discussion. As always on expressiveness, individual interpreta- different way. Early registration is required com/creative course. your questions, insights, and observations tion and abstraction through exaggera- as Solarplates must be ordered. Addi- (No class November 1) are encouraged and welcome. tion. Students will use ink, watercolor, tional, specific information will be given 9/20–11/15 Thursday pm 7:00–9:00 10/4–11/8 Thursday pm 1:30–3:30 gouache, and acrylic on rice paper to by the instructor upon enrollment. $205M $245NM 8 classes $100M $120NM 6 classes create wonderful visual effects. 10/6–10/7 Sat & Sun 10:00–4:00 10/23–10/30 Tuesday 10:00–4:00 $165M $195NM 2 classes www.ssac.org $125M $165NM 2 classes

10 Call 781 383 2787 to Register | Register online—www.ssac.org Register at least 10 days before the class begins! | SSAC Fall 2012 11 Classes at Hingham Community Center Community Hingham at Classes 441 Solar Plate Etching: Part 2 495 Drawing for Painters: H723 Paint It and Take It! Marion Carlson Esther Maschio 2 Sessions Master Class Hingham This phase of Solarplate Etching will con- Jen Bradley Using acrylic paints, in two-hour session, sist of greater experimentation, multiple The emphasis of this drawing workshop is you will learn different painting tech- plate printing and editioning and is for to understand the process of translating niques imitating the masters from Monet students with prior experience creating relationships between form and space, to van Gogh and beyond. Great for and printing intaglio and relief solar and the interplay between reality and ab- CLASSES at Hingham beginners! plates as single images or in combination straction. Through drawing we will learn Community Center 9/19–11/7 Wednesday am 10:00–12:00 to create variations on existing print im- to create compositions that integrate the 70 South Street $185M $205NM 8 classes ages. Instruction will include registration figure or still life within the two dimen- Hingham, MA 02043 and editioning as well as experimentation tional picture plane. We will further our 781-749-9786 with altered plates. comprehension of abstraction in 10/13–10/14 Sat & Sun 10:00–4:00 representational art and representation in To Register, please call $165M $195NM 2 classes abstraction. The concepts presented are 781-383-2787

Adult Courses & Workshops intended to be practiced over time and will be applied directly to our painting. The workshop will include critiques and suggested reading from artists such as H701 No Fear Drawing—Basic Drawing Hans Hoffman. (Includes 2 model ses- Techniques Two-Hour Class sions and/or still life set-up). Marion Carlson Collage and Mixed Media 9/20, 9/27, 10/11, 10/25, 11/8, H765 You can draw! Each week, a principle of Gary Nisbet 11/15, 11/29, 12/13 design will be introduced. This hands–on Collage is a unique and immediate Thursday pm 12:00–3:00 approach will give you the tools to have a means of expression. Students will be $350M $390NM 8 classes successful drawing. You will learn line, tex- guided through the process of gather- ture, value, contrast, negative space and ing, assembling and creating their own more in this supportive two-hour class. special visual language by using a variety 9/18–11/6 Tuesday pm 1:00–3:00 of personal collage materials. They will $185M $205NM 8 classes also learn techniques of metallic leaf, crackle finishes and painting on collage. 488 Color Theory Simplified Be inspired by new materials, applica- Judy Rossman tions and assembly. Students will work on Through a series of structured sequential a number of two-dimensional and three exercises, students will understand the dimensional mixed media projects and basics of color mixing. This understand- will be taught simple exercises that will ing will endow the student with skill and help them discover their own individual confidence in any color media he/she creative process. approaches including watercolor, oils, 9/20–10/25 Thursday pm 6:00–9:00 acrylics, oil pastels, colored pencil and $195M $235NM 6 classes gouache. A simple still life will be com- pleted utilizing techniques experienced in previous exercises. 10/14 & 10/21 Sunday 11:00–4:00 $120M $160NM 2 classes

500 Life Drawing and Painting Studio Uninstructed Michael McNabb, Coordinator Develop your skills in drawing from the model in this ongoing class. Please call the coordinator 781-545-4991if you plan to attend. Ongoing Monday evening 7:00–10:00 Financial Aid Available $10 per session/model fee payable at class 12 Call 781 383 2787 to Register | Register online—www.ssac.org Register at least 10 days before the class begins! | SSAC Fall 2012 13 VisitingArtists Gallery Rental Visiting Artists since 1999 Have your next corporate or social event in the beautiful galleries at South Shore Art Center. The Bancroft Gallery provides a spectacular background for events. Since 1999, South Shore Art Center has hosted master workshops with outstanding, The smaller Dillon Gallery is ideal for meetings and presentations. nationally-recognized artists. The Visiting Artist program provides a challenging and in-depth opportunity for participants to be nurtured and inspired in our studios and on • Chairs and rectangular banquet tables provided location—taking advantage of the stunning coastal landscape. Each year, hundreds of Gallery Rental • Microphone and PA system provided working artists and students from throughout New England participate in three to five • Small platform & podium available day workshops. • Kitchen access • Digital projector available for rental Ken Auster Erica Funkhouser Leon Nigrosh • List of approved caterers provided Stuart Baron Frank Gohlke Hugh O’Donnell • Member discount on Facility Rentals Kim Bernard Jane Goldman Rose Pellicano Pam Bernard Bonney Goldstein Ron Pokrasso For information Call 781-383-2787 or see website Laura Blacklow Barbara Grad Richard Raiselis http://ssac.org/wdnew/facilityrentals.htm Linda Bond Julie Graham Peter Schroth Carol Bolsey Gretchen Halpert Robert Siegelman Lee Boynton Nona Hershey Annie Silverman Jen Bradley Nancy Howell Tracy Spadafora Mike Carroll Jon Imber Peter Spataro Christopher Chippendale Joel Janowitz William Ternes Karen Christians Catherine Kehoe Sean Thomas Jared Clackner Colleen Kiely Josette Urso Doug Dawson Lisa Knox Dan Welden Frank Federico Peter Madden Ann Wessman Susan Fisher John Brooks Maginnis Heidi Whitman Randy Frost Elizabeth McKim Dan Wills Carole Ann Fer Margaret McWethy Carol Woodin Jesseca Ferguson Antonia Ramis Miguel Bert Yarborough Bill Flynn Janet Monafo Linda Heppes Funk George Nick

14 Call 781 383 2787 to Register | Register online—www.ssac.org Register at least 10 days before the class begins! | SSAC Fall 2012 15 South Shore Art Center FAll 2012 Faculty Children/Teens Children/Teens Our Youngest Artists JEN BRADLEY ESTHER MASCHIO B.F.A. Massachusetts College of Art University of Massachusetts at Dartmouth, Our faculty members are experienced, ook dventures Art Institute of Boston 106 B A EVELINA BROZGUL creative art teachers who love to stimu- (Ages 4 ½ and up) M.F.A. The School of the Museum of Fine DIANNE PANARELLI MILLER late and engage children in meaningful Ann Conte activities. The classroom atmosphere Fall Faculty Fall Arts, Tufts University R.H. Ives Gammell Atelier Classic children’s books such as Where B.F.A. The Cooper Union School of Art, Vesper George College of Art celebrates individual differences and must the Wild Things Are, Tikki Tikki Tembo, and New York be respectful of others. Therefore, it is A House for Hermit Crab, and some lesser JOAN MULLEN essential that appropriate behavior be ERIK BUNKER M.F.A. Rutgers University known titles, too, will launch students on M.S., B.F.A Suffolk University B.F.A. Maryland Institute, College of Art expected as the rule at all times. creative adventures and activities ex- N.E. School of Art & Design certificate pressed through painting, drawing, clay GARY NISBET Continuing students in a particular class and collage. Our youngest students have MARY CALLAHAN California State University will find new and engaging projects. made Book Adventures one of South B.A. Bridgewater State College LAURINDA O’CONNOR Please let us know if you need assistance Shore Art Center’s most popular classes. MARION CARLSON M.F.A. Boston University in selecting the right class for your child. 9/20–11/15 Thursday pm 4:00–5:30 Massasoit Community College B.F.A. University of Massachusetts $180M $210NM 9 classes New England School of Art & Design • Courses need a minimum of 5 stu- ANTHONY PILLA dents to run. Please help ensure that our 115 Animal Creations LILLY CLEVELAND M.F.A. Tufts University classes run by signing up no later than 7 B.A. Boston University Diploma, School of the Museum of Fine (Grades K–1) Massachusetts College of Art Arts, Boston days prior to the first class. Patrice Kelley B.S. Tufts University In this class, designed for full-day NANCY COLELLA • Please take $10 off the total tuition if kindergartners, students will make wild B.A. Muskingum College SARAH ROCHE you are registering for more than one B.A. University of West England and crazy mythological creatures in a ANN CONTE class. (Workshops cannot be discounted) fun-filled journey of the imagination using B.F.A. Massachusetts College of Art DONNA ROSSETTI-BAILEY papier mache, paint, sculpture, collage B.F.A. Boston University Holidays & Weather Policy and a variety of drawing materials. (No SHEILAGH FLYNN B.A. Boston College JUDITH ROSSMAN class October 8 and November 12) B.F.A. Syracuse University; Teacher’s • In the event of inclement weather, the 9/24–12/3 Monday pm 4:00–5:00 STEPHANIE GRENADIER Certificate Michigan State University Art Center follows the Cohasset Public $120M $150NM 9 classes M.A. Lesley University Schools school closings. Should a storm B.A. San Francisco State University RUTHE SHOLLER emerge during the day, please call 781- M.Ed. Lesley University 383-2787 x 10 for any afternoon or ANNE HEYWOOD B.A. Massachusetts College of Art B.A. Bridgewater State College evening class cancellations. VALERIE FORTE VITALI PATRICE KELLEY M.Ed. Lesley University Due to limited storage and supply B.F.A. University of Massachusetts B.S. Southern Connecticut State University space, we are not able to retain art work created by students in our studio LISA KNOX TIM WAITE M.A., B.F.A. School of the Museum of Professional experience classes. Therefore, it is important that Fine Arts/Tufts University any artwork created in those classes JEANNE WILEY and/or selected for exhibition must be QINGXIONG MA B.A. Bennington College picked up at the conclusion of such The Academy of Chinese Painting, Beijing events. Failure to do so will result in the disposal of such works.

Attention Teachers! South Shore Art Center is approved by the Massachusetts Depart- ment of Education as a provider of Profes- sional Development Points. We are pleased to provide a certificate of completion for any of our adult courses or workshops.

16 Call 781 383 2787 to Register | Register online—www.ssac.org Register at least 10 days before the class begins! | SSAC Fall 2012 17 Children/Teens 123 Art Expressions 154 DigIn—Create with Clay 175 Artward Bound I—Art as New program for Teens! (Grades 1–4) (Grades 5–8) Process Patrice Kelley Ann Conte (Grades 11–12) New Express yourself! Art Expressions is one Students will be exposed to a variety of Joan Mullen ARTWARD BOUND of the Art Center’s perennial favorite clay projects geared to all types and lev- This Artward Bound class offers students The Artward Bound program is intended classes, perfect for students who love to els of experience. Hand built coil, slab, who are serious about art making an for high school juniors and seniors who think creatively and enjoy a range of proj- the potter’s wheel, and glazing will be opportunity to explore and broaden their are interested in expanding their knowl- ect ideas and media including painting, explored. Bring your creative ideas and understanding of the visual arts through Children/Teens edge and skills in the visual arts through drawing, papier mache, clay and fiber. your imagination—and dig in! Finished structured activities based on the core intensive study in a challenging studio 9/20–11/15 Thursday pm 4:00–5:30 clay pieces will be glazed and fired. concept of art as process. Artward environment. This program is predicated $180M $210NM 9 classes (No class October 8 and November 12) Bound I will therefore focus on skill build- on two major goals: first, to encourage 9/24–12/3 Monday pm 4:00–5:30 ing, experimentation, critical thinking, students to explore and strengthen their earning from the asters $195M $225NM 9 classes collaboration, critique and discussion. 127 L M creative abilities and problem solv- (Grades 1–4) Experiences with a variety of materials ing skills; second, to assist students in Marion Carlson and techniques will enable students to developing the technical skills and visual Artists throughout time have studied and develop a fundamental understanding language necessary to become effective mimicked the masters. This multi-media of how media affect the development of visual communicators. We intend to do class will focus on great artists—such as style, imagery, and content or assist in the this by promoting a curriculum focused Cezanne, Dali and Matisse—and assist realization of one’s personal vision as an on solid fundamentals of design, skillful young artists in developing their drawing, effective communication tool. Activities and imaginative expression of form, and painting, collage and sculptural skills as will explore how design elements and knowledge of a variety of media. well as learning about significant ideas principles are the basis for understanding from the world of art history. the relationship of form and content in Artward Bound is offered in two succes- 9/18–11/6 Tuesday pm 4:00–5:30 visual expression. Classes will include life sive ten week sessions; Art as Process and $160M $195NM 8 classes drawing. The Essential Medium. It is recommended 157 Drawing and Painting that the first session be a prerequisite (Grades 5–8) This is a class which will benefit students for the second, since it is intended as an Laurinda O’Connor interested in developing a portfolio for introduction to the concept of art making Students will learn about contour, shade, college considerations as well as for as a creative process. In the second term, portraits and landscapes using acrylics those who want to learn more about the students will choose a particular medium and pastels. Observational drawing will be visual arts and design. or combination of mediums working stressed with an emphasis on composition, 9/22–12/8 Saturday pm 12:00– 3:00 to develop skills and proficiency, while line, perspective, value, color and gesture. (No Class October 6) mentored and monitored by a profes- The objective is to strengthen drawing $240M $280NM 10 classes sional artist from the SSAC faculty. Studio skills and create finished art works. choices may include a range of disci- 9/18–11/6 Tuesday pm 4:00–5:30 plines in both two and three-dimensional $195M $225NM 8 classes design to develop a personal style and 139 Hands in Clay mode of self-expression. (Grades 1–4) 158 Portrait and Figure Drawing and Ann Conte Painting (Grades 8–12) Whatever the motive for participation Have your children sink their hands into Laurinda O’Connor in this program, as a portfolio prepara- cool clay and create wonderful, colorful Through a series of exercises and studies tion or for individual development, the ceramic pieces. Students will be encour- we will learn how to capture the gesture, expectation overall is that each stu- aged to experiment and use their imagi- form, proportions and likenesses of a dent embraces an attitude of rigor and nations. Finished pieces will be glazed model and ourselves using a variety of perseverance. Students are expected to and fired. (No class October 31 and drawing materials. We will work from a complete some homework and engage in November 21) mirror, draped settings, and two sessions individual and group critiques. 9/19–11/28 Wednesday pm 4:00–5:30 with a clothed model as we explore the $195M $225NM 9 classes intricacies of positive and negative space and light values as these contribute to the effective rendering of forms in space. (No class on October 31) 9/19–11/14 Wednesday pm 4:30–6:00 $195M $225NM 8 classes 18 Call 781 383 2787 to Register | Register online—www.ssac.org Register at least 10 days before the class begins! | SSAC Fall 2012 19 Gallery Artist Corner Artist Gallery Kimberlee Alemian Dianne S. Dolan Donald Larkin Page Railsback SATELLITE LOCATIONS Richard Alemian Michael Domina Stephen Lathrop Jeanne Replogle South Shore Art Center Gallery Artists exhibit at our two satellite locations. Virginia M. Allen James Earl Susan Dragoo Lembo Chris Rifkin Please visit our website for more information. www.ssac.org Andrew T. L. Anderson-Bell Eleanor Elkin Chris Lewis Beverly Rippel Stephen Andrus Jack Foley Elizabeth Lilly Stephanie Roberts-Camello BJ Andrus Marguerite Gager Ken Lindgren Sarah Roche PAUL PRATT MEMORIAL LIBRARY 35 Ripley Road, Cohasset, MA Gallery Artists Maida Antigua Susan Gallagher Mary Lizotte Sergio Roffo

John Arapoff Elizabeth Gauthier Burton Longenbach Betty Rogers July – August ted Polomis Peg Mavilia Atkinson Pam Golden Susan Luery Donna Rossetti-Bailey September – October Jan McElhinny Virginia H. Avery Alison Golder Gordon Lundberg, Jr. Judy Rossman November –December Julie Messenger James Baker Wendy Goldstein Peggy Roth Major Eileen Rotty Jeremy Barnard Patricia Gray Dana Malcolm Daniel P. Roy Robert Beaulieu Ann Guiliani Lisa Marder Lori Schill SOUTH SHORE MUSIC CIRCUS GALLERY Anne Belson Wendy Moore Hale Joan Marson Lenore Schneider & ROBERT AND DOROTHY PALMER GALLERY Joreen Benbenek Becky Haletky Chippa Martin Isabel Shamitz AT SOUTH SHORE CONSERVATORY One Conservatory Drive, Hingham, MA Janet Blagdon Jack Haran Esther Maschio Kwang Sung Shin Stephen Boczanowski Michael Hart Patricia McCarthy Ruthe Sholler June–September Elizabeth Bourne Robert Harvey Sally McCarthy Mike Sleeper South Shore Music Circus Gallery all About Animals Joan Brancale Julie Hawkins Jan McElhinny Katherine Smit Dorothy & Robert Palmer Gallery gallery Artists Maureen Brookfield Liz Haywood-Sullivan Jeanne McKenna Mary Smith Patricia Burson Ellen Helman Norma McKenzie Judy St. Peter October–January Catherine Caddigan Anne Heywood Margaret McWethy Frank Strazzulla, Jr. South Shore Music Circus Gallery – Andrew Anderson-Bell Henry E. Cahill Roger Hill Judith Mehring Vcevy Strekalovsky Dorothy & Robert Palmer Gallery – oberta impson alsh Mary Callahan Barbara Hillier Michele Meister Murton Sudalter R S W Corinne Campobasso Sara Holbrook Julie Sims Messenger J Michael Sullivan Visit our website at www.ssac.org for details on current exhibitions, courses Marion Carlson Virginia Holloway Dianne E. Miller Kenneth Taylor and workshops, membership, special events, Gallery Artists, and contribution Wes Carlson Christine Hotarek Dianne Panarelli Miller Mary Taylor opportunities. Beverly Carreiro Nancy S. Howell Mary Mirabito Regina Thomas Karen Cass Karen Freiberger Hughes Gretchen Moran Carole A. Thurlow Irma Cerese Patricia A. Isaac Monice Morenz Grabowski Paula Villanova National Show Lucretia Davie Chase Nanci Jaye Ann M. Murphy Valerie Forte Vitali Regarding the Third Dimension: JoAnne T. Chittick Berj Kailian Christus Murphy Tim Waite Actual or Illusion? Lilly Cleveland Brooks Kelly, Jr. John W. Nash III Roberta Walsh Juror: Camilo Alvarez, Director Nancy Colella Andrea Kemler Joe Norris Ruth Ann Wetherby-Frattasio Samsøn Heather Collins Lisa Daria Kennedy Patricia E. O’Neill Michael Weymouth November 9 to December 23 Jane Flavell Collins Susan Kilmartin Dorothy Palmer Julie White Opening Reception: Friday November 9, 6–8 pm Nancy Connolly Janet Arfin Kingan Gerard A. Parker Susan White Connie Cummings Kay Kopper Marie T. Peters Jeanne Wiley Entries Due Sharon McCann Daly Dorothy Simpson Krause Christine Pienciak Peters Mary Wilkas October 3, 2012 Sally Dean Danguole Rita Kuolas T. Nicholas Phakos Virginia M. Wilson Susan Denniston Maria Lakhman Anthony Pilla Joan DeRugeris Moey Lane Ted Polomis Gallery Artist Corner—The next Gallery Artist Selection Jury meets Mike DiRado John Lanza Diana Barker Price October 17, 2012. Drop off works October 13–14. Call Sarah Hannan, Executive Director with any questions or concerns. Application Fee: $35

20 Call 781 383 2787 to Register | Register online—www.ssac.org Register at least 10 days before the class begins! | SSAC Fall 2012 21 COMMUNITY OUTREACH PROGRAMS ProgramsOutreach Community Susan Luery “This project was one of the most fun things I’ve ever done. . . .I had never thought about doing Artist in Residence anything remotely close to sculpture before, so the whole thing was a huge learning experience for me. . . .I value every moment that I spent at South Shore Art Center and hope that the things 2012–2013 I learned there will stay with me forever.” —Katie Connolly, Braintree HS student, Festival Art Star participant Susan Luery was born in Baltimore, Mary- land, and attended the Maryland Institute College of Art. Her gift for sculpting was refined in Carrara, Italy. She now main-

Artist in Residence Artist in Residence Program tains her studio in a sea side town outside This year’s Artist in Residence is Susan Luery, nationally-known sculptor whose work can be found of Boston, Massachusetts. in private, public and museum collections throughout the world. Susan created an 8’ bronze of George Washington at the historic site of Fort Cumberland, Maryland and a 10’ bronze of “Babe Susan’s early work delved into romantic Ruth” installed at Camden Yards Stadium in Baltimore. Local sculptures she has created include and mythological subjects and was soon the full size bronze of a mother and child reading outside the Hingham Library and a sculpture of recognized by private collectors. Her St. Paul at St. Paul’s Parish in Hingham. dramatic “Promethean Radiation” was presented to Prince Charles and Princess Offered at no cost to students in grades 3, 4 and 5 in schools on the South Shore, the program gives students an opportunity to meet a working artist, learn about the process of making a sculp- Diana on the occasion of their wedding ture and create a 3-D work of art to take home. If you are interested in the program for this year in 1981. She has been sculpting every- (October–May), contact Heather Collins, 781-383-2787 x15 or email [email protected] while thing from sports legends to ballerinas space remains. Sponsored in part by HSBC Bank ever since.

Susan working in her studio Those visually arresting figurative sculp- tures can be found in private, public and museum collections throughout the Looking at Art world. They include Naples Philharmonic Taking your students to the Art Center for a field trip offers an opportunity to visit a local art muse- Sculpture Garden, the National Gallery um, see and discuss a contemporary art exhibition and make a hands-on project with curriculum of Bermuda, the National Baseball Hall applications. This two-hour program costs $12.00 per student and can be scheduled throughout of Fame in Cooperstown, New York, and the year. We offer a personalized program tailored to the needs of any group, and an opportunity Oregon Ridge, the summer home for the to learn about art in a friendly, accessible enviornment. Baltimore Symphony Orchestra, among This fall’s lead exhibition is “Women 360,” (Sept. 14–Nov. 4), a curated show of diverse work by many others. eight contemporary artists that highlights the issues that women face in various ways. From Nov. 9 – Dec. 23, we will feature a juried national exhibition, “Regarding the Third Dimen- Today Susan is best known for such sion: Actual or Illusion?” The judge is Camilo Alvarez, Director Samson Projects, Boston, MA. monumental works as “Babe’s Dream”, the 16-foot sculpture honoring George Herman “Babe” Ruth standing in front of Arts to Go Program Oriole Park at Camden Yards in Balti- Art Center experts are ready to visit any classroom K–12 with a specially tailored visual arts enhance- more, Maryland; the “George Washing- ment that is integrated into the field of study. We provide illustrated lectures on a specific topic or ton-Visionary” monumental sculpture at period of art history, as well as hands-on projects that can be completed in the classroom. Popular the historic site of Fort Cumberland; as programs have included: Chinese Brush Painting; Greek Vases; Prehistoric Cave Painting; Calder’s well as unique and limited edition sculp- Babe’s Dream Circus; Van Gogh’s Landscapes; and Picasso’s Portraits. Cost is $130.00 per hour per class. tures. “George Washington-Visionary” has been accepted into the Smithsonian Museum Inventory of American Painting Professional Development Points All of our courses and workshops are available for professional development. In addition, we are and Sculpture. happy to arrange half or full day workshops for a district’s art department to enhance professional development and promote camaraderie. From major league stadiums and mu- Cost is $50–75/teacher (full day) with a maximum of 12 participants. seums to gracious homes and gardens, Susan Luery’s varied works of sculpture never fail to elevate and inspire.

www.SusanLuery.com St. Paul 22 Call 781 383 2787 to Register | Register online—www.ssac.org Register at least 10 days before the class begins! | SSAC Fall 2012 23 SSAC Contributing Members and Donors Fall 2012* Donors & Members

South Shore Art Center wishes to acknowledge and thank its contributing members and donors. The generosity of our supporters allows the Art Center to inspire emerg- ing artists, nurture adults and children, create teaching and learning opportuni- ties, and engage the community with compelling exhibitions of contemporary art. Please join this growing, distinguished group. Contact Candace Cramer, Director of Development, [email protected], 781-383-2787.

Angels Tina and Robert Miklos** Sara Holbrook and Foster L. Aborn** Marilyn and Win Minot Save the Date! BJ and Steve Andrus Jeanne and David Replogle Motoko and Gordon Deane Barbara and Brian Sheehan Susan Dickie** Joan and Phil Shockman Lena and Ronald Goldberg** Annellen Walsh the Witches’ BALL Lesley and Don Grilli** Deborah Weiss** Nancy and Tom Hamilton** Susan and Jack McNamara** Sustaining Saturday Janna Oddleifson Muffy and Paul Antico Dorothy Palmer** Jeremy Barnard Constance B. Rice** Patricia and Richard Cammett October 27, 2012 Chris Rifkin** Margaret Casey** Elise M. Russo** Sarah and Craig Casey** Elizabeth Steele** Lilly and Mark Cleveland** Valerie and Phillip Vitali** Heather and Jeffrey Collins River Club, Scituate Sandy Weiss** Elaine and Michael Coyne** Mary and Thomas Williams** Catherine and Richard Evans** Jennifer and Robert Willms** Susan Gallagher** Amory Houghton, Jr.** Benefactors Therese Joslin Don DeMichele** Judy and Rob Kasameyer** William Earon** Shirley and Jim Marten** Joan Middleton Judith and Robert Montminy Judy and Frank Neer** Michelle and Rich Paterniti Nancy and Chris Oddleifson** Charles S. and Zena A. Scimeca Charitable Fund Kathleen and Ross Sherbrooke** at The Boston Foundation Mariann and Mark Tosi Gitte and Rick Shea** Anne and R. Gary Vanderweil, Jr.** Lanci and Page Valentine Phyllis and Bill Wenzel** Linda and Sam Wakeman Peggy and Michael Weymouth** Andrea and David Weltman

Patrons Supporting Libby and Bill Allard** Richard and Kimberlee Alemian Franny Andahazy and Michael Nedeau** Helen and Ethan Arnold Mercedes Aza and Cameron Snyder** Sage and Jon Belber Cornelia Barnard Emily and John Brown Eleanor G. Bleakie** Barbara and John Canney Lois and Bruce Cameron** JoAnne and Woody Chittick Jane C. Carr and Andy Hertig Carolyn and John Coffey Nancy and David Colella** Kristina and Craig Coffey Jane and Jon Davis** Nancy Cusack** Gloria and Anthony DiPaolo Kathy and John Dowling Paulie and Herb Emilson Monice Morenz Grabowski Lauren Farrell** Norma and Ernest Grassey Nancy Garrison Julie Guild** Patricia and Patrick Gray** Sarah Hannan Ellen and Bruce Herzfelder** Molly Perkins Hauck** Andrea and Craig Hillier** Barbara and Warner Henderson Carolyn and Dick Horn** Anne Heywood** Christine and Brian Hotarek Marge and Jack Hobbs William Houser and Joseph Martinez Victoria and Michael Hurley Patsy and Richard Leggat** Sarah Jackson**

24 Call 781 383 2787 to Register | Register online—www.ssac.org Register at least 10 days before the class begins! | SSAC Fall 2012 25 Linda and Gerald Jones Patricia Lawrence** SSAC Business Members/Donors Rita and Jim Kirk Mary Lizotte SSAC Business Members/Donors & Ruth Knapp** Kyle and Edward Lubitz Yasmin and John Landy Lisa Marder Foundations Fall 2012* Irene and David Lord** Steve Mason Susan Luery Pat and Jim McCarthy Angels Sustaining Gerry Lynch Chuck McDermott Audi Norwell and Porsche of Norwell Atlantica Restaurant Lisa Marder and Josiah Stevenson** Peggy and Tom Merzbacher Fred Bergfors and Margaret Sandberg Christopher Gallery Eva and Tom Marx Nancy and Thomas Monahan Foundation** Cohasset Harbor Inn Jan and Ward McElhinny Dorothy Montuori Gale Michaud Gretchen Moran Hingham Institution for Savings Fleming’s of Cohasset Village Elizabeth Morse** Betts and Wisner Murray HSBC Bank USA, N.A. Graham Waste Elizabeth and John Naughton Amy and Shapur Naimi Image Resolutions Granite City Electric Members & Donors Mary Neville Anne and Nestor Nicholas King Jewelers, Inc. Massa Products Corporation Stephen Nonack Marc Okun Massachusetts Cultural Council McSweeney & Ricci Insurance Malee and Michael Nuesse Katharine Perkins** Massachusetts Cultural Facilities Fund** Pilgrim Bank Meg and Brooks Robbins** Shirley and Don Pitcher Roomscapes & Kitchen Concepts, Inc. Plymouth County Convention and Sarah and Adrian Roche** James Regan South Shore Music Circus Visitors Bureau Maureen and Mark Rogers Beverly Rippel** Carmen and Tim Schramm Sergio Roffo** Weymouth Design RBC Wealth Management Michelle and Doug Smith** Karen Ross Rockland Trust Lee Spiller Donna Rossetti-Bailey Benefactors South Coastal Bank Ruth and Michael Whitner Lucy and Philip Saunders, Jr.** Party by Design South Shore Women’s Health Barbara and Kevin Wrenn Annette and Wayne Sawchuk Scituate Rotary Foundation March and Jim Wyatt Lori and Herman Schill Lenore Schneider Strekalovsky Architecture, Inc.** Supporting Nancy Sencabaugh 1620 Investment Advisors Associate 5 South Main Anonymous—2 Ruthe Sholler Patrons Anne Allen** Susan Stoddart Abbott Homes/The Cook Estate Anderson Fuel, Inc. Maida Antigua Cindy and Alex Swartwood David Avery Barbara Bahr Sheehan Design Barbara Baron Tracy and Kevin Thomas Cohasset Collision Claire Tinory Boston Private Bank & Trust Kara and Scott Bianchi Cohasset Rotary Foundation Cohasset Harbor Marina** Laura and Allen Carleton David Vargo Colony Rug Company Pamela Warner Conway Insurance Agency Irma Cerese Colospace, Inc. Ted Chylack Frances and William Weeks** Dean & Hamilton Realtors Katharine and John Weeks** Entergy—Pilgrim Station Curtis Liquors Carolyn Cohen Decision Mortgage Robert Costa Ruth Ann Wetherby-Frattasio Hingham Mutual Fire Insurance Co. Margot and Don Critchfield Mary Wilkas Panopticon Imaging Derby Street Shoppes Cassandra Crow Tracey Merrill and Eric Wellmann Ray Kasperowicz, C.P.A. DLA Piper USA Esther Williams** Susan and Tim Davis Sullivan, Garrity & Donnelly Insurance Goodwin Graphics Henriette De Bellegarde Agency, Inc.** Hassan Sign Company Susan Denniston Lord & Ladies Estate Sales** *Members and Donors as of August 1, 2012 Talbots Roger Dunn Portland Pottery MaryAnn and John Englander **Represents gifts to the annual and/or capital Work ‘N Gear campaigns Prime Infiniti Susan and Stephen Etkind ServiceMaster South Shore Sheila and Don Evans** Roberta Fairbanks Susan Luery Studios Sarah Forbes** Patron Dinner The Bulfinch Group The Fresh Feast Robert Fraser and Peggy Levangie st Marguerite Gager Thursday, November 1 Pat Gentile Ted Gentry Tina Sutton Jane and Peter Goedecke * Business Members/Donors and Foundations as of Judith and Richard Green fashion/style/feature writer for the August 1, 2012 David Hassan Boston Globe ** Represents annual memberships and/or Diane Hoss capital campaign contributions Nancy Sargent Howell Pat Isaac Alison Jordan Letitia and Robert Jordan, Jr. Berj Kailian Dick Karoff and Sandy Manzella Elyce Kearns Andrea Kemler Diane and Patrick Kennedy

26 Call 781 383 2787 to Register | Register online—www.ssac.org Register at least 10 days before the class begins! | SSAC Fall 2012 27 South Shore Art Center Advertisements

Board of Directors

Directory President Elise Russo President-Elect Lauren Farrell Treasurer Richard Horn Secretary Valerie King

Bruce Cameron, Sean Cunning, William Earon,Thomas Hamilton, Andrea Hillier, Sara Holbrook, William Houser, Susan McNamara, Robert Miklos, Frank Neer, Michelle Paterniti, Mark Rogers, Barbara Sheehan, Mark Tosi, William Wenzel

Board of Advisors Libby Allard, Virginia Allen, Jonathan Belber, Kara Bianchi, Pat Cammett, Lilly Cleveland, Nancy Colella, Sharon Daly, Jane Davis, Motoko Deane, Susan Gallagher, Nancy Garrison, Lena Goldberg, Ernie Grassey, Patricia Gray, Julie Guild, Barbara Henderson, Anne Heywood, Christine Hotarek, Victoria Hurley, Judith Kasameyer, Jennifer Lord, Lisa Marder, 124 Elm Street • 781-383-6650 Jan McElhinny, Gale Michaud, Adrian Morris, Elizabeth Morse, Elizabeth Naughton, Mary Neville, Stephen Nonack, Lisa O’Connor, Dorothy Palmer, Jeanne Replogle, Chris Rifkin, Beverly Rippel, Sarah Roche, Philip Smith, Juliana Tiryaki, Valerie Forte Vitali, Eric Wellmann, Kathryn Wenzel, Michael Weymouth, Jennifer Willms, Zbigniew Wozny, March Wyatt

SSAC Staff Kimberlee C. Alemian, Graphic Designer/Webmaster Ext. 11 Cheryl Cole, Office Manager Ext. 18 Heather Collins, Director of Community Programs Ext. 15 Candace Cramer, Director of Development Ext. 16 Pat Frederickson, Membership Coordinator Ext. 16 Sarah Hannan, Executive Director Ext. 10 Virginia Holloway, Reception/Gallery Sitter Ext. 14 Gary Najarian, Facility Manager Ext. 12 Anthony Pilla, Education Coordinator Ext. 17 Kaitlin Thurlow, Program Assistant/Registrar Ext. 14 Tim Waite, Festival Coordinator Ext. 19

28 Call 781 383 2787 to Register | Register online—www.ssac.org Register at least 10 days before the class begins! | SSAC Fall 2012 29 Registration & Course Information Registration Form & Information Registration

Registration & Refund Policy Photographs Weekly Classes Register by phone, mail or online at www.ssac.org. SSAC takes photographs of course/outreach par- Students may also register in person Mon–Fri 9–5, ticipants during classes for inclusion in advertising Monday Tuesday Wednesday Thursday Friday Sat 10–4. Enrollment is limited. and promotional materials. Should you have any

Registration objections to the use of photos of you or your Registration is not complete until payment has been children, please notify the SSAC office before your 341 Adv. Print 309 Beg. Pastel/Pencil 302 Pastel Atelier 310 Watercolor 300 Basic Drawing received. VISA or MASTERCARD is required for courses/programs begin. 305 Botanical 328 Oil Painting 323 Painting Figure telephone registration. 327 Alla Prima Painting 303 Drawing for Weather/Cancellations Painting M o r n i g

A $25 non-refundable registration fee is included

In the case of inclement weather, classes are can-

in tuition. If a student cancels a registration at least celled when Cohasset Public Schools are closed. 115 Animals 127 Learning Masters 139 Hands in Clay 391 Art History ten days before a course or workshop begins, a If the Cohasset schools are running on a delayed 317 Watercolor 157 Draw/Paint 158 Portrait Drawing 123 Art Expressions refund will be granted. Visiting Artist Workshops schedule, our classes meet at the regular times 154 Create w/Clay 106 Book Adv require a 30 day cancellation notification. throughout the day. When in doubt about adult evening classes please call the answering machine A f t e r n o

Professional Development Points for message, 781-383-2787 ext.10.

PDPs are available to educators upon completion

340 Int. Printmaking 351 Clay Work 329 Portrait 304 Pastel Painting

of a course.

500 Life Drawing 371 Digital Photo 352 Potter’s Wheel 353 Paper Clay 301 No Fear Drawing 325 Acrylic Painting 373 Creative Photo 372 Lightroom Credit (*) Massachusetts College of Art Continuing Education v e n i g

Credit may be earned upon successful completion E of the starred (*) courses. It is possible for such credit to be applied to a degree program upon approval by the college. You must commit to credit before the beginning of the second class. There is Student Name Child’s Age/Grade Parent’s Name a $125 undergraduate fee. Mailing address Membership Discount To receive a Member’s discount for a course, your City State Zip membership must be current throughout the term of the course you are taking. Membership dues e-mail may be paid at the time of registration. Home Phone Cell Phone Financial Assistance Through the generosity of the Marion Huse Fund, o Current Member o New Member o Non Member we offer tuition assistance on the basis of financial need. Call for an application. All requests are kept South Shore Art Center does not Annual Membership Contributing Membership strictly confidential. discriminate for any reason in the ____$5000 Angel

administration of its programs. The ____$2500 Benefactor Scholarships for elementary age school children ____$55 Family Member ____$ 1000 Patron of are available based on need through the generosity building is accessible to everyone. ____$50 Juried Gallery Artist* ____$ 500 Sustaining Member of the Lois Weltman Memorial Fund for Children. Please call the office if you require ____$35 Individual Member ____$ 250 Supporting Member Please inquire at SSAC office for more information. assistance during your visit to our galleries or classrooms. ____$25 Senior/Youth ____$ 100 Associate Member *For information on becoming a Juried Gallery Artist, please call 781.383.2787 or visit www.ssac.org Directions: From Rte. 3, take exit 14, Take Rte. 228 north to Rte. 3A. Turn right onto 3A and drive south Course # Title Tuition/Fees for two miles. From Rte. 3A turn onto Sohier Street at the Music Circus sign. Take a right at the first light onto Ripley Road. SSAC is the last building on the right with parking across the street. Total Tuition Gallery Hours: Membership Fee Mon–Sat 10–4 Sun 12–4 Support the Arts with your donation to the Annual Fund GRAND TOTAL To Register by Credit Card go to www.ssac.org

30 Call 781 383 2787 to Register | Register online—www.ssac.org Register at least 10 days before the class begins! | SSAC Fall 2012 31 Women 360 September 14–November 4, 2012 Opening Reception: Friday, September 14, 6–8 pm

Myrna Balk Lora Brody Karen Davis Carol Daynard Ellen Feldman Randy Goldberger Felice Mendell Michael Seif Kim Roderiques Andrea Rosenthal Hair Flying, Ellen Feldman Sponsored in part by N o nOrganization p r oU.S. f i t PAID Postage Permit No. Cohasset, 21 0 MA 2 0 2 5

the Witches’ BALL Saturday October 27, 2012 River Club, Scituate 781.383.2787 $75m $85nm SOUTH SHORE ART CENTER 119 Ripley Road MA Cohasset, 02025 • fax 781-383-2964 781-383-2787 • [email protected] www.ssac.org

32 Call 781 383 2787 to Register | Register online—www.ssac.org