Number 11 April 2020 Do You Remember the Fleetwoods?
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100 Years: a Century of Song 1950S
100 Years: A Century of Song 1950s Page 86 | 100 Years: A Century of song 1950 A Dream Is a Wish Choo’n Gum I Said my Pajamas Your Heart Makes / Teresa Brewer (and Put On My Pray’rs) Vals fra “Zampa” Tony Martin & Fran Warren Count Every Star Victor Silvester Ray Anthony I Wanna Be Loved Ain’t It Grand to Be Billy Eckstine Daddy’s Little Girl Bloomin’ Well Dead The Mills Brothers I’ll Never Be Free Lesley Sarony Kay Starr & Tennessee Daisy Bell Ernie Ford All My Love Katie Lawrence Percy Faith I’m Henery the Eighth, I Am Dear Hearts & Gentle People Any Old Iron Harry Champion Dinah Shore Harry Champion I’m Movin’ On Dearie Hank Snow Autumn Leaves Guy Lombardo (Les Feuilles Mortes) I’m Thinking Tonight Yves Montand Doing the Lambeth Walk of My Blue Eyes / Noel Gay Baldhead Chattanoogie John Byrd & His Don’t Dilly Dally on Shoe-Shine Boy Blues Jumpers the Way (My Old Man) Joe Loss (Professor Longhair) Marie Lloyd If I Knew You Were Comin’ Beloved, Be Faithful Down at the Old I’d Have Baked a Cake Russ Morgan Bull and Bush Eileen Barton Florrie Ford Beside the Seaside, If You were the Only Beside the Sea Enjoy Yourself (It’s Girl in the World Mark Sheridan Later Than You Think) George Robey Guy Lombardo Bewitched (bothered If You’ve Got the Money & bewildered) Foggy Mountain Breakdown (I’ve Got the Time) Doris Day Lester Flatt & Earl Scruggs Lefty Frizzell Bibbidi-Bobbidi-Boo Frosty the Snowman It Isn’t Fair Jo Stafford & Gene Autry Sammy Kaye Gordon MacRae Goodnight, Irene It’s a Long Way Boiled Beef and Carrots Frank Sinatra to Tipperary -
Searchablehistory.Com 1960-1969 P. 1 SEATTLE's DOLTON RECORDS
SEATTLE’S DOLTON RECORDS DISTRIBUTES THE NORTHWEST ROCK SOUND Dolton Records in Seattle Dolton was the brainchild of Bob Reisdorff, sales manager at Seattle’s top independent record wholesaler, in partnership who joined with the Seattle’s leading country/pop star: Bonnie Guitar Bonnie knew music and sound engineering1 Dolton Records scored half-dozen international hits for local teen bands such as the Fleetwoods, Frantics, Little Bill and the Bluenotes, and the Ventures -- 1959-1960 Reisdorff and Bonnie could not agree on the direction their label would take Dolton Records moved to Hollywood and opened up room for new labels to emerge JERDEN RECORDS IN SEATTLE RELEASES RECORDS BY FAMOUS RECORDING ARTISTS Gerald B. “Jerry” Dennon quit college to work for KOIN-TV in Portland [1956] he was soon hired by BG Record Service to push records to area shops and radio stations2 Jerden Music, Inc. started out based in Dennon’s apartment on Seattle’s Queen Anne Hill he and Bonnie Guitar began scouting for talent Bonnie performed a solo gig at Vancouver, Washington’s Frontier Room -- early 1960 she discovered a teen vocal trio, Darwin and the Cupids with a Fleetwood-style sound Seattle’s mighty KJR to Vancouver B.C.’s C-FUN were supported the newly-discovered group Jerden Music was off to a fine start -- and then Darwin and the Cupids quickly faded from view CENSUS DATA SHOWS THE FULL EFFECTS OF THE POST-WAR “BABY BOOM” This newest census report was the first to mail a questionnaire to all United States households 3 to be filled out in preparation for -
January, 1993 .VERLE G. KERR
C 0 H PAN YIP 0 0 P S II I~ V. 'I' January, 1993 .VERLE G. KERR - 420 N. 4th St. - Oskaloosa, Iowa 52577 Phone (575) 672-2322 I am ~nclosing a copy of the awards paper for the Presidential Unit Citation awarded the 502nd Parachute Inf. Regt. for their Normandy action dated Nov. 30, 1944. I talked with Frank Walker by phone and he said he had been listed as a glider rider instead of a Paratrooper on his discharge and was looking for help to try and get it str~ightened out on his discharge papers. My health is not too good, I am housebound now, but we have a daughter who came to our need, she takes care of both of us real good. Am enclosing a donation for whatever ne~d there is. Would you please send me a copy of those awards papers mentioned in the Sept. Poopsheet? EDITOR'S NOTE: I am happy to forward these awards papers. EDWARD C. THOMAS - 2771 N. 1250 ESt. - Oak Harbor, Washington 98277 Phone (206) 679-0509 I am still working for the U.S. government at the Naval Base at Whitby Island and my wife works in the commisary. We recently returned from a 3 year hitch of duty for the government in Alaska. We hope to remain here until I retire, and after that to make our home here. EDITOR'S NOTE: During the 1970's when my son was in Korea, I noticed that he and Ed had the same A.P.O. number. -
Reflections of War Culture in Silverplate B-29 Nose Art from the 509Th Composite Group by Terri D. Wesemann, Master of Arts Utah State University, 2019
METAL STORYTELLERS: REFLECTIONS OF WAR CULTURE IN SILVERPLATE B-29 NOSE ART FROM THE 509TH COMPOSITE GROUP by Terri D. Wesemann A thesis submitted in partial fulfillment of the requirements for the degree of MASTER OF SCIENCE in American Studies Specialization Folklore Approved: ______________________ ____________________ Randy Williams, MS Jeannie Thomas, Ph.D. Committee Chair Committee Member ______________________ ____________________ Susan Grayzel, Ph.D. Richard S. Inouye, Ph.D. Committee Member Vice Provost for Graduate Studies UTAH STATE UNIVERSITY Logan, Utah 2019 Copyright © Terri Wesemann 2019 All Rights Reserved ABSTRACT Metal Storytellers: Reflections of War Culture in Silverplate B-29 Nose Art From the 509th Composite Group by Terri D. Wesemann, Master of Arts Utah State University, 2019 Committee Chair: Randy Williams, MS Department: English Most people are familiar with the Enola Gay—the B-29 that dropped Little Boy, the first atomic bomb, over the city of Hiroshima, Japan on August 6, 1945. Less known are the fifteen Silverplate B-29 airplanes that trained for the mission, that were named and later adorned with nose art. However, in recorded history, the atomic mission overshadowed the occupational folklore of this group. Because the abundance of planes were scrapped in the decade after World War II and most WWII veterans have passed on, all that remains of their occupational folklore are photographs, oral and written histories, some books, and two iconic airplanes in museum exhibits. Yet, the public’s infatuation and curiosity with nose art keeps the tradition alive. The purpose of my graduate project and internship with the Hill Aerospace Museum was to collaborate on a 60-foot exhibit that analyzes the humanizing aspects of the Silverplate B-29 nose art from the 509th Composite Group and show how nose art functioned in three ways. -
Phoenix Patriot Magazine Vol. 1, Issue 1
A MAGAZINE FOR THE MILITARY COMMUNITY | WINTER 2012 PHOENIX Help for Heroes A road to recovery Military medical innovations Plan for a successful transition Where’s Kilroy? LETTER FROM THE Executive Editor As I welcome you to the first edition of our newly redesigned Phoenix Patriot magazine, I do so with a deep sense of gratitude for the sacrifices you have made for our country. Having served in the U.S. Army for 28 I recently went through that transition, FAST FACTS years, I know first-hand the excitement, myself. In 2009, I retired from the U.S. chaos and fulfillment that define military Army Corps of Engineers after nearly life. Whether you are currently deployed, three decades of service. When I began GARLAND H. have proudly worn a uniform in the past my transition, I thought I was set because I WILLIAMS or are raising your family while a loved one have my Ph.D. While that certainly opened Colonel (Retired), Ph.D. serves, your contributions to our freedom doors for me, my retirement coincided BRANCH: have not gone unnoticed. with a period during which defense U.S. Army contractor jobs dried up pending federal Our call to support you budget approval. As often happens in life, YEARS OF At University of Phoenix, our appreciation that obstacle opened a new opportunity in MILITARY SERVICE: for your service is what drives us to do the University of Phoenix Military Division, 28 our very best to support members of a group I didn’t even know existed. the broader military community. -
Jukebox Oldies
JUKEBOX OLDIES – MOTOWN ANTHEMS Disc One - Title Artist Disc Two - Title Artist 01 Baby Love The Supremes 01 I Heard It Through the Grapevine Marvin Gaye 02 Dancing In The Street Martha Reeves & The Vandellas 02 Jimmy Mack Martha Reeves & The Vandellas 03 Reach Out, I’ll Be There Four Tops 03 You Keep Me Hangin’ On The Supremes 04 Uptight (Everything’s Alright) Stevie Wonder 04 The Onion Song Marvin Gaye & Tammi Terrell 05 Do You Love Me The Contours 05 Got To Be There Michael Jackson 06 Please Mr Postman The Marvelettes 06 What Becomes Of The Jimmy Ruffin 07 You Really Got A Hold On Me The Miracles 07 Reach Out And Touch Diana Ross 08 My Girl The Temptations 08 You’re All I Need To Get By Marvin Gaye & Tammi Terrell 09 Where Did Our Love Go The Supremes 09 Reflections Diana Ross & The Supremes 10 I Can’t Help Myself Four Tops 10 My Cherie Amour Stevie Wonder 11 The Tracks Of My Tears Smokey Robinson & The Miracles 11 There’s A Ghost In My House R. Dean Taylor 12 My Guy Mary Wells 12 Too Busy Thinking About My Marvin Gaye 13 (Love Is Like A) Heatwave Martha Reeves & The Vandellas 13 The Happening The Supremes 14 Needle In A Haystack The Velvelettes 14 It’s A Shame The Spinners 15 It’s The Same Old Song Four Tops 15 Ain’t No Mountain High Enough Diana Ross 16 Get Ready The Temptations 16 Ben Michael Jackson 17 Stop! (in the name of love) The Supremes 17 Someday We’ll Be Together Diana Ross & The Supremes 18 How Sweet It Is Marvin Gaye 18 Ain’t Too Proud To Beg The Temptations 19 Take Me In Your Arms Kim Weston 19 I’m Still Waiting Diana Ross 20 Nowhere To Run Martha Reeves & The Vandellas 20 I’ll Be There The Jackson 5 21 Shotgun Junior Walker & The All Stars 21 What’s Going On Marvin Gaye 22 It Takes Two Marvin Gaye & Kim Weston 22 For Once In My Life Stevie Wonder 23 This Old Heart Of Mine The Isley Brothers 23 Stoned Love The Supremes 24 You Can’t Hurry Love The Supremes 24 ABC The Jackson 5 25 (I’m a) Road Runner JR. -
Images of American Soldiers in Korea, 1950-1953
Kilroy is Back: Images of American Soldiers in Korea, 1950-1953 Andrew J. Huebner In the early, dark days of the Korean War an anonymous American GI announced the return of a cultural hero: himself. The fictitious soldier "Kilroy," whose name had been scrawled on walls across every theater of World War II, reappeared in the deserted, war-torn town of Yechon, South Korea. Soldiers had written "Kilroy was here" during the last war; now, this weary GI scribbled "Kilroy is back."1 For a short time, the American fighting man would return to the position of cultural prominence he had attained in 1941-45. The new GI Americans met in popular magazines, photographic exhibits, and newsreels was in many ways a familiar figure. He wore the same uniform and fired the same weapons as he had in World War II. He also shared many of the attributes and miseries of the World War II citizen-soldier, particularly those represented in public imagery during the latter stages of that war. In other, subtler ways, however, the soldier in Korea journalists and others depicted was something of a changed man.2 Early in the Second World War American image-makers had created an idealized soldier for homefront audiences. Journalists Ernie Pyle, Hal Boyle, and Bill Mauldin joined newsreel producers, Hollywood filmmakers, and government propagandists at the Office of War Information (O WI) in celebrating the tough, dependable, patriotic GI.3 Mauldin's scruffy cartoon characters, Willie and Joe, were famous for their grumbling, but like the soldiers Pyle and Boyle 0026-3079/2004/4501-103$2.50/0 American Studies, 45:1 (Spring 2004): 103-129 103 104 Andrew J. -
Graffiti: a Visual Vernacular As Graphic Design Source Sung Hun Choi Iowa State University
Iowa State University Capstones, Theses and Retrospective Theses and Dissertations Dissertations 2007 Graffiti: a visual vernacular as graphic design source Sung Hun Choi Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/rtd Part of the Art and Design Commons, and the Fine Arts Commons Recommended Citation Choi, Sung Hun, "Graffiti: a visual vernacular as graphic design source" (2007). Retrospective Theses and Dissertations. 15068. https://lib.dr.iastate.edu/rtd/15068 This Thesis is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Retrospective Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. Graffiti: A visual vernacular as graphic design source by Sung Hun Choi A thesis submitted to the graduate faculty in partial fulfillment of the requirements for the degree of MASTER OF FINE ARTS Major: Graphic Design Program of Study Committee: Roger Baer, Major Professor Paul Bruski Fred Malven Iowa State University Ames, Iowa 2007 Copyright © Sung Hun Choi, 2007. All rights reserved. UMI Number: 1446067 UMI Microform 1446067 Copyright 2007 by ProQuest Information and Learning Company. All rights reserved. This microform edition is protected against unauthorized copying under Title 17, United States Code. ProQuest Information and Learning Company 300 North Zeeb Road -
Practices of Place: Ordinary Mobilities and Everyday Technology
Copyright by Brendan Christopher Gaughen 2016 The Dissertation Committee for Brendan Christopher Gaughen certifies that this is the approved version of the following dissertation: Practices of Place: Ordinary Mobilities and Everyday Technology Committee: Jeffrey Meikle, Supervisor Steven Hoelscher Paul Adams Sharon Strover Craig Campbell Practices of Place: Ordinary Mobilities and Everyday Technology by Brendan Christopher Gaughen, B.A.; M.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin May 2016 Acknowledgements It takes a village to write a dissertation. The first words of acknowledgement and gratitude must go to members of the dissertation committee for their feedback, critique, and guidance: Paul Adams, Craig Campbell, Steven Hoelscher, and Sharon Strover, and especially Jeff Meikle for serving as committee chair. Conducting research took me places I never expected to go. Thank you to the staff at the Appalachian Trail Museum and the Lincoln Highway Museum. Thanks to Reid Williamson of the Extra Miler Club. Thanks to Ron Woods for showing me around the Postmark Museum in Bellevue, Ohio. Finally, a special thanks goes to Jodi Kearns at the Center for the History of Psychology at the University of Akron for making my visit to the archive exponentially more productive than I had anticipated. Thank you fellow graduate students and residents of the island of misfit toys, -
KRM's Greatest Hits of All Time 1955-1975
KRM’s Greatest Hits of All Time 1955-1975 1955 ... You Belong to Me ... The Duprees 1956 ... Eternally ... Doris Day Now, I got a sur- Wow, here they 1956 ... Why Do Fools Fall In Love ... Franky Lymon & the Teenagers prise myself when I are already: the 1956 ... In the Still of The Night ... The Five Satins looked closely at the songs I picked as the Greatest Hits of 1957 ... EarthAngel ... The Penguins our lives!! The top fifty. Had I best of the cull! 1957AB ... Little Darling ... The Diamonds guessed beforehand, This is the Fifth 1957B ... Diana ... Paul Anka I would have said Level. Tier One 1958A ... Little Star ... The Elegants that they would cluster around the would be all the 1958A ... Twilight Time ... The Platters years 1960 and ‘61: thousands of 1958B ... Dream Dream Dream ... Everly Brothers but they peaked hits ever 1958B ... When ... The Kalin Twins quite strongly recorded by 1958B ... Born Too Late ... The Poni-Tails around 1959! In BillBoard 1959A ... The Twelfth of Never ... Johnny Mathis fact, more than ten Magazine. percent were from Tier Two 1959A ... Donna ... Ritchie Valens that year, twice as consists of those 1959A ... Susie Darling ... Robin Luke many from next which came to 1959A ... Broken Hearted Melody ... Sarah Vaughn closest. Approxi- my attention 1959A ... Smoke Gets in Your Eyes ... The Platters mately half were by between the big names in the years 1955 to 1959A ... Tragedy ... Thomas Wayne history of pop 1963 and were 1959AB ... Dream Lover ... Bobby Darin music, career recorded in my 1959AB ... There Goes My Baby ... The Drifters recording artists own high school 1959B .. -
Common Cause: a History of the World War II Home Front Devin Mckinney Gettysburg College
Gettysburg College Faculty Books 2018 Common Cause: A History of the World War II Home Front Devin McKinney Gettysburg College Michael J. Birkner Gettysburg College Follow this and additional works at: https://cupola.gettysburg.edu/books Part of the Archival Science Commons, Oral History Commons, and the United States History Commons Share feedback about the accessibility of this item. Devin McKinney and Michael J. Birkner, eds. Common Cause: An Oral History of the World War II Home Front. Gettysburg, PA: Musselman Library, 2018. This is the publisher's version of the work. This publication appears in Gettysburg College's institutional repository by permission of the copyright owner for personal use, not for redistribution. Cupola permanent link: https://cupola.gettysburg.edu/books/150 This open access book is brought to you by The uC pola: Scholarship at Gettysburg College. It has been accepted for inclusion by an authorized administrator of The uC pola. For more information, please contact [email protected]. Common Cause: A History of the World War II Home Front Description In excerpts drawn from Musselman Library's Oral History Archive, the World War II years are recalled by dozens of the men and women—adults, teenagers, children—who endured them on the home front. The home front experience was by turns exhilarating, fearsome, depressing, and banal. Some civilians had it relatively easy, while others had it hard. Righteous confidence was offset by looming uncertainty, patriotism was often buttressed by bigotry, and the joys of victory and reunion were shadowed by irreplaceable losses. In this volume, the speech of ordinary citizens in extraordinary times is augmented by abundant illustration, much of it in color—photographs, posters, artifacts, and other evocations of a past that still fascinates us. -
<I>Malt Shop Memories</I>
names, Vol. 57 No. 3, September, 2009, 162–174 Selling Decency and Innocence: Names of Singing Groups in the Malt Shop Memories Collection Margaret G Lee Hampton University, USA This study examines the names of sixty-fi ve male and female singing groups in the Malt Shop Memories collection and their economic, social, and cultural infl uences. Record companies’ efforts to sell the emerging rock’n’roll to teenagers of mid-1950s to mid-1960s affl uent America resulted in group names intended to reduce the negative attitudes toward the music. Non-threatening group names were designed to exude images of whole- someness and purity to appease parents and the public who regarded rock’n’roll as chaotic, vulgar, and the cause of America’s social ills. These names, refl ecting such ordinary categories as Birds and Animals, Place Names, Mystique and Wonder, and more, combined with a mandated dress code to sell an image of decency and innocence in the face of a rebellious new style of music. keywords Malt Shop group names, Rock’n’roll group names, Doo-wop group names, 1950s-60s singing groups, Rock music group names, Girl group names, Vocal group names Introduction and background Malt Shop Memories is a Time Life, 150-song, ten-CD collection of oldies classics by the original artists. Released in 2006, the collection encompasses the period, as described in its television advertisement, “between the birth of rock ‘n’ roll in the mid-50’s to the British Invasion of the mid-60’s [. .] when American pop music took the world by storm.” This was one of the most innovative and dynamic periods in America’s music history.