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Lectures and Community Engagement 2017–18 About the Metropolitan Opera Guild
Lectures and Community Engagement 2017 –18 About the Metropolitan Opera Guild The Metropolitan Opera Guild is the world’s premier arts educa- tion organization dedicated to enriching people’s lives through the magic and artistry of opera. Thanks to the support of individuals, government agencies, foundations, and corporate sponsors, the Guild brings opera to life both on and off the stage through its educational programs. For students, the Guild fosters personal expression, collaboration, literacy skills, and self-confidence with customized education programs integrated into the curricula of their schools. For adults, the Guild enhances the opera-going experience through intensive workshops, pre-performance talks, and community outreach programs. In addition to educational activities, the Guild publishes Opera News, the world’s leading opera magazine. With Opera News, the Guild reaches a global audience with the most insightful and up-to-date writing on opera available anywhere, helping to maintain opera as a thriving, contemporary art form. For more information about the Metropolitan Opera Guild and its programs, visit metguild.org. Additional information and archives of Opera News can be found online at operanews.com. How to Use This Booklet This brochure presents the 2017–18 season of Lectures and Community Programs grouped into thematic sections—programs that emphasize specific Met performances and productions; courses on opera and its history and culture; and editorial insights and interviews presented by our colleagues at Opera News. Courses of study are arranged chronologically, and learners of all levels are welcome. To place an order, please call the Guild’s ticketing line at 212.769.7028 (Mon–Fri 10AM–4PM). -
Qbz01gpoggah6xl.Pdf
2018-2019 HD LIVE FROM METROPOLITAN OPERA NEW YORK 2018-2019 SEASON 10 evenings in live from New York including 4 new productions The Metropolitan Opera opens its season with the great Russian diva Anna Netrebko who will sing Aida on October 6th. She will return to the MET stage in Adriana Lecouvreur o n January 12, a new production by Sir David McVicar. Two new productions: La Traviata on December 15 with Diana Damrau and Joan Diego Fló rez and the premiere of Marnie on November 10, based on Alfred Hitchcock's masterpiece. Attentive to the renewal of the lyric repertoire, the MET reserves each season a privileged place for contemporary creation. New titular conductor of the house or chestra, Yannick Nézet-Séguin will lead Francis Poulenc's Dialogues des Carmélites on May 11 at the end of a season that hono urs French opera, notably with the new production of Samson and Dalila on 20 October with two ambassadors of French lyric singing: L aurent Naouri and Roberto Alagna. Alagna will return in Don José in Carmen on February 2nd. France will also be in the pit with Philippe Jordan, musical director of the Paris Opera. He will lead the Walkyrie on March 30, with Eva-Maria Westbroeck as Sieglinde, who will have sung a few months earlier the role of Minnie with Jonas Kaufmann in the Fanciulla del West on October 27, a less known opera by Puccini. Finally Pretty Yende and Javier Camarena will be reunited in The Daughter of the Regiment by Donizetti on March 2nd. -
Ildar Abdrazakov Las Versiones Del Demonio
ENTREVISTA Ildar Abdrazakov Las versiones del demonio por Ingrid Haas ldar Abdrazakov es uno de los grandes bajos en la actualidad. A sus 39 años, goza ya de una carrera sólida y llena de éxitos en teatros tan importantes como la Scala de Milán, Iel Metropolitan Opera House de Nueva York, Washington Opera, Los Ángeles Ópera, Royal Opera House de Londres, Opéra Bastille de París, el Teatro Mariinsky, el Liceu de Barcelona, el Real de Madrid, la Ópera de Montecarlo, la Ópera de San Francisco, la Ópera Estatal de Viena y la Ópera Estatal de Baviera, entre otras. La voz de Abdrazakov ha conquistado a los públicos más exigentes y a directores de orquesta de la talla de Riccardo Muti, James Levine, Valery Gergiev, Gianandrea Noseda, Anthony Pappano, Riccardo Chailly y Bertrand de Billy, sólo por nombrar a algunos. “En las tres Con su cavernoso timbre, innegable musicalidad y gallarda versiones de presencia escénica, Abdrazakov ha cantado una amplia gama de Mefistófeles que he roles que van desde Fígaro en Le nozze di Figaro de Mozart, el rol cantado, mi Fausto titular y Leporello en Don Giovanni, Moïse en Moïse et Pharaon, ha sido siempre Assur en Semiramide, Don Basilio en Il Barbiere di Siviglia, las Ramón Vargas” tres de Rossini, Oroveso en Norma de Bellini, Méphistophélès Foto: Sergei Misenko en las versiones de Faust de Gounod y La damnation de Faust de Berlioz, el rol principal de Mefistofelede Boito, los Cuatro Sí, en efecto. Vine a cantar hace unos años a la Ciudad de México: Villanos de Les contes d’Hoffmann, Walter en Luisa Miller así un recital en la Sala Nezahualcóyotl y el Requiem de Verdi en como Oberto y Attila en las óperas homónimas de Verdi, Dosifei en Bellas Artes. -
Avant Première Catalogue 2018 Lists UNITEL’S New Productions of 2017 Plus New Additions to the Catalogue
CATALOGUE 2018 This Avant Première catalogue 2018 lists UNITEL’s new productions of 2017 plus new additions to the catalogue. For a complete list of more than 2.000 UNITEL productions and the Avant Première catalogues of 2015–2017 please visit www.unitel.de FOR CO-PRODUCTION & PRESALES INQUIRIES PLEASE CONTACT: Unitel GmbH & Co. KG Gruenwalder Weg 28D · 82041 Oberhaching/Munich, Germany Tel: +49.89.673469-613 · Fax: +49.89.673469-610 · [email protected] Ernst Buchrucker Dr. Thomas Hieber Dr. Magdalena Herbst Managing Director Head of Business and Legal Affairs Head of Production [email protected] [email protected] [email protected] Tel: +49.89.673469-19 Tel: +49.89.673469-611 Tel: +49.89.673469-862 WORLD SALES C Major Entertainment GmbH Meerscheidtstr. 8 · 14057 Berlin, Germany Tel.: +49.30.303064-64 · [email protected] Elmar Kruse Niklas Arens Nishrin Schacherbauer Managing Director Sales Manager, Director Sales Sales Manager [email protected] & Marketing [email protected] [email protected] Nadja Joost Ira Rost Sales Manager, Director Live Events Sales Manager, Assistant to & Popular Music Managing Director [email protected] [email protected] CATALOGUE 2018 Unitel GmbH & Co. KG Gruenwalder Weg 28D 82041 Oberhaching/Munich, Germany CEO: Jan Mojto Editorial team: Franziska Pascher, Dr. Martina Kliem, Arthur Intelmann Layout: Manuel Messner/luebbeke.com All information is not contractual and subject to change without prior notice. All trademarks used herein are the property of their respective owners. Date of Print: February 2018 © UNITEL 2018 All rights reserved Front cover: Alicia Amatriain & Friedemann Vogel in John Cranko’s “Onegin” / Photo: Stuttgart Ballet ON THE OCCASION OF HIS 100TH BIRTHDAY UNITEL CELEBRATES LEONARD BERNSTEIN 1918 – 1990 Leonard Bernstein, a long-time exclusive artist of Unitel, was America’s ambassador to the world of music. -
001 Portada.Indd
En Portada Entrevista Pretty Yende La sonrisa en el canto POR GONZALO PÉREZ CHAMORRO uando tenía dieciséis años, una preciosa chica sudafricana de color, con una sonrisa que C iluminaba cualquier estancia, escuchó un anuncio de British Airways que la hizo volar al escuchar su música: se trataba del “Dúo de las fl ores” de Lakmé de Delibes. Decidió, justo en ese mismo instante, dedicarse a cantar aquella música que hacían sonar dos voces de manera tan USIC maravillosa. Nació la soprano Pretty Yende, y con ella, el sueño de libertad de millones de personas M en creer que tener una vida mejor es posible. Hoy, Pretty Yende, artista exclusiva de Sony Classical, ONY sello con el que debuta con el disco “A Journey”, canta en los mejores teatros de ópera del mundo, / S desde el Metropolitan a La Scala de Milán, sonriendo mientras canta el belcanto que la hace feliz. OHENBERG RITMO pudo hablar con ella sobre su prometedor debut discográfi co. H REGOR 10 © G Pretty Yende USIC M ONY / S OHENBERG H REGOR © G “En el belcanto hay algo especial; estos compositores hacen que la voz hable de manera íntima con el alma”, afi rma la soprano. Usted nació en un pequeño pueblecito de Sudáfrica, en tó a olvidarlo, ya que era muy difícil y que debía de insistir en Thandukukhanya (Piet Retief). ¿Cómo era su vida enton- mis materias escolares, como las matemáticas, administración ces, cómo era la pequeña Pretty Yende? de empresas o contabilidad, es decir, perseguir el sueño de ser Soy una chica que tuvo la inmensa fortuna de crecer en una contable y en poder llegar a materializar el sueño de convertir- familia en la que el amor reinaba en la casa. -
Ildar Abdrazakov
POWER PLAYERS Russian Arias for Bass ILDAR ABDRAZAKOV CONSTANTINE ORBELIAN, CONDUCTOR KAUNAS CITY SYMPHONY ORCHESTRA KAUNAS STATE CHOIR 1 0 13491 34562 8 ORIGINAL DELOS DE 3456 ILDAR ABDRAZAKOV • POWER PLAYERS DIGITAL iconic characters The dynamics of power in Russian opera and its most DE 3456 (707) 996-3844 • © 2013 Delos Productions, Inc., © 2013 Delos Productions, 95476-9998 CA Sonoma, 343, Box P.O. (800) 364-0645 [email protected] www.delosmusic.com CONSTANTINE ORBELIAN, CONDUCTOR ORBELIAN, CONSTANTINE ORCHESTRA CITY SYMPHONY KAUNAS CHOIR STATE KAUNAS Arias from: Arias Rachmaninov: Aleko the Tsar & Ludmila,Glinka: A Life for Ruslan Igor Borodin: Prince Boris GodunovMussorgsky: The Demon Rubinstein: Onegin, Iolanthe Eugene Tchaikovsky: Peace and War Prokofiev: Rimsky-Korsakov: Sadko 66:49 Time: Total Russian Arias for Bass ABDRAZAKOV ILDAR POWER PLAYERS ORIGINAL DELOS DE 3456 ILDAR ABDRAZAKOV • POWER PLAYERS DIGITAL POWER PLAYERS Russian Arias for Bass ILDAR ABDRAZAKOV 1. Sergei Rachmaninov: Aleko – “Ves tabor spit” (All the camp is asleep) (6:19) 2. Mikhail Glinka: Ruslan & Ludmila – “Farlaf’s Rondo” (3:34) 3. Glinka: Ruslan & Ludmila – “O pole, pole” (Oh, field, field) (11:47) 4. Alexander Borodin: Prince Igor – “Ne sna ne otdykha” (There’s no sleep, no repose) (7:38) 5. Modest Mussorgsky: Boris Godunov – “Kak vo gorode bylo vo Kazani” (At Kazan, where long ago I fought) (2:11) 6. Anton Rubinstein: The Demon – “Na Vozdushnom Okeane” (In the ocean of the sky) (5:05) 7. Piotr Tchaikovsky: Eugene Onegin – “Liubvi vsem vozrasty pokorny” (Love has nothing to do with age) (5:37) 8. Tchaikovsky: Iolanthe – “Gospod moi, yesli greshin ya” (Oh Lord, have pity on me!) (4:31) 9. -
2021 WFMT Opera Series Broadcast Schedule & Cast Information —Spring/Summer 2021
2021 WFMT Opera Series Broadcast Schedule & Cast Information —Spring/Summer 2021 Please Note: due to production considerations, duration for each production is subject to change. Please consult associated cue sheet for final cast list, timings, and more details. Please contact [email protected] for more information. PROGRAM #: OS 21-01 RELEASE: June 12, 2021 OPERA: Handel Double-Bill: Acis and Galatea & Apollo e Dafne COMPOSER: George Frideric Handel LIBRETTO: John Gay (Acis and Galatea) G.F. Handel (Apollo e Dafne) PRESENTING COMPANY: Haymarket Opera Company CAST: Acis and Galatea Acis Michael St. Peter Galatea Kimberly Jones Polyphemus David Govertsen Damon Kaitlin Foley Chorus Kaitlin Foley, Mallory Harding, Ryan Townsend Strand, Jianghai Ho, Dorian McCall CAST: Apollo e Dafne Apollo Ryan de Ryke Dafne Erica Schuller ENSEMBLE: Haymarket Ensemble CONDUCTOR: Craig Trompeter CREATIVE DIRECTOR: Chase Hopkins FILM DIRECTOR: Garry Grasinski LIGHTING DESIGNER: Lindsey Lyddan AUDIO ENGINEER: Mary Mazurek COVID COMPLIANCE OFFICER: Kait Samuels ORIGINAL ART: Zuleyka V. Benitez Approx. Length: 2 hours, 48 minutes PROGRAM #: OS 21-02 RELEASE: June 19, 2021 OPERA: Tosca (in Italian) COMPOSER: Giacomo Puccini LIBRETTO: Luigi Illica & Giuseppe Giacosa VENUE: Royal Opera House PRESENTING COMPANY: Royal Opera CAST: Tosca Angela Gheorghiu Cavaradossi Jonas Kaufmann Scarpia Sir Bryn Terfel Spoletta Hubert Francis Angelotti Lukas Jakobski Sacristan Jeremy White Sciarrone Zheng Zhou Shepherd Boy William Payne ENSEMBLE: Orchestra of the Royal Opera House, -
The American Opera Series May 16 – November 28, 2015
The American Opera Series May 16 – November 28, 2015 The WFMT Radio Network is proud to make the American Opera Series available to our affiliates. The American Opera Series is designed to complement the Metropolitan Opera Broadcasts, filling in the schedule to complete the year. This year the American Opera Series features great performances by the Lyric Opera of Chicago, LA Opera, San Francisco Opera, Glimmerglass Festival and Opera Southwest. The American Opera Series for 2015 will bring distinction to your station’s schedule, and unmatched enjoyment to your listeners. Highlights of the American Opera Series include: • The American Opera Series celebrates the Fourth of July (which falls on a Saturday) with Lyric Opera of Chicago’s stellar production of George Gershwin’s Porgy and Bess. • LA Opera brings us The Figaro Trilogy, including Mozart’s The Marriage of Figaro, Rossini’s The Barber of Seville, and John Corigliano’s The Ghosts of Versailles. • The world premiere of Marco Tutino’s Two Women (La Ciociara) starring Anna Caterina Antonacci, based on the novel by Alberto Moravia that became a classic film, staged by San Francisco Opera. • Opera Southwest’s notable reconstruction of Franco Faccio’s 1865 opera Amleto (Hamlet), believed lost for over 135 years, in its American premiere. In addition, this season we’re pleased to announce that we are now including multimedia assets for use on your station’s website and publications! You can find the supplemental materials at the following link: American Opera Series Supplemental Materials Please note: If you have trouble accessing the supplemental materials, please send me an email at [email protected] Program Hours* Weeks Code Start Date Lyric Opera of Chicago 3 - 5 9 LOC 5/16/15 LA Opera 2 ½ - 3 ¼ 6 LAO 7/18/15 San Francisco Opera 1 ¾ - 4 ¾ 10 SFO 8/29/15 Glimmerglass Festival 3 - 3 ½ 3 GLI 11/7/15 Opera Southwest Presents: Amleto 3 1 OSW 11/28/15 Los Angeles Opera’s Production of The Ghosts of Versailles Credit: Craig Henry *Please note: all timings are approximate, and actual times will vary. -
Marco Boemi Conductor Website
Straussengasse 14 /1 1050 Vienna – Austria Ivan Paley: [email protected] Stefan Astner: [email protected] Marco Boemi Conductor Website: www.viemuc.com Marco Boemi is a conductor and pianist who also graduated law at the Sapienza University of Rome. He performed at the Rome Opera, Teatro alla Scala Milan, The Teatro Regio in Turin, Suntory Hall Tokyo, Bayerische Staatsoper, Wiener Musikverein, Paris Opera Bastille and many other major venues. His extensive symphonic and operatic repertoire includes authors like Verdi, Puccini, Beethoven, Mahler, Wagner, Ravel, Saint-Saëns, Debussy, Rachmaninov, Gershwin and Bernstein. During his, more than 20 years long, career he cooperated with many notable singers, such as Pavarotii, Taddei, Kabaivanska, Netrebko, Obratzova, Gruberova, Borodina, Shicoff, Bruson, Ricciarelli, Burchuladze, Abdrazakov and others and also conducted London Philhamonic Orchestra, all the major Japanese orchestras, World Youth Orchestra, Verdi Orchestra and many others. He gives masterclasses for young pianists, singers and conductors and is considered an expert in Lied music. He has recorded for Decca, TDK, Universal with artist such as Colombara, La Scola, Sabbatini, Armiliato and Dessì. In the year 2013 he conducted Verdi´s “Atilla” for the world opening of the Astana Opera. Later on, a Gala concert with Ildar Abdrazakov at the Royal Opera House Muscat, a Gala concert with Netrebko in Kazan, “La traviata” in Verona, “Il trovatore” in Treviso, “Turandot” in Bogotá, as well as “Don Pasquale” in Helsinki were conducted by Boemi. In April 2016, he has again conducted a Gala concert with © Gianni Netrebko and Eyvazov in Los Angeles. Other highlights of the last seasons include “Aida” in Livorno, Pisa and Rovigo, “Il tabarro / I Pagliacci” in Helsinki, “Nabucco” in Lima and “Porgy and Bess” at the Tatar State Opera in Kazan. -
Biografie DE
MAURO PETER … als einen Liederabend zum Träumen und eine makellose, facettenreiche Darbietung bezeichne- ten die Salzburger Nachrichten den Auftritt von Mauro Peter bei den Salzburger Festspielen 2019. Diese Faszination des Ausdrucks begeistert das Publikum seit seinem Aufsehen erregenden Debüt 2012 an der Schubertiade Schwarzenberg. Seither gastiert er auf allen Konzertpodien und Opern- bühnen Europas. Die Spielzeit 2020/21 eröffnet der Schweizer Tenor mit einem Liederabend am international re- nommierten Lucerne Festival. Seine Opernsaison beginnt Mauro Peter mit dem Rollendebüt als Nemorino in Donizettis L’elisir d’amore am Opernhaus Zürich. Dort ist er seit 2013 festes Ensemblemitglied und feierte grosse Erfolge, so zuletzt mit Zenders Winterreise und in der Titelrolle von Händels Belshazzar. Ein weiterer Höhepunkt dieser Saison bildet sein Debüt im Dezember am Teatro Real in Madrid als Don Ottavio in Mozarts Don Giovanni. Diese Partie wird er auch bei der Mozartwoche 2021 in Salzburg verkörpern. Ausserdem wird Mauro Peter zum ersten Mal Schuberts Schwanengesang im Juni am Wiener Kon- zerthaus und an der Schubertiade Schwarzenberg interpretieren. Darüber hinaus wird er 2021 bei den Berliner Philharmonikern unter der Leitung von Kirill Petrenko debütieren und beim Europakonzert mitwirken. Mit der Interpretation von Wolfgang Amadeus Mozarts Musik feierte Mauro Peter internationale Opernerfolge. Partien wie Belmonte, Ferrando, Don Ottavio und Tamino führten ihn an die Canadian Opera Com- pany nach Toronto, die Bayerische Staatsoper, die Opéra de Lyon, die Opéra national de Paris, das Royal Opera House in London, das Teatro alla Scala in Mailand, das Theater an der Wien, das Opernhaus Zürich sowie an die Salzburger Festspiele. Mit den Salzburger Festspielen verbindet Mauro Peter eine langjährige Zusammenarbeit. -
03-10-2018 Semiramide Mat.Indd
GIOACHINO ROSSINI semiramide conductor Opera in two acts Maurizio Benini Libretto by Gaetano Rossi, based on production John Copley the play Sémiramis by Voltaire set designer Saturday, March 10, 2018 John Conklin 1:00–4:40 PM costume designer Michael Stennett lighting designer John Froelich revival stage director The production of Semiramide was Roy Rallo made possible by a generous gift from the Lila Acheson and DeWitt Wallace Fund for Lincoln Center, established by the founders of The Reader’s Digest Association, Inc. The revival of this production is made possible by a gift from Ekkehart Hassels-Weiler general manager Peter Gelb music director designate Yannick Nézet-Séguin 2017–18 SEASON The 34th Metropolitan Opera performance of GIOACHINO ROSSINI’S This performance semiramide is being broadcast live over The Toll Brothers– Metropolitan Opera conductor International Radio Maurizio Benini Network, sponsored in order of vocal appearance by Toll Brothers, America’s luxury oroe, high priest of the magi ® homebuilder , with Ryan Speedo Green* generous long-term support from idreno, an indian prince The Annenberg Javier Camarena Foundation, The Neubauer Family assur, a prince Foundation, the Ildar Abdrazakov Vincent A. Stabile Endowment for semir amide, queen of babylon Broadcast Media, Angela Meade and contributions from listeners arsace, commander of the assyrian army worldwide. Elizabeth DeShong There is no Toll Brothers– a zema, a princess Metropolitan Sarah Shafer Opera Quiz in List Hall today. mitr ane, captain of the guard Kang Wang** This performance is also being broadcast ghost of king nino live on Metropolitan Jeremy Galyon Opera Radio on SiriusXM channel 75. -
General Sponsor Intendant Roland Geyer
Intendant Roland Geyer General sponsor The Theater an der Wien receives subsidies A Wien Holding Company from the Cultural Department of the City of Vienna “BeautIFUL MUSIc…” To look for the greatest triumphs of opera means applying the epithets Igor Stravinsky set Hogarth’s series of pictures, The Rake’s Progress, to “genius” and “originality” to a musical event. Such triumphs often came music as the opera of the same name which created a furore and proved about by chance or were not recognised as such until favourable cir- a huge success when it was staged at the Theater an der Wien in 2008 cumstances arose centuries later that revealed their true quality. Take by Martin Kušej under the musical direction of Nikolaus Harnoncourt. Mendelssohn’s revival of Bach’s St. Matthew Passion in the mid-nine- When the moralistic and strict judge John Gonson began a campaign teenth century, for example. Add to this the fact that before Mozart and against prostitution in the City of London, Hogarth was inspired to cre- Beethoven the creators of works of such specific evocative power were ate a second series, A Harlot’s Progress. The Theater an der Wien has not unanimously regarded as geniuses by their audiences. George Frid- now commissioned the renowned English dramatist Peter Ackroyd and eric Handel, for instance, still had to contend with derision, envy and the young English composer Iain Bell to write a new opera about the bankruptcy for years after his ground-breaking masterpiece, Messiah. story of a naïve country girl who falls into the clutches of a procuress Only at the end of his life was he feted as the nation’s composer, a sta- and is forced into prostitution.