CUMS Final Schedule of Sessions / SMUC Programme des séances 2012 Thursday, May 31, 2:00 pm - Sunday, June 3, 3:00 pm
THURSDAY, MAY 31, 2012
9:00-5:00 CUMS / SMUC Board Meeting / Réunion du conseil d’administration (A510)
2:00-7:15 Welcome and Registration / Accueil et inscription (Maureen Forrester Recital Hall Foyer)
5:00-7:00 Presidents Reception/ Réception des présidents (WLU Theatre Auditorium) Max Blouw (President and Vice-Chancellor of WLU) and Feridun Hamdullahpur (President and Vice-Chancellor of University of Waterloo)
2:00-10:30 Maureen Forrester Archival Exhibit
7:30 CUMS GALA OPENING CONCERT / Concert gala d’ouverture (Maureen Forrester Recital Hall)
9:15 Welcome/Accuell, Glen Carruthers, Dean, Faculty of Music Opening of the Maureen Forrester Archival Exhibit / Lancement de l’exposition consacrée au Fonds d’archives Maureen Forrester, Carl Morey, Professor Emeritus, University of Toronto Reception to follow / Réception (Maureen Forrester Recital Hall Foyer) FRIDAY, JUNE 1, 2012
8:30-5:00 Welcome and Registration / Accueil et inscription (Maureen Forrester Recital Hall Foyer)
8:30-5:00 Maureen Forrester Archival Exhibit
8:45-9:00 Conference Welcome / Accueil au congrès: Lynn Cavanagh, President, CUMS/ Présidente, SMUC Glen Carruthers, Dean, Faculty of Music, Wilfrid Laurier University (Maureen Forrester Recital Hall)
9:00- 10:30 PLENARY SESSION / SÉANCE PLÉNIÈRE James Deaville, Maureen Forrester Recital Hall “Occupy Music: Collective Protest, Voice and 'Microphonality” (Maureen Forrester Recital Hall)
Chair / Président de séance: Glen Carruthers, Dean, Faculty of Music, Wilfrid Laurier University
10:30-11:00 Break/Pause: Recital Hall Foyer FRIDAY, JUNE 1, 2012
11:00-12:00 I: Responding to the Cold War / En II: New Perspectives on Crumb / III: Lecture Recital / Récital réponse à la guerre froide Nouvelles perspectives sur l’œuvre de commenté (Aird 431) (Aird 221) George Crumb (Aird 224) Chair / Présidente de séance: Ellen Chair / Présidente de séance: Kip Waterman, Memorial University Pegley, Queen’s University Chair / Présidente de séance: Sherry Lee, University of Toronto “Composing “On Faith, Work, Michael MacKenzie, York Leisure and Sleep”: The University: “Variations on a Peter Lea, University of Western Predicament of the Contemporary Nation: Glenn Gould, the CBC, Ontario: “Points on a Spiral: Classical Composer Working in the and the Construction of Canadian Intersecting Cultures and the Postmodern Landscape” Cultural Distinction during the Emergence of Crumb’s Octatonality” Cold War” Emilie LeBel, University of Toronto Abigail Shupe, University of Western Luciane Cardassi, Rubbing Stone Emily Abrams Ansari, University Ontario: “George Crumb's ‘River of of Western Ontario: “Leonard Life’ and the Poetics of Place” Bernstein and the New York NB: THIS SESSION ENDS AT Philharmonic in Moscow: Cultural 11:45 Television, Diplomacy, and the Politics of Tonal Music”
12:00-12:30 Mini-Concert: Quartet Laurier: Jennifer Brimson, flute; Jeffrey Stonehouse, flute/piccolo; Amy Hamilton, flute/alto flute; and Heather Snowden, flute/bass flute. Program of Canadian works. (Maureen Forrester Recital Hall)
12:30-1:30 Lunch on your own / Dîner à votre choix FRIDAY, JUNE 1, 2012
1:30-3:30 IV: Time and Transformation in V: Aspects of Form in Common- VI: Joint session of FSAC and Twentieth-Century Music / Temps Practice Music / Aspects de la forme : CUMS: Music in Film / Séance et transformation dans la musique du baroque au XIXe siècle conjointe de la SMUC et de la du XXe siècle (Aird 224) l’ACÉC : Musique et cinéma (Aird (Aird 221) Chair / Présidente de séance: Anna 431) Chair / Présidente de séance: Ferenc, Wilfrid Laurier University Chair / Président de séance: James Roxane Prevost, University of Deaville, Carleton University Ottawa Ryan McClelland, University of Toronto: “Brahms and Fauxbourdon” Christina Gier, University of Eric Lo, McGill University: Alberta: “The Sounds of Duality and “Webern’s Sonata Form and the Mihaela Corduban, Université de the Music in Ingmar Bergman’s Lyric” Montréal: “Aspects of Proportion in Persona (1966)” Book 1 of the Well-Tempered Clavier Emily Adamowicz, University of by Johann Sebastian Bach” Lloyd Whitesell, McGill University: Western Ontario: “The Concept of “Haloes, Crowns, Veils” Indiscipline in the Music of Pierre Boulez” Mark Richards, University of Lethbridge: “Transforming Form: The Rebecca Coyle, Southern Cross Joe Argentino, McMaster Process of Becoming in the Scherzo of University: “Brian May’s Musical University: “Contextual Invariance Beethoven’s String Quartet, Op. 59, Modernism and Film Composition” and Schoenberg's Hexachordal No. 1” Webs” Katherine Spring, Wilfrid Laurier Marie-Ève Thuot, Université de Peter Franck, University of Western University: “You Didn’t Prepare Me Montréal: “Musique et immortalité Ontario: “Tying Up Loose Ends: for This”: The Musical Assimilation chez Leoš Janáček ” Finaliste pour Canon and Imitation and Their Effect of Authenticity in Hanna (2011)” le prix Fondation/Proctor on Tight-Knit Organization within Classical Themes” FRIDAY, JUNE 1, 2012
3:30-4:00 Break / Pause: Recital Hall Foyer
4:00-5:00 VII: Set-Theoretical Approaches to VIII: Speaking Different Languages: IX: Joint Session of FSAC and Jazz / Applications de la théorie Identifying the Self and Other / CUMS: The Sound of Silent des ensembles au jazz Plurilinguisme : identifier l’Autre et le Cinema: Film Screening of Mantrap (A221) Moi with historically informed piano Chair / Présidente de séance: René accompaniment / Séance conjointe Daley, McGill University (Aird A224) de la SMUC et de l’ACÉC : Le son Chair / Président de séance: Jay Rahn, du cinéma muet : projection du film William Richards, MacEwan York University Mantrap avec accompagnement de University: “Jazz Harmony, PC- piano s’appuyant sur des documents Set Genera, Transformation, and Adalyat Issiyeva, McGill University: d’époque Practical Music” “I Understood the Soul of these Songs: (Aird 431) Balakirev and his Orient” Chair / Présidente de séance: Scott Cook, University of British Elizabeth Clarke, Wilfrid Laurier Columbia: “The Harmonic Eva Branda, University of Toronto, University Language of Kenny Wheeler: “Speaking German, Hearing Czech, Nicole Thomas Zyczynski, pianist Examining a Canadian Jazz Icon” Claiming Dvořák” NB: THIS SESSION ENDS AT 5:15
5:15-6:30 The Prospects and Perils of Publication: When, Where, and How? (Graduate Student Session) (Aird 224) Panelists: David Gramit, University of Alberta Beverley Diamond, Memorial University James Deaville, Carleton University
5:30 CUMS/SMUC Dinner for Standing Committee of Institutional Members / SMUC comité permanent des établissements membres Bauer Kitchen, 187 King Street South, Waterloo (519 772-0790)
7:30-10:30 Maureen Forrester Archival Exhibit FRIDAY, JUNE 1, 2012
8:00 pm Contemporary Music Concert / Concert de musique contemporaine
2012 SOCAN Foundation/CUMS Award of Excellence for Advancement of Research in Canadian Music / Édition 2012 du Prix d'Excellence Fondation SOCAN/SMUC pour l'avancement de la recherche en musique canadienne Recipient / Lauréate: Beverley Diamond, Memorial University of Newfoundland
2012 CUMS Student Composer Prize / Édition 2012 du Concours de composition de la SMUC (pour étudiants) Recipient / Lauréate: Colin Labadie, University of Alberta
(Maureen Forrester Recital Hall)
SATURDAY, JUNE 2, 2012
8:30-5:00 Welcome and Registration / Accueil et inscription (Maureen Forrester Recital Hall Foyer)
8:30-5:00 Maureen Forrester Archival Exhibit SATURDAY, JUNE 2, 2012
9:00-10:30 X: Musical Expression in Lieder / XI: Soundscapes and Memory in XII: Music Education and L’expression musicale dans les Canadian Communities/ Paysages Pedagogy / Enseignement de la lieder sonores et mémoire au sein des musique et pédagogie (Aird 221) communautés canadiennes (Aird 431) Chair / Présidente de séance: Roe- (Aird 224) Chair / Président de séance: Lee Min Kok, McGill University Chair / Présidente de séance: Mary Willingham, Wilfrid Laurier Ingraham, University of Alberta University Amanda Lalonde, Cornell University: “Unknown Lands: The Kate Galloway, University of Western Kimberly Francis, University of Shift from Sublime to Uncanny in Ontario: “Voices” of a Place and Guelph, Travis Stimeling, Millikin Early Nineteenth Century Music” Environmentally Conscious University: “Peer Review and Foundation /Proctor Prize Finalist Composition: Ecological Auditory Pedagogy: A New Canadian Project Culture and Sonic-Ethnography in the with International Potential” Russ Manitt, Université de Soundscape Compositions of Montréal: “Alienation, Hildegard Westerkamp” Lori Lynn Penny, University of Subjectivity and Franz Schubert's Ottawa: “The Kodály Method and Winterreise” Foundation /Proctor Jeff Arsenault, University of Alberta: Tonal Harmony:An Issue of Post- Prize Finalist “Spiritual Reconciliation: Secondary Pedagogical Autobiographical Metaphor in Compatibility” Mindy Buckton, University of Christos Hatzis's ‘In the Name of Victoria: “Poetic and Metrical God’” Deanna Yerichuk, University of Complexities in: “Letzte Toronto: “Music’s Social(ization) Hoffnung” from Schubert’s Song Michael Turabian, University of Goals: The Emergence of Cycle: Die Winterreise” Ottawa: “Echoes of Home: Community Music Education in Constructing Tradition in the Toronto’s Settlement Houses, 1921 – Diaspora” 1946”
10:30-11:00 Break / Pause: Recital Hall Foyer SATURDAY, JUNE 2, 2012
11:00-12:00 XIII: Venus, Goddesses, and XIV: Laughter and Comic Virtuosity / XV: Lecture Recital / Récital Noblewomen / Vénus, déesses et Rires et virtuosité comique commenté (Aird 431) femmes de la noblesse (Aird 221) (Aird 224) Chair / Président de séance: Philip Chair / Présidente de séance: Adamson, University of Windsor Jennifer Bain, Dalhousie Chair / Président de séance: Robin University Elliott, University of Toronto “Linking the Piano Music of Scriabin and Roslavets” Anita Hardeman, The Royal Zoey Mariniello Cochran, Université Conservatory of Music: “The de Montréal: “Resisting Foreign Anya Alexeyev, piano, Wilfrid Sounds of Venus: Music for the Domination through Laughter: The Laurier University Goddess in Seventeenth- and Nationalistic Implications of Anna Ferenc, Wilfrid Laurier Eighteenth-Century French Opera” Multilingualism and Musical University Characterization in Pergolesi’s Lo Frate ‘nnamorato’” Foundation/ Sarah Carleton Latta, University of Proctor Prize Finalist NB: THIS SESSION ENDS AT Western Ontario: “Women and 11:45 Trecento Song: Two Case Studies” Keith Johnston, University of Western Ontario: “Patter as Virtuosity: Towards an Understanding of Comedy in the Patter Song”
12:00-12:30 Mini-Concert: Daniel Lichti and Leslie De’Ath, Lieder of Hugo Wolf (Maureen Forrester Recital Hall)
12:30-1:30 Lunch on your own / Dîner à votre choix SATURDAY, JUNE 2, 2012
1:30-3:30 XVI: Exploring Vocal Genres / XVII: The Life and Work of Malcolm XVIII: Revising Critical Theories / Explorations des genres vocaux Forsyth / La vie et l’œuvre de Réexamens des théories critiques (Aird 221) Malcolm Forsyth (Aird 431) Chair / Présidente de séance: Caryl (Aird 224) Chair / Président de séance: Lloyd Clark, University of Toronto Chair / Présidente de séance: Mary Whitesell, McGill University Ingraham, University of Alberta François de Médicis, Université de Alberto Munarriz, York University: Montréal: “Body Langage and Robin Elliott, University of Toronto: “Bakhtin’s Hybridity and the Musical Expression: Mimetic “Negotiating an Identity: Malcolm Analysis of Syncretic Music Forms” Gestures in Jules Massenet’s Forsyth’s Canadian Career” Lyrical Works” Vivian Luong, McGill University: “The Transformation of a Discipline: Marie-Hélène Benoit-Otis, Edward Jurkowski, University of Neo-Riemannian Theories and the University of North Carolina at Lethbridge: “Africa Meets the West: Construction of Identity in Music Chapel Hill: “Denied Forgiveness Allusion and Reflection in Malcolm Theory” in Don Giovanni” Forsyth’s Je répondrais for Solo Piano” Anabel Maler, McGill University: Catrina Flint de Médicis, Vanier “Situating Feminist Music Theory: College: “What the Puppet Said: Roxane Prevost, University of Ottawa: Feminist Methods in the Writings of Symbolism, Puppet Plays, and “Forsyth s’inspire de son pays adoptif : McClary, Cusick, and Hisama” Maurice Bouchor” Une analyse de « Three Métis Folk Songs from Saskatchewan” William van Geest, McGill Colleen Renihan, University of University: “The Concept of Unity Toronto: “The Sound of Robert Rival, Edmonton Symphony in Musical Analysis: Some Remembering in Istvan Anhalt’s Ontological Issues” Orchestra: “Voice Leading and La Tourangelle” Macroharmony in Malcolm Forsyth’s Cello Concerto Electra Rising”
3:30-3:45 Break / Pause: Recital Hall Foyer SATURDAY, JUNE 2, 2012
3:45-4:30 XIX: Lecture Recital / Récital commenté (Aird 431) Chair / Présidente de séance: Sarah Carleton Latta, University of Western Ontario
“Tombeau and Tamuke: Duets for 17th Century French Harpsichord and Japanese Shakuhachi” Cynthia Hiebert, Beckett School, Harpsichord, and Gerard Yun, University of Waterloo, Shakuhachi
4:45-6:00 CUMS Annual General Meeting / Assemblée générale annuelle de la SMUC, A431
Banquet CUMS/SMUC St. George Banquet Hall, 665 King Street North, Waterloo (519 884-0311)
6:30 Cocktails and hors d’oeuvres 7:30 Buffet dinner and cash bar / buffet et service de bar payant
9:00 Presentation of CUMS honorary lifetime membership / Remise du titre de membre honoraire à vie de la SMUC, Lynn Cavanagh SUNDAY, JUNE 3, 2012
8:30-12:00 Welcome and Registration / Accueil et inscription (Maureen Forrester Recital Hall Foyer)
8:30-12:00 Maureen Forrester Archival Exhibit
9:00-10:30 XX: Roundtable: Musics in the XXI: Cultural Codes / Codes culturels XXII: Musical Life in Quebec / La Academy: A Way Forward / Table (A224) vie musicale au Québec ronde : Les musiques à Chair / Présidente de séance: Kirsten (Aird 431) l’université : pistes pour aller de Yri, Wilfrid Laurier University Chair / Président de séance: Jean l’avant Boivin, Université de Sherbrooke (A221) Dana Gorzelany-Mostak, McGill Chair / Président de séance: Don University: “Keepin’ it Real Caitlyn M. Triebel, University of McLean, University of Toronto (Respectable) in 2008: Obama’s iPod Alberta: “Rebirth and Transition: as Proof of Cultural Blackness” L'Oiseau-phénix in the Context of a Gerard Yun, University of Waterloo New Modernist Nationalism in Louise Wrazen, York University Julie Mireault, McGill University: Quebec, 1948-1956” Lee Willingham, Wilfrid Laurier “Musique, esthétique vocale et University commercialisation dans l'animation Florence Leyssieux, Université de Carol Beynon, University of japonaise” Montréal: “Musique, immigration et Western Ontario intégration au Québec: reconstruire Eric Hung, Rider University Philippe Latour, McGill University: et structurer son identité artistique” “Improvisation, Composition and Rebellion in Charles Mingus’s Haitian Ariane Couture, Université de Fight Song” Montréal: “Le prix d’Europe et les compositeurs : Un projet d’intégration professionnelle”
10:30-11:00 Break / Pause: Recital Hall Foyer SUNDAY, JUNE 3, 2012
11:00-12:00 XXIII: Against the Grain: XXIV: Chance Encounters and XXV:Lecture-Recital / Récital Responding to the Public / À Creative Contacts: Musical commenté (Aird 431) contre-fil (against the grain) : Communities and Composition / Au Chair / Président de séance: Paul relations avec le public hasard des rencontres et des contacts Pulford, Wilfrid Laurier University (Aird 221) créatifs : communautés musicales et Chair / Président de séance: James composition “We’re All (Baroque) Cellists Now: Wright, Carleton University (Aird 224) Baroque and Modern Italian Solo Chair / Président de séance: Dylan Cello Music in Direct Dialogue” Gary Tucker, Mount Allison Robinson, Royal Holloway, University University: “By No Means of London Elinor Frey, McGill University Uninteresting – But Beautiful…?”: Arnold Schoenberg’s Op. 1” Gordon E. Smith, Queen’s University: “Musical Pathways and Individual Brian Locke, Western Illinois Experience in a Small Urban University: “Mimicry Meets Community” Identity: Inka Zemánková and the Voice of Czech Swing, 1938-44” Margaret Walker, Queen’s University: “Karnatak Kingston? Creative Encounters with Lakshmi Ranganathan”
12:00-12:30 Mini-Concert: Daniel Brophy, Colin Labadie, Improvisation by Mugbait, (Maureen Forrester Recital Hall)
12:30- 1:30 CUMS / SMUC Board Meeting / Réunion du conseil d’administration A510
12:30- 1:30 Refreshments: Recital Hall Foyer SUNDAY, JUNE 3, 2012
1:30-3:00 XXVI: The Musical Past in the XXVII: Cultivating Canadian XXVIII: Roundtable: Music, Present / Le passé musical dans le Landscapes / Cultiver les paysages McLuhan, and Sensory Perception / présent canadiens Table ronde : Musique, McLuhan et (Aird 221) (Aird 224) perception sensorielle Chair / Présidente de séance: Chair / Présidente de séance: Laura (Aird 431) Marie-Hélène Benoit-Otis, Gray, University of Waterloo Chair / Président de séance: Glen University of North Carolina at Carruthers, Wilfrid Laurier Chapel Hill Lucille Mok, Harvard University: University “Think of Your Ears as Eyes: Oscar Bruno Coulombe, Université de Peterson’s Canadiana Suite as Phil Rose, York University Montréal: “Le groupe Muse et Musical Landscape and Migrational Dylan Robinson, Royal Holloway, l'assimilation rock de la musique History” University of London romantique : illustration d'un cas David Cecchetto, OCAD University de citation par modelage” Erin Scheffer, University of Toronto: Jeremy Strachan, University of “Wilderness and Weinzweig’s North: Toronto Alexa Woloshyn, University of Imagining Canadian Identity in The Toronto: “Negotiating the Musical White Empire Docudrama” Past and Present: Influence and Différance in Robert Schumann’s James Wright, Carleton University: String Quartet in A Major, Op. 41, “They Shot, He Scored: the Music, No. 3 and Denys Bouliane’s Methods and Milieu of NFB Film Rumore sui” Composer Eldon Rathburn”
Jacob Sagrans, McGill University: “When Pérotin Dons a Bright Pink Boa: Glamour in a Modern Performance of Medieval Music”