DOCSLIB.ORG

Download Full Book

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Download Full Book Writing for Immortality Anne E. Boyd Published by Johns Hopkins University Press Boyd, Anne E. Writing for Immortality: Women and the Emergence of High Literary Culture in America. Johns Hopkins University Press, 2004. Project MUSE. doi:10.1353/book.60155. https://muse.jhu.edu/. For additional information about this book https://muse.jhu.edu/book/60155 [ Access provided at 29 Sep 2021 03:55 GMT with no institutional affiliation ] This work is licensed under a Creative Commons Attribution 4.0 International License. Writing for Immortality This page intentionally left blank Writing for Immortality Women and the Emergence of High Literary Culture in America Anne E. Boyd The Johns Hopkins University Press Baltimore and London ∫ 2004 The Johns Hopkins University Press All rights reserved. Published 2004 Printed in the United States of America on acid-free paper 987654321 The Johns Hopkins University Press 2715 North Charles Street Baltimore, Maryland 21218-4363 www.press.jhu.edu Library of Congress Cataloging-in-Publication Data Boyd, Anne E., 1969– Writing for immortality: women and the emergence of high literary culture in America / Anne E. Boyd. p. cm. Includes bibliographical references (p.) and index. isbn 0-8018-7875-6 (hardcover : alk. paper) 1. American literature—Women authors—History and criticism. 2. Women and literature—United States—History—19th century. 3. Alcott, Louisa May, 1832–1888—Criticism and interpretation. 4. Phelps, Elizabeth Stuart, 1844–1911—Criticism and interpretation. 5. Stoddard, Elizabeth, 1823–1902—Criticism and interpretation. 6. Woolson, Constance Fenimore, 1840–1894—Criticism and interpretation. 7. American literature—19th century—History and criticism. 8. United States—Intellectual life—1865–1918. 9. Canon (Literature) I. Title. ps217.w64b69 2004 810.9%9287%09034—dc22 2003019050 A catalog record for this book is available from the British Library. For Emma This page intentionally left blank Contents Acknowledgments ix Introduction: New Ambitions 1 1. Solving the ‘‘old riddle of the Sphinx’’: Discovering the Self as Artist 12 2. ‘‘Prov[ing] Avis in the Wrong’’: The Lives of Women Artists 62 3. ‘‘The crown and the thorn of gifted life’’: Imagining the Woman Artist 126 4. ‘‘Recognition is the thing’’: Seeking the Status of Artist 184 Conclusion: The Question of Immortality 234 Chronology 251 Notes 257 Bibliographic Essay 287 Index 295 Illustrations follow page 130 This page intentionally left blank Acknowledgments My special thanks go first and foremost to the many individuals who supported me through my graduate studies and early career as an assistant professor. My parents, Roger Boyd, Beverly Rude, and Bert Rude, have always buoyed me up during times of doubt. Their encouragement over the years made my goals in an uncertain academic climate seem reachable. At Purdue University, my disserta- tion advisers, Leonard Neufeldt, Susan Curtis, Cheryl Oreovicz, and Robert Lamb, deserve my deep appreciation for their careful reading and their invalu- able feedback. Their advice and encouragement made an incalculable difference. I also wish to thank my fellow graduate students, especially Rebecca Saulsbury, Gwen Tarbox, Tom Pendergast, and Jacob Jones, who were supportive comrades in arms. At the University of New Orleans, my current home, I wish to thank all of my colleagues, who have offered support and encouragement in many thoughtful ways. I am grateful to count among my friends the extraordinary Rachel Kaul, Michelle Byrne, Stephanie Stanley, and Lauren Fox, all of whom have spurred me on over the years and provided encouragement for my work. Paul Rioux’s companionship and affection have centered me and given me the joy of my life. This book is very much about women’s struggles to preserve their ambitions and individuality without sacrificing love and companionship. I feel fortunate to have found such a relationship with Paul. Many friends and colleagues devoted their time, energy, and expertise to read- ing drafts of chapters or even the entire manuscript. I am grateful for their willingness to take time out of their very busy lives to give me much-needed feed- back; their comments were always useful and encouraging. My special thanks to Susan Curtis, Catherine Loomis, Gary Richards, Nancy Easterlin, John Hazlett, Rebecca Saulsbury, and Lisa Radinovsky. To Sharon Dean, who generously read a large portion of the manuscript and offered encouragement and advice, I am par- ticularly grateful. Other members of the Constance Fenimore Woolson Society, especially Kathleen Diffley, Cheryl Torsney, Caroline Gebhard, and Kris Com- ment, provided valuable support and guidance over the years. At an early stage in the process of finding a publisher, Nina Baym, Leonard Neufeldt, and Susan x Acknowledgments Curtis were very kind to read drafts of my book proposal and to offer suggestions. Attendees at the New Frontiers in Early American Literature conference at the University of Virginia in 2002 enthusiastically responded to my ideas, asked valuable questions, and gave me the motivation I needed at a crucial stage. I cannot fully express the extent of my gratitude to Robert J. Brugger, Melody Herr, the anonymous reader, the editorial board, and the faculty board at the Johns Hopkins University Press for finding value in my work and recommending its publication. I also appreciate the efforts of Carol Ehrlich, my manuscript edi- tor, whose thoroughness and expertise made this a more polished book. For fi- nancial assistance, I am grateful to the Purdue Research Foundation and to the College of Liberal Arts and the English Department at the University of New Orleans. For permission to reprint images or quote from materials in their collections, I am grateful to the following archives and libraries: Department of Manuscripts, Huntington Library, San Marino, CA; Beinecke Rare Book and Manuscript Li- brary, Yale University, New Haven, CT; Beverly Historical Society, Beverly, MA; Boston Public Library, Department of Rare Books and Manuscripts, Boston, MA; Houghton Library, Harvard University, Cambridge, MA; Concord Free Public Library, Concord, MA; American Antiquarian Society, Worcester, MA; Western Reserve Historical Society, Cleveland, OH; Manuscripts Division, De- partment of Rare Books and Special Collections, Princeton University Library, Princeton, NJ; Rare and Manuscript Collections, Carl A. Kroch Library, Cornell University, Ithaca, NY; Rare Book and Manuscript Library, Butler Library, Co- lumbia University, New York, NY; New York Public Library, New York, NY; Shelley Collection, Rare Books, University Libraries, Pennsylvania State Uni- versity, University Park, PA; Clifton Waller Barrett Library, University of Vir- ginia, Charlottesville, VA; and Abernethy Library, Special Collections, Middleb- ury College, Middlebury, VT. For help in acquiring the materials I needed for illustrations, I wish to thank Elizabeth Lewis. And photographer Harriet Bloom was a godsend; for her generous flexibility I am thankful. Portions of chapters 1 and 4 first appeared in an earlier form in the journal American Studies as ‘‘ ‘What! Has she got into the ‘‘Atlantic’’?’: Women Writers, the Atlantic Monthly, and the Formation of the American Canon’’ (39, no. 3 [1998]: 5–36); ∫ 1998 Mid-American Studies Association. A portion of chapter 4 appeared in Constance Fenimore Woolson’s Nineteenth Century: Essays, ed. Victoria Brehm (Detroit: Wayne State University Press, 2001), as ‘‘Anticipating James, Anticipating Grief: Constance Fenimore Woolson’s ‘‘‘Miss Grief.’’ ’ ’’ I am grate- ful for permission to republish these passages. Writing for Immortality This page intentionally left blank introduction New Ambitions In her article ‘‘The Transitional American Woman,’’ published in the Atlantic Monthly in 1880, Kate Wells paints a critical portrait of the new generation of women who were leaving their homes in great numbers to engage in self-directed pursuits. In their decision to emphasize their own development rather than live only for others, these postbellum American women were making a major break with the past. ‘‘Formerly, to be a good housekeeper, an anxious mother, an obe- dient wife, was the ne plus ultra of female endeavor,—to be all this for others’ sakes. Now it is to be more than one is, for one’s own sake,’’ she complains. Wells portrays a radical transformation in the way women viewed their lives as they became doctors, women’s rights activists, or simply unmarried women. What united them, Wells observes, was their ‘‘ambition’’: ‘‘Women do not care for their home as they did; it is no longer the focus of all their endeavors. Daughters must have art studios outside of their home; [and] authoresses must have a study near by.’’∞ As she suggests, women’s new ambitions were prominently visible in the areas of art and literature, and many other commentators of the era also fo- cused on women’s participation in the literary world as marking a radical depar- ture from previous gender norms. Wells’s article was part of the forefront of what 2 Writing for Immortality would become a common cultural lament about the advent of the ‘‘New Woman.’’ But the seeds of this shift had already been planted in the 1860s and 1870s. In fact, during and after the Civil War, a convergence of cultural factors led some women—primarily white, middle class, and from the Northeast—to envision a place for themselves in the high literary culture that began to emerge in the pages of the Atlantic Monthly and elsewhere. What did it mean for postbellum women to look to the field of literature to realize their ambitions? Certainly many women had already become famous as authors. In fact, the realm of literature was deemed by many male critics and writers to be dominated by women, who had extended their powerful roles as wives and mothers into the public sphere. The prominent female authors of the antebellum era generally had subscribed to the idea that being a good wife and mother was, as Wells indicated, ‘‘the ne plus ultra’’ of their existence. And even those women writers who weren’t married viewed their authorial identities as secondary to their roles as women.
Load more

Recommended publications
  • The Church Bells of Northamptonshire
    The Church Bells of Northamptonshire by Thomas North File 03– Pages 123 to 172 This document is provided for you by The Whiting Society of Ringers visit www.whitingsociety.org.uk for the full range of publications and articles about bells and change ringing ; Purchased from ebay store retromedia 124 Peculiar Uses. one short peal, and one other before the burial, and one other after the burial." So much for their use. The 88th Canon directs churchwardens not to allow the superstitious use of bells upon " Holydays or Eves abrogated by the Book of Common Prayer, nor at any other times without good cause to be allowed by the jNIinister of the place, and by themselves." And the 1 1 ith Canon is directed against such as shall..." by untimely ringing of bells. ..hinder the Minister or Preacher." Ringing for Divine Service. Although one bell is all that is really essential for carr}dng out such of these direc- tions as are now usually followed, it is generally only poverty or some other difficulty, which hinders the erection in our modern churches of a number of bells, with which to ring those peals, in which almost all English churchmen delight. And so it was in more ancient times. It will be seen that in Northamptonshire several of the larger churches had five bells, some four, in the reign of Edward VI., and that whilst many had not more than three, scarcely any were satisfied with less than two. In churches where the Canonical Hours were kept the bells, or some of them, would be ringing very frequently for "the ringing of these Canonical hours let the world in those larger know the time, by day and by night ; and churches where such a custom was followed, the several bells, as well as the different ways in which they were rung for the purpose, told the precise service which was then Purchased from ebay store retromedia Peculiar Uses.
    [Show full text]
  • A Dangerous Summer
    theHemingway newsletter Publication of The Hemingway Society | No. 73 | 2021 As the Pandemic Ends Yet the Wyoming/Montana Conference Remains Postponed Until Lynda M. Zwinger, editor 2022 the Hemingway Society of the Arizona Quarterly, as well as acquisitions editors Programs a Second Straight Aurora Bell (the University of Summer of Online Webinars.… South Carolina Press), James Only This Time They’re W. Long (LSU Press), and additional special guests. Designed to Confront the Friday, July 16, 1 p.m. Uncomfortable Questions. That’s EST: Teaching The Sun Also Rises, moderated by Juliet Why We’re Calling It: Conway We’ll kick off the literary discussions with a panel on Two classic posters from Hemingway’s teaching The Sun Also Rises, moderated dangerous summer suggest the spirit of ours: by recent University of Edinburgh A Dangerous the courage, skill, and grace necessary to Ph.D. alumna Juliet Conway, who has a confront the bull. (Courtesy: eBay) great piece on the novel in the current Summer Hemingway Review. Dig deep into n one of the most powerful passages has voted to offer a series of webinars four Hemingway’s Lost Generation classic. in his account of the 1959 bullfighting Fridays in a row in July and August. While Whether you’re preparing to teach it rivalry between matadors Antonio last summer’s Houseguest Hemingway or just want to revisit it with fellow IOrdóñez and Luis Miguel Dominguín, programming was a resounding success, aficionados, this session will review the Ernest Hemingway describes returning to organizers don’t want simply to repeat last publication history, reception, and major Pamplona and rediscovering the bravery year’s model.
    [Show full text]
  • Literary Space and Material Culture in the Works of Harriet Prescott Spofford, Edith Wharton, Isabella Stewart Gardner, and Willa Cather 1870-1920
    University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Dissertations, Theses, and Student Research: Department of English English, Department of 4-2020 Thresholds of Curating: Literary Space and Material Culture in the Works of Harriet Prescott Spofford, Edith Wharton, Isabella Stewart Gardner, and Willa Cather 1870-1920 Lindsay N. Andrews University of Nebraska - Lincoln Follow this and additional works at: https://digitalcommons.unl.edu/englishdiss Part of the American Art and Architecture Commons, and the Literature in English, North America Commons Andrews, Lindsay N., "Thresholds of Curating: Literary Space and Material Culture in the Works of Harriet Prescott Spofford, Edith Wharton, Isabella Stewart Gardner, and Willa Cather 1870-1920" (2020). Dissertations, Theses, and Student Research: Department of English. 166. https://digitalcommons.unl.edu/englishdiss/166 This Article is brought to you for free and open access by the English, Department of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Dissertations, Theses, and Student Research: Department of English by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. THRESHOLDS OF CURATING: LITERARY SPACE AND MATERIAL CULTURE IN THE WORKS OF HARRIET PRESCOTT SPOFFORD, EDITH WHARTON, ISABELLA STEWART GARDNER, AND WILLA CATHER 1870-1920 by Lindsay N. Andrews A DISSERTATION Presented to the Faculty of The Graduate College at the University of Nebraska In Partial Fulfillment of the Requirements For the Degree of Doctor of Philosophy Major: English Minor: Art History (Nineteenth Century Studies) Under the Supervision of Professor Guy Reynolds Lincoln, Nebraska May, 2020 THRESHOLDS OF CURATING: LITERARY SPACE AND MATERIAL CULTURE IN THE WORKS OF HARRIET PRESCOTT SPOFFORD, EDITH WHARTON, ISABELLA STEWART GARDNER, AND WILLA CATHER 1870-1920 Lindsay N.
    [Show full text]
  • Information to Users
    INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand corner and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. University M crct. rrs it'terrjt onai A Be" 4 Howe1 ir”?r'"a! Cor"ear-, J00 Norte CeeD Road App Artjor mi 4 6 ‘Og ' 346 USA 3 13 761-4’00 600 sC -0600 Order Number 9238197 Selected literary letters of Sophia Peabody Hawthorne, 1842-1853 Hurst, Nancy Luanne Jenkins, Ph.D.
    [Show full text]
  • Congressional Record United States Th of America PROCEEDINGS and DEBATES of the 104 CONGRESS, SECOND SESSION
    E PL UR UM IB N U U S Congressional Record United States th of America PROCEEDINGS AND DEBATES OF THE 104 CONGRESS, SECOND SESSION Vol. 142 WASHINGTON, TUESDAY, JUNE 4, 1996 No. 80 House of Representatives The House met at 12:30 p.m., and was lican plan to cut $270 billion from Med- most senior citizens in either managed called to order by the Speaker pro tem- icare to pay for tax breaks primarily care programs where they do not have pore [Mr. COBLE]. for the wealthy, and the Speaker choices or alternatively make them f knows the public opinion is not on his pay more out of pocket for the services side, so he is trying to confuse the that they get. DESIGNATION OF SPEAKER PRO American people by making extreme I wanted to point out in the time I TEMPORE attacks on Democrats' integrity rather have remaining here what I would call The SPEAKER pro tempore laid be- than addressing the Medicare issue cor- a number of key issues that I think re- fore the House the following commu- rectly. veal the true colors of the Gingrich- nication from the Speaker: I guess we should not be surprised be- Dole Medicare plan. First, the Repub- WASHINGTON, DC, cause it was Speaker GINGRICH who last lican leadership claims that Medicare June 4, 1996. year said it was his goal to see Medi- is going broke and they are saving it. I hereby designate the Honorable HOWARD care, and I quote, ``wither on the vine.'' Well, last year they knew they were COBLE to act as Speaker pro tempore on this The bottom line, Mr.
    [Show full text]
  • 2017 Stevens Helen 1333274
    This electronic thesis or dissertation has been downloaded from the King’s Research Portal at https://kclpure.kcl.ac.uk/portal/ Paradise Closed Energy, inspiration and making art in Rome in the works of Harriet Hosmer, William Wetmore Story, Elizabeth Barrett Browning, Nathaniel Hawthorne, Sophia Peabody Hawthorne, Elizabeth Gaskell and Henry James, 1847-1903 Stevens, Helen Christine Awarding institution: King's College London The copyright of this thesis rests with the author and no quotation from it or information derived from it may be published without proper acknowledgement. END USER LICENCE AGREEMENT Unless another licence is stated on the immediately following page this work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International licence. https://creativecommons.org/licenses/by-nc-nd/4.0/ You are free to copy, distribute and transmit the work Under the following conditions: Attribution: You must attribute the work in the manner specified by the author (but not in any way that suggests that they endorse you or your use of the work). Non Commercial: You may not use this work for commercial purposes. No Derivative Works - You may not alter, transform, or build upon this work. Any of these conditions can be waived if you receive permission from the author. Your fair dealings and other rights are in no way affected by the above. Take down policy If you believe that this document breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. Download date: 02. Oct. 2021 Paradise Closed: Energy, inspiration and making art in Rome in the works of Harriet Hosmer, William Wetmore Story, Elizabeth Barrett Browning, Nathaniel Hawthorne, Sophia Peabody Hawthorne, Elizabeth Gaskell and Henry James, 1847-1903 Helen Stevens 1 Thesis submitted for the degree of PhD King’s College London September, 2016 2 Table of Contents Acknowledgements ....................................................................................................
    [Show full text]
  • Louisa May ALCOTT
    Louisa May ALCOTT bibliografia a cura della Biblioteca Panizzi in collaborazione col gruppo FB “Louisa May Alcott pagina italiana” MARZO 2017 Louisa May Alcott (Germantown, 29 novembre 1832 – Boston, 6 marzo 1888) scrittrice statunitense, principalmente nota come l'autrice della tetralogia di libri per ragazzi Piccole donne. Nacque a Germantown, una cittadina fondata da Quaccheri tedeschi e Anabattisti Mennoniti ora integrata nella città di Philadelphia; era figlia del noto filosofo trascendentalista Amos Bronson Alcott e della suffragetta e attivista Abby May, che discendeva dalle famiglie Quincy e Sewell di Boston. Louisa era la seconda di quattro sorelle e anche le altre tre raggiunsero una loro notorietà: Anna Alcott Pratt, Elizabeth Sewall Alcott e Abigail May Alcott Nieriker. La famiglia si trasferì a Boston nel 1838, dove il padre fondò una scuola sperimentale ed entrò a far parte di un club trascendentalista con Ralph Waldo Emerson e Henry David Thoreau. Nel 1840 la famiglia Alcott si trasferì nuovamente, stavolta verso un cottage dotato di due acri di terreno lungo il Sudbury River a Concord, nel Massachusetts. Per un breve periodo, dal 1843 al 1844, la famiglia visse in una comunità agricola chiamata Utopian Fruitlands, fondata da Amos Bronson Alcott e Charles Lane. Dopo il suo scioglimento, si stabilirono definitivamente a Concord. Ricevette un'istruzione privata e tra i suoi insegnanti ci sono stati Ralph Waldo Emerson, Nathaniel Hawthorne e Margaret Fuller, tutti amici di famiglia, il naturalista Henry David Thoreau, oltre che il padre Amos Bronson. Di queste esperienze lasciò un resoconto giornalistico intitolato "Transcendental Wild Oats" (poi ripubblicato in Silver Pitchers, del 1876).
    [Show full text]
  • Reportable in the Supreme Court of India Criminal/Civil Original Jurisdiction Writ Petition
    REPORTABLE IN THE SUPREME COURT OF INDIA CRIMINAL/CIVIL ORIGINAL JURISDICTION WRIT PETITION (CRIMINAL) NO. 76 OF 2016 NAVTEJ SINGH JOHAR & ORS. …PETITIONERS VERSUS UNION OF INDIA …RESPONDENT WITH WRIT PETITION (CIVIL) NO.572 OF 2016 WITH WRIT PETITION (CRIMINAL) NO.88 OF 2018 WITH WRIT PETITION (CRIMINAL) NO.100 OF 2018 WITH WRIT PETITION (CRIMINAL) NO.101 OF 2018 WITH WRIT PETITION (CRIMINAL) NO.121 OF 2018 1 J U D G M E N T R.F. Nariman, J. 1. “The love that dare not speak its name” is how the love that exists between same-sex couples was described by Lord Alfred Douglas, the lover of Oscar Wilde, in his poem Two Loves published in 1894 in Victorian England. 2. The word “homosexual” is not derived from “homo” meaning man, but from “homo” meaning same.1 The word “lesbian” is derived from the name of the Greek island of Lesbos, where it was rumored that female same-sex couples proliferated. What we have before us is a relook at the constitutional validity of Section 377 of the Indian Penal Code which was enacted in the year 1860 (over 150 years ago) insofar as it criminalises consensual sex between adult same- sex couples. 3. These cases have had a chequered history. Writ petitions were filed before the Delhi High Court challenging the 1 Homo in Greek means ‘same’ – the Nicene creed that was accepted by the Catholic Church after the Council at Nicaea, held by Emperor Constantine in 325 AD, was formulated with the word ‘homo’ at the forefront.
    [Show full text]
  • "ZACK ATTACK" Written by Brittany Ashley "Happy Endings" Spec
    "ZACK ATTACK" Written by Brittany Ashley "Happy Endings" spec INT. ROSALITAS - DAY BRAD, ALEX, DAVE, PENNY, JANE and MAX sit in their booth at Rosalita’s. Max, surrounded by birthday presents, opens one wrapped in newspaper. Much to his dismay, it’s the same exact shirt that Dave is wearing. MAX Another v-neck... from Dave. DAVE Hey man, you’re welcome. Max opens another gift, covered in a shitload of glitter. MAX Saved by the Bell boxed DVD set! Thank you, Penny! PENNY When we dated in college, I always thought we were like the Zack Morris and Kelly Kapowski of the quad. ALEX Aww, you guys! PENNY That is, until you lost your virginity to my RA, Zach Mores... ALEX Ehh... Roof stoof. MAX (remembering) Oh yeah, that dude was a smoke show, had a mouth like--- PENNY (interrupting, Shakespearean-style) Ah yes, a twist of irony that Past Penny wasn’t prepared for. But Present Penny finds quite charming. JANE Well it’s clear that I’d be the Jessi Spano. Top of the class, unstoppable dancer and that brief addiction to caffeine pills. 2. BRAD Caffeine pills, really? JANE I HAD TO PASS MY CALC MIDTERM, you don’t know the type of pressure I was under! I was so... scared. BRAD That makes me Slater, right, Mama? MAX I was thinking more like the Lisa Turtle. Alex, Dave, Penny, Max and Jane all nod. BRAD Why? Because I’m black? Alex, Dave, Penny, Max and Jane all hem and haw. ALEX Because you’re stylish.
    [Show full text]
  • Anna Bronson Alcott Pratt
    ANNA BRONSON ALCOTT PRATT • Mr. Amos Bronson Alcott born November 29, 1799 as Amos Bronson Alcox in Wolcott, Connecticut married May 23, 1830 in Boston to Abigail May, daughter of Colonel Joseph May died March 4, 1888 in Boston • Mrs. Abigail (May) “Abba” Alcott born October 8, 1800 in Boston, Massachusetts died November 25, 1877 in Concord, Massachusetts • Miss Anna Bronson Alcott born March 16, 1831 in Germantown, Pennsylvania married May 23, 1860 in Concord to John Bridge Pratt of Concord, Massachusetts died July 17, 1893 in Concord • Miss Louisa May Alcott born November 29, 1832 in Germantown, Pennsylvania died March 6, 1888 in Roxbury, Massachusetts • Miss Elizabeth Sewall Alcott born June 24, 1835 in Boston, Massachusetts died March 14, 1858 in Concord, Massachusetts • Abby May Alcott (Mrs. Ernest Niericker), born July 26, 1840 in Concord, married March 22, 1878 in London, England to Ernest Niericker, died December 29, 1879 in Paris “NARRATIVE HISTORY” AMOUNTS TO FABULATION, THE REAL STUFF BEING MERE CHRONOLOGY “Stack of the Artist of Kouroo” Project Anna Bronson Alcott HDT WHAT? INDEX ANNA BRONSON ALCOTT ANNA BRONSON ALCOTT 1829 By this point Minot Pratt was at work as a printer in Boston. He and his bride were married by the Reverend Waldo Emerson at his 2d Unitarian Church on Hanover Street in the North End — quite possibly this was the first couple which Emerson united in matrimony.1 NOBODY COULD GUESS WHAT WOULD HAPPEN NEXT 1. They would have three sons, one of whom, John Bridge Pratt, would become an insurance man and marry an Alcott daughter, Anna Bronson Alcott.
    [Show full text]
  • Grappling with Race: a Textual Analysis of Race Within the Wwe
    GRAPPLING WITH RACE: A TEXTUAL ANALYSIS OF RACE WITHIN THE WWE BY MARQUIS J. JONES A Thesis Submitted to the Graduate Faculty of WAKE FOREST UNIVERSITY GRADUATE SCHOOL OF ARTS AND SCIENCES in Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS Communication April 2019 Winston-Salem, North Carolina Approved By: Ronald L. Von Burg, PhD, Advisor Jarrod Atchison, PhD, Chair Eric K. Watts, PhD ii ACKNOWLEDGEMENTS I would first like to thank my thesis advisor, Dr. Ron Von Burg of the Communication Graduate School at Wake Forest University. Dr. Von Burg’s office was always open whenever I needed guidance in the completion of this thesis. He consistently allowed this paper to be my own work, but steered me in the right direction whenever he thought I needed. I would also like to thank Dr. Jarrod Atchison and Dr. Eric Watts for serving as committed members of my Graduate Thesis Committee. I truly appreciate the time and energy that was devoted into helping me complete my thesis. Finally, I must express my very profound gratitude to my parents, Marcus and Erika Jones, for providing me with unfailing support and continuous encouragement throughout my years of sturdy and through the process of research and writing this thesis. This accomplishment would not have been possible without them. Thank you. I love you both very much. Thank you again, Marquis Jones iii TABLE OF CONTENTS ABSTRACT…………………………………………………………………..iv Chapter 1: INTRODUCTION………………………………………………Pg. 1 Chapter 2: HISTORY OF WWE……………………………………………Pg. 15 Chapter 3: RACIALIZATION IN WWE…………………………………..Pg. 25 Chapter 4: CONCLUSION………………………………………………......Pg.
    [Show full text]
  • (Pdf) Download
    Artist Song 2 Unlimited Maximum Overdrive 2 Unlimited Twilight Zone 2Pac All Eyez On Me 3 Doors Down When I'm Gone 3 Doors Down Away From The Sun 3 Doors Down Let Me Go 3 Doors Down Behind Those Eyes 3 Doors Down Here By Me 3 Doors Down Live For Today 3 Doors Down Citizen Soldier 3 Doors Down Train 3 Doors Down Let Me Be Myself 3 Doors Down Here Without You 3 Doors Down Be Like That 3 Doors Down The Road I'm On 3 Doors Down It's Not My Time (I Won't Go) 3 Doors Down Featuring Bob Seger Landing In London 38 Special If I'd Been The One 4him The Basics Of Life 98 Degrees Because Of You 98 Degrees This Gift 98 Degrees I Do (Cherish You) 98 Degrees Feat. Stevie Wonder True To Your Heart A Flock Of Seagulls The More You Live The More You Love A Flock Of Seagulls Wishing (If I Had A Photograph Of You) A Flock Of Seagulls I Ran (So Far Away) A Great Big World Say Something A Great Big World ft Chritina Aguilara Say Something A Great Big World ftg. Christina Aguilera Say Something A Taste Of Honey Boogie Oogie Oogie A.R. Rahman And The Pussycat Dolls Jai Ho Aaliyah Age Ain't Nothing But A Number Aaliyah I Can Be Aaliyah I Refuse Aaliyah Never No More Aaliyah Read Between The Lines Aaliyah What If Aaron Carter Oh Aaron Aaron Carter Aaron's Party (Come And Get It) Aaron Carter How I Beat Shaq Aaron Lines Love Changes Everything Aaron Neville Don't Take Away My Heaven Aaron Neville Everybody Plays The Fool Aaron Tippin Her Aaron Watson Outta Style ABC All Of My Heart ABC Poison Arrow Ad Libs The Boy From New York City Afroman Because I Got High Air
    [Show full text]