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Jazz and the Cultural Transformation of America in the 1920S
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2003 Jazz and the cultural transformation of America in the 1920s Courtney Patterson Carney Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the History Commons Recommended Citation Carney, Courtney Patterson, "Jazz and the cultural transformation of America in the 1920s" (2003). LSU Doctoral Dissertations. 176. https://digitalcommons.lsu.edu/gradschool_dissertations/176 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. JAZZ AND THE CULTURAL TRANSFORMATION OF AMERICA IN THE 1920S A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of History by Courtney Patterson Carney B.A., Baylor University, 1996 M.A., Louisiana State University, 1998 December 2003 For Big ii ACKNOWLEDGEMENTS The real truth about it is no one gets it right The real truth about it is we’re all supposed to try1 Over the course of the last few years I have been in contact with a long list of people, many of whom have had some impact on this dissertation. At the University of Chicago, Deborah Gillaspie and Ray Gadke helped immensely by guiding me through the Chicago Jazz Archive. -
Japan Loves New Orleans's Music
University of New Orleans ScholarWorks@UNO Senior Honors Theses Undergraduate Showcase 5-2017 Nihon Wa New Orleans No Ongaku Ga Daisukidesu (Japan Loves New Orleans’s Music): A Look at Japanese Interest in New Orleans Music from the 1940s to 2017 William Archambeault University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/honors_theses Part of the Oral History Commons, and the United States History Commons Recommended Citation Archambeault, William, "Nihon Wa New Orleans No Ongaku Ga Daisukidesu (Japan Loves New Orleans’s Music): A Look at Japanese Interest in New Orleans Music from the 1940s to 2017" (2017). Senior Honors Theses. 94. https://scholarworks.uno.edu/honors_theses/94 This Honors Thesis-Unrestricted is protected by copyright and/or related rights. It has been brought to you by ScholarWorks@UNO with permission from the rights-holder(s). You are free to use this Honors Thesis-Unrestricted in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Honors Thesis-Unrestricted has been accepted for inclusion in Senior Honors Theses by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. Nihon Wa New Orleans No Ongaku Ga Daisukidesu (Japan Loves New Orleans’s Music): A Look at Japanese Interest in New Orleans Music from the 1940s to 2017 An Honors Thesis Presented to the Department of Interdisciplinary Studies of the University of New Orleans In Partial Fulfillment of the Requirements for the Degree of Interdisciplinary Studies, with University High Honors and Honors in Interdisciplinary Studies by William Archambeault May 2017 Archambeault i Acknowledgments This undergraduate Honors thesis is dedicated to Travis “Trumpet Black” Hill, a New Orleans trumpeter who died in Tokyo, Japan, on May 4, 2015, while touring Japan. -
And Lots of Dx!
The Official Publication of the Worldwide TV-FM DX Association SEPTEMBER 2007 The Magazine for TV and FM DXers PACK UP THE CAR WITH ANTENNAS AND RADIOS, KISS THE WIFE AND KIDS GOOD-BYE, LOAD UP THE CAR WITH YOUR BUDDIES AND DRIVE 900 MILES TO A CABIN IN A PLACE SO REMOTE IT’S A 100 MI ROUND TRIP TO THE DAIRY QUEEN AND BACK. PEACE, QUIET AND DX!! Keosauqua, Iowa, July 2007 17 CONVENTION 2007 IS HISTORY! MONTHS MAJOR TROPO HITS THE MIDWEST REMAINING UNTIL ANALOG TV SHUTOFF AM AND FM IBOC GET THE OFFICIAL TH START ON SEPTEMBER 14 . AND LOTS OF DX! TV and FM DXing was never so much fun! THE WORLDWIDE TV-FM DX ASSOCIATION Serving the UHF-VHF Enthusiast THE VHF-UHF DIGEST IS THE OFFICIAL PUBLICATION OF THE WORLDWIDE TV-FM DX ASSOCIATION DEDICATED TO THE OBSERVATION AND STUDY OF THE PROPAGATION OF LONG DISTANCE TELEVISION AND FM BROADCASTING SIGNALS AT VHF AND UHF. WTFDA IS GOVERNED BY A BOARD OF DIRECTORS: DOUG SMITH, GREG CONIGLIO, BRUCE HALL, KEITH McGINNIS AND MIKE BUGAJ. Editor and publisher: Mike Bugaj Treasurer: Keith McGinnis wtfda.org Webmaster: Tim McVey wtfda.info Site Administrator: Chris Cervantez Editorial Staff: Dave Williams, Jeff Kruszka, Keith McGinnis, Fred Nordquist, Nick Langan, Doug Smith, Chris Kadlec, Peter Baskind and John Zondlo, Our website: www.wtfda.org; Our forums: www.wtfda.info SEPTEMBER 2007 _______________________________________________________________________________________ CONTENTS Page Two 2 Mailbox 3 TV News…Doug Smith 4 Finally! For those of you online with an email FM News 12 address, we now offer a quick, convenient and Northern FM DX…Keith McGinnis 20 secure way to join or renew your membership Southern FM DX…John Zondlo 42 in the WTFDA from our page at: Western TV DX…Dave Williams 46 http://fmdx.usclargo.com/join.html Eastern TV DX…Nick Langan 51 Photo News…Jeff Kruszka 55 Dues are $25 if paid to our Paypal account. -
Download the Spring 2015 IMPACT Newsletter
GIVENOLA DAY SPECIAL ISSUE MAYOR MITCH LANDRIEU IRMA THOMAS “I challenge our “Whatever you can community to demonstrate do, put a smile on unprecedented generosity someone’s face.” on GiveNOLA Day.” LEAH CHASE IRVIN MAYFIELD “Don’t worry about the size “24 hours—but it only of the gift. Even the teeniest takes a minute to make a gift of generosity can ignite lasting impact.” great change.” What They CHEF JOHN BESH PIERRE THOMAS “If this day can “One day that can Say change just one life, make the whole it’s worth it.” year better.” About GiveNOLA STEVE GLEASON Day “GiveNOLA – ALLEN a day to be TOUSSAINT inspired to act.” “Make giving a now thing, not a later thing.” TROMBONE ANGELA HILL SHORTY “May 5th is “We can all connect to the day to give each other through the as one.” simple act of giving.” GREATER NEW ORLEANS FOUNDATION SPRING 2015 PHILANTHROPY AT WORK Louisiana Modified Dolls Orleans Public Education Network The Al Copeland Foundation Our sincere appreciation to the 574 nonprofit organizations Louisiana Philharmonic Orchestra Our Daily Bread Food Bank of Tangipahoa The Chartwell Center Louisiana Restaurant Association Education Foundation Our Lady of Holy Cross College The Childhood and Family Learning Foundation in the 13-parish region participating in GiveNOLA Day 2015. Louisiana SPCA Ozanam Inn The COOL Cooperative, Inc. Love in Action Outreach PACE Greater New Orleans The Creativity Collective 30 by Ninety Theatre Collegiate Academies Green Light New Orleans Lower 9th Ward Center for Sustainable Engagement & Parkway Partners The Crown and Shield Foundation 504HealthNet Common Ground Relief, Inc. -
City of New Orleans
New Orleans Community Health Improvement Plan Second Revision November 2016 Second Revision, August 2016 1300 Perdido St., Suite 8E18 I New Orleans, LA, 70112 I www.nola.gov/health Front Cover Photo Credit: P1& P2: Whitney Mitchell, Fit NOLA Partnership P3: Greater New Orleans Breastfeeding Awareness Coalition P4: The GIFT Program, Louisiana Department of Health, Bureau of Family Health P5 & P6: NOLA For Life, City of New Orleans New Orleans Community Health Improvement Plan Second Revision November 2016 Acknowledgements This document would not be possible without the contributions and support of the Community Health Improvement Steering Committee, Core Advisory Team, NOHD Administration, NOHD Program Managers, previous CHIP authors Yvette Wing and Liz Burpee, and the countless community partners who dedicate their work to improving the health of New Orleans . The Health Department thanks you for your commitment to our shared vision. COMMUNITY HEALTH IMPROVEMENT STEERING COMMITTEE Adrian Todd Director, Office of Children Youth and Families, Total Community Action Avis Gray Regional Administrator, Bureau of Family Health, Louisiana Department of Health Ben Johnson President and CEO, New Orleans Chamber of Commerce Christy Ross VP Health Grants, Baptist Community Ministries Daesy Behrhorst Co-Chair, Louisiana Language Access Coalition Denese Shervington President and CEO, Institute of Women and Ethnic Studies Dr. Flint Mitchell Program Officer, Greater New Orleans Foundation Dr. Kathryn Parker Executive Director, Market Umbrella Jim Kelly -
Jazz and Radio in the United States: Mediation, Genre, and Patronage
Jazz and Radio in the United States: Mediation, Genre, and Patronage Aaron Joseph Johnson Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2014 © 2014 Aaron Joseph Johnson All rights reserved ABSTRACT Jazz and Radio in the United States: Mediation, Genre, and Patronage Aaron Joseph Johnson This dissertation is a study of jazz on American radio. The dissertation's meta-subjects are mediation, classification, and patronage in the presentation of music via distribution channels capable of reaching widespread audiences. The dissertation also addresses questions of race in the representation of jazz on radio. A central claim of the dissertation is that a given direction in jazz radio programming reflects the ideological, aesthetic, and political imperatives of a given broadcasting entity. I further argue that this ideological deployment of jazz can appear as conservative or progressive programming philosophies, and that these tendencies reflect discursive struggles over the identity of jazz. The first chapter, "Jazz on Noncommercial Radio," describes in some detail the current (circa 2013) taxonomy of American jazz radio. The remaining chapters are case studies of different aspects of jazz radio in the United States. Chapter 2, "Jazz is on the Left End of the Dial," presents considerable detail to the way the music is positioned on specific noncommercial stations. Chapter 3, "Duke Ellington and Radio," uses Ellington's multifaceted radio career (1925-1953) as radio bandleader, radio celebrity, and celebrity DJ to examine the medium's shifting relationship with jazz and black American creative ambition. -
Regency Reporter July 2020 – Page 3
VOL. 17, NO. 7, JULY 2020 - PUBLISHED MONTHLY FOR THE RESIDENTS OF REGENCY In 2015, Esther Schwartz (center) with, from left: Leslie Schoen, Susan Olan, Hollis Borak, and Judy Anil Shah with his 1988 Mercedes Benz 560SL Convertible. Feingold in the eighth and final Regency Actors and Players Show, “We’re in the Money?!” Photo submitted by Anil Shah Photo submitted by Esther Schwartz Meet the new kid on the block, 15- year-old Tibetan Terrier, Reggie Finkelstein. He’s a tough little guy who likes being king of the road. He knew something was up when he saw his human companions Barry and Karen packing stuff in cartons; Leading the Regency Car so being Reggie, he packed up his Club’s Memorial Day Car Pa- treats and toys he used to play with rade is Dennis Cataldo in his to keep as his memories. Reggie 1948 Studebaker pick-up.” loves lying on the grass watching A photo of the neighborhood taken by Steve Schwartz with his drone in June 2018. Photo by Steve Wandy people walk by. Photo by Bea Siegel Photo submitted by Esther Schwartz Renee Zukerberg in the Regency Actors and Herb Zukerberg, with his wife Renea, was the founder Players show Sentimental Journey. of what was originally called The Yiddish Club. Bob Pincu shot a hole in one May 31 on Hole #7. Photo by Sandi Shumsky Photo by Sandi Shumsky Photo by Nat Willner, submitted by Jason Pulsinelli JULY 2020 – PAGE 2 REGENCY REPORTER A Message from the Regency Emailer A Note from the Board of Trustees By Ron Post for me to deal with. -
Limitations on Claims of Ownership and Claims for Royalties Donald E
Hastings Communications and Entertainment Law Journal Volume 20 | Number 1 Article 1 1-1-1997 Limitations on Claims of Ownership and Claims for Royalties Donald E. Biederman Follow this and additional works at: https://repository.uchastings.edu/ hastings_comm_ent_law_journal Part of the Communications Law Commons, Entertainment, Arts, and Sports Law Commons, and the Intellectual Property Law Commons Recommended Citation Donald E. Biederman, Limitations on Claims of Ownership and Claims for Royalties, 20 Hastings Comm. & Ent. L.J. 1 (1997). Available at: https://repository.uchastings.edu/hastings_comm_ent_law_journal/vol20/iss1/1 This Special Feature is brought to you for free and open access by the Law Journals at UC Hastings Scholarship Repository. It has been accepted for inclusion in Hastings Communications and Entertainment Law Journal by an authorized editor of UC Hastings Scholarship Repository. For more information, please contact [email protected]. Limitations on Claims of Ownership and Claims for Royalties by DONALD E. BIEDERMAN* I. Limitations on Claims of Ownership ...................................... II. Limitations on Claims for Royalties ....................................... A . Contractual Claim s............................................................. B. Non-Contractual Claims .................................................... III. C onclusion ................................................................................. * Executive Vice President, Business Affairs/General Counsel, Warner/Chappell -
Rhythm, Dance, and Resistance in the New Orleans Second Line
UNIVERSITY OF CALIFORNIA Los Angeles “We Made It Through That Water”: Rhythm, Dance, and Resistance in the New Orleans Second Line A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Ethnomusicology by Benjamin Grant Doleac 2018 © Copyright by Benjamin Grant Doleac 2018 ABSTRACT OF THE DISSERTATION “We Made It Through That Water”: Rhythm, Dance, and Resistance in the New Orleans Second Line by Benjamin Grant Doleac Doctor of Philosophy in Ethnomusicology University of California, Los Angeles, 2018 Professor Cheryl L. Keyes, Chair The black brass band parade known as the second line has been a staple of New Orleans culture for nearly 150 years. Through more than a century of social, political and demographic upheaval, the second line has persisted as an institution in the city’s black community, with its swinging march beats and emphasis on collective improvisation eventually giving rise to jazz, funk, and a multitude of other popular genres both locally and around the world. More than any other local custom, the second line served as a crucible in which the participatory, syncretic character of black music in New Orleans took shape. While the beat of the second line reverberates far beyond the city limits today, the neighborhoods that provide the parade’s sustenance face grave challenges to their existence. Ten years after Hurricane Katrina tore up the economic and cultural fabric of New Orleans, these largely poor communities are plagued on one side by underfunded schools and internecine violence, and on the other by the rising tide of post-disaster gentrification and the redlining-in- disguise of neoliberal urban policy. -
Biddy Girls Basketball Tournament Westwego, Louisiana
Biddy Girls Basketball Tournament Westwego, Louisiana EXECUTIVE SUMMARY The primary purpose of the study was to determine the economic significance of the Biddy Girls Basketball Tournament that was held on March 30-April 5, 2000 at The Alario Center in Westwego. The Year 2000 Biddy Basketball Tournament was comprised of 38 basketball teams, consisting of approximately 12 girls on each team. Approximately 17 teams were local; others were from Kansas, Dallas, Houston, or some as far as Puerto Rico and Finland. Surveys were conducted at The Alario Center to identify non–local visitors who were then asked to enumerate their expenditures during this event. In addition, coaches were also surveyed regarding team expenses. Hotels in the area provided information on the hotel room nights generated by the tournament. Results show a positive economic impact for Westwego and the surrounding communities generated by visitor spending on hotel rooms, admission tickets, concessions, meals, laundry, shopping, and entertainment. RESULTS Economic Significance l Total direct visitor expenditures was $279,920. l The average hotel room rate was $67.40. l The average amount paid per day for admission tickets was $15.00. l The average amount paid per day for concessions was $15.10. l The average amount paid for meals per day (outside of The Alario Center) was $39.94. l The average amount paid for local transportation was $14.10 per day. l The average amount paid for laundry each day was $.92. l The average per day spent on entertainment/recreation was $10.72. l The average per day spent on shopping was $41.08. -
The Pricean [1962]
' ,«ftar4«3i PUBLISHED BY THE 1962 SENIOR CLASS OF PRICE JUNIOR-SENIOR HIGH SCHOOL Salisbury, North Carolina Volume 45 Foreword The graduating class of 1962 is honored to be able to present to you the memorable events of the past year. Among the more outstanding ones are the addition of the new trade building to our campus and the coveted "All-America City Award" that was presented to our city. During the presentation program, two of our classmates participated as essay winners. Our sincere expressions of gratitude are extended to Mr. J. H. Knox, our Superintendent; Mr. S. O. Jones, our principal; our faculty, parents and friends whose untiring efforts to help us will linger long in our memories. To our advertisers and patrons, we also extend our appreciation for their help in our endeavor. We shall never forget the efforts in our behalf given by our advisors, Mrs. A. A. Lancaster and Miss Eunice Powers. SHIRLEY ANN GOODMAN Dedication MR. H. H. WOODARD The class of 1962 wishes to dedicate its annual to Mr. H. H. Woodard, band¬ master and social science teacher. We do this in recognition of his talent and his accomplishments. Especially are we proud of the excellent performance of our band under his leadership. For all of the contributions Mr. Woodard has made to our cultural and intellectual life, we are sincerely grateful. Price Junior-Senior High Schoo —1 MAIN BUILDING AND JUNIOR HIGH WING Price High School we say to you, the months and years quickly flew But our memories shall always turn again to you, again to yearn For joyful days and happy years and protection from our worldly fears. -
An Abbreviated Article, Part 1
An Abbreviated Article The title of this article might indicate to the reader that this may be a shortened offering from yours truly, but instead it is on the topic of abbreviations commonly used in the Crescent City, or as some might say: NOLA. Abbreviations are shortened forms of words or longer phrases found in almost every field or discipline of our daily lives, from commonly used abbreviations in names or titles, such as Mr., as in Mr. Bingle, or Dr., as in Dr. John., to quite commonly used local abbreviations, such as MB for Maison Blanche, and KB or K&B for Katz and Besthoff. They are commonplace in the use of weights and measures, distances, medicine, cooking and baking. And if you need directions, it’s best you know location abbreviations such as Blvd. and Ave. That’s where New Orleans’ neutral grounds are usually located. These ads ran side by side in the New Orleans Item, September 21, 1938. On the same page was an ad for the L & L Shop at 622 Canal. Many abbreviations have been used for so many years in New Orleans that we have forgotten what the original letters stood for. For example, there’s P&J’s Oysters, key supplier of oysters to restaurants locally as well as nationally. John Popich was the “P” and Joe Jurisich was the “J”, but Alfred Sunseri, a cousin of Joe Jurisich, was the driving force, and all these many years later, P&J’s is still run by the Sunseri family. And the A&G Cafeterias, just like K&B and MB, “ain’t dere no more”.