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Loose Id for Orchestra SCORE PERUSAL SCORE - NOT FOR PERFORMANCE USE STEVEN BRYANT Loose Id for Orchestra Premiered April 1st, 1997 by the Juilliard Symphony in Alice Tully Hall, Jeff Milarsky, conductor Note: If you perform this work, please send a copy of the program from each performance, with this piece circled, to ASCAP: ASCAP Concert Division, ASCAP Building, One Lincoln Plaza, New York, NY 10023 Version 2.5 www.stevenbryant.com © Steven Bryant/Gorilla Salad Productions (ASCAP) PERUSAL SCORE - NOT FOR PERFORMANCE USE INSTRUMENTATION Piccolo (doubles 3rd Flute) 2 Flutes 2 Oboes 2 Clarinets in Bb Bb Bass Clarinet (doubles 3rd Clarinet in Bb) 2 Bassoons Contrabassoon 4 Horns in F 3 Trumpets in Bb 3 Trombones (2 Tenor, 1 Bass) 1 Tuba Timpani (4 drums) Percussion 1: Flexatone, Suspended (Ride) Cymbal (shared with Perc. 3), Xylophone (shared with Perc. 2), 4 Tomtoms, Tamtam (large) 2: Police Whistle, Bass Drum (shared with Perc. 3), Xylophone (shared with Perc. 1), Ratchet, Triangle 3: Suspended (Ride) Cymbal (shared with Perc. 1), Lion's Roar, Bass drum (shared with Perc. 2), Brake drum Strings Violin I Violin II Viola Violoncello Contrabass PERUSAL SCORE - NOT FOR PERFORMANCE USE About the Composer Steven Bryant’s (b. 1972, Little Rock, Arkansas) musical interests span a variety of styles, and his catalog includes numerous works for wind ensemble, orchestra, electronic and electro-acoustic creations, chamber music, and music for the Web. He studied composition with John Corigliano at The Juilliard School, Cindy McTee at the University of North Texas, and Francis McBeth at Ouachita University. More detailed and current information is available at www.stevenbryant.com. Errata and Other Information Promote your concert on my web site! Visit stevenbryant.com, click on “Submit a concert,” and enter the appropriate information. It will be listed on the “Upcoming Concerts” page on my website, as well as at bcminternational.com. NOTE: If you discover errors, or have questions, please contact me at [email protected]. All known errata or revisions will be posted on my website (http://www.stevenbryant.com). This is version 2.5. Check http://www.stevenbryant.com for errata Promote your concert on http://www.stevenbryant.com! Go to “Submit a concert.” Note: If you perform this work, please send a copy of the program from each performance, with this piece circled, to ASCAP: ASCAP Concert Division, ASCAP Building, One Lincoln Plaza, New York, NY 10023 Copyright © Steven Bryant / Gorilla Salad Productions (ASCAP) Made in U.S.A. All rights reserved PERUSAL SCORE - NOT FOR PERFORMANCE USE Loose Id for Orchestra Program Notes Id: "In Freud's theory, the source of instinctual energy, which works on the pleasure principle." (Lefton, 1991) Loose Id is an abstract realization in sound of the energy of the Id. Unleashed, without the counterbalance of Ego or Superego, the Id generates unbridled instinctual energy, resulting in an orgiastic frenzy. Distinct from a state of dementia, this piece represents a thoroughly lucid and intentional rampage of self-indulgence. Performance Notes A B ˙ b œ œ œ œ Ó A) indicates the passage of time, but NOT rearticulation, during a passage of indeterminate B) indicates an articulated rhythm during a glissando pitch. These passages are always notated with a slur. or other passage of indeterminate pitch. No slur is used. ? ‰ ‰ ‰ j Ó Ó ‰ j œ œ >œ b>œ œ œ œ œ ˙æ œ #œ > > > > > > > Arrows above notes indicate a quarter-tone alteration of the notated pitch. In this example (mm. 56-59, Tbn. 2) all notes are played a quarter-tone higher than the indicated pitches. 3 3 & Ó œ bœ œ b œ œ Œ Ó wa wa wa wa wa "Wa" indicates a quick opening of the plunger mute at the attack of the note. The notation ("wa") is indicative of the desired sound. Horns use trombone plunger mutes. An accent at the end of a slurred gesture indicates a sharp ending to the note (stopped with tongue or abrupt breath cutoff), instead of a sharp attack. This is version 2.5. Check http://www.stevenbryant.com for errata Promote your concert on http://www.stevenbryant.com! Go to “Submit a concert.” PERUSAL SCORE - NOT FOR PERFORMANCE USE Steven Bryant *) ©»¡> !§gl. ¨ Loose Id 1995-6 1 bœ. œ Piccolo & 43 æ J 42 43 J ‰ Œ Œ " " " 24 " 43 Ï gl. ¨ *) b>œ. œ œ Flute 1 & 43 æ J 42 43 J ‰ Œ Œ " " " 24 " 43 Ï ¨ *) >œ. œ gl. œ Flute 2 RENTAL MATERIALS & 43 æ J 42 43 J ‰ Œ Œ " " " 24 " 43 *) Ï >. gl. œ¨ AVAILABLE FROM Oboe 1 bœ œ & 43 J 42 43 J ‰ Œ Œ " " " 24 " 43 *) Ï STEVEN BRYANT: > gl. œ¨ Oboe 2 œ. œ & 43 J 42 43 J ‰ Œ Œ rent"al@stev" enbrya" nt.co24 m " 43 *) Ï gl. ¨ b>œ. œ œ Bb Clarinet 1 & 43 J 42 43 J ‰ Œ Œ " " " 24 " 43 *) Ï gl. ¨ >. œ Bb Clarinet 2 œ œ & 43 J 42 43 J ‰ Œ Œ " " " 24 " 43 *) Ï gl. ¨ b>œ. œ œ Bb Bass Clarinet & 43 J 42 43 J ‰ Œ Œ " " " 24 " 43 *) Ï > gl. œ œ œ Bassoon 1 bœ. œ b˙ . œ œ #œ œ B 3 J 2 j ‰ Œ 3 J ‰ Œ Œ " ? œ œ œ œ #œ 2 #œ 3 4 4 4 #œ œ #œ 4 3 4 n œ œ œ #œ *) Ï ƒ # > gl. œ œ #œ œ Bassoon 2 œ. œ ˙ . œ bœ œ #œ #œ B 3 J 2 j ‰ Œ 3 J ‰ Œ Œ " ? #œ œ #œ œ œ 2 3 4 4 4 œ bœ œ #œ 4 4 gl. n œ #œ œ Ï ƒ # *) b>œ. œ Contrabassoon ? 3 J 2 j ‰ Œ 3 " " " " 2 " 3 4 4 4 4 4 3 Ï 2 3 2 3 **) *) 4 gl. 4 4 ¨ > . > . 4 4 Horns 1-2 > œ > . > . > . œ bœ bœ 3 bœ. œ 2 3 J ‰ Œ Œ bœ œ œ œ Œ bœ œ œ œ œ " 2 " 3 & 4 æ J 4 4 bœ bœ 4 4 Ï *) ƒ gl. ¨ > > Horns 3-4 >. œ >œ . > . œ . œ . & 43 œ œ 42 43 J ‰ Œ Œ bœ bœ œ bœ Œ bœ bœ œ bœ œ nœ " 24 " 43 æ J œ . Ï > *) > gl. ¨ ƒ Bb Trumpet 1 bœ. œ 3 æ J 2 3 2 3 & 4 4 4 J ‰ Œ Œ " Œ Œ ‰ j 4 4 Ï ¨ #œ *) > gl. # Bb Trumpet 2 #œ. œ & 43 æ J 42 43 J ‰ Œ Œ " Œ Œ ‰ j 24 43 Ï ¨ #œ *) gl. # Bb Trumpet 3 > 3 œ. œ 2 3 J ‰ Œ Œ " Œ Œ ‰ 2 3 & 4 æ J 4 4 j 4 4 Ï #œ *) > gl. bœ. œ b˙ . œ # œ œ Trombone 1 œ j bœ ? 43 æ J 42 ‰ Œ 43 J ‰ ‰ #œ æ œ " ‰ œ œ 24 43 J n æJ æ Ï gl. ƒ F f F # *) > œ. œ ˙ . œ œ œ Trombone 2 bœ bœ nœ ? 43 æ J 42 ‰ Œ 43 J ‰ ‰ œ æ œ " œ œ œ 24 43 J n æJ æ Ï ƒ F f F # *) gl. > #˙ . œ œ œ Bass Trombone œ. œ bœ nœ ? 43 æ J 42 ‰ Œ 43 J ‰ ‰ j æ Œ Œ ‰ j bœ œ 24 43 J n #œæ œ œæ œ Ï ƒ F f F # *) > gl. œ¨ 3 3 Tuba ? 3 bœ. œ 2 3 J 2 3 4 æ J 4 4 ‰ Œ Œ Œ ‰ æ æ æ æ æ " " 4 " 4 œæ#œ œ bœ œ bœ nœæ Ï F f F Ÿ~~~ Ÿ~~~~~~~~~~~~~~~~~~~~ Timpani ¨ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ? 3 ‰ Œ 2 3 ‰ Œ Œ " Œ Œ ‰ 2 3 4 bœ. 4 bœ 4 j j 4 4 œ flexatoneÏ *) gl. ¨ # Percussion 1 bœ. œ & 43 J 42 43 J ‰ Œ Œ " " " 24 " 43 policeÏ whistle xylo. gl. œ¨ Percussion 2 3 œæ. 2 3 J 2 3 ÷ 4 ‰ Œ & 4 Œ ‰ j 4 ‰ Œ Œ ÷ " " " 4 " 4 œ. bs.dræ. sus. cym. choke Ï ¨ lion's roar Percussion 3 ˙ œ ÷ 43 " 42 æ 43 J ‰ Œ Œ Œ ‰ " " 24 " 43 sul pont. n œ. div. sul A ƒ ord. ƒ *) > gl. œ¨ **) unis. Violin I bœ. œ 3 œ. œ æ 2 3 J ‰ Œ Œ œ œ œ Œ œ œ bœ œ bœ bœ Ó ‰ j 2 3 & 4 æ æJ 4 æ æ 4 bœ œ œ bœ bœ œ œ œ œ bœ œæ 4 æ æ 4 Ïsul pont. > . > . > . > . > . div. sul G ƒord. # *) unis. Violin II ¨ 3 æ æj 2 3 œ 2 3 b œ . œgl.æ æ ‰ Œ Œ œ Œ œ œ Ó æ & 4 >œ . œ 4 æ 4 J bœ bœ œ bœ bœ bœ œ bœ œ nœ œæ 4 æ 4 sul pont. > . > . > . œ divÏ. ord. > > . # *) sul C ƒ gl. unis. Viola > b˙˙ . œœ B 3 ##œ. œ 2 j ‰ Œ 3 # ˙ . œ ‰ Ó " Œ ‰ j 2 æ 3 4 æ 4 4 n J æ 4 æ 4 sul pont. æ æJ œæ Ï gl. ¨ ƒ div. > œ # *) bœœ. œœ ord. Violoncello ? 3 æ æJ æ 2 3 J 2 æ 3 4 4 æ æ 4 ‰ Œ Œ Œ ‰ j œæ Œ Œ ‰ j æ 4 æ 4 *) #œæ œæ œæ æ æ sul pont. Ï gl. >œ œ ¨œ # div.bœ . œ F f F ord. Contrabass œ œ œ ? 3 æ æJ æ 2 æ 3 J ‰ Œ Œ Œ ‰ b Œ Œ ‰ æ 2 æ 3 4 4 æ 4 æJ æ æ œæj æ æ 4 æ 4 2.5 *) SmoothÏ gliss. throughout gesture **) Don't rearticulate secondF pitch.
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