DOCSLIB.ORG

The MU100R Welcome to the MU100R Congratulations and Thank You for Purchasing the Yamaha MU100R Tone Generator!

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
The MU100R Welcome to the MU100R Congratulations and Thank You for Purchasing the Yamaha MU100R Tone Generator! FCC INFORMATION (U.S.A) 1. IMPORTANT NOTICE : DO NOT MODIFY THIS UNIT! This product, when installed as indicated in the instructions contained in this manual, meets FCC requirements. Modifications not expressly approved by Yamaha may void your authority, granted by the FCC, to use the product. 2. IMPORTANT: When connecting this product to accessories and/or another product use only high quality shielded cables. Cable/s supplied with this product MUST be used. Follow all installation instructions. Failure to follow instructions could void your FCC authorization to use this product in the USA. 3. NOTE: This product has been tested and found to comply with the requirements listed in FCC Regulations, Part 15 for Class “B” digital devices. Compliance with these requirements provides a reasonable level of assurance that your use of this product in a residential environment will not result in harmful interference with other electronic devices. This equipment generates/uses radio frequencies and, if not installed and used according to the instructions found in the user’s manual, may cause interference harmful to the operation of other electronic devices. Compliance with FCC regulations does not guarantee that interference will not occur in all installations. If this product is found to be the source of interference, which can be determined by turning the unit “OFF” and “ON”, please try to eliminate the problem by using one of the following measures: Relocate either this product or the device that is being affected by the interference. Utilize power outlets that are on different branch (circuit breaker or fuse) circuits or install AC line filter/s. In the case of radio or TV interference, relocate/reorient the antenna. If the antenna lead-in is 300 ohm ribbon lead, change the lead-in to co-axial type cable. If these corrective measures do not produce satisfactory results, please contact the your local retailer authorized to distribute this type of product. If you can not locate the appropriate retailer, please contact Yamaha Corporation of America, Electronic Service Division, 6600 Orangethorpe Ave, Buena Park, CA 90620 * The above statements apply ONLY to those products distributed by Yamaha Corporation of America or its subsidiaries. NEDERLAND / NETHERLAND ADVARSEL! Lithiumbatteri—Eksplosionsfare ved fejlagtig håndtering. • Dit apparaat bevat een lithium batterij voor geheugen back-up. Udskiftning må kun ske med batteri af samme fabrikat og • This apparatus contains a lithium battery for memory back-up. type. Levér det brugte batteri tilbage til leverandoren. • Raadpleeg uw leverancier over de verwijdering van de batterij op het moment dat u het apparaat ann het einde van de VARNING levensduur afdankt of de volgende Yamaha Service Afdeiing: Explosionsfara vid felaktigt batteribyte. Använd samma Yamaha Music Nederland Service Afdeiing batterityp eller en ekvivalent typ som rekommenderas av Kanaalweg 18-G, 3526 KL UTRECHT apparattillverkaren. Kassera använt batteri enligt fabrikantens Tel. 030-2828425 instruktion. • For the removal of the battery at the moment of the disposal at VAROITUS the end of the service life please consult your retailer or Yamaha Paristo voi räjähtää, jos se on virheellisesti asennettu. Vaihda Service Center as follows: paristo ainoastaan laitevalmistajan suosittelemaan tyyppiin. Yamaha Music Nederland Service Center Hävitä käytetty paristo valmistajan ohjeiden mukaisesti. Address : Kanaalweg 18-G, 3526 KL UTRECHT Tel : 030-2828425 • Gooi de batterij niet weg, maar lever hem in als KCA. • Do not throw away the battery. Instead, hand it in as small chemical waste. 92-BP SPECIAL MESSAGE SECTION This product utilizes batteries or an external power supply friendly. We sincerely believe that our products and the (adapter). DO NOT connect this product to any power production methods used to produce them, meet these supply or adapter other than one described in the manual, goals. In keeping with both the letter and the spirit of the on the name plate, or specifically recommended by law, we want you to be aware of the following: Yamaha. Battery Notice: This product MAY contain a small non- WARNING: Do not place this product in a position rechargeable battery which (if applicable) is soldered in where anyone could walk on, trip over, or roll anything place. The average life span of this type of battery is over power or connecting cords of any kind. The use of approximately five years. When replacement becomes an extension cord is not recommended! If you must use necessary, contact a qualified service representative to an extension cord, the minimum wire size for a 25' cord perform the replacement. (or less ) is 18 AWG. NOTE: The smaller the AWG number, the larger the current handling capacity. For This Product may also use “household” type batteries. longer extension cords, consult a local electrician. Some of these may be rechargeable. Make sure that the battery being charged is a rechargeable type and that the This Product should be used only with the components charger is intended for the battery being charged. supplied or; a cart, rack, or stand that is recommended by Yamaha. If a cart, etc., is used, please observe all safety When installing batteries, do not mix old batteries with markings and instructions that accompany the accessory new, or with batteries of a different type. Batteries MUST product. be installed correctly. Mismatches or incorrect installation may result in overheating and battery case rupture. SPECIFICATIONS SUBJECT TO CHANGE: The in- formation contained in this manual is believed to be cor- Warning: Do not attempt to disassemble, or incinerate rect at the time of printing. However, Yamaha reserves any battery. Keep all batteries away from children. Dis- the right to change or modify any of the specifications pose of used batteries promptly and as regulated by the without notice or obligation to update existing units. laws in your area. This product, either alone or in combination with an ampli- Note: Check with any retailer of household type batteries fier and headphones or speaker/s, may be capable of pro- in your area for battery disposal information. ducing sound levels that could cause permanent hearing Disposal Notice: Should this Product become damaged loss. DO NOT operate for long periods of time at a high beyond repair, or for some reason its useful life is consid- volume level or at a level that is uncomfortable. If you ered to be at an end, please observe all local, state, and experience any hearing loss or ringing in the ears, you federal regulations that relate to the disposal of products should consult an audiologist. IMPORTANT: The louder that contain lead, batteries, plastics, etc. If your dealer is the sound, the shorter the time period before damage oc- unable to assist you, Please contact Yamaha directly. curs. NAME PLATE LOCATION: The name Plate is located Some Yamaha products may have benches and/or acces- on the top of the product. The model number, power re- sory mounting fixtures that are either supplied with the quirements, etc., are located on this plate. (The serial product or as optional accessories. Some of these items number is located on the rear panel.) You should record are designed to be dealer assembled or installed. Please the model number, serial number, and the date of pur- make sure that benches are stable and any optional fix- chase in the spaces provided below and retain this manual tures (where applicable) are well secured BEFORE using. as a permanent record of your purchase. Benches supplied by Yamaha are designed for seating only. No other uses are recommended. POWER NOTICE: Service charges incurred due to lack of knowl- ON/ OFF edge relating to how a function or effect works (when the unit is operating as designed) are not covered by the Model manufacturer’s warranty, and are therefore the owners re- sponsibility. Please study this manual carefully and con- Serial No. sult your dealer before requesting service. Purchase Date ENVIRONMENTAL ISSUES: Yamaha strives to pro- duce products that are both user safe and environmentally PLEASE KEEP THIS MANUAL Welcome to the MU100R Welcome to the MU100R Congratulations and thank you for purchasing the Yamaha MU100R Tone Generator! The MU100R is an advanced tone generator providing an amazing total of 1523 high-quality Voices, full General MIDI compatibility — including Yamaha’s new XG-MIDI (Extended General MIDI) — plus flexible computer interfacing in a compact, easy-to-use rack mount unit. Included in the 1523 Voices are 256 extraordinarily realistic and expres- sive VL Voices — provided by a separate, yet integrated Virtual Acoustic Synthesis tone generator. With the convenient built-in host computer interface and MIDI termi- nals, the MU100R is ideal for any computer music system — from con- nection to a simple laptop to integration in a complete MIDI studio. With its large LCD and the intuitive graphic controls on the display, the MU100R is remarkably easy to use. The MU100R also features completely independent dual MIDI inputs, 32 Part multi-timbral capacity and full 64-note polyphony for playback of even the most sophisticated song data. A special Performance mode gives you flexible four-Voice operation, for live performance applications. Also built into the system are six digital multi-effects and two EQ sec- tions (one per-part, and one overall), which give you enormous versatility in “sweetening” the sound. What’s more, the MU100R provides a host of comprehensive, yet easy-to-use editing tools for getting just the sound you need. The MU100R also has convenient A/D inputs that allow you to connect a microphone, electric guitar or other instrument, and mix those signals with the MU100R’s Voices. A separate Hamony effect section lets you auto- matically apply two-, three- or four-part harmonies to your A/D input vo- cals, and have them change as you play different chords on a connected MIDI keyboard.
Load more

Recommended publications
  • MUSIC PRODUCTION GUIDE Official News Guide from Yamaha & Easy Sounds for Yamaha Music Production Instruments
    MUSIC PRODUCTION GUIDE OFFICIAL NEWS GUIDE FROM YAMAHA & EASY SOUNDS FOR YAMAHA MUSIC PRODUCTION INSTRUMENTS 04|2014 SPECIAL EDITION Contents 40th Anniversary Yamaha Synthesizers 3 40 years Yamaha Synthesizers The history 4 40 years Yamaha Synthesizers Timeline 5 40th Anniversary Special Edition MOTIF XF White 23 40th Anniversary Box MOTIF XF 28 40th Anniversary discount coupons 30 40th Anniversary MX promotion plan 31 40TH 40th Anniversary app sales plan 32 ANNIVERSARY Sounds & Goodies 36 YAMAHA Imprint 41 SYNTHESIZERS 40 YEARS OF INSPIRATION YAMAHA CELEBRATES 40 YEARS IN SYNTHESIZER-DESIGN WITH BRANDNEW MOTIF XF IN A STUNNIG WHITE FINISH SARY PRE ER M V IU I M N N B A O X H T 0 4 G N I D U L C N I • FL1024M FLASH MEMORY Since 1974 Yamaha has set new benchmarks in the design of excellent synthesizers and has developed • USB FLASH MEMORY (4GB) innovative tools of creativity. The unique sounds of the legendary SY1, VL1 and DX7 have influenced a INCL. SOUND LIBRARIES: whole variety of musical styles. Yamaha‘s know-how, inspiring technique and the distinctive sounds of a - CHICK’S MARK V - CS-80 40-years-experience are featured in the new MOTIF XF series that is now available in a very stylish - ULTIMATE PIANO COLLECTION white finish. - VINTAGE SYNTHESIZER COLLECTION YAMAHASYNTHSEU YAMAHA.SYNTHESIZERS.EU YAMAHASYNTHESIZEREU EUROPE.YAMAHA.COM MUSIC PRODUCTION GUIDE 04|2014 40TH ANNIVERSARY YAMAHA SYNTHESIZERS In 1974 Yamaha produced its first portable Yamaha synthesizers and workstations were and still are analog synthesizer with the SY-1. The the first choice for professionals and amateurs in the multi- faceted music business.
    [Show full text]
  • Pro Audio for Print Layout 1 9/14/11 12:04 AM Page 356
    356-443 Pro Audio for Print_Layout 1 9/14/11 12:04 AM Page 356 PRO AUDIO 356 Large Diaphragm Microphones www.BandH.com C414 XLS C214 C414 XLII Accurate, beautifully detailed pickup of any acoustic Cost-effective alternative to the dual-diaphragm Unrivaled up-front sound is well-known for classic instrument. Nine pickup patterns. Controls can be C414, delivers the pristine sound reproduction of music recording or drum ambience miking. Nine disabled for trouble-free use in live-sound applications the classic condenser mic, in a single-pattern pickup patterns enable the perfect setting for every and permanent installations. Three switchable cardioid design. Features low-cut filter switch, application. Three switchable bass cut filters and different bass cut filters and three pre-attenuation 20dB pad switch and dynamic range of 152 dB. three pre-attenuation levels. All controls can be levels. Peak Hold LED displays even shortest overload Includes case, pop filter, windscreen, and easily disabled, Dynamic range of 152 dB. Includes peaks. Dynamic range of 152 dB. Includes case, pop shockmount. case, pop filter, windscreen, and shockmount. filter, windscreen, and shockmount. #AKC214 ..................................................399.00 #AKC414XLII .............................................999.00 #AKC414XLS..................................................949.99 #AKC214MP (Matched Stereo Pair)...............899.00 #AKC414XLIIST (Matched Stereo Pair).........2099.00 Perception Series C2000B AT2020 High quality recording mic with elegantly styled True condenser mics, they deliver clear sound with Effectively isolates source signals while providing die-cast metal housing and silver-gray finish, the accurate sonic detail. Switchable 20dB and switchable a fast transient response and high 144dB SPL C2000B has an almost ruler-flat response that bass cut filter.
    [Show full text]
  • UVI Synthlegacy | Software User Manual
    Software User Manual Software Version 1.0 EN 160307 End User License Agreement (EULA) Do not use this product until the following license agreement is understood and accepted. By using this product, or allowing anyone else to do so, you are accepting this agreement. Synth Legacy (henceforth ‘the Product’) is licensed to you 3. Ownership as the end user. Please read this Agreement carefully. As between you and UVI, ownership of, and title to, the You cannot transfer ownership of these Sounds and Software enclosed digitally recorded sounds (including any copies) they contain. You cannot re-sell or copy the Product. are held by UVI. Copies are provided to you only to enable you to exercise your rights under the license. LICENSE AND PROTECTION 4. Term This agreement is effective from the date you open this package, and will remain in full force until termination. This agreement 1. License Grant will terminate if you break any of the terms or conditions of this UVI grants to you, subject to the following terms and agreement. Upon termination you agree to destroy and return to conditions, a non-exclusive, non-transferable right UVI all copies of this product and accompanying documentation. to use each authorized copy of the Product. 5. Restrictions The product is the property of UVI and is licensed to you only Except as expressly authorized in this agreement, you may not rent, for use as part of a musical performance, live or recorded. This sell, lease, sub-license, distribute, transfer, copy, reproduce, display, license expressly forbids resale or other distribution of the modify or time share the enclosed product or documentation.
    [Show full text]
  • (19) United States (12) Patent Application Publication (10) Pub
    US 20090314157A1 (19) United States (12) Patent Application Publication (10) Pub. No.: US 2009/0314157 A1 Sullivan (43) Pub. Date: Dec. 24, 2009 (54) MUSICAL INSTRUMENT Publication Classi?cation _ _ _ (51) Int. Cl. (75) Inventor: Daniel E. Sullivan, ShoreV1eW, MN G 10H 1/18 (200601) (Us) (52) us. Cl. ........................................................ .. 84/646 Correspondence Address: (57) ABSTRACT SCHWEGMAN1 LUNDBERG & WOESSNER’ A musical device is disclosed that performs a Variety of user P-A- de?ned or user controlled activities. These activities include P-O- BOX 2938 but are not limited to producing musical notes, determining, MINNEAPOLIS, MN 55402 (Us) in?uencing or changing the sound, quality, Voice, Volume or other characteristics of a note, activating and coordinating the (73) Assignee; ZiviX LLC, Minneapolis, MN (Us) replay of stored loops, recording, editing and playing user created pieces previously produced and controlling periph (21) APPL NO; 12/548,849 eral devices such as lighting. The musical device uses a com bination of strings and frets to locate notes on a ?ngerboard (22) F 11 e d: Aug 27, 2009 that a user may activate. As a result, the invention includes a system to generate a sound correspondmg to a note selected . and activated according to preselected parameters such as the Related U's' Apphcatlon Data Voice (e.g., trumpet, Violin).A user’s intent to play a particular (63) Continuation of application No. 11/498,996, ?led on 11016 0811 be COn?I‘med by a system Of SenSOrS COrreSpOnding Aug. 4, 2006, noW Pat. No. 7,598,449. to each note position.
    [Show full text]
  • KORG Pa4x Upgrade Manual
    12 E Address KORG ITALY SpA Via Cagiata, 85 60027 Osimo (AN) MAN0010107 Italy Web www.korg.com OS version 2.2 version OS | Pa4X © KORG Italy 2018. All rights reserved PART NUMBER: MAN0010107 Pa4X 2| PA4X OPERATING SYSTEM VERSION 2.2 Installation and new features Installing the new operating system If new, your instrument might already include the new operating system. To check it, please go to the Media > Utility page, and read the version number in the lower area of the display. To install the new operating system, please read the ‘Pa4X OS Update’ in- structions supplied with the installation file in our web site www.korg.com( ). Note: Before installing this update, be sure your Pa4X already includes OS v2.0.0 (you can check it in the Media > Utility page). If it still includes a previous version (v1.x.x), please download and install v2.0.0 before installing this update. You can find v2.0.0 at our web site. Note: By loading the new Operating System, you also load all the features added by the previous updates. |3 New functions of OS Version 2.2 The following functions are added by upgrading to the new version of the operating system. Where New functions Page Sampling Increased maximum number of User Samples 27 Functions added by previous OS versions The following functions are added by upgrading to version 2.1 of the operat- ing system. Where New functions Page Controllers Added compatibility with the VOX V860 volume pedal 32 Curve presets for the volume/expression pedal 32 The following functions are added by upgrading to version 2.0 of the oper- ating system.
    [Show full text]
  • A Relational Analysis of Pedagogical Methods for Accordion, Electronic Keyboard, Organ, and Piano
    LIBERTY UNIVERSITY SCHOOL OF MUSIC A RELATIONAL ANALYSIS OF PEDAGOGICAL METHODS FOR ACCORDION, ELECTRONIC KEYBOARD, ORGAN, AND PIANO By Brian Douglas Berlin Liberty University A MASTER’S THESIS PRESENTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN MUSIC EDUCATION Liberty University April, 2017 2 A RELATIONAL ANALYSIS OF PEDAGOGICAL METHODS FOR ACCORDION, ELECTRONIC KEYBOARD, ORGAN, AND PIANO by Brian Douglas Berlin A Thesis Presented in Partial Fulfillment Of the Requirements for the Degree Master of Arts in Music Education Liberty University, Lynchburg, VA April, 2017 APPROVED BY: _________________________________________________ DAVID K. SCHMAL, DMA Committee Chair _________________________________________________ DANIEL SUTTLES, DMA Committee Member _________________________________________________ VERNON M. WHALEY, PhD Dean of the School of Music 3 ABSTRACT While it is expected that musicians specialize in a single area, like piano, a complete keyboard education should also incorporate experiences on all keyboard instruments. There is no single method that teaches multiple keyboard instruments simultaneously. Willard Palmer, Bill Hughes, Morton Manus, and Amanda Vick Lethco co-wrote independent courses of instruction for different keyboard instruments: accordion, electronic keyboard, organ, and piano. However, no guide to align the material exists. This study establishes objective criteria for aligning these courses and provides a cross-reference tool. The samples chosen for analysis include: Alfred’s Basic Piano Library, Palmer-Hughes Accordion Course, Palmer-Hughes Spinet Organ Course, and Alfred's Basic Electronic Keyboard Method. Relational (content) analysis methodology is employed. The analytical units consist of elements taken from the printed music and are categorized as form elements and action elements. Tabular and graphical analyses are employed to process the data.
    [Show full text]
  • EX5/5R/7 Owner's Manual 4Th Edition
    OWNER’S MANUAL MUSICMUSIC SYNTHESIZER/REALTIMESYNTHESIZER/REALTIME CONTROL/EXTENDEDCONTROL/EXTENDED SYNTHESISSYNTHESIS TONETONE GENERATOR/REALTIMEGENERATOR/REALTIME CONTROL/EXTENDEDCONTROL/EXTENDED SYNTHESISSYNTHESIS OWNER’SOWNER’S MANUALMANUAL Menü FCC 5/21/98 3:03 PM Page 2 SPECIAL MESSAGE SECTION PRODUCT SAFETY MARKINGS: Yamaha electronic ENVIRONMENTAL ISSUES: Yamaha strives to produce products may have either labels similar to the graphics shown products that are both user safe and environmentally friendly. below or molded/stamped facsimiles of these graphics on the We sincerely believe that our products and the production enclosure. The explanation of these graphics appears on this methods used to produce them, meet these goals. In keeping page. Please observe all cautions indicated on this page and with both the letter and the spirit of the law, we want you to be those indicated in the safety instruction section. aware of the following: Battery Notice: This product MAY contain a small non- rechargable battery which (if applicable) is soldered in place. CAUTION The average life span of this type of battery is approximately RISK OF ELECTRIC SHOCK five years. When replacement becomes necessary, contact a DO NOT OPEN qualified service representative to perform the replacement. CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK. Warning: Do not attempt to recharge, disassemble, or DO NOT REMOVE COVER (OR BACK). incinerate this type of battery. Keep all batteries away from NO USER-SERVICEABLE PARTS INSIDE. children. Dispose of used batteries promptly and as regulated REFER SERVICING TO QUALIFIED SERVICE PERSONNEL. by applicable laws. Note: In some areas, the servicer is required by law to return the defective parts.
    [Show full text]
  • PRO Audio 364 Large Diaphragm Microphones
    PRO AUDIO 364 Large Diaphragm Microphones www.BandH.com C414 XLS C214 C414 XLII Accurate, beautifully detailed pickup of any acoustic Cost-effective alternative to the dual-diaphragm Unrivaled up-front sound is well-known for classic instrument. Nine pickup patterns. Controls can be C414, delivers the pristine sound reproduction of music recording or drum ambience miking. Nine disabled for trouble-free use in live-sound applications the classic condenser mic, in a single-pattern pickup patterns enable the perfect setting for every and permanent installations. Three switchable cardioid design. Features low-cut filter switch, application. Three switchable bass cut filters and different bass cut filters and three pre-attenuation 20dB pad switch and dynamic range of 152 dB. three pre-attenuation levels. All controls can be levels. Peak Hold LED displays even shortest overload Includes case, pop filter, windscreen, and easily disabled, Dynamic range of 152 dB. Includes peaks. Dynamic range of 152 dB. Includes case, pop shockmount. case, pop filter, windscreen, and shockmount. filter, windscreen, and shockmount. #AKC214 ......................................................399.00 #AKC414XLII .................................................987.65 #AKC414XLS ................................................1049.00 #AKC214MP (Matched Stereo Pair) ...................899.00 #AKC414XLIIST (Matched Stereo Pair) ............2299.00 Perception Series C3000 AT2020 Cost effective studio condenser mic, the C3000 is True condenser mics, they deliver clear sound with Effectively isolates source signals while providing accurate sonic detail. Switchable 20dB and switchable an ideal choice for both vocals and instruments with a fast transient response and high 144dB SPL bass cut filter. 135dB SPL handling. 220 and 420 its wide frequency response, cardioid polar pattern handling capabilities. Low-mass diaphragm include spider-type shock mount and metal case.
    [Show full text]
  • Wherever Your Music Takes You ̶ We'll Meet You There. 0212-3B-APR-EL-090-A Wherever Your Music Takes You-We'll Meet You There
    Specifications Sound Engine 【Organ Section】 MTW1 (Modelled Tone Wheel I), Polyphony: 61 (Tone Wheel Organ) Memory 【Favorites】 10 banks x 10 numbers (Combination), 10 numbers (Page) 【 Piano/Ensemble Section】 Sampling Sound Engine, Polyphony：128 【Combination】 Factory: 100, User: 100, Bundle: 100, Manual 2021.01.01 【 Mono Synth Section】 Analog Modeling Synthesizer, Monophonic 【Organ Patch】Factory: 100, User: 100, Bundle: 100 Keyboard 61/73 note, with velocity, semi-weighted, Square-front ("Waterfall"・-style) 【 Piano / Ensemble Patch】 Factory: 300, User: 400, Bundle: 100 Organ Section 【Parts】 3 (Upper, Lower, Pedal) 【Mono Synth Patch】 Factory: 100, User: 100, Bundle: 100 【Drawbars】 1 set, 9 pitches 【Custom Tone Wheel】 Factory: 4 x 3, User: 4 x 3 【Voicing】 Upper & Lower: 8(A-100, B-3, C-3, Mellow, Vx, Farf, Ace, Pipe) Pedal: 3 (Normal, Muted, Pipe) 【 Custom Pedal Registration】 Factory: 3, User: 3 【Percussion】 Buttons: On, Volume Soft, Decay Fast, Third Harmonic 【Custom Pipe】Factory: 3, User: 3 Piano/Ensemble Section Component: 4, LFO: 2 【Custom Cabinet】 Factory: 8, User: 8 Mono Synth Section 【Oscillator】 6 types (Duo, Unison, Pulse, Sync, FM, Noise) Storage Internal Memory, USB Flash Drive 【Filter】 4 types (LP12, LP24, HP12, HP24), Resonance, Drive Display 320 x 240 pixel 【Modulator】 LFO: 1, EG: 2 (Pitch&Filter, Amplitude) Connections 【MIDI】 IN, OUT Effects 【Organ Section】 Vibrato & Chorus, Multi Effect 1, Overdrive, Multi Effect 2, Matching Transformer, 【USB】 To Host Leslie, Equalizer & Tone Control 【Audio】 Line Out L, R, Headphones, Individual
    [Show full text]
  • United States Patent (10) Patent No.: US 7,598.449 B2 Sullivan (45) Date of Patent: Oct
    US007598449B2 (12) United States Patent (10) Patent No.: US 7,598.449 B2 Sullivan (45) Date of Patent: Oct. 6, 2009 (54) MUSICAL INSTRUMENT 4,815,353 A 3/1989 Christian ..................... 84,724 (75) Inventor: Daniel E. Sullivan, Shoreview, MN (US) (Continued) (73) Assignee: Zivix LLC, Minneapolis, MN (US) FOREIGN PATENT DOCUMENTS (*) Notice: Subject to any disclaimer, the term of this WO WO-2008O19089 A2 2/2008 patent is extended or adjusted under 35 U.S.C. 154(b)(b) by O. davs.yS (Continued) (21) Appl. No.: 11/498,996 OTHER PUBLICATIONS (22) Filed: Aug. 4, 2006 “International Application Serial No. PCT/US07/17383, Interna tional Search Report mailed Mar. 7, 2008', 4pgs. (65) Prior Publication Data Primary Examiner David S. Warren US 2008/OO2892O A1 Feb. 7, 2008 (74) Attorney, Agent, or Firm—Schwegman, Lundberg & Woessner, P.A. (51) Int. Cl. GIOH 7/00 (2006.01) (57) ABSTRACT GIOH I/34 (2006.01) (52) U.S. Cl. ............................. 84/646; 84/615: 84/678: A musical device is disclosed that generates note tones, influ 84f722 ences the sound of notes that are generated independently and (58) Field of Classification Search ................... 84/615, performs a variety of user defined or user controlled activities. 84/678,646, 724, 722 These activities includebut are not limited to producing musi See application file for complete search history. cal notes, determining, influencing or changing the Sound, quality, Voice, Volume or other characteristics of a note, acti (56) References Cited Vating and coordinating the replay of stored loops, recording, U.S. PATENT DOCUMENTS editing and playing user created pieces previously produced and controlling peripheral devices Such as lighting.
    [Show full text]
  • International Symposium on Performance Science 2015
    Abstracts of the International Symposium on Performance Science 2015 Edited by AARON WILLIAMON Royal College of Music, London and MASANOBU MIURA Ryukoku University, Kyoto International Symposium on Performance Science 02 | 05 September 2015 Kyoto | Japan Convened by Faculty of Science and Technology Ryukoku University, Kyoto Centre for Performance Science Royal College of Music, London www.performancescience.org Abstracts of the International Symposium on Performance Science 2015 Copyright © 2015 by Aaron Williamon and Masanobu Miura Published by Ryukoku University 67 Tsukamoto-cho Fukakusa Fushimi-ku Kyoto 612-8577 Japan www.ryukoku.ac.jp | www.ryukoku.ac.jp/english All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of the publisher, or as expressly permitted by law, or under terms agreed with the appropriate reprographics rights organization. Enquiries concerning reproduction out- side the scope of the above should be sent to Aaron Williamon, Centre for Performance Science, Royal College of Music, Prince Consort Road, London SW7 2BS, United Kingdom. Disclaimer. Statements of fact and opinion in the Abstracts of ISPS 2015 are those of the respective authors and contributors and not of the editors or Ryukoku University. Neither Ryukoku University nor the editors make any representation, express or implied, in respect of the accuracy of the material in this volume and cannot accept any legal responsibility or liability for any errors or omissions that may be made. The reader should make her or his own evaluation as to the appropriateness or otherwise of any experimental technique described.
    [Show full text]
  • Product Manual
    YAMAHA® AUTHORIZED PRODUCT MANUAL DIGITAL PROGRAMMABLE ALGORITHM SYNTHESIZER YAMAHA® DIGITAL PROGRAMMABLE ALGORITHM SYNTHESIZER OWNER’S MANUAL CONGRATULATIONS! Your Yamaha DX100 Digital Programmable Algorithm Synthesizer incorporates state- of-the-art digital FM tone generation technology, providing extraordinarily vibrant, rich voices and outstanding playability. The DX100 has a programmable 24-voice INTERNAL memory (RAM) from which any voice can be selected at the touch of a button, two 96-voice PRESET (ROM) memories (a total of 192 fine preset voices!), a 96-voice BANK memory that permits storage of PRESET voices in any configuration for one-touch se- lection, and a cassette interface that permits unlimited storage of FM voices. Of course, the DX100 is fully programmable, allowing you to create your own FM voices or sound effects. Broad MIDI compatibility is also provided so the DX100 can control or be controlled via other MIDI-compatible music equipment. To ensure that you gain maximum benefit from all the performance and flexibility provided by the DX100, we urge you to read this owner’s manual thoroughly while actually trying out all of the available functions. CONTENTS CHAPTERI:SETTINGUP.................................................. 3 CHAPTERIV: VOICE PROGRAMMING.............................24 1.AudioOutputs.......................................................... 3 1.TheBasicsof FMSynthesis.....................................24 2.OptionalFootSwitch.............................................. 3 2. TheEDIT andCOMPAREmodes.............................29
    [Show full text]