DOCSLIB.ORG

NUMBER 85 SPRING 2014 – TABLE Of

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
NUMBER 85 SPRING 2014 – TABLE Of NUMBER 85 SPRING 2014 To the Readers: Woolf and Materiality materialist feminism (Barrett, Marcus, Goldman). – TABLE of CONTENTS – See page 10 Studies of the socio-historical import of Woolf’s In “Modern Fiction,” Virginia Woolf notoriously writing have also added much to understandings designates the term “materialists” to describe International Virginia Woolf of the extent to which they are concerned with the failure of Edwardian writers to present “life Society Column material contexts (Zwerdling, Bradshaw). And, See page 48 itself” (Essays 4 159-61). Arnold Bennett, H. G. in recent years, critics have broadened the scope Officers and Members-at-Large Wells, and John Galsworthy disappoint because of Woolf’s materialism, finding that materiality is See page 47 “they are concerned not with the spirit but with central to: her engagement with realist philosophy the body” (158). But Woolf is not here endorsing (Banfield); her depiction of objects and “things” – EVENTS, INFO and CFPs– a transcendental spiritual life in opposition to an (Brown); her fascination with clothes and fashion immanently embodied one; she clarifies later that About MLA 2015 in Vancouver See page 3 (Koppen); her interest in the natural sciences “life or spirit, truth or reality […] the essential (Henry, Alt); and her theorizing of animality and thing” all escape the Edwardian writers precisely “life itself” (Ryan). “Intellectual freedom depends because they fail to express how all of these 2015 Annual Conference on Virginia Woolf upon material things,” but the material things that things are always already intertwined (160). It Virginia Woolf and are important to Woolf’s writing are clearly vaster becomes clear that what Woolf dislikes, what she Her Female Contemporaries than “money and a room of one’s own” (AROO associates with “materialists,” is not the fact they See page 3 141). engage with the materiality of life, but that they do not. Their materiality is not alive; it is a stolid Louisville Conference This special issue explores the multiple modes and stagnant materiality; it is mundane, bland: “If 2014 panel session report & 2015 CFP of materiality that Woolf engages across the we fasten, then, one label on all these books, on See page 4 span of her writing life. Essays consider how which is one word materialists, we mean by it that Woolf forges connections between history and they write of unimportant things; that they spend IN MEMORIAM place, subject and object, language and visual immense skill and immense industry making Thomas C. Caramagno art. In doing so, they outline the significance of the trivial and the transitory appear the true and see page 7 a diverse and often surprising range of objects enduring” (159). Materiality matters too much to Joanna Lipking and materials to Woolf’s modernist aesthetics. life to be reduced to the “trivial.” see pages 8 & 9 These include: potatoes, postcards and the printing press; mantelpieces and men’s clothing; What Woolf finds inadequate in the Edwardians About the Virginia Woolf Miscellany waxworks, x-rays, and animal skulls. The essays is not, then, their focus on the material world, Editorial note: While previously published work also show how exploring “Woolf and materiality” but the wayVirginia that “life” has become disentangled Woolfmay be submitted for consideration, bothMiscellany the transports us to many different environments— from this materiality. Woolf’s challenge for the original publication and any earlier versions must be acknowledged and cited in the text at the time of from Cornwall to the Hebrides, from Westminster modern writer to “[l]ook within,” to “[e]xamine an submission. Abbey to a Polytechnic lecture theatre—as well ordinary mind on an ordinary day,” is less about Guest Editors & CFPs as to various intellectual contexts—from French entering the enclosed sphere of the individual Issue #86—Fall 2014 Surrealism to German Phenomenology, from mind than it is a recognition that “life” is located Virginia Woolf and Katherine Mansfield fashion theory to Medieval Latin. in the everyday entanglement of mind and matter: edited by Kathryn Simpson “The mind receives a myriad impressions […] <[email protected]> and The first two essays, by David Bradshaw and Jane Melinda Harvey an incessant shower of innumerable atoms” that <[email protected]> Goldman, illuminate how the relationship between “shape themselves into the life of Monday or politics and place, history and landscape, is central Tuesday” (160). For all the talk of “the dark places Issue #87—Spring 2015 to Woolf’s representation of the material world. of psychology” (162), Woolf is wary of being “1930s Woolf” This issue of VWM seeks contributions that In “The Blight of Class: Woolf and the ‘Lower “centred in a self which […] never embraces or explore Woolf’s relationship to the canonical Orders,’” Bradshaw argues that Woolf is attentive creates what is outside itself and beyond” (162). literature of the 1930s, such as but not limited to the poor and disadvantaged in a number of her Fiction should bring materiality and life—we to Auden’s poetry, Isherwood’s Berlin fiction, novels. Focusing in particular on working-class might say “granite and rainbow” (“The New Auden’s and Isherwood’s plays, Spender’s women in Woolf’s writing, he explains how Mrs. Biography,” E4 478)—together in an exploration commentary, and Waugh’s comedic novels. In addition, this issue encourages responses Pascoe’s encounter with Mrs. Durrant in Jacob’s of the life of materiality and the materiality of life. to the following questions: How does Woolf Room reveals that Woolf’s treatment of class scholarship, if at all, engage with the critical is layered in historical, cultural, and political Woolf’s writing abounds with examples of how study of 1930s literature? How does Woolf’s associations, including Cornwall’s potato blight life is embedded in the material world. Most modernism disrupt or complement the critical and the decline of the Cornish tin mining industry. understanding of 1930s literature? What can commonly cited, perhaps, is Woolf’s description From the granite county to the Hebrides, Goldman in A Room of One’s Own that “fiction is like a Woolf’s late fiction and essays reveal about the 1930s and its literature that the common recounts Woolf’s 1938 journey north of the border spider’s web” and that “these webs are not spun in scholarly narrative conceals or overlooks? to Scotland in “Two Postcards from Skye: Virginia mid-air by incorporeal creatures, but are the work Send submissions of no more than 2500 words Woolf in the Hebrides.” The two postcards, of suffering human beings, and are attached to to: sent to Duncan Grant and Clive Bell, map the Erica Gene Delsandro grossly material things, like health and money and Scottish landscape Woolf encountered, following the houses we live in” (53). As critics have long <[email protected]> Deadline for submission: in the footsteps of James Boswell and Samuel commented, this is clear evidence of Woolf’s own August 1, 2014 Johnson. Discussing Woolf’s engagement with 1 the materiality of the postcards themselves, as well as with the material language with the materiality of art. Finally, the special issue closes with location from which they are sent, Goldman draws on a rich array of “Vanessa Discusses with Virginia the Limits of Fashion,” a poem by primal imagery to uncover their personal and aesthetic associations. Sandra Inskeep-Fox very much inspired by Woolf’s experiments with images and words, and with fact and fiction. Woolf’s thoughts about the material world were of course influenced by her life in London. But as well as the city streets that Woolf knew so Taken together, the contributions to this special issue richly and well, Leena Kore Schröder and Rachel Crossland detail two encounters variously demonstrate how Woolf’s writings continually challenge us Woolf had with specific objects that affected her view of materiality. to reconsider and renew what it means to be a “materialist.” Whether In “Waxing into Words: Virginia Woolf and the Funeral Effigies at engaging with places, objects, aesthetics, or politics, it is through her Westminster Abbey,” Kore Schröder recounts a trip to see waxwork exploration of a lively materiality that Woolf blazes the “paths” that figures at Westminster Abbey in 1905. This personal encounter informs “lead to fertile land” (E4 158). the waxworks that appear in numerous places in Woolf’s writings; crucially, as figures that are both material and intangible, they are objects Derek Ryan that helped her to think through the distinction between history and University of Kent narrative. It is this relation between the material and intangible that is also brought to the fore in Woolf’s interaction with science, as detailed Works Cited in “Exposing the Bones of Desire: Virginia Woolf’s X-ray Visions.” Alt, Christina. Virginia Woolf and the Study of Nature. Cambridge: In this essay, Crossland describes a lecture on X-rays the then 14 year Cambridge UP, 2010. old Virginia Stephen accidentally attended in 1897, before shifting Banfield, Ann. The Phantom Table: Woolf, Fry, Russell and the from this personal encounter to discuss the implications of Woolf’s Epistemology of Modernism. Cambridge: Cambridge UP, 2000. wider references to X-rays in her writings, including how they expose Barrett, Michèle. Introduction. Virginia Woolf: Women and Writing. Ed. the solidity of those parts of the body that are out of view. Woolf’s Michèle Barrett. London: The Women’s Press, 1979. engagement with science provides her with a rich layer of imagery and Bradshaw, David. “‘Great Avenues of Civilization’: The Victoria metaphor for her modernist aesthetics. Embankment and Piccadilly Circus Underground Station in the Novels of Virginia Woolf and Chelsea Embankment in Howards Central to many of the concerns above is the relation between subject End.” Transits: The Nomadic Geographies of Anglo-American and object in Woolf’s writing.
Load more

Recommended publications
  • Literary Miscellany
    Literary Miscellany Including Recent Acquisitions, Manuscripts & Letters, Presentation & Association Copies, Art & Illustrated Works, Film-Related Material, Etcetera. Catalogue 349 WILLIAM REESE COMPANY 409 TEMPLE STREET NEW HAVEN, CT. 06511 USA 203.789.8081 FAX: 203.865.7653 [email protected] www.williamreesecompany.com TERMS Material herein is offered subject to prior sale. All items are as described, but are consid- ered to be sent subject to approval unless otherwise noted. Notice of return must be given within ten days unless specific arrangements are made prior to shipment. All returns must be made conscientiously and expediently. Connecticut residents must be billed state sales tax. Postage and insurance are billed to all non-prepaid domestic orders. Orders shipped outside of the United States are sent by air or courier, unless otherwise requested, with full charges billed at our discretion. The usual courtesy discount is extended only to recognized booksellers who offer reciprocal opportunities from their catalogues or stock. We have 24 hour telephone answering and a Fax machine for receipt of orders or messages. Catalogue orders should be e-mailed to: [email protected] We do not maintain an open bookshop, and a considerable portion of our literature inven- tory is situated in our adjunct office and warehouse in Hamden, CT. Hence, a minimum of 24 hours notice is necessary prior to some items in this catalogue being made available for shipping or inspection (by appointment) in our main offices on Temple Street. We accept payment via Mastercard or Visa, and require the account number, expiration date, CVC code, full billing name, address and telephone number in order to process payment.
    [Show full text]
  • Who Compiled and Edited the Mashhad Miscellany?
    ­­Who Compiled and Edited the Mashhad Miscellany? LUKE TREADWELL University of Oxford ([email protected]) Abstract The identity of the editors of the Mashhad miscellany generated considerable scholarly debate for a couple of decades after Togan’s discovery of the Mashhad manuscript in 1923, but interest in the topic declined after the middle of the century. In the last seventy years, it is the miscellany’s four texts, in particular the Kitāb of Ibn Faḍlān, that have monopolized scholarly attention. This paper reopens the file on the mysterious editors in the belief that their role remains the key to understanding the majmūʿa as well as its component texts. It reexamines the paratextual apparatus with which the editors framed the miscellany and concludes that the editors did not belong to the Mashriqī literary elite as earlier scholars maintained. The “editors” were in all probability not men of flesh and blood, but the fictional creations of the traveler, poet, and nadīm Abū Dulaf al-Khazrajī, author of the miscellany’s two Risālas. His role as the mastermind of the Mashhad miscellany compels us to reevaluate the miscellany’s literary context and to think again about the provenance, structure, and contents of its four texts. 1. Introduction Who compiled and edited the Mashhad miscellany? This question generated much scholarly interest for a couple of decades after Togan’s discovery of the Mashhad manuscript in 1923.1 Two Russian historians, Krachkovskiǐ and Kovalevskiǐ, were particularly attentive to the issue in the first half of the twentieth century, but thereafter interest in the topic declined.
    [Show full text]
  • A History of English Literature MICHAEL ALEXANDER
    A History of English Literature MICHAEL ALEXANDER [p. iv] © Michael Alexander 2000 All rights reserved. No reproduction, copy or transmission of this publication may be made without written permission. No paragraph of this publication may be reproduced, copied or transmitted save with written permission or in accordance with the provisions of the Copyright, Designs and Patents Act 1988, or under the terms of any licence permitting limited copying issued by the Copyright Licensing Agency, 90 Tottenham Court Road, London W 1 P 0LP. Any person who does any unauthorised act in relation to this publication may be liable to criminal prosecution and civil claims for damages. The author has asserted his right to be identified as the author of this work in accordance with the Copyright, Designs and Patents Act 1988. First published 2000 by MACMILLAN PRESS LTD Houndmills, Basingstoke, Hampshire RG21 6XS and London Companies and representatives throughout the world ISBN 0-333-91397-3 hardcover ISBN 0-333-67226-7 paperback A catalogue record for this book is available from the British Library. This book is printed on paper suitable for recycling and made from fully managed and sustained forest sources. 10 9 8 7 6 5 4 3 2 1 09 08 07 06 05 04 03 02 O1 00 Typeset by Footnote Graphics, Warminster, Wilts Printed in Great Britain by Antony Rowe Ltd, Chippenham, Wilts [p. v] Contents Acknowledgements The harvest of literacy Preface Further reading Abbreviations 2 Middle English Literature: 1066-1500 Introduction The new writing Literary history Handwriting
    [Show full text]
  • Paying for Poetry at the Turn of the Eighteenth Century, with Particular Reference to Dryden, Pope, and Defoe
    Paying for Poetry at the Turn of the Eighteenth Century, with Particular Reference to Dryden, Pope, and Defoe J. A. DOWNIE IT IS SOMETIMES insinuated that author-publisher relations changed once and for all as a consequence of Dryden’s contract with Jacob Tonson to publish a subscription edition of his translation of Virgil, and Pope’s subsequent agreement with Bernard Lintot to publish a translation of the Iliad. Both poets unquestionably made a lot of money out of these publications. Dryden should have received the proceeds of the 101 five-guinea subscriptions in their entirety, in accordance with his contract with Tonson, as well as an additional sum from the cheaper second subscription. In addition to agreeing to pay Dryden £200 in four instalments for the copyright of his translation of Virgil to encourage him to complete the project as speedily as possible, Tonson also paid the capital costs of the plates and alterations and the costs of the 101 copies for the first subscribers. He even made a contribution towards the costs of the copies of the second subscribers. John Barnard calculates that “in all Dryden received between £910 and £1,075 from Tonson and the subscribers, and probably £400 or £500 for his [three] dedications” (“Patrons” 177). Yet Dryden fell out with Tonson, and William Congreve and one Mr Aston were called in to mediate. “You always intended I shou[l]d get nothing by the Second Subscriptions,” Dryden complained to Tonson, “as I found from first to last” (Letters 77). After shopping around among other booksellers, however, Dryden came to think rather differently.
    [Show full text]
  • Gender, National Identity, and the Japanese Canon
    Haruo Shirane, Tomi Suzuki, eds.. Inventing the Classics: Modernity, National Identity, and Japanese Literature. Stanford: Stanford University Press, 2000. xi + 333 pp. $60.00, cloth, ISBN 978-0-8047-4105-7. Reviewed by Timothy J. Van Compernolle Published on H-Japan (May, 2001) Gender, National Identity, and the Japanese The effects of these debates have been especially Canon perceptible during the last fve years or so, but The word "canon" originally referred to the our skeptical and disenchanted view of the secu‐ scriptures and holy works of the Western reli‐ lar scriptures of Japan's national literature gious tradition. But no doubt the word is most achieves a culmination of sorts, it seems to me, in widely understood today as being implicated in Inventing the Classics. There is none of the shrill the cultural battles, still raging in many of the aca‐ rhetoric and defensiveness that characterized dis‐ demic institutions of North America, over the her‐ cussions even several years ago. Instead, there is a itage of Great Books taught in our universities. comfortable consensus in the essays (which, inci‐ Proponents of feminism and multiculturalism dentally, are written by Japanese and North have rightly decried the Western canon as the Americans) about the constructedness of litera‐ refuge of conservatism and elitism--the home of ture and the literary canon; there is agreement those now beleaguered Dead White Males--which among the authors that "literature," as a set of needs to be pried open to make room for women masterpieces of unalterable, inherent value inde‐ and minorities. Supporters of the canon--whose pendent of the surrounding socio-historical con‐ voices are not now quite as loud as they were in text, does not exist.
    [Show full text]
  • University of Alberta Periodicals in Early Nineteenth-Century Lower
    University of Alberta Periodicals in Early Nineteenth-Century Lower Canada: A Study of Samuel Hull Wilcocke‘s the Scribbler in the Field of Cultural Production by Geordan Patterson A thesis submitted to the Faculty of Graduate Studies and Research in partial fulfillment of the requirements for the degree of Doctor of Philosophy in English Department of English and Film Studies Geordan Patterson Spring 2012 Edmonton, Alberta Permission is hereby granted to the University of Alberta Libraries to reproduce single copies of this thesis and to lend or sell such copies for private, scholarly or scientific research purposes only. Where the thesis is converted to, or otherwise made available in digital form, the University of Alberta will advise potential users of the thesis of these terms. The author reserves all other publication and other rights in association with the copyright in the thesis and, except as herein before provided, neither the thesis nor any substantial portion thereof may be printed or otherwise reproduced in any material form whatsoever without the author's prior written permission. Abstract This dissertation takes as a case study Samuel Hull Wilcocke‘s periodical the Scribbler (1821-1827) to examine the field of cultural production in Lower Canada into which the Scribbler emerged and existed. I study the influence that the government and the merchant class had over print publication in this early period, the existence of British Romantic aesthetics in the periodicals of early Canada, and the ways in which a periodical can propose and perform an understandings of community and nationhood. In chapter One, I analyse the historical circumstances of the field of cultural production in Lower Canada from 1817-1828, especially in its relationship to the fields of power and economy.
    [Show full text]
  • Rare Book Miscellany
    Rare Book Miscellany On-Line Only: Catalog # 221 Second Life Books Inc. ABAA- ILAB P.O. Box 242, 55 Quarry Road Lanesborough, MA 01237 413-447-8010 fax: 413-499-1540 Email: [email protected] Rare Book Miscellany On-Line Only Catalog # 221 Terms : All books are fully guaranteed and returnable within 7 days of receipt. Massachusetts residents please add 5% sales tax. Postage is additional. Libraries will be billed to their requirements. Deferred billing available upon request. We accept MasterCard, Visa and American Express. ALL ITEMS ARE IN VERY GOOD OR BETTER CONDITION , EXCEPT AS NOTED . Orders may be made by mail, email, phone or fax to: Second Life Books, Inc. P. O. Box 242, 55 Quarry Road Lanesborough, MA. 01237 Phone (413) 447-8010 Fax (413) 499-1540 Email:[email protected] Search all our books at our web site: www.secondlifebooks.com Item # 3 1. ABBEY, Edward. DESERT SOLITAIRE, A season in the wilderness. NY: McGraw-Hill, (1968). First Edition. 8vo, pp. 269. Drawings by Peter Parnall. A nice copy in little nicked dj. Scarce. [38528] $1,000.00 A moving tribute to the desert, the personal vision of a desert rat. The author's fourth book and his first work of nonfiction. This collection of meditations by then park ranger Abbey in what was Arches National Monument of the 1950s was quietly published in a first edition of 5,000 copies 2. ABEL, Mrs. Mary Hinman. PRACTICAL SANITARY AND ECONOMIC COOKING adapted to persons of moderate and small means. The Lomb Prize Essay. [Rochester, NY]: American Public Health Assoc., 1890.
    [Show full text]
  • Pre 1900 English & Continental Literature a Miscellany from The
    Pre 1900 English & Continental Literature A Miscellany from the Living Room On-Line Only: Catalogue # 214 Second Life Books Inc. ABAA- ILAB P.O. Box 242, 55 Quarry Road Lanesborough, MA 01237 413-447-8010 fax: 413-499-1540 Email: [email protected] Pre 1900 English & Continental Literature On-Line Only Catalogue # 214 Terms : All books are fully guaranteed and returnable within 7 days of receipt. Massachusetts residents please add 5% sales tax. Postage is additional. Libraries will be billed to their requirements. Deferred billing available upon request. We accept MasterCard, Visa and American Express. ALL ITEMS ARE IN VERY GOOD OR BETTER CONDITION , EXCEPT AS NOTED . Orders may be made by mail, email, phone or fax to: Second Life Books, Inc. P. O. Box 242, 55 Quarry Road Lanesborough, MA. 01237 Phone (413) 447-8010 Fax (413) 499-1540 Email:[email protected] Search all our books at our web site: www.secondlifebooks.com or www.ABAA.org . 1. [ABANY, Marie-Therese Peroux d']. SEILA, FILLE DE JEPHTE, Juge et Prince des Hebreux, par Mme DA***. Paris: Le Clere, 1801. First Edition. Two volumes in one. 12mo, pp. xii, 332, (1); (3) 348. Engraved frontispiece in each volume. Bound in little worn contemporary French calf, spine gilt. A very good clean copy. Querard I, p. 2. Rare, not in OCLC. OCLC does list another book by the author, a poem on Jeanne D'Arc showing one location at the Library of Congress. [24100] $650.00 We have not been able to find out anything about the author; but the story comes from the Biblical story of Jephte which is narrated in chapters 11 and 12 of the Book of Judges.
    [Show full text]
  • Aune Syllabus Page 1 English 301/10486 English Literature To
    Aune Syllabus Page 1 English 301/10486 English Literature to 1800 3 Credits TTh 9.30 – 10.45 pm Keystone 211 M. G. Aune Office Hours: TTh 7.00 – 8.00 & W 2.00-6.00 and by appointment [email protected] 724.938.4341 223 Azorsky Hall Website: http://workforce.calu.edu/aune Prerequisite ENG -101 or HON -150 and ENG -102 or HON -250. Catalog Description An examination of major works, figures, schools, and influences from the Anglo-Saxon period to the Restoration. Description This course is an examination of major texts, ideas, and cultural changes from the Anglo-Saxon period (ca. 450 CE) to the Eighteenth Century (ca. 1800 CE). This is an enormous span of time and includes an enormous number of texts and events. We will try to acquire a general sense of English culture in this period, while dwelling more deeply on a number of specific aspects. We will also practice and refine our critical reading and writing skills. In particular, we will return to questions of textuality, authorship, medium, gender, and religion. We will try to understand what constituted literature throughout this period and compare it to our own. We will look at how texts were and are created and transmitted. How did a hymn by an illiterate Anglo Saxon peasant end up in our textbook, almost 1300 years after it was recorded. And if he was illiterate, how did it get written down? What happens when the primary means of transmitting knowledge changes from handwriting to print? What happens when nearly half of Europe decides it no longer wishes to be Catholic? What happens when women’s writing begins to be noticed? What is an author? I hope that you will introduce your own questions as well.
    [Show full text]
  • Miscellany/Méli-Mélo: Editors' Notebook
    The Goose Volume 18 Number 2 Article 44 11-6-2020 Miscellany/Méli-mélo: Editors' Notebook Melanie Dennis Unrau Columbia University Alec Follett University of Guelph David Huebert Siobhan Angus Part of the Arts and Humanities Commons Follow this and additional works at / Suivez-nous ainsi que d’autres travaux et œuvres: https://scholars.wlu.ca/thegoose Recommended Citation / Citation recommandée Dennis Unrau, Melanie, Alec Follett, David Huebert, and Siobhan Angus. "Miscellany/Méli-mélo: Editors' Notebook." The Goose, vol. 18 , no. 2 , article 44, 2020, https://scholars.wlu.ca/thegoose/vol18/iss2/44. This article is brought to you for free and open access by Scholars Commons @ Laurier. It has been accepted for inclusion in The Goose by an authorized editor of Scholars Commons @ Laurier. For more information, please contact [email protected]. Cet article vous est accessible gratuitement et en libre accès grâce à Scholars Commons @ Laurier. Le texte a été approuvé pour faire partie intégrante de la revue The Goose par un rédacteur autorisé de Scholars Commons @ Laurier. Pour de plus amples informations, contactez [email protected]. Dennis Unrau et al.: Miscellany/Méli-mélo: Editors' Notebook MELANIE DENNIS UNRAU, ALEC FOLLETT, DAVID HUEBERT, AND SIOBHAN ANGUS Miscellany/Méli-mélo: Editors’ Notebook Sans titre, Catherine Parayre The Miscellany/Méli-mélo issue was conceived in April 2020, when the Guest Editors and the Co-Editors decided that our planned special issue on racism and antiracism in the environmental humanities needed more time and attention than those early days of the Published by / Publié par Scholars Commons @ Laurier, 2020 1 The Goose, Vol.
    [Show full text]
  • Miscellany Summer 21 XL
    Bohun Manuscripts Counting The Under Ground Rail Road Facsimile By Claudia Cohen By a Conductor The Roxburghe Club Heavenly Monkey Press William Still Item #3 Item #17 Item #36 Summer Miscellany Artist’s Books, Antislavery, Women’s Studies, Philosophy, Science, Illustrated Books, and More Michael R. Thompson Rare Books 8242 W. 3rd Street, Suite 230 Los Angeles, CA 90048 [email protected] mrtbooksla.com (323) 658 - 1901 One of Fourteen Copies Beautifully Made by Susan Allix On the “Unexpected Nature of Meetings with Crocodiles” 1. ALLIX, Susan. Crocodile: Two Accounts with Figures of that Curious Animal Drawn and Engraved from Nature. [London:] Susan Allix, 2021. 9 in. x 6 ¾ in. [25] pp. With eight prints, five of which are in Allix’s signature carborundum style. Prints done with etching, linocut, and archival inkjet. Handset and letterpress printed in Gill and Gill Shadow. Papers are Zerkall, white and tinted in green, Tosa Shi, and molded green (reminiscent of alligator skin) handmade Japanese paper. Quarter goatskin, dyed in mottled black and blue-green, over hand-decorated white J. Green paper boards. Overlaid with black crocodile. Silver-dusted, handmade Japanese endpapers. As new in the green clamshell case with goatskin and crocodile clasp. $750 One of fourteen copies. Signed and numbered by Allix on the colophon. Miscellany Michael R. Thompson Rare Books Summer 2021 Allix: “The book began with Mr. Crow. An experienced leather man, he would often stop for a cup of tea if he was bringing me a binding skin, or passing by on the way to one of his exclusive Bond Street clients.
    [Show full text]
  • In Terms of the History of the Lyric, the 16Th Century Was As Much an Age of Border Crossing As an Age of Proto-Nationalism
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by univOAK Borders and liminal spaces in 16th-century collected poetry: a spatial approach to the advent of the English sonnet sequence in print In terms of the history of the lyric, the 16th century was as much an age of border crossing as an age of proto-nationalism. As William J. Kennedy has shown, the poetry of Petrarch, in particular, was the basis for the development and the expression of “early national sentiment” not just in Italy, but also in such countries as France or England. This happened in particular through commented editions of Petrarch that, according to Kennedy, laid the foundations for the affirmation of identities throughout Europe.1 Circulating thanks to the portability of the early modern printed book and the development of commercial and diplomatic networks, Petrarchism crossed the national borders to be appropriated and reencoded in different cultural contexts, paradoxically being used to generate local identities on the outskirts of, or even sometimes quite far away from, the cultural centre that Italy was believed to be. As I hope to show, the Petrarchan poetic collection, in its very physical embodiment, was a locus where the tensions between cultures was negotiated. This is a well- known fact as far as the texts are concerned, but as I will argue, the analyses of the texts, which too often extract them from the material contexts in which they appear, need to be complemented by a focus on the forms of the book—in the case of this study, page layouts and typography—which participate in the construction of a cultural identity.
    [Show full text]