Elizabeth Chubbuck Weinstein
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
I OCT/NOV 1988 142 Ne W Zealan D Pos T Offic E Headquarters , Y MULMN T UAVI U / Ur\^W !\ E M.^L/!« L
,j , , M.^L/!«L ur\^W!\e / UAVIU MULMNt Y CSA Preview is registered at New Zealand Post Office Headquarters, Wellington, as a magazine. PREVIE I OCT/NOV 1988 W 14 2 ~ The Journal of the Canterbury Society of Arts Gallery Hours A 66 Gloucester Street Christchurch, Monday-Friday 10am-4.30pm • I New Zealand P.O. Box 772, Christchurch Saturday-Sunday 2pm-4.30pm | Phone 667-261,667-167. PREVIEW SOCIETY Dr G W Rice Roto Art Exhibition Andrew Anderson Centreplace, Hamilton, November 20-26 1988 OFFICERS Mrs Lyndel Diedrichs Entry forms by 14 October Mark Steyn Apply to: Patron J D and A C Allan Roto Art '88 Patricia Wood His Excellency The Governor General P O Box 5083 Juliet Nicholas The Most Reverend Paul Reeves GCMG, DCL Frankton, Hamilton (Oxon) Mr and Mrs Cooke Mr and Mrs P M M Bradshaw NZ Academy of Fine Arts President Sue Syme Abstractions David Sheppard. A.N.Z.I.A.. M.N.Z.P.I. Jo Sutherland National Bank Art Award 1988 Pamela Jamieson Vice-Presidents Receiving days 7-8 November N A Holland and J L Whyte Bill Cumming Season 27 November-11 December Mary Bulow Mrs Doris Holland Dorset House Innovation in Craft Jewel Oliver Timothy Baigent National Provident Fund Art Award 1988 Michael Eaton, Dip. F.A., Dip. Tchg.. F.R.S.A. Jenny Murray Receiving days 26 and 27 September Nola Barron Robyn Watson Season 23 October-6 November John Coley, Dip. F.A., Dip. Tchg. Ailsa Demsem Entry forms available from: Tiffany Thornley Council NZ Academy of Fine Arts Karen Purchas Alison Ryde, T.T.C. -
Notable Photographers Updated 3/12/19
Arthur Fields Photography I Notable Photographers updated 3/12/19 Walker Evans Alec Soth Pieter Hugo Paul Graham Jason Lazarus John Divola Romuald Hazoume Julia Margaret Cameron Bas Jan Ader Diane Arbus Manuel Alvarez Bravo Miroslav Tichy Richard Prince Ansel Adams John Gossage Roger Ballen Lee Friedlander Naoya Hatakeyama Alejandra Laviada Roy deCarava William Greiner Torbjorn Rodland Sally Mann Bertrand Fleuret Roe Etheridge Mitch Epstein Tim Barber David Meisel JH Engstrom Kevin Bewersdorf Cindy Sherman Eikoh Hosoe Les Krims August Sander Richard Billingham Jan Banning Eve Arnold Zoe Strauss Berenice Abbot Eugene Atget James Welling Henri Cartier-Bresson Wolfgang Tillmans Bill Sullivan Weegee Carrie Mae Weems Geoff Winningham Man Ray Daido Moriyama Andre Kertesz Robert Mapplethorpe Dawoud Bey Dorothea Lange uergen Teller Jason Fulford Lorna Simpson Jorg Sasse Hee Jin Kang Doug Dubois Frank Stewart Anna Krachey Collier Schorr Jill Freedman William Christenberry David La Spina Eli Reed Robert Frank Yto Barrada Thomas Roma Thomas Struth Karl Blossfeldt Michael Schmelling Lee Miller Roger Fenton Brent Phelps Ralph Gibson Garry Winnogrand Jerry Uelsmann Luigi Ghirri Todd Hido Robert Doisneau Martin Parr Stephen Shore Jacques Henri Lartigue Simon Norfolk Lewis Baltz Edward Steichen Steven Meisel Candida Hofer Alexander Rodchenko Viviane Sassen Danny Lyon William Klein Dash Snow Stephen Gill Nathan Lyons Afred Stieglitz Brassaï Awol Erizku Robert Adams Taryn Simon Boris Mikhailov Lewis Baltz Susan Meiselas Harry Callahan Katy Grannan Demetrius -
Empathy, Mood and the Artistic Milieu of New Orleans’ Storyville and French Quarter As Manifest by the Photographs and Lives of E.J
UNIVERSITY OF CALIFORNIA RIVERSIDE Seeing and Then Seeing Again: Empathy, Mood and the Artistic Milieu of New Orleans’ Storyville and French Quarter as Manifest by the Photographs and Lives of E.J. Bellocq and George Valentine Dureau A Thesis submitted in partial satisfaction of the requirements for the degree of Master of Arts in Art History by Timothy J. Lithgow December 2019 Thesis Committee: Dr. Johannes Endres, Co-Chairperson Dr. Elizabeth W. Kotz, Co-Chairperson Dr. Keith M. Harris Copyright by Timothy J. Lithgow 2019 The Thesis of Timothy J. Lithgow is approved: Committee Co-Chairperson Committee Co-Chairperson University of California, Riverside Acknowledgements: Thank you to Keith Harris for discussing George Dureau on the first day of class, and for all his help since then. Thank you to Liz Kotz for conveying her clear love of Art History, contemporary arts and artists. Although not on my committee, thank you to Jeanette Kohl, for her thoughtful and nuanced help whenever asked. And last, but certainly not least, a heartfelt thank you to Johannes Endres who remained calm when people talked out loud during the quiz, who had me be his TA over and over, and who went above and beyond in his role here. iv Dedication: For Anita, Aubrey, Fiona, George, Larry, Lillian, Myrna, Noël and Paul. v Table of Contents Excerpt from Pentimento by Lillian Hellman ......................................................... 1 Introduction ............................................................................................................. 2 Chapter 1: Biographical Information for Dureau and Bellocq .......................... 18 Table 1 ...................................................................................................... 32 Excerpt from One Arm by Tennessee Williams.................................................... 34 Chapter 2: Colonial Foundations of Libertine Tolerance in New Orleans, LA .. -
2006 Illustrated Parade Notes
© 2006, School of Design 1. Rex, King of Carnival, Monarch of Merr iment Rex’s float carries the King of Carnival and his pages through the streets of New Orleans on Mardi Gras day. 2. His Majesty’s Bandwagon A band rides on this permanent float to provide music for Rex and for those who greet him on the parade route. 3. The King’s Jesters Even the Monarch of Merriment needs jesters in his court. Rex’s jesters dress in Mardi Gras colors—purple, green, and gold. 4. The Boeuf Gras This is one of the oldest symbols of Mardi Gras, symbolizing the great feast on the day before Lent begins. 5. Title Float: “Beaux Arts and Letters” While Rex Processions of past years have presented the history and culture of far-flung civilizations, this year’s theme explores the joys and beauties of Rex’s own empire and domain. New Orleans has a long and rich artistic history and has produced a wealth of artists and writers of national and international renown. Sculptors and painters, writers and poets have called New Orleans home, and have found inspiration for their work in her history, culture, and landscapes. Mardi Gras, the celebration unique to this city, has influenced the work of many of our artists and writers. 6. John James Audubon (1785-1851) Audubon, the pre-eminent American painter of birds and wildlife, was born in Haiti and came to America at age eighteen, living in Pennsylvania and Kentucky before traveling south with little more than his gun and his painting equipment. -
2006 Annual Report
CONTENTS PAGE 1 Board and Staff PAGE 2 Introduction PAGE 4 PRIME TIME Family Reading Time PAGE 5 Louisiana Cultural Vistas Magazine PAGE 6 Readings in Literature and Culture (RELIC) PAGE 7 Teacher Institutes for Advanced Study PAGE 8 Teaching American History PAGE 9 Key Ingredients: America by Food PAGE 10 Louisiana Association of Museums PAGE 10 Humanist of the Year & State Poet Laureate PAGE 11 Tennessee Williams Festival & American Routes PAGE 12 Grants Grants Analysis (p. 12) Public Humanities Grants (p. 12) Documentary Film & Radio Grants (p. 17) Outreach Grants (p. 19) ABOUT THE COVER: PAGE 22 2006 Humanities Awards PAGE 23 Past Board Members Port and City of New Orleans, circa 1858, a gouache on woven French-made paper by Adrien Persac, depicts antebellum New PAGE 24 2006 Donors to the LEH Orleans looking upriver from Mandeville Street along the banks of the Mississippi. courtesy of The Historic New Orleans Collection; purchased through the Clarisse Grima Fund LOUISIANA ENDOWMENT for the HUMANITIES BOARD OF DIRECTORS ADMINISTRATIVE STAFF CONSULTANTS Linda Spradley Legislative Liaison Alice G. Pecoraro, PhD Michael Sartisky, PhD Linda Langley Morgan City, Chair President/Executive Director Program Evaluation Restech Network Administrator Laura Ladendorf John R. Kemp Faye Flanagan M. Cleland Powell III Kevin M. Kelly Designer, Deputy Director Project Director, New Orleans, Vice Chair Darrow Louisiana Cultural Vistas Prime Time Family Janet R. Wood Sarah Kracke Jennifer Mitchel Reading Time® Lafayette, Treasurer Baton Rouge Associate Director for Grants Olivia Pass, PhD R. Lewis McHenry, JD Charles A. Landry, JD Warren Meyer Associate Director, New Orleans, Secretary Baton Rouge Associate Director of Prime Time Family Administration Reading Time® Judy M. -
“Beaux Arts and Letters” Tuesday, February 28, 2005 New Orleans
The 2006 Rex Procession: “Beaux Arts and Letters” Tuesday, February 28, 2005 New Orleans, Louisiana 1. Rex, King of Carnival, Monarch of Merriment Rex’s float carries the King of Carnival and his pages through the streets of New Orleans on Mardi Gras day. 2. His Majesty’s Bandwagon A band rides on this permanent float to provide music for Rex and for those who greet him on the parade route. 3. The King’s Jesters Even the Monarch of Merriment needs jesters in his court. Rex’s jesters dress in Mardi Gras colors—purple, green, and gold. 4. The Boeuf Gras This is one of the oldest symbols of Mardi Gras, symbolizing the great feast on the day before Lent begins. 5. Title Float: “Beaux Arts and Letters” While Rex Processions of past years have presented the history and culture of far-flung civilizations, this year’s theme explores the joys and beauties of Rex’s own empire and domain. New Orleans has a long and rich artistic history and has produced a wealth of artists and writers of national and international renown. Sculptors and painters, writers and poets have called New Orleans home, and have found inspiration for their work in her history, culture, and landscapes. Mardi Gras, the celebration unique to this city, has influenced the work of many of our artists and writers. 6. John James Audubon (1785-1851) Audubon, the pre-eminent American painter of birds and wildlife, was born in Haiti and came to America at age eighteen, living in Pennsylvania and Kentucky before traveling south with little more than his gun and his painting equipment. -
Queen of the South:New Orleans in the 1850S
“FRANCE AND LOUISIANA: UNE JOURNÉE D’ÉTUDE” WILLIAMS RESEARCH CENTER SYMPOSIUM: PAGE 7 Volume XVII, Number 4 Fall 1999 F rom November 2 through April 8, 2000, an exhibition about the golden age of New Orleans history will be on view in the Williams Gallery. The new exhibition takes its inspiration from the Collection’s latest publication, Queen of the South: New Orleans, 1853-1862, The Journal of Thomas K. Wharton. Top, Canal Street view of Custom House, detail, by Marie Adrien Persac (1958.78.1.3); above, St. Charles Hotel in Flames, detail, by J. R. P. (1992.156) QUEEN OF THE SOUTH:NEW ORLEANS IN THE 1850S FILM Queen of the South: New Orleans in the QUEEN OF THE SOUTH: 1850s, a documentary film on New Orleans at the height of its prosperity, will EW RLEANS IN THE S air on WYES-TV 12 on Sunday, N O 1850 November 14, 1999, at 7:00 p.m. The film NOVEMBER 2, 1999 - APRIL 8, 2000 will explore life in antebellum New Orleans. The video will also be on sale in Thomas Kelah Wharton was an accom- Visitors to the Queen of the South the Collection Shop. plished architect who served as superinten- exhibition will see the artifacts and images dent of construction for the New Orleans that reflect the complexity of the period, WHARTON TOUR IN THE Custom House on Canal Street at mid-cen- providing an instructive look backward LOWER GARDEN DISTRICT tury until his death in 1862. He lived at before one looks ahead to the year 2000. -
The Best of The
THE BEST OF THE ™ CHANUKAH 2014 / 5775 New Orleans Holocaust Memorial by Yaacov Agam Photo by Hunter Thomas Photography New Orleans U NDERDOGS? Never underestimate the resilient spirit of New Orleanians. The Jewish New Orleans community only totaled about a decisive victory at the Battle of New Orleans was quite the ego dozen men when the Louisiana Purchase was signed in 1803. boast for the underdog militia. It was a banner of pride to be However there are indications that they were quite comfortable worn proudly that, no matter what the obstacles, success would and connected in their newly adopted home. A decade later—at come to those fi ghting on the right side. the Battle of New Orleans most of these same Jewish men were fi ghting alongside Andrew Jackson’s troops defending and pro- Although the Crescent City Jewish News website is about tecting their beloved hometown of New Orleans. four years old, our commitment to the New Orleans Jewish community through our print issues is in its second year. This Who were these men who settled into the New Orleans com- publication—The Best of the Crescent City Jewish News – is the munity more than two centuries ago? First, of all , they were third issue of our semi-annual publications, which document the men seeking economic opportunities to improve their fi nancial events of the past several months. With each publication, we are well being and social standing. They voluntarily relocated from reaching more of our core local Jewish audience. Like those brave large Northeast and New England communities fi lled with the Jewish defenders of New Orleans from a previous century, we are security of their family and friends to an isolated region full of also proud to acknowledge that each new publication affords us high humidity, swamps teeming with alligators and disease car- invaluable recognition from our fellow journalists on the quality rying mosquitoes. -
March and April
VIETNAM VETERANS OF AMERICA Office of the National Chaplain Taps March/April 2009 JOHN RICHARD AYERS – Died Wednesday, October 8, 2008 in Akron, Ohio at the age of 67. The cause of death was a heart attack. He was born April 10, 1950 in Ohio. He is survived by his wife LaVerne Ayers, of the home. He served in the United States Army with service in the Vietnam War and retired at the rank of E-7, Sergeant First Class. He was a member of Vietnam Veterans of America – Cuyahoga Falls Chapter #717. WILLIAM JAMES “Bill“ BABCOCK - Died on Friday, December 19th in Wakefield, Rhode Island at the age of 64. The cause of death is unknown. He was born June 8, 1944 in Peacedale, Rhode Island. He was a veteran of the Vietnam War. He was a Life Member of Vietnam Veterans of America – Wakefield Chapter #325. Funeral service Tuesday 11 IS at the AVERY-STORTI Funeral Home, Wakefield. Visiting hours, Monday 5-8 PM. LARRY G. BEMIS - Died Monday, September 1, 2008 at his home in Excelsior Springs, Missouri at the age of 61. The cause of death is unknown. He was born July 7, 1947 in Antigo, Wisconsin. In accordance with the family's wishes, cremation services are private. He served in the United States Army and was a Vietnam War veteran from 1969 to 1970. He was a member of Vietnam Veterans of America – Kansas City Chapter #317. Arrangements: Polley Funeral Home, Excelsior Springs JOHN JOSEPH BILOVECKY – Died Thursday, December 11, 2008 in Lawton, Oklahoma at the age of 80. -
WOMEN of NEWCOMB RECENT ACQUISITIONS Carolyn Frohsin Heller, Untitled, 2003; (Cover) Untitled, 2001
3 June - 24 July 2016 WOMEN OF NEWCOMB RECENT ACQUISITIONS Carolyn Frohsin Heller, Untitled, 2003; (cover) Untitled, 2001. Gifts of the Carolyn F. Heller family 2 WOMEN OF NEWCOMB RECENT ACQUISITIONS 3 June - 24 July 2016 This exhibition of recent acquisitions three-story building with ample room to the museum collection highlights for studios and classrooms. Today the the accomplishments of H. Sophie structure—along with the Joyce Frank Newcomb Memorial College alumnae Menschel Art History Wing and the who have achieved recognition for their Newcomb Art Museum—make up the artwork regionally and nationally. expansive Woldenberg Art Center. The arts have long defined the The Art Department’s impressive roster Newcomb experience. Indeed, when of faculty and alumni underscore that the college opened its doors in 1887 at the program’s success transcended the corner of Camp and Delord Streets any one building, era, or genre. Rather, (now Howard Avenue), art classes former instructors Will Henry Stevens were among the first offered. The small and Mark Rothko and graduates such as school employed an impressive three Caroline Durieux (’16) , Angela Gregory full-time art faculty members: William (’25), Mignon Faget (’55), Lynda Benglis Woodward, Ellsworth Woodward, and (’64), Julie Dermansky (’87), and the Gertrude Roberts. five artists included herein prove that the school’s founding commitment to a With increased enrollment, the college progressive education “both practical moved in 1891 to the Robb-Burnside and literary” endures more than a mansion on Washington Avenue. Within century later. five years, the Art Department was given its own building, a handsome structure designed by noted Philadelphia architect Wilson Eyre, Jr. -
2018 Annual Report Table of Contents
2018 ANNUAL REPORT TABLE OF CONTENTS Introduction 1 2018 Year in Review Armistice Centennial Commemoration 2–3 Community Activities 4–5 Partnerships 6–7 Exhibitions 8–9 Digital Museum and Memorial 10 Educational Programs 11 Highlights 12–13 Volunteers 14 Financials 16 Supporters 17–28 Call to Duty Capital Campaign 29–53 Boards and Staff 54 Front Cover: The Peace and Remembrance illumination commemorated the centennial of the World War I armistice (photo by Jason Penberthy). Back Cover: Each of the 9,000 poppies underneath the Paul Sunderland Bridge represents 1,000 combatant deaths in World War I – 9 million total COMMEMORATING THE FALLEN, CELEBRATING THE PEACE DEAR FRIENDS, At the 11th hour of the 11th day of the 11th month in 1918, the guns finally fell silent. After more than four years of the most horrific warfare humans had ever endured, an uneasy peace swept across the fields of Western Europe. Imagine what that must have felt like for the combatants – on both sides – one minute at war, the next at peace. Now, consider the fate of those such as Kansas City resident Pvt. Wayne Miner. A son of slaves, Miner volunteered for an ammunition run to a machine gun outpost hours before the armistice took effect. He died in service to his country moments before the armistice. He became one of an estimated 3,000 personnel killed during the period of time between when the armistice was agreed to (5 a.m.) and when it took effect (11 a.m.). Miner’s story raises an array of questions: Why did fighting continue that morning? Why weren’t both sides more passive? What prompted Miner – quite possibly aware of the war’s impending end – to volunteer for a dangerous assignment? We share the stories of heroes like Wayne Miner, in part, because they prompt us to ask important questions – both about the world of 100 years ago and the world we live in today. -
Annual Report 2014–2015 MFAH by the NUMBERS July 1, 2014–June 30, 2015
μ˙ The Museum of Fine Arts, Houston annual report 2014–2015 MFAH BY THE NUMBERS July 1, 2014–June 30, 2015 • 908,000 visits to the Museum, Bayou Bend Tuition Attendance Revenue $2.5 Other Collection and Gardens, Rienzi, and the $2.1 4% 3% $7.8 13% Glassell School of Art Membership Revenue $3.1 • 112,000 visitors and students reached 5% through learning and interpretation programs FY 2015 Operating Operating Revenues Endowment • 10,300 local college students received Fund-raising (million) Spending free access to the MFAH $13.7 $33.2 22% 53% • 41,000 schoolchildren and their chaperones received free tours of the MFAH • 98 citywide community partners collaborated Total Revenues: $62.4 million with the MFAH Exhibitions, Curatorial, • 1.8 million visits recorded at mfah.org and Collections $14.2 Auxiliary 23% Activities $3.5 • 134,000 people followed the MFAH on social media 6% Fund-raising $5.2 9% • 191,000+ online visitors accessed the Documents of 20th-Century Latin American FY 2015 Education, and Latino Art Website Operating Expenses Libraries, (million) and Visitor Engagment $11.1 • 71,490 visitors attended landmark exhibition 18% Monet and the Seine: Impressions of a River Management Buildings and Grounds and General $12.2 • and Security $14.9 27,780 household members supported 20% 24% the MFAH Total Expenses: $61.1 million • 1,000+ volunteers served the community • 630 permanent and temporary staff employed by the MFAH CONTENTS ANNUAL REPORT JULY 1, 2014–JUNE 30, 2015 The Museum of Fine Arts, Houston 4 Board of Trustees 5 Committee