Sue Ford Faces 1976, purchased 1984, © Sue Ford / Copyright Agency Tuesday, 29 September 2020 M Media images are available here: here: available are images Media at: interest canMedia register | Officer Communications | Barnes Jessica | Manager Communications | O’Malley Sandra MEDIA ENQUIRIES: www.nga.gov.au/knowmyname/conference.cfm Tickets tickets will be available for arts community members experiencing financial hardship. more inclusive arts sector Designed withaccessibility in mind, the presentation of art allby women heldin to date conferenceThe is a companion event tothe exhibition ‘Where are we now?’, ‘Alternate Histories’, conference includes keynotes, panel discussions, performance events and breakout discussions examining themes including together artists, activists, and Embedding First Nations perspectives anddiverse voices, the virtual conference, from 10 Jennifer Higgie, ed photographer NanGoldin, renownedfor groundher and art history accessible,The inthe arts and arts for the National Gallery of Australia historianand cultural theorist, Griselda Pollock, EDIARELEASE andfull program available from

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NAN GRISELDA GOLDIN GENEVIEVE JENNIFER POLLOCK is one of the most important GRIEVES HIGGIE is Professor of Social and and influential artists of our is a proud Aboriginal is an Australian writer Critical Histories of Art and time. Over the last 45 years, woman of the Worimi who lives in London. Director of the Centre for Goldin has revolutionised the nation of Australia. She Previously the editor Cultural Analysis, Theory & art of photography through is an educator, curator, of frieze magazine, she is History at the University of her frank and deeply filmmaker, artist, oral now editor-at-large of Leeds and the 2020 Laureate personal portraiture and has historian, researcher, frieze magazine and the of the Holberg Prize, created some of and writer with 20 presenter of Bow Down, a awarded for her contribution contemporary culture’s most years’ experience in the podcast about women in to feminism and art history. indelible images. Since the arts and culture. She is art history. She is the She seeks to develop late 1970s her work has a public intellectual and author and illustrator of concepts and methods to explored notions of gender is invited to speak at the children’s book deliver international, queer, and sexuality, intimacy, and local, national, and There’s Not One; the postcolonial, feminist community. By documenting international events. editor of The Artist’s analyses of art’s diverse her life and the lives of the Genevieve has been a Joke and author of histories and contemporary friends who surround her, lecturer in the the novel Bedlam. Her cultural forms. Author of Goldin gives a voice and University of book on women’s self- many monographs, edited visibility to her communities. Melbourne’s Australian portraits, The Mirror & collections and articles, her Goldin's major work The Indigenous Studies The Palette, will be recent publications include ballad of sexual dependency Program and is currently published in March 2021. After Affects/After-Images: has been shown recently at undertaking her PhD in She has been a judge of Trauma and Aesthetic the Tate Modern, London art, memorialisation, the Paul Hamlyn Award, Transformation in the Virtual (2019) and the Museum of and frontier violence. the Turner Prize, and a Feminist Museum (MUP Modern Art, New York Genevieve was the Lead member of the advisory 2013) and Concentrationary (2016), while major Curator of the First boards of Arts Council Art (edited with Max exhibitions have been Peoples exhibition, England, the British Silverman, Berghan 2019). presented at the Château Bunjilaka Aboriginal Council Venice Biennale d'Hardelot, Condette, France Cultural Centre at the Commission, the (2018) and the Irish Museum Melbourne Museum, Contemporary Art of Modern Art, Dublin (2017). which opened in Society, the Imperial War November 2013. She Museum Art has been recognised for Commissions Committee numerous career and Tate etc. She is on highlights including the judging panel of the online documentaries, John Moore’s Painting film, art, and Prize 2020. exhibitions.