Leading Voices for Know My
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MEDIA RELEASE Tuesday, 29 September 2020 © Sue Ford / Copyright Agency Copyright / Ford Sue © 1976, purchased 1984, 1984, purchased 1976, Faces Faces Sue Ford Sue A CELEBRATION OF ALL WOMEN: LEADING VOICES FOR KNOW MY NAME CONFERENCE Feminist art historian and cultural theorist, Griselda Pollock, will join leading global thinkers on gender, feminism and the arts for the National Gallery of Australia’s Know My Name Conference, which will celebrate the achievements of all women in the arts and plan an inclusive future for the sector. The accessible, online event will feature Professor Pollock, awarded the 2020 Holberg Prize for her contribution to feminism and art history; Worimi woman and Narrm/Melbourne-based educator, curator and academic Genevieve Grieves; American photographer Nan Goldin, renowned for her ground-breaking depictions of intimacy and sex; and Australian-born writer Jennifer Higgie, editor-at-large of frieze magazine and presenter of the podcast Bow Down: Women in Art History. Embedding First Nations perspectives and diverse voices, the virtual conference, from 10 – 13 November 2020, brings together artists, activists, and academics from Australia and the world. Supported by the Australia Council for the Arts, the conference includes keynotes, panel discussions, performance events and breakout discussions examining themes including ‘Where are we now?’, ‘Alternate Histories’, ‘Communities, collectives & lineages’ and ‘Future Practices’. The conference is a companion event to the exhibition Know My Name: Australian Women Artists 1900 to Now – the largest presentation of art by all women held in Australia to date – which opens to the public on 14 November 2020. Designed with accessibility in mind, the digital conference invites a global audience to join the conversation to create a more inclusive arts sector. Sessions will be live captioned, AUSLAN interpreted and audio described. Limited complimentary tickets will be available for arts community members experiencing financial hardship. Tickets and full program available from Friday, 2 October 2020. More information is available at: www.nga.gov.au/knowmyname/conference.cfm MEDIA ENQUIRIES: Sandra O’Malley | Communications Manager | [email protected]| 0418 897 794 Jessica Barnes | Communications Officer | [email protected] |0431 731 140 Media can register interest at: [email protected] (include name, contact and media affiliation) Media images are available here: https://www.dropbox.com/sh/4w27ibs6bhvzxfx/AACQhONhy7I6cZ4MoHiLWTlia?dl=0 NAN GRISELDA GOLDIN GENEVIEVE JENNIFER POLLOCK is one of the most important GRIEVES HIGGIE is Professor of Social and and influential artists of our is a proud Aboriginal is an Australian writer Critical Histories of Art and time. Over the last 45 years, woman of the Worimi who lives in London. Director of the Centre for Goldin has revolutionised the nation of Australia. She Previously the editor Cultural Analysis, Theory & art of photography through is an educator, curator, of frieze magazine, she is History at the University of her frank and deeply filmmaker, artist, oral now editor-at-large of Leeds and the 2020 Laureate personal portraiture and has historian, researcher, frieze magazine and the of the Holberg Prize, created some of and writer with 20 presenter of Bow Down, a awarded for her contribution contemporary culture’s most years’ experience in the podcast about women in to feminism and art history. indelible images. Since the arts and culture. She is art history. She is the She seeks to develop late 1970s her work has a public intellectual and author and illustrator of concepts and methods to explored notions of gender is invited to speak at the children’s book deliver international, queer, and sexuality, intimacy, and local, national, and There’s Not One; the postcolonial, feminist community. By documenting international events. editor of The Artist’s analyses of art’s diverse her life and the lives of the Genevieve has been a Joke and author of histories and contemporary friends who surround her, lecturer in the the novel Bedlam. Her cultural forms. Author of Goldin gives a voice and University of book on women’s self- many monographs, edited visibility to her communities. Melbourne’s Australian portraits, The Mirror & collections and articles, her Goldin's major work The Indigenous Studies The Palette, will be recent publications include ballad of sexual dependency Program and is currently published in March 2021. After Affects/After-Images: has been shown recently at undertaking her PhD in She has been a judge of Trauma and Aesthetic the Tate Modern, London art, memorialisation, the Paul Hamlyn Award, Transformation in the Virtual (2019) and the Museum of and frontier violence. the Turner Prize, and a Feminist Museum (MUP Modern Art, New York Genevieve was the Lead member of the advisory 2013) and Concentrationary (2016), while major Curator of the First boards of Arts Council Art (edited with Max exhibitions have been Peoples exhibition, England, the British Silverman, Berghan 2019). presented at the Château Bunjilaka Aboriginal Council Venice Biennale d'Hardelot, Condette, France Cultural Centre at the Commission, the (2018) and the Irish Museum Melbourne Museum, Contemporary Art of Modern Art, Dublin (2017). which opened in Society, the Imperial War November 2013. She Museum Art has been recognised for Commissions Committee numerous career and Tate etc. She is on highlights including the judging panel of the online documentaries, John Moore’s Painting film, art, and Prize 2020. exhibitions. .