Introduction: Naming of Parts: Barber, Surgeon, and Barber-Surgeon
Notes Introduction: Naming of Parts: Barber, Surgeon, and Barber-Surgeon 1. Thomas Middleton, The Mayor of Quinborough (1661), A2v. [References to the play in this paragraph are from this edition, which Howard Marchitello uses for his 2004 version of the play with Nick Hern Books.] The two manuscript versions of the play, the ‘Lambarde Manuscript’ (Nottingham University Library MS PwV20) and the ‘Portland Manuscript’ (Folger Shakespeare Library MS J.b.6), differ only slightly from the 1661 publication. Grace Ioppolo bases her edition of Hengist on the Lambarde Manuscript in Collected Works; she reproduces the Portland Manuscript with Oxford: Malone Society, 2003. 2. I reflect on this pun throughout the book. 3. John Ford, ‘The Fancies Chaste and Noble’ in The Works of John Ford, ed. William Gifford, 3 vols (London: James Toovey, 1869) II, FNs 15 and 16 (p. 234). 4. Mark Albert Johnston, Beard Fetish in Early Modern England (Farnham: Ashgate, 2011); Johnston, ‘“By tricks they shave a kingdom round”: Early Modern English Barbers as Panders’ in Thunder at the Playhouse, ed. Peter Kanelos and Matt Kowsko (Cranbury, NJ: Rosemont, 2010), pp. 97–115; Johnston, ‘Bearded Women in Early Modern England’, SEL, 1500–1900 47:1 (2007), 1–28; Johnston, ‘Playing with the Beard’, ELH 72:1 (2005), 79–103; Johnston, ‘Prosthetic Absence in Ben Jonson’s Epicoene, The Alchemist, and Bartholomew Fair’, ELR 37:3 (2007), 401–28. Cf. William Andrews, At the Sign of the Barbers’ Pole (Cottingham: J. R. Tutin, 1904) which is a collection of cultural tropes, but resists formal argument. 5. Will Fisher, Materializing Gender in Early Modern English Literature and Culture (Cambridge: CUP, 2006).
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