For Scrying out Loud: Pre-Election Considerations a Sermon Given by the Rev
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DIVINATION SYSTEMS Written by Nicole Yalsovac Additional Sections Contributed by Sean Michael Smith and Christine Breese, D.D
DIVINATION SYSTEMS Written by Nicole Yalsovac Additional sections contributed by Sean Michael Smith and Christine Breese, D.D. Ph.D. Introduction Nichole Yalsovac Prophetic revelation, or Divination, dates back to the earliest known times of human existence. The oldest of all Chinese texts, the I Ching, is a divination system older than recorded history. James Legge says in his translation of I Ching: Book Of Changes (1996), “The desire to seek answers and to predict the future is as old as civilization itself.” Mankind has always had a desire to know what the future holds. Evidence shows that methods of divination, also known as fortune telling, were used by the ancient Egyptians, Chinese, Babylonians and the Sumerians (who resided in what is now Iraq) as early as six‐thousand years ago. Divination was originally a device of royalty and has often been an essential part of religion and medicine. Significant leaders and royalty often employed priests, doctors, soothsayers and astrologers as advisers and consultants on what the future held. Every civilization has held a belief in at least some type of divination. The point of divination in the ancient world was to ascertain the will of the gods. In fact, divination is so called because it is assumed to be a gift of the divine, a gift from the gods. This gift of obtaining knowledge of the unknown uses a wide range of tools and an enormous variety of techniques, as we will see in this course. No matter which method is used, the most imperative aspect is the interpretation and presentation of what is seen. -
Episode #030 – the Inspiring Wendy Rule
“The Infinite and the Beyond” hosted by Chris Orapello Episode #030 – The Inspiring Wendy Rule 1 Episode #030 – The Inspiring Wendy Rule The Infinite and the Beyond An esoteric podcast for the introspective pagan mind hosted by Chris Orapello www.infinite-beyond.com Underline Theme: Awen and Inspiration Show Introduction MM, BB, 93, Hello and Welcome to the 30th Episode of “The Infinite and the Beyond,” an esoteric podcast for the introspective pagan mind. Where we explore a variety of topics which relate to life and one’s unique spiritual journey. I am your host Chris Orapello. Intro music by George Wood. In this episode… We speak with Australian Visionary Songstress Wendy Rule and get to enjoy some of her music. “Creator Destroyer” from her album The Wolf Sky “Guided by Venus” from her album Guided by Venus “My Sister the Moon” from her album Guided by Venus “The Wolf Sky (Live)” from her album Live at the Castle on the Hill “Circle Open (Live)” from her album Live at the Castle on the Hill We learn about the controversial, “King of the Witches,” Alex Sanders in A Corner in the Occult. In the spirit of creativity we learn about the Awen in The Essence of Magic, but first lets hear “Creator Destroyer” a haunting track by Wendy Rule. Featured Artist “Creator Destroyer” by Wendy Rule Interview Part 1 : Wendy Rule ➢ Wild, passionate and empowering, Australian Visionary Songstress Wendy Rule, weaves together music, mythology and ritual to take her audience on an otherworldly journey of depth and passion. Drawing on her deep love of Nature and lifelong fascination with the worlds of Faerie and Magic, Wendy’s songs combine irresistible melodies with rich aural textures and a rare personal honesty. -
A Short Course in Scrying
A Short Course in Scrying Benjamin Rowe copyright 1997, 1998 Introduction This paper was written in response to requests by participants of the “enochian-l” and “Praxis” internet discussion groups; it first appeared as a series of posts on those groups in early 1997. The current version has been slightly rewritten to enhance the clarity of the presentation, and to include a small amount of additional material. The techniques described herein are adaptations of techniques I learned from two sources. The first of these is Mr. Brian D., who taught me the basic method many years ago. The second is Mr. Paul Solomon and his group, the Fellowship of the Inner Light, who had transformed that method into the foundation of their system of spiritual work. Special thanks also to the “secret chiefs” of the Fellowship, for their direct and effective contribution to my work at a critical point. Some debts can never be repaid; the best that can be done is to pass on what was given. ïL Chapter 1. Preliminary Considerations To begin, the reader should understand that scrying is as much a learned skill as is reading or ice-skating. Persistent practice is necessary to teach the nervous system how to do it, even where the person has some innate talent. And as with other learned skills, there is a learning curve. At first there will be a long period when you don't seem to be making any significant progress. Then things will suddenly fall together and your practice will improve markedly in a short period, before leveling off again at something close to your highest level of skill. -
Complete Book of Witchcraft Was Born When One of the Cavemen Threw on a Skin and Antlered Mask and Played the Part of the Hunting God, Directing the Attack
INTRODUCTION Witchcraft is not merely legendary; it was, and is, real. It is not extinct; it is alive and prospering. Since the last laws against Witchcraft were repealed (as recently as the 1950s), Witches have been able to come out into the open and show themselves for what they are. And what are they? They are intelligent, community-conscious, thoughtful men and women of TODAY. Witchcraft is not a step backwards; a retreat into a more superstition-filled time. Far from it. It is a step forward. Witchcraft is a religion far more relevant to the times than the vast majority of the established churches. It is the acceptance of personal and social responsibility. It is acknowledgement of a holistic universe and a means towards a raising of consciousness. Equal rights; feminism; ecology; attunement; brotherly/sisterly love; planetary care—these are all part and parcel of Witchcraft, the old yet new religion. The above is certainly not what the average person thinks of in relation to "Witchcraft". No; the misconceptions are deeply ingrained, from centuries of propaganda. How and why these misconceptions came about will be examined later. With the spreading news of Witchcraft—what it is; its relevance in the world today—comes "The Seeker". If there is this alternative to the conventional religions, this modern, forward-looking approach to life known as "Witchcraft", then how does one become a part of it? There, for many, is the snag. General information on the Old Religion—valid information, from the Witches themselves—is available, but entry into the order is not. -
The Meaning of Witchcraft
THE MEANING OF WITCHCRAFT By G. B. GARDNER Introduction by Dr. Leo Louis Martello MAGICKAL CHILDE, INC. 35 W. 19th St. (Gerald Gardner) GARDNER GRAND OLD MAN OF WITCHCRAFT By DR. LEO LOUIS MARTELLO Gerald B. Gardner’s biography has been published many times, including a chapter on him in my own Witchcraft: The Old Religion. For the record his first Craft book was High Magic’s Aid published in 1949, a self-published work. His second was Witchcraft Today in 1954 and his last was The Meaning of Witchcraft, 1959, five years before his death. Prior to these he had written A Goddess Arrives, 1948, and Keris and Other Malay Weapons, 1936. The latter and High Magic’s Aid were published under his pen-name of Scire. In Witchcraft Today the Bibliography has no listing of Charles Godfrey Leland and in this book he lists only Leland’s Gypsy Sorcery. Yet a careful study of the Gardnerian Book of Shadows reveals that many passages were copied directly from Leland’s Aradia. The secret name of the Goddess used in Gardnerian rites is also most revealing. His new converts shed lots of heat but not too much light, especially in view of all the hagiographical hogwash written about him. Those converts who saw the light preferred to keep others in the dark. This is characteristic of all new converts to any faith. And today none of this matters as the Craft... The Old Religion... Paganism has grown and expanded worldwide where the myths of the past, the factual inconsistencies, the claims and counterclaims fade into insignificance. -
SUSI MARROTTE Paint Scrying
SUSI MARROTTE Paint Scrying Scrying is an ancient form of divination that allows the "Scryer" to see, gaze or peep into certain reflective materials to form a message. Some of the materials include glass, a mirror, water, fire, a crystal or smoke, to get intuitive messages along with images that evolve, to get and then give a message. Scrying has been used in many cultures in the belief that it can divine the past, present, or future. The visions that come when one stares into the media are believed by some to come from one's psychic mind, but this depends on the culture using the divination practice. Although scrying is most commonly done with a crystal ball, it may also be performed using any smooth surface, such as a bowl of liquid, a pond, or a crystal. Like other aspects of divination and parapsychology, scrying is not supported by science as a method of predicting the future. Susi Marrotte has fashioned a unique method of scrying. As an artist, Susi uses a dark bowl of water, where she then pours in paint and reads the images within the water, along with her psychic intuition, to present a past, present and future message which Susi has coined as "Paint Scrying." She then will flip 3 cards to validate the message given. Scrying is in Susi's DNA. Her great grandmother scryed with tea leaves with amazing accuracy. She was also known as a card reader using regular playing cards. Both Susi's great grandmother and Susi believe that their gifts come from God and Holy Spirit divine, the true sources of spiritual divination. -
A Western Esoteric Understanding of Screens and Cinema: John Dee and Edward Kelley’S Scrying Practices
A Western Esoteric Understanding of Screens and Cinema: John Dee and Edward Kelley’s Scrying Practices Student: Sascha J. van der Meer Master: Master Media Studies: Beroepsgeoriënteerde Specialisatie (Film Studies) E-mail: [email protected] University of Amsterdam Date: 07-11-2016 Master Thesis Supervisor: dhr. dr. F.J.J.W. (Floris) Paalman Word Count: 22541 Second Reader: dhr. dr. F.A.M. (Erik) Laeven 1 A Western Esoteric Understanding of Screens and Cinema: John Dee and Edward Kelley’s Scrying Practices By Sascha J. van der Meer, B.A. A thesis submitted to The faculty of Humanities In fulfilment of the requirement for the degree of Master of Arts Department of Media Studies University of Amsterdam Amsterdam November 7th, 2016 ©copyright 2016, Sascha Joëlle van der Meer 2 TABLE OF CONTENTS ACKNOWLEDGEMENTS .................................................................................................................... 4 KEYWORDS .......................................................................................................................................... 4 CHAPTER 1: Introduction ...................................................................................................................... 5 1.1 Scrying and Western Esotericism .................................................................................................. 7 1.2 Imaginary Media: The Influence of the Supernatural on Media Culture and the Possibilities of the Entanglement of Dee and Kelley’s Past Practice and Present-day Screens ............................... -
John Dee's Scrying Magic
Articles John Dee’s Scrying Magic TAKEUCHI Dai Introduction While John Dee (1527–1608 or 1609) was a person who made such huge contributions to the evolution of science and technology as a natural philosopher that he was extolled as the foremost scholar of the Elizabethan era, he devoted the last years of his life to engaging in conversation with angels and spirits through a magical technique known as scrying, which enables visions to be had with the use of a crystal ball. His vast records of this devotion were compiled into a book that was published under the title True & Faithful Relation of What Passed for Many Years Between Dr. John Dee… and Some Spirits by Meric Casaubon in 1659, exactly half a century after the passing of Dee. This had the effect of casting Dee thereafter in a bad light as it made him out to be a superstitious fanatic.1 Precisely in what way did Dee consider the relationship between his natural philosophy and angel magic? Informed by this question, we hope to evaluate the techniques of scrying in the context of Dee’s academic framework and shed light on its methodological significance. 1. Archemastrie and scrying John Dee’s The Mathematical Praeface, which was attached to the English-translated version of The Elements of Geometry of Euclid of Megara published in 1570, came to have a huge impact on the evolution of science and technology at the time. A truly broad range of academic fields – including astronomy, music, geography, navigation, architecture, zographie, and optics – were provided with a foundation and accordingly systemized by mathematics. -
Scrying - Oracles of Divination
Scrying - Oracles of Divination Scrying is a method of divination and takes on many forms. Information received varies with the type of scrying one is using to get answers. Information can be objective, message given that are independing of the scryer - or subjective, determined or influenced by the scryer. Scrying can also be viewed as a form of mediumship, messages allegedly coming from another realm. This all goes to the scrying tool used and the interpretation of the symbol shown. A dream dictionary is often helpful. As consciousness is evolving, so too are the meanings of the symbols. Scrying comes from the Old English word descry meaning "to make out dimly" or "to reveal." Adding the prefix/suffix 'be' (often 'gye' in Germanic languages), gives us the modern word 'describe'. Art of Scrying Scrying can be an auto-deepening trance process that progresses in stages using tools such as a crystal ball, or other medium. Initially, the medium serves as a focus for the attention, removing unwanted thoughts from the mind in the same way as a mantra. Once this is achieved, the scryer begins a free association with the perceived images suggested, Applicatus Occultus Metaphysicus (AOM) i for instance in a crystal ball, by the tiny inclusions, web-like faults and/or the cloudy glow within the ball under low light (i.e. candlelight). The technique of deliberately looking for and declaring these initial images aloud, however trivial or irrelevant they may seem to the conscious mind, is done with the intent of deepening the trance state, wherein the scryer hears their own disassociated voice affirming what is seen within the concentrated state in a kind of feedback loop. -
The Experience of Wiccan Counsellors: an Interpretive Phenomenological Analysis
The Experience of Wiccan Counsellors: An Interpretive Phenomenological Analysis Stuart James North A thesis submitted in partial fulfilment of the requirements of the University of the West of England, Bristol for the degree of Professional Doctorate in Counselling Psychology Faculty of Health and Social Sciences, University of the West of England, Bristol August 2020 Word Count: 35,337 With grateful thanks to: my parents; my initiators and teachers in both Wicca and psychotherapy; my participants; and my supervisors. 2 Abstract This research examines the experience of Wiccan counsellors through interpretive phenomenological analysis (Smith et al 2009). Five Wiccans, whose professional accreditation would enable them to deliver some form of ‘talking therapy’ within the UK National Health Service, were interviewed in a semi structured format intended to capture participants’ experience as therapists and Wiccans. Emergent themes were: Developmental Spiritual Quest, which contained two subordinate themes; Transformative Mystical Experience and, in the case of the three female participants Spiritual Emancipation as Women. Secondly, Perception of Self as Outsider in that most participants saw themselves as eccentric to the mainstream. Weighting Experience over Rationalism addressed how most of the participants described reality. Fourthly, Balancing Spiritual Identity with Professional Role in that all participants worked to balance authenticity with understandings of ‘professionalism’ as articulated within clinical healthcare discourse. Spiritual Life Supports Work as Therapist reflected the sense that participant’s spiritual lives supported their clinical work. Employing Zinnbauer and Pargament’s (2000) framework describing religion and psychotherapy it was found that no participant adopted an exclusivist approach, rather they adopted either pluralistic or constructivist perspectives. -
Circle of Magic Jump by SJChan & Others V
Circle of Magic Jump By SJChan & others V. 1.0 Welcome to the world of the Circle of Magic, a world where there is magic in everything, where every crafting skill possesses the potential link to some greater power than the merely creative. In this world, Ambient Mages draw power from the world around them, be they Weather Mages, Plant Mages, Thread Mages, or Smith Mages. This magic flows from the world into the mage, and the mage shapes it then releases it back into the world, a circle. Though each different Ambient Magic is strong in some areas, weaker in others, none has any hard and fast limitations. What one Ambient Mage can do working with Wood, another might do in Glass or Stone or Paint or Dance. The only hard and fast limits on an Ambient Mage’s power are their creativity and endurance, for the working of magic is draining in the extreme. And of course, firm control over one’s emotions is vital, since the forces associated with each Ambient Magic type will gather around their chosen worker and respond to their emotions. A Stone Mage full of anger can cause earthquakes or volcanic eruptions, a Weather Mage summon gales or storms, and a Plant Mage… best not to think about such things. This is a world of wonder and danger, of magic and politics, and of traditions older than any memory. To make your stay here more interesting, it is the Will of the Empress that you be given 1000 Circle Points . Spend them wisely. -
Crystal Gazing Its History and Practice, with a Discussion of the Evidence for Telepathic Scrying
B Y THE SAME A UTHOR THOUGHT TRANSFERENCE A Critical and Historical R eview of the E v idence for Telepathy with a R ecord o f New Experiments 1902 o n et 1903 . Cl th CRYSTAL GAZINO Its H s or and Pract a Dis i t y ice, with ca ss ion of the E v idence for Tele a S r n n ro u on An p thic c yi g. I t d cti by L r A LL. D w an . M . C o d e g, , l th DODGE PUBLI SHI NG COM PANY 40-42 E as t roth Street New YOR K C R Y ST A L GA Z I N G I ts Histo r and Pra ti e with a y c c , Discu ssion of the Evidence for Telep athic Sc rying With an I ntrodu ction by D A . LL . AN D R EW LAN G M . , , By A T T TH M AS M . N O R HC O E W . O Au thor of Thought Trans ference NEW YORK Dodge Publishing C omp any 40—42 East l gth Street THE NEW Yon: PUBLIC LIBRARY A STO R , L E N O X A N D TILD E N FO UN DA T IO N S 19 3 7 ' 1 905 BY Cor vnrcn r, , m uc Co. Done: P U BL rs C ON TEN TS INTRODUCTION CHAPTER I SUPERSTI TI ON AND I NCREDULI TY CHAPTER II VI SION A N D VI SIONS CHAPTER III CRY STAL VI SIONS CHAPTER IV T m: PE M A N D T H E ME HOD OF SI I T S CULU , T U NG CHA PTE R V HI STORI CAL CHAPTER VI HI STORICAL CHA PTER VII “ Tm: INCANTATION OR CALL vii CONTENTS CHAPTER VIII 5 EGYPTI AN SCRYI NG CHAPTE R IX MORE EGYPTI AN SCRYI N G CHA PTER X PROPH ETIC AND TELEPATH I C SCRYI NG CHA PTER XI EVI DENTI AL CASES CHAPTER XII E x PERI M E N TATION BIBLI OGR A PHY I NDEX I N TRO DUCTI ON ” DO you believe in crystal gazing ! is a question ca n : which one is often asked .