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S Chimmel Classic Schimmel Classic Grand and Upright Pianos 2016 | 2017 Schimmel Classic Schimmel THE NAME SCHIMMEL STANDS FOR QUALITY 1885 is a momentous year for our company. It was in May of this year that Wilhelm Schimmel built his first piano. Inspired by a pioneer spirit and single-minded perseverance, his maxims were always oriented to the expectations of his customers. They could hear and feel the love and care with which his instruments were built and how they were up to standards of tone quality and touch which even at that time were high. Up until today nothing has changed in this respect. We stand behind our products with our name. LIST OF GRAND AND UPRIGHT PIANO MODEL SERIES Grand Pianos Weight Ebony White Mahagony Series Model L (inch) | L x H x W (cm) Page (lbs | kg) high gloss high gloss high gloss C 213 Tradition 7' | 213 x 102 x 154 871 | 395 ■ ■ ■ 6 C 189 Tradition 6' 2" | 189 x 102 x 154 796 | 361 ■ ■ ■ 8 C 169 Tradition 5' 6" | 169 x 102 x 154 692 | 314 ■ ■ ■ 10 Upright Pianos Weight Ebony White Mahagony Waln., Alder, Series Model H (inch) | H x W x D (cm) Page (lbs | kg) high gloss high gloss high gloss Cherry sat. C 130 Tradition 51" | 130 x 151 x 62 478 | 217 ■ – ■ – 12 C 126 Tradition 49" | 126 x 149 x 62 545 | 247 ■ – ■ – 14 4 | 5 C 120 Tradition 47" | 120 x 148 x 59 518 | 235 ■ ■ ■ ■ 15 Elegance C 120 47" | 120 x 148 x 59 551 | 250 ■ ■ ■ – 16 Manhattan Tradition C 120 47" | 120 x 148 x 59 518 | 235 – – ■ – 18 Marketerie Royal Intarsie C 120 47" | 120 x 148 x 59 518 | 235 – – ■ – 19 Flora C 120 Royal 47" | 120 x 148 x 59 518 | 235 ■ – ■ – 21 C 116 Tradition 46" | 116 x 148 x 59 507 | 230 ■ ■ ■ ■ 22 Ebony high gloss White high gloss Mahagony high gloss Modern C 116 46" | 116 x 148 x 59 507 | 230 ■ ■ – – 23 Cubus C 116 Modern 46" | 116 x 148 x 59 507 | 230 ■ ■ – – 24 * Deviations are possible. Walnut satin Alder satin Cherry satin C213 Tradition Ebony high gloss THE INNOVATIVE SCHIMMEL TRILOGY Our largest Classic grand piano C 213 is based on the design characteristics of our full size Koncert grand piano K 280. Essentially, the ‘sound system’ in the middle and treble section and the action of our Konzert grand piano K 280 was partly transferred into the Classic grand piano C 213 – and with it the tonal character and the touch of our large con- cert grand piano. This outstanding and innovative idea was consequently transferred into every grand piano down to our smallest grand piano model, which is unique in the piano world. Because of this a pianist receives a part of our full size concert grand in each of our grand piano models. As we manufacture three grand piano sizes in our Classic series we simply call it ‘the unique Schimmel Trilogy’. 6 | 7 C189 Tradition Ebony high gloss FOR DISCERNING PIANists The medium-sized grand piano of our Schimmel Trilogy meets the high expectations of pianists in a special way. Rigorous construction ideas come together with the most fre- quently played grand piano size as working tool for pianists. The instrument shouldn‘t be too big, because often space is limited. But it has to be large enough to offer pianists tonal richness and sonority. The precise transfer parts of the action and large parts of the sound system of our full size concert grand into the C 189 therefore makes this model an ideal “tool” for demanding pianists. 8 | 9 C169 Tradition Ebony high gloss WITHOUT COMPROMISES Even with the smallest Classic C 169 grand piano we do not compromise. Partwise the identical action and large parts of the ‘sound system’ from our full size concert grand is here also implemented. Combined with our extreme soundboard expansion in the lateral region, this creates a true giant among the small grand pianos that is effortlessly compa- rable to the larger grand pianos. This is uniqueness can be heard and felt. 10 | 11 C130 Tradition Ebony high gloss HARMONY IN SOUND AND PERFORMANCE The eye listens too – this is why the combination of first-class sound and corresponding design is so vital. The unostentatiously elegant C 130 Tradition is one of the great pianos of its type and an instrument of excellence in itself. Touch and tone are harmonised perfectly from the powerful bass notes up to the sparkling treble register. We also de- liver the black polished version with an oval panel inlay – a small but effective stylistic element. 12 | 13 C126 C120 Tradition Tradition Ebony high gloss Ebony high gloss 14 | 15 IDEAL CONVINCING PROPORTIONS CLARITY What happens when the principle of the ‘golden section’ is transferred to a piano? It produces It is music to our ears when the French musical periodical Le Monde de la Musique* describes the well-proportioned models such as the C 126 Tradition. In art and architecture, the golden section model series as ‘evidence for the great tradition of piano manufacture in Germany,’ and further: is frequently considered as the ideal proportions between certain combinations of lengths and is ‘Schimmel pianos are without doubt ... more than a mere study instrument ... A direct hit amongst also viewed as being the epitome of aesthetics and harmony. Seen from this aspect, this model the instruments tested ... [It] is distinguished by the fine richness in tonal quality and harmonic certainly fulfils all criteria. structure. This is an instrument which has been thought through right down to the last detail ...’. * 09 | 1997, Yves Guilloux C120 Elegance Manhattan Ebony high gloss ELEGANCE WITHOUT ORNAMENTATION AND CLEAN LINES Is it perhaps due to the simple, unembellished and clear lines of the instrument? The piano C 120 Elegance Manhattan has been in our programme for numerous years now and con- tinues to be a great favourite. This is a timeless instrument which will accompany pianists loyally. 16 | 17 C120 Tradition Marketerie Mahagony / Myrtle high gloss INDIVIDUALS WITH GREAT CHARISMA An old stylistic technique lends our model Royal an extravagant touch – marquetry. In previous centuries, this technique was utilised for the decoration of expensive furniture. In contrast to the inlay technique, marquetry is prepared in its entirety beforehand and consists of small veneer elements assembled to be subsequently glued onto the wooden corpus. Marquetry experts base their motif designs on the colour and structure of the primarily exotic wood types employed. With the aid of this veneer technique, our experts produce unusual individual elements manufactured from myrtle to great effect. 18 | 19 C120 C120 Royal Intarsie Flora Royal Mahagony high gloss Ebony high gloss MAJESTIC IN TONE AND DESIGN Taste is the art of an understanding for detail and also of presenting this detail in an accomplished fashion. The exceptional personality of the model Royal is characterised by the model’s piano legs with its traditionally carved stylistic elements from solid wood. The majestic appearance of this upright piano transforms music-making into an experi- ence for all the senses! It is details which characterise the perfection of Schimmel instru- ments, but perfection is anything but a detail itself. Specialists invest a great deal of time and their entire range of abilities for the carving of wood inlays, each one of which is an artistic jewel in itself. With immense technical skills, miniature artistic works are created with the aid of a scalpel and the precision of a surgeon. This work requires patience and also a good judgement of proportions and shades of colour. The result: instruments for aficionados such as the upright Royal Intarsia Flora piano. 20 | 21 C116 C116 Tradition Modern Cubus Ebony high gloss Ebony high gloss 22 | 23 MOst FAVOURED AN ACCOMPLISHED MODEL TREAT FOR THE SENSES What makes this piano the best-seller of all Schimmel models? Perhaps because this instrument As a variation of the C 116 Modern the classical console construction method, with legs and possesses the ideal combination of reliability, playability, tonal quality and elegance. The model toes, stresses the vertical aspect and gives the C 116 Modern Cubus more visual substance. C 116 Tradition, the younger brother of the C 120 Tradition, has made it to the top of the list. This Whether with or without console, both models offer musically and visually a perfect benefit for piano has been in our programme for over a decade, and its popularity remains unbroken. Pianists the senses. prefer to return again and again to a faithfull. C116 Modern Ebony high gloss OutstANDING DESIGN Maximum musical pleasure combined with first-class design produces masterworks such as the C 116 Modern piano. The clear and minimalist design emphasises the vertical plane and gives the models stature. New manufacturing techniques and materials, such as the aluminium employed to provide a counterpoint to the polished piano varnish, highlight the essential elements of the instrument. The exceptional puristic design has earned these instruments numerous design awards. 24 | 25 FOUR GENERATIONS – 26 | 27 ONE PASSION 1885 Success demands courage and passion. Both of these quali- ties were demonstrated by Wilhelm Schimmel, the founder of our company. Shortly after the completion of his training as a piano manufacturer, he established his own workshop in Leipzig and produced his first piano at the beginning of 1885. His instruments were impressive for their advanced tech- nique, excellent tone and contemporary form. Both he and his slogan ‘Quality will prevail’ were proved right by his success. Leipzig, 1896 1961 Nikolaus Wilhelm Schimmel became head of the company and focused on the continuity of the firm’s expansion in the third generation.
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